
At Dawn of AAF Era, Technological Innovation Drives Live Productions Dual Skycam, at-home production, and a virtual studio will play major roles By Jason Dachman, Chief Editor
Friday, February 8, 2019 - 2:11 pm
Print This Story
Story Highlights
The inaugural season of Alliance of American Football (AAF) kicks off this weekend, and all four game productions are expected to feature next-gen production tools aimed at delivering a football-viewing experience unlike anything viewers have seen before. Highlighting the tech expected to be deployed this season are dual Skycam systems on every game, a state-of-the-art virtual studio for pre/postgame and halftime shows, an RFID-chip-based player-tracking system, and live mics on coaches and quarterbacks.
The inaugural AAF season kicks off on Saturday night in primetime on CBS.
There are a number of technological advances that we're going to have, said Alliance of American Football Co-Head of Production Mark Teitelman during an SVG event at Sneaky Big Studios last month. Being able to build something from the ground up is something we're all proud of. I think the quality of football is going to be really, really strong; we certainly have a lot of impressive NFL people working on it. So I feel good about what we're going to put on TV. And it's our job as storytellers, as producers and directors to make it look as good as possible.
The upstart league is attempting to balance high-end production elements with cost-efficient workflows. During the season, two of each weekend's four games will be produced remotely from a control room at Sneaky Big in Scottsdale, AZ (where the virtual studio also is located).
The Viewing Experience: Streamlining How Fans Watch Football
The league has inked deals with CBS Sports, NFL Network, and Turner Sports. The action kicks off tomorrow with a pair of primetime games on CBS, which will also carry the Championship Game in April. On Sunday, CBS Sports Network kicks off its 11-week AAF Game of the Week at 4 p.m. ET, and NFL Network's 19-game AAF slate at 8 p.m. (the network will carry two primetime games per week for the remainder of the regular season).
The AAF production team will have more freedom to deploy Skycam in a variety of locations compared with NFL coverage.
TNT will televise one AAF regular-season game (Feb. 16 leading into NBA All-Star Saturday Night) and one playoff game. Additional regular-season games will be available weekly via B/R Live. Fans will be able to stream AAF games for free through the league's soon-to-launch app.
In addition to the technology, viewers can expect a more streamlined football-viewing experience. According to Teitelman, AAF games will have no TV timeouts and less than half the commercials of an NFL game, as well as no kickoffs and extra points. With a simplified structure and the league's full ownership of all eight teams, Teitelman believes, production teams will have an unparalleled level of freedom for storytelling.
When Charlie [Ebersol, AAF co-founder/CEO] pitched me to come on board, he basically said, You have a blank slate, says Teitelman, a veteran NFL Network/Fox Sports NFL-game producer. We own the league, and we own the teams, so we don't have to go get 32 owners' permission or go through a competition committee to [deploy new production elements]. We're certainly not a gimmick league, though; it's real football. But there are certainly some freedoms that we have that the NFL doesn't [provide]. That opens up a few more channels for us and gives us a chance to paint with a little wider brush.
Game Coverage: Coverage Will Be Based on Skycams
According to Teitelman, each game production will feature six or seven cameras - whether onsite or at-home production - including two Skycam systems. For the two at-home productions each week, the Skycam pilots will be onsite, but the operators will be located at Sneaky Big.
AAF's Mark Teitelman (right) previewed the league's production plans during a Q&A with Sneaky Big's Ben Grafchick at a SVG Regional Platinum Series event in January.
Although most football productions deploy three up-high cameras to cover the field, AAF games will typically have one. However, Teitelman says, production teams will compensate with a more liberal use of the two Skycam systems at their disposal.
Rather than simply locating the Skycam behind the offense or above the line of scrimmage, the production team will have the freedom to maneuver the systems almost anywhere on the field. Viewers can expect to see Skycam views never seen in NFL action, including from the defense perspective and off-axis sideline angles. In the red zone, the Skycam will often be located along the sideline, operating like a traditional camera cart but with the capability of flying down the sideline or toward the action.
Our goal is to figure out if there's a way we can show [the game] differently from what everybody else has been [showing it], says Teitelman. We'd like to see the Skycams on the sideline in a very intimate play-by-play [integration]. It's very complicated, and we have to play with it and really work at it. But there are a lot of things those cameras can do that producers have been a little reluctant to get super adventurous with.
On the audio side, head coaches and quarterbacks will be miked (including play-calling comms) when available. And, with more freedom to deploy live mics on the field, the production team will look to capture more NFL Films-style inside-the-game audio.
One thing that has always bothered me is, we do an NFL game on Sunday and, that Tuesday, you see the NFL Films version on Inside the NFL. And it's a totally different game because you hear everybody talking; you see what they're saying. I would love to be able to give view
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
21/05/2026
Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite produ...
21/05/2026
Freshly graduated, this upstart producer, director, and camera operator is already working as an AP on videoboard shows for the Philadelphia Phillies
In the li...
21/05/2026
Media Links has announced a channel partnership with Clearcast Asia, a broadcast...
