
CFP National Championship 2025: It's All Hands on Deck for ESPN's Massive Production in Atlanta More than 100 cameras, 100 microphones power 11 viewing options for season finale By Brandon Costa, Director of Digital
Monday, January 20, 2025 - 1:08 pm
Print This Story | Subscribe
Story Highlights
In college sports, it doesn't get much bigger than this.
More than five months of work comes down to a blockbuster matchup between two of the nation's marquee brands: No. 8 Ohio State meets No. 7 Notre Dame in the 2025 College Football Playoff National Championship Game tonight. ESPN has rolled into Downtown Atlanta with a massive production and operations plan to broadcast the festivities from every angle.
The College Football Playoff Championship Game returns to Mercedes-Benz Stadium in Atlanta for the first time since 2019.
Among the highlights are an arsenal of more than 100 cameras, 100 microphones, and 23 mobile production facilities to support 11 viewing options in ESPN's annual MegaCast offering, as well as the first 4K presentation of the CFP National Championship Game's main telecast ever.
After an expanded 12-team playoff that added eight games to ESPN's CFP slate over the past month, it is familiar territory for the broadcaster's behind-the-scenes team of more than 850 credentialed staff: back at Atlanta's Mercedes-Benz Stadium for one big bash.
It has been like seeing an old friend, says Jarrett Baker, senior manager, remote production operations, ESPN. You haven't talked for a long time, life has happened, and then you get back together, and it's like you never left. The expanded playoff has been incredible, and the team we work with is top-notch. This is why we do what we do.
MORE FROM THE COLLEGE FOOTBALL PLAYOFF NATIONAL CHAMPIONSHIP GAME:
ESPN To Deliver Main Game Telecast in 4K for the First Time
ESPN's MegaCast Menu Highlighted by REMI Production of Field Pass With The Pat McAfee Show
Van Wagner To Hype Up Buckeyes, Fighting Irish Fans From New IP-Based Control Room
Inside Ohio State Football's Creative Storytelling at Monday's Title Game
The Camera Plan ESPN's main game production - available to selected subscribers as an upconverted 4K viewing option - will be a fully 1080p HDR production onsite. Producer Bill Bonnell, director Jimmy Platt, and technical director Josh Miller will have more than 100 cameras and 100 microphones at their disposal to tell the story of this epic clash.
The camera layout comprises a total of 115 cameras. Among them are 12 cameras with super-slow-motion (SSMO) capabilities. There are also seven handhelds: three of them RF, one a cabled SSMO on the far sideline. All dedicated game hard and handheld cameras are Sony HDC-5500's.
ESPN has more than 800 credentialed staffers who have worked this week preparing for tonight's broadcast. Here, the production and operations groups take a team photo. (Photo: Allen Kee/ESPN Images)
The lineup of specialty cameras is impressive as well. There are eight end-zone PylonCams, including on the pylon at each end of both goal lines. Provided by NEP Specialty Capture, those systems have SMMO. Wireless line-to-gain PylonCams will follow the action with the first-down marker.
Two Skycams are rigged up inside the stadium, with one flying at two points in a side-to-side flight pattern. The other flies in a traditional four-point configuration with a 4K camera and AR capabilities. Aerial shots will also come from inside the stadium via an ESPN-owned and -operated drone and from outside via a fixed-wing plane.
Down on the turf, ESPN aims to take viewers deep into the action with an on-field shallow-depth-of-field rig. That RF rig is a Ronin RS3 Pro stabilizer outfitted with a Sony FX3 full-frame cinema camera.
ESPN director Jimmy Platt (left) and producer Bill Bonnell will call the shots on the main game telecast of tonight's College Football Playoff National Championship. (Photo: Phil Ellsworth/ESPN Images)
Additionally, three officials will wear MindFly BodyCams on their shirts to deliver live video feeds to the truck. The umpire, center judge, and head linesman will wear the AI-stabilized POV cameras with a built-in microphone that ESPN will monetize through its title sponsorship with AT&T as Connected Cam on the broadcast. The MindFly BodyCams made their CFP debuts in the semifinals at the Rose Bowl and Cotton Bowl.
To provide coverage depth, as well as potential officiating assistance, ESPN will have robotic Sony 4800's shooting at 8X speed on each goal line to catch any close break-the-plane visuals. There will also be a robo (Sony P1) on the crossbar of each goalpost.
Standard fixtures include a cart on each sideline, a jib, robos in the stadium tunnels for entrances, and hard cameras dedicated to each team's head coach.
Roof Camera Is Back To Blend Creative With Live The return to Mercedes-Benz Stadium - a stadium with a roof and walkable scaffolding - allows ESPN to bring back a camera angle that became popular a few years ago: a roof camera.
ESPN used a camera in the catwalk of Mercedes-Benz Stadium during the SEC Championship Game last month (Courtesy: ESPN PR)
The camera angle, first made popular by the Atlanta Falcons social- and digital-media team, blends trends in the postproduction creative space with the excitement of live. A Sony 4800 with a 24-300mm Fuji Duvo Lens will be configured as a handheld and operated by a camera operator approximately 285 ft. above the playing surface.
It is not for those who are bothered by working at heights, says Baker. It looks right down on the play. We're going to run that in 8X mode and through a Sony server, where we'll be able to make key frames and pan-and-scan to follow the ball and give some really neat effects where we ramp the playout speed
More from Sports Video Group
06/08/2026
The broadcaster's 14-race schedule begins in Iowa and ends in November with ...
06/08/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/08/2026
As media organizations consolidate teams, technology platforms, and content libr...
