
CFP National Championship 2025: It's All Hands on Deck for ESPN's Massive Production in Atlanta More than 100 cameras, 100 microphones power 11 viewing options for season finale By Brandon Costa, Director of Digital
Monday, January 20, 2025 - 1:08 pm
Print This Story | Subscribe
Story Highlights
In college sports, it doesn't get much bigger than this.
More than five months of work comes down to a blockbuster matchup between two of the nation's marquee brands: No. 8 Ohio State meets No. 7 Notre Dame in the 2025 College Football Playoff National Championship Game tonight. ESPN has rolled into Downtown Atlanta with a massive production and operations plan to broadcast the festivities from every angle.
The College Football Playoff Championship Game returns to Mercedes-Benz Stadium in Atlanta for the first time since 2019.
Among the highlights are an arsenal of more than 100 cameras, 100 microphones, and 23 mobile production facilities to support 11 viewing options in ESPN's annual MegaCast offering, as well as the first 4K presentation of the CFP National Championship Game's main telecast ever.
After an expanded 12-team playoff that added eight games to ESPN's CFP slate over the past month, it is familiar territory for the broadcaster's behind-the-scenes team of more than 850 credentialed staff: back at Atlanta's Mercedes-Benz Stadium for one big bash.
It has been like seeing an old friend, says Jarrett Baker, senior manager, remote production operations, ESPN. You haven't talked for a long time, life has happened, and then you get back together, and it's like you never left. The expanded playoff has been incredible, and the team we work with is top-notch. This is why we do what we do.
MORE FROM THE COLLEGE FOOTBALL PLAYOFF NATIONAL CHAMPIONSHIP GAME:
ESPN To Deliver Main Game Telecast in 4K for the First Time
ESPN's MegaCast Menu Highlighted by REMI Production of Field Pass With The Pat McAfee Show
Van Wagner To Hype Up Buckeyes, Fighting Irish Fans From New IP-Based Control Room
Inside Ohio State Football's Creative Storytelling at Monday's Title Game
The Camera Plan ESPN's main game production - available to selected subscribers as an upconverted 4K viewing option - will be a fully 1080p HDR production onsite. Producer Bill Bonnell, director Jimmy Platt, and technical director Josh Miller will have more than 100 cameras and 100 microphones at their disposal to tell the story of this epic clash.
The camera layout comprises a total of 115 cameras. Among them are 12 cameras with super-slow-motion (SSMO) capabilities. There are also seven handhelds: three of them RF, one a cabled SSMO on the far sideline. All dedicated game hard and handheld cameras are Sony HDC-5500's.
ESPN has more than 800 credentialed staffers who have worked this week preparing for tonight's broadcast. Here, the production and operations groups take a team photo. (Photo: Allen Kee/ESPN Images)
The lineup of specialty cameras is impressive as well. There are eight end-zone PylonCams, including on the pylon at each end of both goal lines. Provided by NEP Specialty Capture, those systems have SMMO. Wireless line-to-gain PylonCams will follow the action with the first-down marker.
Two Skycams are rigged up inside the stadium, with one flying at two points in a side-to-side flight pattern. The other flies in a traditional four-point configuration with a 4K camera and AR capabilities. Aerial shots will also come from inside the stadium via an ESPN-owned and -operated drone and from outside via a fixed-wing plane.
Down on the turf, ESPN aims to take viewers deep into the action with an on-field shallow-depth-of-field rig. That RF rig is a Ronin RS3 Pro stabilizer outfitted with a Sony FX3 full-frame cinema camera.
ESPN director Jimmy Platt (left) and producer Bill Bonnell will call the shots on the main game telecast of tonight's College Football Playoff National Championship. (Photo: Phil Ellsworth/ESPN Images)
Additionally, three officials will wear MindFly BodyCams on their shirts to deliver live video feeds to the truck. The umpire, center judge, and head linesman will wear the AI-stabilized POV cameras with a built-in microphone that ESPN will monetize through its title sponsorship with AT&T as Connected Cam on the broadcast. The MindFly BodyCams made their CFP debuts in the semifinals at the Rose Bowl and Cotton Bowl.
