
From tea boy to chairman: Jeff Foulser on pushing on and never being satisfied By Heather McLean, Editor
Friday, December 6, 2019 - 13:32
Print This Story
Sunset Vine chairman Jeff Foulser chats with Fergal Ringrose during SVG Europe's SportTech 2019 event at Lord's Cricket Ground on 22 May
Sunset Vine chairman Jeff Foulser has enjoyed a long and illustrious career that began as a young whippersnapper at the age of 18 with a chance game of cricket at London Weekend Television (LWT) and is still going strong at the company he has helped grow from five people to an international sports host broadcaster.
After playing a lot of cricket as a youngster, to the point where he even considered taking it up professionally, Foulser decided instead he, probably ought to get a proper job, but I completely failed in that regard; I got into television! .
In those days there were only two places to work if you lived in London; one was LWT and the other was the BBC. I wrote to the BBC and they said come back when you've got a degree, but I wasn't keen on going to uni; I did my A-Levels and stuff but I wanted to get out into the world. I managed to get a job at LWT basically as a tea boy; I was called a junior clerk, he says.
Foulser continues: I was given my first job by Jimmy Hill who was Head of Sport at LWT then. He was a former footballer and manager of Coventry City. He was a really smart guy who, when he was still a professional footballer, was responsible for ending the minimum wage in football. He also advocated three points for a win and was instrumental in many changes to the game. He obviously must have seen something in this 18 year old that he quite liked and he gave me the job, so I owe him everything really.
Progressing up the ranks
On how he progressed up the ranks from tea boy, Foulser says, I just got my nose in where it was important, really . He goes on: It would never happen these days, but on my first day at work I was called in by a wonderful man called John Bromley, who was the executive producer for sport at LWT, and he said, ah, Jeffrey, you play a bit of cricket don't you?', so I said, yes, I do sir', so he said, right, you're playing tomorrow for World of Sport against Bagshot Cricket Club,'. So I got home that night and my mum asked, how was your first day at work?' and I said, great, I'm playing cricket tomorrow!'. She couldn't believe it. Anyway, within one day of joining, that night in the bar after the cricket I was one of the team already, and it was quite remarkable how quickly it happened from there.
Foulser began getting involved in the production side of sports broadcast, gaining experience on outside broadcasts and logging football matches for editing. I was the tea boy for about six months, he remembers. It was a fantastically vibrant sports department; a lot of really clever people, and you couldn't fail to learn. My mentors were Jimmy Hill and John Bromley, Brian Moore the commentator, who was fantastic, and a guy called Bob Gardam who was a pioneering OB director who transformed football coverage in the late 60s, early 70s, and he was terrific. He put his arm round me and showed me how it was all done, really. So I had some brilliant people to learn from.
My view is if you try and stay where you are, you go backwards and I really do believe that. You have to push on and push on and never be satisfied.
Other alumni from LWT during that period included, says Foulser, Mark Sharman who became head of Channel 4 sport, Robert Charles who became head of Channel 5 sport, Richard Worth who ran Team Marketing, Andrew Franklin who ran Channel 4 racing for many years, Tony Mills who became Sky's leading football director, as well as talented on-screen performers like Jim Rosenthal and Martin Tyler. Foulser adds: It was quite a hotbed. Looking back on it, I don't think we realised it at the time, but there were some pretty good people there!
At the tender age of 24, Foulser scored the job of producer of The Big Match, LWT's flagship football programme. He comments on taking on such a large role at such a young age: It is a little bit hard to believe. I'm not sure it would happen now; I think there's probably more competition for a start. There's a lot of really talented people around now. In those days there wasn't a lot of football on television, so it was a programme with eight million to 10 million people watching it on a regular basis. So to be in charge of that was pretty amazing. When you're young you don't think about it in the way you do when you look back.
Time to move on
England's Ben Stokes pumped up and passionate after his exhilarating innings at Headingley during 2019 Ashes series against Australia
As well as leading the football charge at LWT, Foulser produced the Seoul Olympics in 1988 for the channel. However, the time came when Foulser felt it was time to move on.
He explains why: I needed to do something different. I needed to test myself. I'd been part of this family at ITV and it was all a bit comfortable and I also didn't want to work on football solely, which in the end [at ITV] I did; I became the executive producer of ITV football and when football started to take off, ITV bought the rights to what was then the First Division, but then became the Premier League, and we had 21 live games a season and I was in charge of that. It was pretty high profile; big audiences.
I remember my last game when I knew I was leaving but I hadn't told anybody else in 89, when Arsenal beat Liverpool at Anfield to win the title - the last game of the season and they needed to win 2-0 and they did it with the last kick of the game - and afterwards I told Brian Moore that I was leaving, and he said, Jeff, how can you? Wh
North America Stories
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
QuickLink's Latest StudioEdge Models to Make North American Debut at NAB 202
Brie Clayton March 16, 2026
0 Comments
The Multi-platform Remote Gues...
17/03/2026
Frankenstein Graded with DaVinci Resolve Studio
Brie Clayton March 16, 2026
0 Comments
Sonnenfeld enhances the controlled interplay between warm and c...
17/03/2026
New Voyavox from Link Electronics with Real-Time Speech-to-Text Captioning to be...
