
From tea boy to chairman: Jeff Foulser on pushing on and never being satisfied By Heather McLean, Editor
Friday, December 6, 2019 - 13:32
Print This Story
Sunset Vine chairman Jeff Foulser chats with Fergal Ringrose during SVG Europe's SportTech 2019 event at Lord's Cricket Ground on 22 May
Sunset Vine chairman Jeff Foulser has enjoyed a long and illustrious career that began as a young whippersnapper at the age of 18 with a chance game of cricket at London Weekend Television (LWT) and is still going strong at the company he has helped grow from five people to an international sports host broadcaster.
After playing a lot of cricket as a youngster, to the point where he even considered taking it up professionally, Foulser decided instead he, probably ought to get a proper job, but I completely failed in that regard; I got into television! .
In those days there were only two places to work if you lived in London; one was LWT and the other was the BBC. I wrote to the BBC and they said come back when you've got a degree, but I wasn't keen on going to uni; I did my A-Levels and stuff but I wanted to get out into the world. I managed to get a job at LWT basically as a tea boy; I was called a junior clerk, he says.
Foulser continues: I was given my first job by Jimmy Hill who was Head of Sport at LWT then. He was a former footballer and manager of Coventry City. He was a really smart guy who, when he was still a professional footballer, was responsible for ending the minimum wage in football. He also advocated three points for a win and was instrumental in many changes to the game. He obviously must have seen something in this 18 year old that he quite liked and he gave me the job, so I owe him everything really.
Progressing up the ranks
On how he progressed up the ranks from tea boy, Foulser says, I just got my nose in where it was important, really . He goes on: It would never happen these days, but on my first day at work I was called in by a wonderful man called John Bromley, who was the executive producer for sport at LWT, and he said, ah, Jeffrey, you play a bit of cricket don't you?', so I said, yes, I do sir', so he said, right, you're playing tomorrow for World of Sport against Bagshot Cricket Club,'. So I got home that night and my mum asked, how was your first day at work?' and I said, great, I'm playing cricket tomorrow!'. She couldn't believe it. Anyway, within one day of joining, that night in the bar after the cricket I was one of the team already, and it was quite remarkable how quickly it happened from there.
Foulser began getting involved in the production side of sports broadcast, gaining experience on outside broadcasts and logging football matches for editing. I was the tea boy for about six months, he remembers. It was a fantastically vibrant sports department; a lot of really clever people, and you couldn't fail to learn. My mentors were Jimmy Hill and John Bromley, Brian Moore the commentator, who was fantastic, and a guy called Bob Gardam who was a pioneering OB director who transformed football coverage in the late 60s, early 70s, and he was terrific. He put his arm round me and showed me how it was all done, really. So I had some brilliant people to learn from.
My view is if you try and stay where you are, you go backwards and I really do believe that. You have to push on and push on and never be satisfied.
Other alumni from LWT during that period included, says Foulser, Mark Sharman who became head of Channel 4 sport, Robert Charles who became head of Channel 5 sport, Richard Worth who ran Team Marketing, Andrew Franklin who ran Channel 4 racing for many years, Tony Mills who became Sky's leading football director, as well as talented on-screen performers like Jim Rosenthal and Martin Tyler. Foulser adds: It was quite a hotbed. Looking back on it, I don't think we realised it at the time, but there were some pretty good people there!
At the tender age of 24, Foulser scored the job of producer of The Big Match, LWT's flagship football programme. He comments on taking on such a large role at such a young age: It is a little bit hard to believe. I'm not sure it would happen now; I think there's probably more competition for a start. There's a lot of really talented people around now. In those days there wasn't a lot of football on television, so it was a programme with eight million to 10 million people watching it on a regular basis. So to be in charge of that was pretty amazing. When you're young you don't think about it in the way you do when you look back.
Time to move on
England's Ben Stokes pumped up and passionate after his exhilarating innings at Headingley during 2019 Ashes series against Australia
As well as leading the football charge at LWT, Foulser produced the Seoul Olympics in 1988 for the channel. However, the time came when Foulser felt it was time to move on.
He explains why: I needed to do something different. I needed to test myself. I'd been part of this family at ITV and it was all a bit comfortable and I also didn't want to work on football solely, which in the end [at ITV] I did; I became the executive producer of ITV football and when football started to take off, ITV bought the rights to what was then the First Division, but then became the Premier League, and we had 21 live games a season and I was in charge of that. It was pretty high profile; big audiences.
I remember my last game when I knew I was leaving but I hadn't told anybody else in 89, when Arsenal beat Liverpool at Anfield to win the title - the last game of the season and they needed to win 2-0 and they did it with the last kick of the game - and afterwards I told Brian Moore that I was leaving, and he said, Jeff, how can you? Wh
North America Stories
10/04/2026
NEWPORT BEACH, Calif., April 10, 2026 Bitcentral, a leading provider of professional media solutions for broadcast and digital video, will showcase its latest...