To provide coverage depth, as well as potential officiating assistance, ESPN will have robotic Sony 4800's shooting at 8X speed on each goal line to catch any close break-the-plane visuals. There will also be a robo (Sony P1) on the crossbar of each goalpost.
Standard fixtures include a cart on each sideline, a jib, robos in the stadium tunnels for entrances, and hard cameras dedicated to each team's head coach.
Roof Camera Is Back To Blend Creative With Live The return to Mercedes-Benz Stadium - a stadium with a roof and walkable scaffolding - allows ESPN to bring back a camera angle that became popular a few years ago: a roof camera.
ESPN used a camera in the catwalk of Mercedes-Benz Stadium during the SEC Championship Game last month (Courtesy: ESPN PR)
The camera angle, first made popular by the Atlanta Falcons social- and digital-media team, blends trends in the postproduction creative space with the excitement of live. A Sony 4800 with a 24-300mm Fuji Duvo Lens will be configured as a handheld and operated by a camera operator approximately 285 ft. above the playing surface.
It is not for those who are bothered by working at heights, says Baker. It looks right down on the play. We're going to run that in 8X mode and through a Sony server, where we'll be able to make key frames and pan-and-scan to follow the ball and give some really neat effects where we ramp the playout speed
More from Sports Video Group
19/02/2026
The Canadian rightsholder deploys its most complex' Olympics setup an ever,...
19/02/2026
Suite Studios, a cloud-native platform that connects creative teams to their med...
19/02/2026
Guitar Center and the Tennessee Titans announce a first-of-its-kind partnership ...
19/02/2026
DAZN is reinforcing its leadership in global boxing through a new five-year deal with Matchroom Boxing in the United States and the United Kingdom. The deal ext...
19/02/2026
PTZOptics announces the launch of its visual reasoning initiative that makes vid...
19/02/2026
Influencer Positions, AI-driven vertical video, and platform-native creators res...
19/02/2026
Host broadcaster evolves from world-feed producer to global content orchestrator, unlocking hidden moments for every platform...
19/02/2026
Custom drones raise expectations for bringing viewers closer to the action in new ways
2026 is not the first time OBS has used drones or event First Person Vie...
19/02/2026
Comcast's Xfinity announces record-setting performance from its new RealTime4K technology during Super Bowl LX, delivering the game to customers' homes ...
19/02/2026
The Women's Monobob turned out to be a historic event: Team USA's Elana Meyers Taylor captured the gold at age 41, making her the oldest Bobsleigh gold ...
19/02/2026
The senior from Georgia has found his calling as a technical director and video engineer
In the live-sports-video industry, the future is bright. Our series SV...
19/02/2026
Cosm announces the appointment of two new leaders - Jeff Hughes (President, Sports and Entertainment) and Rob Laycock (Vice President, Head of Venues Marketing)...
19/02/2026
Two main sets feature Unreal Engine environment, LED architecture, camera-tracked virtual windows; a third, in the TV Tower,' overlooks the Duomo...
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...
18/02/2026
DNA Inc. specializes in crafting next level digital experiences in the Media, St...
18/02/2026
Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music
The only persons on the Figure Skating ice at the 2026...
18/02/2026
Canadian rightsholder deploys its most complex setup at an Olympics ever with ...
18/02/2026
A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...
17/02/2026
Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...
17/02/2026
At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...
17/02/2026
CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...
17/02/2026
Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look
With NBC Sports just months into its return to NBA coverage a...
16/02/2026
The production infrastructure scaled seamlessly from regular-season games to the...
16/02/2026
The operations team reimagined traditional workflows were reimagined and built a...
16/02/2026
Once again an in-house operation, the league's network is producing shows fr...
16/02/2026
The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...
16/02/2026
When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...
16/02/2026
Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...
16/02/2026
Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...
16/02/2026
Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...