
From tea boy to chairman: Jeff Foulser on pushing on and never being satisfied By Heather McLean, Editor
Friday, December 6, 2019 - 13:32
Print This Story
Sunset Vine chairman Jeff Foulser chats with Fergal Ringrose during SVG Europe's SportTech 2019 event at Lord's Cricket Ground on 22 May
Sunset Vine chairman Jeff Foulser has enjoyed a long and illustrious career that began as a young whippersnapper at the age of 18 with a chance game of cricket at London Weekend Television (LWT) and is still going strong at the company he has helped grow from five people to an international sports host broadcaster.
After playing a lot of cricket as a youngster, to the point where he even considered taking it up professionally, Foulser decided instead he, probably ought to get a proper job, but I completely failed in that regard; I got into television! .
In those days there were only two places to work if you lived in London; one was LWT and the other was the BBC. I wrote to the BBC and they said come back when you've got a degree, but I wasn't keen on going to uni; I did my A-Levels and stuff but I wanted to get out into the world. I managed to get a job at LWT basically as a tea boy; I was called a junior clerk, he says.
Foulser continues: I was given my first job by Jimmy Hill who was Head of Sport at LWT then. He was a former footballer and manager of Coventry City. He was a really smart guy who, when he was still a professional footballer, was responsible for ending the minimum wage in football. He also advocated three points for a win and was instrumental in many changes to the game. He obviously must have seen something in this 18 year old that he quite liked and he gave me the job, so I owe him everything really.
Progressing up the ranks
On how he progressed up the ranks from tea boy, Foulser says, I just got my nose in where it was important, really . He goes on: It would never happen these days, but on my first day at work I was called in by a wonderful man called John Bromley, who was the executive producer for sport at LWT, and he said, ah, Jeffrey, you play a bit of cricket don't you?', so I said, yes, I do sir', so he said, right, you're playing tomorrow for World of Sport against Bagshot Cricket Club,'. So I got home that night and my mum asked, how was your first day at work?' and I said, great, I'm playing cricket tomorrow!'. She couldn't believe it. Anyway, within one day of joining, that night in the bar after the cricket I was one of the team already, and it was quite remarkable how quickly it happened from there.
Foulser began getting involved in the production side of sports broadcast, gaining experience on outside broadcasts and logging football matches for editing. I was the tea boy for about six months, he remembers. It was a fantastically vibrant sports department; a lot of really clever people, and you couldn't fail to learn. My mentors were Jimmy Hill and John Bromley, Brian Moore the commentator, who was fantastic, and a guy called Bob Gardam who was a pioneering OB director who transformed football coverage in the late 60s, early 70s, and he was terrific. He put his arm round me and showed me how it was all done, really. So I had some brilliant people to learn from.
My view is if you try and stay where you are, you go backwards and I really do believe that. You have to push on and push on and never be satisfied.
Other alumni from LWT during that period included, says Foulser, Mark Sharman who became head of Channel 4 sport, Robert Charles who became head of Channel 5 sport, Richard Worth who ran Team Marketing, Andrew Franklin who ran Channel 4 racing for many years, Tony Mills who became Sky's leading football director, as well as talented on-screen performers like Jim Rosenthal and Martin Tyler. Foulser adds: It was quite a hotbed. Looking back on it, I don't think we realised it at the time, but there were some pretty good people there!
At the tender age of 24, Foulser scored the job of producer of The Big Match, LWT's flagship football programme. He comments on taking on such a large role at such a young age: It is a little bit hard to believe. I'm not sure it would happen now; I think there's probably more competition for a start. There's a lot of really talented people around now. In those days there wasn't a lot of football on television, so it was a programme with eight million to 10 million people watching it on a regular basis. So to be in charge of that was pretty amazing. When you're young you don't think about it in the way you do when you look back.
Time to move on
England's Ben Stokes pumped up and passionate after his exhilarating innings at Headingley during 2019 Ashes series against Australia
As well as leading the football charge at LWT, Foulser produced the Seoul Olympics in 1988 for the channel. However, the time came when Foulser felt it was time to move on.
He explains why: I needed to do something different. I needed to test myself. I'd been part of this family at ITV and it was all a bit comfortable and I also didn't want to work on football solely, which in the end [at ITV] I did; I became the executive producer of ITV football and when football started to take off, ITV bought the rights to what was then the First Division, but then became the Premier League, and we had 21 live games a season and I was in charge of that. It was pretty high profile; big audiences.
I remember my last game when I knew I was leaving but I hadn't told anybody else in 89, when Arsenal beat Liverpool at Anfield to win the title - the last game of the season and they needed to win 2-0 and they did it with the last kick of the game - and afterwards I told Brian Moore that I was leaving, and he said, Jeff, how can you? Wh
North America Stories
22/07/2026
An AI playground for the Project Indigo camera app
Marc Levoy July 22, 2026
0 Comments
At left is the user interface of our Playground, running on an ...