21/05/2026
SiriusXM and NASCAR have announced a multi-year renewal of their broadcasting agreement. SiriusXM will continue to carry live broadcasts of every NASCAR Cup Ser...
21/05/2026
Audio-Technica held a demonstration event at its Technica House location in New ...
21/05/2026
Ateme has announced that RTL Deutschland has selected Ateme's software-based...
21/05/2026
LiveU has announced that BCC Live deployed the LU900Q intelligent production unit for the first time during the 2026 Memorial Hermann IRONMAN Texas North Americ...
21/05/2026
ATSC has announced that Mark Aitken, President of ONE Media and Senior VP of Advanced Technology at Sinclair Broadcast Group, will receive the 2026 Mark Richer ...
21/05/2026
BBright has published a technical analysis of the Media eXchange Layer (MXL), de...
21/05/2026
The Esports Foundation has announced that the 2026 Esports World Cup (EWC) will be hosted in Paris, France, from July 6 through August 23. The event marks the f...
21/05/2026
Chyron has announced PRIME Scorebug, a scorebug solution built on the PRIME Platform for on-premises sports production, and has expanded Chyron LIVE with purpos...
21/05/2026
Media Links has announced the integration of its Xscend IP transport platform with Skyline Communications' DataMiner xOps platform. The integration will be ...
21/05/2026
As live sports productions continue to demand more flexible, scalable, and cost-...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
21/05/2026
Hey Miami & Atlanta post-production folks!
Shade is hosting a free private suite at a Braves game (6/2) and Marlins game (6/5) and have about a dozen extra tic...
21/05/2026
The Suns and Mercury become the first NBA and WNBA teams to make games available under a single broadcast partner across both over-the-air and streaming....
21/05/2026
iPhones are part of the the regular production rotation for Friday Night Baseba...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
21/05/2026
Heather Matarazzo as Dawn Wiener in Todd Solondz's Welcome to the Dollhouse...
21/05/2026
Spotify has always been about helping you find something you want to listen to. And over the years, we've learned your taste and the moments that matter to ...
21/05/2026
Getting concert tickets today can feel like a race you're set up to lose.
You show up at the right time, refresh endlessly, and still miss out. Too often, ...
21/05/2026
In 2022, Spotify entered a new chapter by introducing audiobooks to our platform. Since then, we've grown our catalog to include more than 700,000 titles, e...
21/05/2026
Opening remarks
ALEX
Good morning everyone, I'm Alex [Norstr m].
GUSTAV
And I'm Gustav [S derstr m].
ALEX
Whether you've been following our j...
21/05/2026
Today, Spotify hosted our third Investor Day in New York City, offering the fina...
21/05/2026
Spotify hat heute seinen dritten Investor Day in New York City veranstaltet und der Finanzwelt tiefere Einblicke in das Gesch ft, die Produktstrategie und die l...
21/05/2026
Aujourd'hui, Spotify a organis son troisi me Investor Day New York. En pl...
21/05/2026
Oggi, a New York City, Spotify ha presentato il suo terzo Investor Day, offrendo...
21/05/2026
Hoy Spotify celebr su tercer Investor Day en Nueva York, donde ofrecimos a la c...
21/05/2026
Hari ini, Spotify menyelenggarakan Investor Day yang ketiga di New York City, me...
21/05/2026
2026 : (Investor Day) , , . ...
21/05/2026
Hoje, o Spotify realizou seu terceiro Investor Day em Nova York, oferecendo co...
21/05/2026
Spotify Investor Day ...
21/05/2026
Spotify bug n, 20'nci y l d n m m z kutlad m z bu y lda, finans camias na, i modelimiz, r n stratejimiz ve uzun vadeli vizyonumuz hakk nda daha detayl ...
21/05/2026
Two new Story Packs join orchestral instrument line-up
Sonuscore have just introduced two new additions to The Score, marking the instrument's first maj...
21/05/2026
30,000 samples, 99 presets & 504 loops
Heavyocity are well known for their hard-hitting cinematic instruments, and their latest release is no exception to t...
21/05/2026
Rohde & Schwarz AI powered voice to data: The future of air traffic control take...
21/05/2026
SKY RAIDER II INTERNATIONAL's modular open systems architecture delivers expanded operational reach and mission flexibility....
21/05/2026
ASO-enabled WESCAM MX-10 systems conduct systematic wide-area maritime search patterns, autonomously managing sensor scan operations to expand coverage, reduce ...
21/05/2026
HBO Max, a new addition to Gracenote Data Hub, is home to the most sports programming among major streamers
NEW YORK May 21, 2026 New analysis by Gracenote...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
The UK's leading event for the creative industries united thousands of professionals for two days of networking, debate, industry insight and getting hands-...
21/05/2026
Recreating Doug Trumbull's Slitscan VFX - After Effects Mastery
Graham Quince May 21, 2026
0 Comments
In this After Effects tutorial, I'm divi...
21/05/2026
Cavalry: An Array of Fun Stuff
Simon Ubsdell May 21, 2026
0 Comments
Arrays are a really powerful feature of Cavalry and here we'll go over some o...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...