17/03/2026
Berklee City Music Stewards META Fellowship Supporting Massachusetts Music Educa...
16/03/2026
DAZN will allow fans in select international territories to watch the NCAA men...
16/03/2026
IDM and The Skate Board Association (SBA) have announced a partnership with Coop...
16/03/2026
Solid State Logic (SSL) will debut the Net I/O ST 2110 Bridge at NAB 2026 (booth C6907), a standalone unit that converts between ST 2110 and Dante audio formats...
16/03/2026
Marshall Electronics (Booth C8339) is introducing its first all-IP 4K POV camera, the CV574-WP, at NAB 2026. The camera carries an IP67 weatherproof rating for ...
16/03/2026
Sony Electronics' Camera Verify (beta), a feature of its Camera Authenticity Solution which enables news organizations to share content authenticity informa...
16/03/2026
FloSports has announced a partnership with Storied Sports, a content and IP studio founded by former espnW and The Players' Tribune executives, to develop s...
16/03/2026
Montreux Jazz Festival has announced a multi-year collaboration with Gravity Media, who will become the Festival's Audio Visual Production Provider followin...
16/03/2026
USSI Global, a provider of customized network, broadcast and digital signage systems and services, has announced Ralph Annunziata joined the company on Jan. 5 a...
16/03/2026
Boland Communications (booth C3519) will exhibit at NAB Show 2026 in Las Vegas, ...
16/03/2026
Built in partnership with Diversified, the system
As the sports broadcast indus...
16/03/2026
Global FAST (Free Ad-supported Streaming TV) viewership grew 21% year-over-year ...
16/03/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
16/03/2026
A still from Mr. Nobody Against Putin by David Borestein and Pavel Talankin, a...
16/03/2026
Dr. Robert H. Goddard and a liquid oxygen-gasoline rocket in the frame from which it was fired on March 16, 1926, at Auburn, Massachusetts. Credit: NASA....
16/03/2026
Precision-guided munitions shown in production illustrate one of many operational systems benefiting from modernized M-Code GPS, supporting assured positioning,...
16/03/2026
NEW YORK - March 16, 2026 - A E Global Media and Nielsen today announced a new,...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Shotoku USA, Shotoku Broadcast Systems' North American operation, will unveil significant additions to its platform at NAB 2026. Topping the list is the wor...
16/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast-quality cameras, controllers and monitors on Central Hall booth C3819 during th...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
ELEMENTS launches GRID at NAB Show 2026
Brie Clayton March 15, 2026
0 Comments
North Hall, Booth N1717
ELEMENTS returns to NAB Show 2026, with an exp...
16/03/2026
Blackmagic Design Cameras Capture Artist Salavat Fidai's Micro Sculptures
Brie Clayton March 15, 2026
0 Comments
6K sensor and open gate capabilit...
16/03/2026
DHD to Introduce Latest Generation Broadcast Audio Mixers at NAB 2026, Las Vegas
Brie Clayton March 15, 2026
0 Comments
Hero image: Front of DHD RM1 P...
16/03/2026
Back to All News
Netflix Has Released the Trailer for Love at Last, Starring Ed...
15/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 5.4 billion one-to-one addressable OTT advertisements across the 17 days of Milano Cortina 2...
14/03/2026
Telestream Advances Production-Ready AI Across Its Product Portfolio
Brie Clayton March 13, 2026
0 Comments
New AI capabilities drive smarter automati...
14/03/2026
Kraken Graded in DaVinci Resolve Studio
Brie Clayton March 13, 2026
0 Comments
Senior Colorist Dylan Hopkin delivers the first Scandinavian feature in...
14/03/2026
Tedial Powers the Future of Media Operations at NAB Show 2026
Brie Clayton March 13, 2026
0 Comments
Transforming Media Through Intelligence, Flexibil...
13/03/2026
Recently named CEO Andreas Eriksson has taken the helm at Net Insight at a pivot...
13/03/2026
Scripps Sports and Ally Financial are partnering with the Professional Women's Hockey League (PWHL) to broadcast its first game on national linear televisio...
13/03/2026
Disney+ has launched Verts, a vertical video feed on its U.S. mobile app, markin...
13/03/2026
LTN, a managed IP video transport company, and Appear, a live production technol...
13/03/2026
The Professional Fighters League (PFL) has announced an agreement with Sportradar for global betting data and streaming rights. Under the deal, Sportradar becom...
13/03/2026
In-venue and creative video staffers at the professional and collegiate level ha...
13/03/2026
The streamer will be the first entertainment platform to offer AI-enabled vertical video for live games, starting with the NBA...
13/03/2026
Ease Live, an Evertz company specializing in interactive graphical overlays, has deployed its platform on Red Bull TV for Premier Padel coverage. The deployment...
13/03/2026
Monday Night Football, ESPN's premiere NFL property, has continued to be improved and upgraded from a production perspective. Alternative broadcasts are aug...
13/03/2026
At NAB Show 2026, Net Insight (booth W1653) is introducing the Nimbra 520, a high-density media processing node for live contribution and distribution across ma...
13/03/2026
Harmonic (booth W2831) has announced Spectrum X Plus, the newest generation of its Spectrum X media server, offering double the channel density of previous gene...