
6 RULES TO LIVE BY Arguably the top priority for media businesses in 2025 is to reduce operational costs. But that's easier said than done when you're faced with increasing content delivery demands for an ever-evolving consumer landscape. Based on our real-world experience working with international media organisations, we've put together six principles to help you save money across the content supply chain.
1. You can't monetise what you can't see. There are vast libraries of unmanaged content running into the 10s of petabytes at a number of the big production labels much of which isn't even available as a browsable version. This media may as well not exist as you can't monetise what you can't see. This is a common situation that's increasing due to the significant M&A activity in the industry where multiple media catalogues have been combined from once separate production and distribution companies. But large volume content management is not an insurmountable problem. The first priority for any content owner or rights holder should be to bring everything under management so that you understand what content is in the library. Connect the MAM to the media, wherever it is, and have it register the material, generate a visible browse version, and hoover up as much metadata as you can find. If there really is no data, a simple microservice program can automatically generate metadata based on the information contained in your filenames. You might be surprised by how far this will take you.
2. Nobody move anything, until you know what it is. An end-to-end media supply chain is not synonymous with the cloud. Your media and the workflows involved in creating, managing and delivering content across various platforms and tools can be controlled and observable whether it's in the cloud, on the ground (on-prem') or any combination of the two. Bringing media under management doesn't mean moving it to the cloud or anywhere else. Once you've registered the assets and made them visible (see point 1 above) you can make an informed, value based, business decision as to where the most appropriate place is for them to be stored. Too often we hear media execs talking about their cloud strategy rather than the business strategy and the cloud' as an outcome whereas it should be viewed as a component - albeit an extremely powerful component of a business objective.
3. Clean as you go. Cloud services can deliver significant flexibility and efficiency. Equally, storing material in cloud storage has accessibility and security benefits. But cloud storage is definitely not the least expensive option. So, if you choose to migrate your content into the cloud, it's worth getting your housekeeping done before you make the move. First understand what you have, what condition it's in, what the likely value is, and what rights you hold. Other simple housekeeping tasks such as material deduplication or identifying minutes of colour black run out from a digitised tape, or camera pointing at ground rushes can also be carried out with the material in situ. The 90's broadcast engineers' joke of operators inadvertently archiving hundreds of hours of colour bars isn't quite so funny when you move from a $10/TB LTO to incrementally priced cloud storage.
For this reason, we tend to support a controlled migration of content and workflows to the cloud rather than the forklift content and sort it out when it gets there' approach.
4. You don't need to shut down existing systems to modernise your operation. Your legacy' systems can, and probably do, still deliver value. There's no need to change your entire technology ecosystem just because you want to introduce new tools, streamline your workflows or take advantage of cloud scale. In a constantly developing technology landscape, the best approach is to integrate, not deprecate. Your MAM orchestration platform should integrate with both legacy and new technologies so that existing systems can continue to deliver value while new tools - such as AI applications - can be readily incorporated into workflows to support ever changing business needs. At Blue Lucy we achieve this by using our BLAM microservice architecture to connect disparate systems and enable a controlled migration to modern workflows.
5. It doesn't matter where the content is. No, really. The actual location of your content should have no bearing on your ability to monetize it. Your MAM should provide easy and uniform access to all your assets, no matter where the ops' team or the media is physically located. On-prem and cloud storage should be viewed interchangeably rather than one being for operations, such as fulfilment, and the other for the safety copy because your MAM knows' where the material is and can be configured to use the most appropriate repository. And, if your operation is all cloud, then the need for a safety copy is moot as the cloud vendor can provide multi-copy resilient storage through simple configuration. 80% of Blue Lucy BLAM deployments are hybrid and use both cloud and ground storage.
6. Start small and work incrementally. Big bang Transformation projects are dead, and good riddance. Big projects cost big money, carry big risk and often end up in big disappointment (when they're not quietly killed). Even the successful ones take a long time to deliver value, and the true RoI rarely moves the needle on the CFO's dashboard, certainly after the long-departed big consultancy company fees are included.
