
On the Pitch: Vancouver Whitecaps Call Rio Tinto Stadium Home With Assist From Real Salt Lake In-Game Crew Whitecaps Jeremy Benjamin teams with RSLs Stacey Taggert on live show By Brandon Costa, Director of Digital
Friday, June 4, 2021 - 1:46 pm
Print This Story | Subscribe
Story Highlights
The past 10 months have been a whirlwind for Major League Soccer. After last summer's MLS Is Back Tournament in the Orlando bubble and the eventual return to empty home stadiums, the attendance of some clubs in the league are returning to pre-pandemic levels. Much like At the Ballpark, On the Gridiron, On the Hardwood, and At the Rink, SVG's On the Pitch takes you into the control room with in-venue crews to understand what their job is like before, during, and after the official's whistle is blown.
This week, MLB's Toronto Blue Jays packed their bags, moving from one home ballpark to another, and traded out TD Ballpark in Dunedin, FL, for Sahlen Field in Buffalo, NY. The Toronto Raptors spent the entire 2020-21 NBA campaign as the Tampa Raptors, in a temporary residency at Amalie Arena.
The past year in North American sports has turned numerous Canadian franchises into nomads: wandering multimillion-dollar megabrands looking for a friend to let them crash on the couch.
That is particularly true for Major League Soccer's Canadian clubs. Take Vancouver Whitecaps FC, for example. The last time they played a match in their home stadium of BC Place was Feb. 29, 2020: 461 days ago. Since the coronavirus outbreak last March and the restart of play in MLS last July, the Whitecaps have called three stadiums home: Disney World (in the MLS Is Back bubble); Providence Park in Portland, OR (at the conclusion of the 2020 campaign); and now Rio Tinto Stadium in Sandy, UT.
If home truly is where the heart is, the staff at Vancouver Whitecaps must have a pretty big heart.
We've gotten used to producing for other stadiums, says Jeremy Benjamin, specialist, game presentation, events and experience, Vancouver Whitecaps. It's quite strange, but I think one of the best things is that the people we are working with are incredibly gifted and what they do and the MLS game-presentation family is always there for you. We're just trying to make it work and make the best atmosphere that we can for our team and for broadcast. It has been interesting but really challenging and fun right now.
MORE ON THE PITCH INTERVIEWS:
Sporting KC Focuses on Firing Up Limited-Capacity Crowd at Children's Mercy Park
Real Salt Lake Shares Rio Tinto Stadium With Vancouver Whitecaps FC
The MLS Game-Presentation Family' This season, with none of the video staff embedded with the club in Utah, Benjamin's boots on the ground has been Real Salt Lake Director, Game Presentation, Stacey Taggert. The Whitecaps team creates the content, but the actual execution of the show is done on match day by the in-game-presentation crew from Real Salt Lake.
Vancouver Whitecaps are currently playing home matches at Rio Tinto Stadium, home facility of Real Salt Lake. (Photo: Vancouver Whitecaps FC)
Prior to a match, Benjamin and his colleagues in Vancouver send all the scripting to the RSL staff. That includes run of show, LED rotation, and competition timelines. All major video assets are delivered directly through a file-transfer site. Benjamin makes things as streamlined and organized as possible so it's an easy pickup for Taggert and her team.
Key video content - standards like the prematch hype video, an intro video, an opening sting, a captain chant - is designed to build the atmosphere prior to the opening kick. And there's plenty of Vancouver-themed elements, such as sizzles with scenic shots from the city.
We want to drive that connection to home, says Benjamin, a childhood fan of the Vancouver Whitecaps, a ball boy when the club played at old Swangard Stadium, and a full-time employee of the organization since 2018. We're trying to build a sense of community no matter where [the team] is. That's the big objective.
For him, the past year is a testament to the great people across MLS. When the club was in Portland, he worked with Timbers Director, Event and Promotions, Morgan Lunz and Production Manager Erick Alley. Now, in Utah, Taggert and RSL Videoboard Director Mike Chidsey have served as ambassadors of the boards.
Just incredibly awesome people, says Benjamin. The operations side, the First Team side, the hospitality they give us are top-notch. Stacey is such a treat to work with. She's putting out some of the fires that we'd be putting out at BC Place: partners needing last-minute additions, cleaning up content. She always makes it work, and it has been such a pleasure.
Accommodating Artificial Crowd Sound One of the most significant differences between the Vancouver Whitecaps atmosphere and that of Real Salt Lake at Rio Tinto Stadium is that 10,000 fans have been allowed to attend RSL matches since early March. In fact, a recent announcement says the club could go back to nearly full capacity as soon as June 18. That means Taggert and her team have already returned to a standard style of game presentation, using video and music elements to hype up the home crowd.
Vancouver Whitecaps have not hosted fans at any of its home matches at Rio Tinto Stadium. Fans will be welcome for the first time at the club's next home match.