10/04/2026
Ikegami to Introduce Expanded Range of Broadcast Production Solutions at NAB 202...
10/04/2026
AJA Debuts SMPTE ST 2110 and openGear Solutions Ahead of NAB 2026
Brie Clayton April 10, 2026
0 Comments
New gear and updates address evolving hybrid ...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Frequency, the engine behind the worlds leading streaming television channels, today launched its AI platform for Frequency Studio, powering the entire channel ...
09/04/2026
Zixi will demonstrate IP-based live video workflow solutions at NAB Show 2026 (Booth W2057).
The industry is moving quickly toward IP-based distribution as br...
09/04/2026
Global women's elite sports revenues are expected to reach at least $3 billi...
09/04/2026
Monitor engineer Gavin Tempany mixed Kylie Minogue s Tension Tour on a Solid Sta...
09/04/2026
KOKUSAI DENKI Electric America will exhibit at NAB Show 2026 (Booth C5507), debu...
09/04/2026
With the 2025-26 NBA regular season concluded and the playoffs beginning next we...
09/04/2026
Telestream and Mimir have announced an integration connecting Telestream's V...
09/04/2026
Bitmovin has expanded its Live Encoding and Observability solutions to provide r...
09/04/2026
The Nashville Predators and Scripps Sports have announced a multi-year media rights agreement covering local preseason, regular season, and first-round playoff ...
09/04/2026
Advanced Systems Group, LLC has announced a partnership with Beam Dynamics to offer the Beam Asset and License Intelligence Platform to its clients. The platfor...
09/04/2026
Lawo has unveiled Edge One, a combined video and audio stagebox for broadcast and Pro AV workflows. The device will be on display at NAB Show (Booth C2108, Apri...
09/04/2026
The Society of Motion Picture and Television Engineers (SMPTE) will host the SMPTE ST 2110 IP Media Roadshow on Tuesday, April 21, 2026, at the Las Vegas Conven...
09/04/2026
The Atlanta Braves have completed upgrades to video displays in and around Truist Park ahead of the 2026 MLB season. The upgrades include the Delta Out-of-Town ...
09/04/2026
The University of Southern California has contracted Daktronics (NASDAQ: DAKT) of Brookings, South Dakota, to manufacture and install 22 LED displays across fou...
09/04/2026
Backlight, the media technology company behind Iconik and Wildmoka, will showcase its Creative Operations Platform at NAB Show 2026 (Booth N2829, April 19-22). ...
09/04/2026
MotoAmerica and V10 Entertainment have announced a partnership to broadcast MotoAmerica Superbike racing on VICE TV for the 2026 season. Coverage begins live on...
09/04/2026
Proton Camera Innovations has announced the appointment of Tod Musgrave as US Sa...
09/04/2026
Designed specifically for live sports broadcasting, new platform features IP-nat...
09/04/2026
Blending 1990s DNA, modern motion theory, and a distinctly colorful brand identi...
09/04/2026
Technical capability is essential, but long-term success often depends on how we...
09/04/2026
15 feature films, including fiction and documentaries, along with six short film...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Purpose Built Monitoring From Live Production to Master Control to OTT, Across On Prem and Cloud Environments
At the 2026 NAB Show (April 19-22, Las Vegas Con...
09/04/2026
Purpose Built Monitoring From Live Production to Master Control to OTT, Across On Prem and Cloud Environments
At the 2026 NAB Show (April 19-22, Las Vegas Con...
09/04/2026
New advances meet surge in demand for broadcast-grade IP migration as C-band spectrum auctions approach
LTN announces major enhancements to its purpose-built g...
09/04/2026
Hitomi Broadcast has expanded its sales team with the addition of Nicola Milburn as Technical Sales Manager. In this role, Nicola will work with customers and p...
09/04/2026
Revolutionary combined solution brings sub-second latency, resilient delivery, and workflow orchestration to global broadcasters and digital platforms
Layercak...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Yospace exceeded 10 billion dynamically stitched ads in a single month, reaching 11.6 billion as ad-supported streaming surged. Driven by a packed global sports...
09/04/2026
Bitmovin has expanded its Live Encoding and Observability solutions to provide true end to end, real time insights across live streaming workflows, from encodin...
09/04/2026
Leyra has announced the launch of Icelandic public broadcaster R V's streaming service on Samsung and LG Smart TVs. R V is the first public broadcaster to d...
09/04/2026
3Play Media, a global leader in video accessibility and localization, today announced an AI Dubbing solution purpose-built for YouTube creators. The company, wh...
09/04/2026
Big Blue Marble, a provider of broadcast-grade, cloud-native video solutions, has been recognized as an Amazon Web Services (AWS) Managed Services Provider (MSP...
09/04/2026
The Professional Darts Corporation (PDC) has officially launched its revamped global streaming service, PDC TV, in collaboration with Cleeng and sports technolo...
09/04/2026
Cleeng, the Subscriber Retention Management (SRM ) pioneer, today announced a raft of new AI agents for its AI Assistant to accelerate decision-making and autom...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...