Instead, big projects can be delivered in small steps using modern service-based technology and open APIs. That's why we recommend focussing projects on end-to-end solutions for a thin, horizontal operational slice. This approach proves the technology and the business
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...
23/07/2026
Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...
23/07/2026
This Spring 2026 graduate from Honolulu found a home at SoonerVision as a live-production star and is ready to enter the industry as a replay op on Prime Video&...
23/07/2026
As the AUSL postseason begins tonight, listening in to players during games enhances fan engagement for the young organization
Ballplayers chatting with announ...
23/07/2026
Snap Inc. and the Esports Foundation have announced Snap's activations at the Esports World Cup 2026 in Paris, running July 6 through August 23. For the fir...
23/07/2026
Sony has announced the FX5, a full-frame Cinema Line camera built around a newly developed fully stacked Exmor RS CMOS image sensor and BIONZ XR2 image processi...
23/07/2026
TNDV (a division of Live Media Group) provided technical production support for the Pickleball Slam 4 live broadcast from Seminole Hard Rock Live in Hollywood, ...
23/07/2026
LTN has announced it has completed satellite-to-IP migrations for more than 3,00...
23/07/2026
Daktronics has announced the winners of the 2026 DakClassroom Student Showcase, a national competition recognizing student work in media production, storytellin...
23/07/2026
The French Tennis Federation (FFT) and beIN Media Group have announced a five-ye...
23/07/2026
Clear-Com provided the communications infrastructure for the Fryderyk Awards Gal...
23/07/2026
The 2026 FIFA World Cup is, on paper, an unparalleled financial success. Total t...
23/07/2026
Standing inside HQ3 at MediaCity Studios during the FIFA World Cup 2026, it quic...
23/07/2026
Having attracted upwards of 17 billion views throughout the tourney, the broadca...
23/07/2026
Quickly creates reverse reverb effects
Low End Candy have recently released a new plug-in that offers a quick and simple way to create reverse reverb effect...
23/07/2026
New engines, resonators, effects & more
Expressive E's versatile soft synth has just been treated to an update that greatly expands its sonic range. Noi...
23/07/2026
SGL Carbon has further expanded its photovoltaic capacity at its Ort im Innkreis site in Austria. With the commissioning of new PV carports, the sites solar sys...
23/07/2026
NITV launches new By Mob For Mob series in partnership with NRMA Insurance
23 July, 2026
Media releases
National Indigenous Television (NITV) has launched ...
23/07/2026
Rohde & Schwarz presents new software for three-phase power analysis on MXO seri...
23/07/2026
In our latest blog, Laura Rognoni explores how the launch of Play Snooker reflects a wider shift in sports economics - from monetising peak broadcast audiences ...
23/07/2026
Download Now!
To receive a short case study showcasing Vivid Broadcast's audio setup, please enter the following details:
--
First Name* First Name ...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Witbe brings its AI-native testing and monitoring infrastructure to Amsterdam: demonstrations on real devices, a peer-reviewed technical paper in the conference...
23/07/2026
Quickplay, Caretta Research, Evergent, and Yospace have announced that the renowned IBC Pride Happy Hour will once again bring the vibe and fun back to IBC on F...
23/07/2026
At IBC2026, Interra Systems will present this year's focus: operational AI at scale for QC, monitoring, and captioning workflows. The industry has moved pas...
23/07/2026
Illusionfx is finally coming!
Alex Perea July 23, 2026
0 Comments
The new website is now live to mark the occasion.
Since the last update, feedback h...
23/07/2026
Evergent (5.A86) will showcase its Agentic Revenue Orchestration Platform for streaming services, sports leagues, pay-TV operators at IBC2026 (RAI Amsterdam, 11...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
David Dvir, 2D founder (left), Sundeep Reddy (center), and Jean-Marc Bouchut (right), both of Zeiss...
23/07/2026
Screen Australia announces new national documentary accelerator program 23 July 2026
Screen Australia has today announced the Above the Line Documentary Accel...