Meanwhile, Whitecaps matches remain audience-free, spurring the use of artificial crowd sound in the building. The Whitecaps' in-venue team used recorded crowd audio from matches at BC Place to build a menu of crowd chants and reactions to deploy during the game. Taggert's side has been happy to oblige in meeting that challenge.
We have generic crowd noise during the entire match and specific chants that we'l
More from Sports Video Group
09/11/2026
In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis
The Audio Engineering Society (AES) c...
09/11/2026
Content creation and rights, YouTube archive, production workflows, investment, ...
09/11/2026
Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...
09/11/2026
SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...
09/11/2026
BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...
09/11/2026
SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule:
Media Tech Business Forum (Monday, Nov. 1...
09/11/2026
The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...
09/11/2026
Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif.
Devo...
09/11/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
09/11/2026
Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...
09/11/2026
The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...
09/11/2026
SMT provided production technology and graphics support for all three NASCAR nat...
06/11/2026
It's been a big week in Australia horse racing as the Victoria Racing Club (...
06/11/2026
Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...
06/11/2026
The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...
06/11/2026
NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...
06/11/2026
Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...
06/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/11/2026
It's been nearly two years since MLS Productions made the move to WWE's ...
06/11/2026
All 30 clubs take the field Saturday, and every camera, graphic, and feed runs t...
05/11/2026
The Chicago native has emerged as a leader at Marquette's student-run production operation, directing broadcasts, mentoring peers, and building toward a car...
05/11/2026
Sky Sports will broadcast the inaugural 2026 and 2027 seasons of the women's TGL (WTGL) exclusively in the UK, as part of an expansion of its golf rights th...
05/11/2026
CP Communications worked with Gravity Media to bring Gravity's SMARThead rob...
05/11/2026
Gravity Media developed a remote production solution for Beyond Productions'...
05/11/2026
Canon U.S.A. has announced a firmware update for its Cinema EOS cameras, includi...
05/11/2026
Canon Inc. is celebrating the 15th anniversary of the Cinema EOS System this month, Canon U.S.A. announced. Launched in 2011 for professional video production, ...
05/11/2026
Canon U.S.A. has announced new Cinema EOS Lens Kits and an EOS C50 Videographer Kit. Sales are scheduled to begin in mid-November 2026.
The lens kits pair the ...
05/11/2026
Dick Stockton's broadcasting career was marked by longevity, versatility, an...
05/11/2026
The United Football League Draft is set to take place at Ball Park Village in St. Louis on beginning on November 18 and the UFL today announced that players fro...
04/11/2026
The company's chief revenue officer shares its new messaging emphasizing its...
04/11/2026
Gravity Media has brought its SMARThead robotic camera technology to the United ...
04/11/2026
WWE and The Walt Disney Company have announced a two-day takeover of ESPN Wide W...
04/11/2026
RT combined Calrec's Type R system with its SMPTE ST 2110 network to change how it mixed commentary for the 2026 World Football Championship. Where six com...
04/11/2026
D sseldorf-based production company Bildquadrat is using Riedel's Virtual SmartPanel (VSP) to expand its intercom infrastructure for mobile and geographical...
04/11/2026
Verizon, an official NFL partner since 2010, has outlined its network and connected-technology work for the 2026 NFL season, spanning officiating, coach communi...
04/11/2026
It's not just the video. The in-venue sound and noise also bring the energy ...
03/11/2026
Grass Valley has announced that France T l visions has completed the first phase...
03/11/2026
SES and WELT TV have renewed their partnership under a new multi-year agreement for satellite distribution in Germany. The agreement runs into the next decade a...
03/11/2026
Eutelsat's OneWeb low Earth orbit (LEO) network will provide connectivity as...
03/11/2026
CONMEBOL has renewed its agreement with GRUP MEDIAPRO, which will continue to run the CONMEBOL Hub's end-to-end operation through 2030. The Hub handles prod...
03/11/2026
Aggreko has returned as Official Temporary Power Partner for the FORMULA 1 HEINE...
03/11/2026
Gravity Media has deployed its fully IP-based OB truck, Nova 110, in Belgium for the first time. It made its operational debut supporting a UEFA Europa League m...
03/11/2026
The NFL and TMRW Sports have unveiled Premier Flag, the brand identity for a new...
03/11/2026
Stephen Arnold Music has developed the original musical theme and sonic branding...
03/11/2026
Monumental Sports Network (MNMT), the local media rights holder for the NHL's Washington Capitals, NBA's Washington Wizards and WNBA's Washington My...
03/11/2026
Able to provide unique views from inaccessible positions, the in-house-built tec...
03/11/2026
In under two years, a seven-person startup has grown to more than 270 staffers, ...
03/11/2026
The company's mobile technology is intended to enhance digital storytelling and turn young athletes into content creators
Olympics history is currently bei...
03/11/2026
There are many challenges in the sports-video-production industry that keep personnel up at night, and one that's currently on the minds of individuals in b...
03/11/2026
Telstra Broadcast Services may call Australia home but this year it continued to...