22/07/2026
Custom Consoles announces the completion of a large technical furniture project for Radio T l vision Suisse (RTS) at the networks recently inaugurated productio...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Culver City, CA, July 21, 2026 3D streaming infrastructure provider Miris today announced glTF intake, including the binary .glb form, to its spatial streamin...
22/07/2026
Documentary Lo Invisible Captured with Blackmagic PYXIS 6K
Brie Clayton July 21, 2026
0 Comments
Camera's versatile design allowed filmmakers to c...
22/07/2026
AAF Bridge converts AAF and XML Timelines to Ableton Live - and back
Jerome Gardier July 21, 2026
0 Comments
A two-way converter for macOS and Windows...
22/07/2026
From Class to Concert: Explore a Student-Led Production of David Bowies Work Thr...
22/07/2026
Before a healthcare robot can be useful in the real world, it has to learn how the physical world pushes back. Anatomy varies. Instruments bend, press, slip and...
21/07/2026
With winners Spain having already paraded the World Cup trophy through Madrid in front of millions of fans and the dust now settling on an epic tournament of th...
21/07/2026
In a time of disarray in regional sports broadcasting, the league will provide c...
21/07/2026
When NEP designed one of its largest recurring mobile production unit fleets for PGA TOUR
coverage, the leading media services provider faced a familiar challe...
21/07/2026
Warner Bros. Discovery's unbroken lead is interrupted as sports and live mus...
21/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/07/2026
Across the TV and streaming ecosystem, industry players face mounting pressure to do more with less. They must simplify operations, protect premium content and ...
21/07/2026
Tuxera, a leading prover of quality-assured file systems and networking technologies, is bringing its latest advances in connectivity performance to the media w...
21/07/2026
COW Jobs: Apple Motion Expert for Custom FCP Rigged Graphics Package
Brie Clayton July 21, 2026
0 Comments
HIRING: Apple Motion Expert for Custom FCP ...
21/07/2026
Cinegy GmbH, the premier provider of software-defined television technology, will use its presence at IBC2026 (stand 7.A01, Amsterdam RAI, 11 14 September) to...
21/07/2026
Calrec will be located in Hall 8, on Stand C47
Beyond bigger
For years, broadcast facilities were built around one assumption: provision for the biggest pro...
21/07/2026
Pebble, the leading automation, content management and integrated channel specialist, will discuss its future-facing developments for the new generation of medi...
21/07/2026
nxtedition returns to IBC2026 with its consolidated production platform, showing how scripting, editing, graphics, AI-assisted tools and automation can work wit...
21/07/2026
C2PA content signing helps broadcasters, public institutions, and publishers give audiences a verifiable record of where their video content came from and how i...
21/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/07/2026
New capability centralizes collaboration, feedback, security and status tracking within VIDA, providing a structured, auditable approach to master quality contr...
21/07/2026
Lightcraft Launches Exclusive Spark Story Beta for Filmmakers and Creators at SI...
21/07/2026
Indie Road Movie Where in the Hell Shot with Pocket Cinema Camera 4K
Brie Clayton July 20, 2026
0 Comments
Colorist blends vintage film looks to shape...
21/07/2026
Which USS Defiant Pulse Phaser effect is better?
Graham Quince July 20, 2026
0 Comments
Aargh, ever since @DarkRavenProductions posted a comment ask...
21/07/2026
The AI era runs on AI infrastructure. Many of these advanced systems are built a...
21/07/2026
Every live event starts with a defining moment. A camera captures the game-winni...
21/07/2026
AI has entered the gigascale era.
The world's most advanced AI factories are bringing together hundreds of thousands of GPUs and CPUs to train frontier mod...
21/07/2026
NVIDIA Vera Rubin is here, and it's going gigascale.
Vera Rubin NVL72 produ...
20/07/2026
The former Northwestern broadcast-operations leader is helping train the next generation of live-sports-production talent across the Big Ten
The sports-product...
20/07/2026
By Lucy Spicer
One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent filmmaking. Whi...
20/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/07/2026
Starfish Technologies will use IBC2026 to showcase the flexibility of its transport stream processing software, including the latest versions of TS Splicer (Win...
20/07/2026
Bitfocus, the specialist in media control and monitoring, will show at IBC2026 (Elgato stand 8.D31, Amsterdam RAI, 11 14 September) how its Buttons control la...
20/07/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, today announced new AI capabilities that e...
20/07/2026
Big Blue Marble's Cloud DRM has been nominated in the DRM/Content Protection category of the 2026 Streaming Media Readers' Choice Awards.
Only four pro...
20/07/2026
At this year's SIGGRAPH conference, running through Thursday, July 23, in Lo...
20/07/2026
Erin Davis calls it the SuperDuperPOD. That's two things in one name: phar...
19/07/2026
Justin Bieber, Madonna, Shakira, BTS make for a diverse lineup, and the venue ad...
19/07/2026
The stage is set: three-time champion Argentina will defend its World Cup title ...
18/07/2026
Topics include pre-match ceremonies, live performances, the tournament's fir...
18/07/2026
When FIFA and HBS set out to produce the 2026 FIFA World Cup, the numbers alone ...
18/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...