06/08/2026
Firmware updates introduce Dolby's next-generation picture engine, content-aware optimization, and new motion and ambient-light tools...
06/08/2026
TNT Sports will have wall-to-wall coverage of the upcoming FIBA Women's Bask...
06/08/2026
swXtch.io (Stand 5.MR13) has unveiled groundSwXtch for Audio over IP (AoIP), a software application that lets broadcasters and media organizations move audio in...
06/08/2026
At IBC2026, Riedel Communications (Stands: 10.A24, 10.A31, 10.A38) will bring modern media production to life with the Live Production Experience - a connected ...
06/08/2026
The first live-sports director to receive the prestigious honor, eight-time Emmy...
06/08/2026
NBC Sports will continue to present the Preakness Stakes on NBC and Peacock thro...
06/08/2026
Cobalt Digital (Stand 8.F90) continues to reinforce its commitment to delivering...
06/08/2026
Wave Central has promoted promotion Jeff Daubert to Director of Sales, Americas.
In his expanded role, Daubert will lead Wave Central's sales strategy and ...
06/08/2026
KMH Integration is expanding its ability to serve media, broadcast, and IT organizations by adding Keith Hanadel, an accomplished architect with decades of indu...
06/08/2026
Advanced Systems Group (ASG) has promoted Michele Ferreira from Vice President of its Systems Integration team to the newly created position of Chief Business O...
06/08/2026
Demonstrations will include new JPEG XS, Dolby audio, cloud-gateway, stream-processing, and distribution capabilities...
06/08/2026
The deal includes three premium mobile units, engineering personnel, existing br...
06/08/2026
Broadcast Management Group produced Amazon Prime's inaugural Obsessed Fest a...
06/08/2026
Exhibit will feature new variable-ND functionality, OLED viewfinders, remote-camera tools, and UHD production monitors...
06/08/2026
Compact full-frame E-mount lens targets sports, wildlife, and other long-range shooting applications...
06/08/2026
Live broadcast will honor Roger Federer and Mary Carillo on Aug. 29, with onsite...
06/08/2026
End-zone board receives higher-resolution LED technology and an updated Show Control system ahead of the 2026 football season...
05/08/2026
RSNs, teams, leagues, and streamers explore the present and future of local spor...
05/08/2026
As sports-production workflows generate larger volumes of unstructured data and ...
05/08/2026
Three aspiring broadcasters will contribute on-camera and inside the production ...
04/08/2026
Live production in the cloud is a growing trend across the industry, and Major L...
04/08/2026
LAFC co-managing owner will succeed Don Garber on Jan. 1, 2027, as league prepar...
04/08/2026
In 2022, when the PGA TOUR was breaking ground on its new, state-of-the-art broa...
04/08/2026
Provided by POVORA, the new camera angle offers a dealer's-eye view of the c...
04/08/2026
Spiideo will provide the camera setup, with NEP handling broadcast integration and off-site video operations...
04/08/2026
Production team streamed more than 750 youth rugby matches using ATEM switchers,...
04/08/2026
Agreement gives KTC early access to NDI's Advanced SDK for integration across commercial displays, digital signage, and interactive panels...
04/08/2026
Twelve projects across four categories recognize collaborative work in productio...
04/08/2026
Multi-year agreement will introduce SkeleTRACK, semi-automated offside, automate...
04/08/2026
Three mc 56 consoles, dual A__UHD Core engines, RAVENNA networking, and HOME management supported live sound, monitoring, and international broadcast production...
04/08/2026
New contribution products support ultra-low-latency video transport across fixed, remote, and mobile production environments...
04/08/2026
Company will showcase updates across PRIME, Chyron LIVE, Paint, virtual production, newsroom workflows, and venue control...
04/08/2026
Exhibit will feature SilverBack, VersaBrix, VersaFrame, VF-9100, and FiberSaver-10G platforms...
04/08/2026
Platform updates target cloud-based production, high-density ST 2110 monitoring,...
04/08/2026
Live Media Group will take control of Gravity Media's U.S. mobile-unit fleet...
03/08/2026
SVG's annual TranSPORT conference returns to New York City for a full day of sessions focused on the current state of live-sports-transmission technology. S...
03/08/2026
A five-time Emmy winner, this esports vet has built a production career on live storytelling, audience connection, and meeting viewers wherever they are
The sp...
03/08/2026
Live production in the cloud is a growing trend across the industry and Major Le...
31/07/2026
With an emphasis on local, the league is looking beyond the initial four teams t...
30/07/2026
CP Communications provided RF audio, RF video, communications, RF coordination, ...
30/07/2026
OpenDrives has been included in CRN's 2026 Storage 100 list in the Software-Defined Storage category. The annual list, selected by the CRN editorial team, r...
30/07/2026
LATAM Airlines has selected SES to provide multi-orbit inflight connectivity to its fleet of Airbus and Embraer aircraft. More than 60 aircraft - including Airb...
30/07/2026
Tagboard has launched the Producer API, an open interface that allows key commands in Tagboard's live production environment to be triggered from external d...
30/07/2026
FOX Sports and the New York Racing Association (NYRA) have announced a multi-year agreement with Del Mar Thoroughbred Club that will make FOX Sports the exclusi...
30/07/2026
ABC Commercial has launched four free ad-supported streaming television (FAST) channels on LG Smart TVs across North America, Great Britain, and select countrie...
30/07/2026
The Six Kings Slam exhibition tennis tournament will return to Riyadh on October 21, 22, and 24, streaming live on Netflix at no additional cost to subscribers....
30/07/2026
Central Christian Church in Mt. Vernon, Illinois has deployed Clear-Com's LQ...