
El Instituto RTVE investiga el parpadeo de los espectadores En colaboraci n con la UAB y la UPO un estudio demuestra que el contenido prevalece sobre la forma al ver pel culas. Los resultados tendr n aplicaci n directa para los creadores de contenidos narrativos.
El Instituto RTVE, la Universidad Aut noma de Barcelona y la Universidad Pablo Olavide de Sevilla han llevado a cabo un estudio con el fin de detectar el efecto de la narrativa audiovisual frente al estilo de montaje en la frecuencia de parpadeo de los espectadores. La investigaci n, publicada en Brain Sciences, presenta a un grupo de sujetos contenidos audiovisuales con diferente estilo de montaje, pero narrativa id ntica para estudiar su frecuencia de parpadeo.
En estudios anteriores ya se hab a concluido que el estilo de montaje audiovisual afecta a la frecuencia de parpadeo de los espectadores. Ahora, se ha demostrado que la sincronizaci n de aumentos y descensos de frecuencia de parpadeo sucede en momentos espec ficos de la narrativa, independientemente del estilo de montaje en el que acontezcan. Por tanto, se puede afirmar que el contenido narrativo tiene un papel m s relevante que el estilo de edici n para la gesti n de la atenci n.
Estos resultados tienen una aplicaci n directa para los creadores de contenidos narrativos, como realizadores, editores de video, directores de fotograf a, directores de actores o guionistas, entre otros muchos.
El doctor Miguel ngel Mart n-Pascual, del Instituto Radio Televisi n Espa ola y la Universitat Aut noma de Barcelona, autor de esta investigaci n, considera que es muy interesante conocer c mo fluct a la atenci n de los espectadores en funci n de determinados contenidos narrativos. Saber encontrar estos patrones significa un avance significativo en la planificaci n, realizaci n y guion de contenidos audiovisuales .
La doctora Celia Andreu-S nchez, del grupo Neuro-Com de la Universitat Aut noma de Barcelona, tambi n investigadora de este estudio, entiende que estos resultados no solo son tiles en el mbito profesional audiovisual, sino que tambi n pueden tener una repercusi n directa en el educativo. Se trata de una herramienta objetiva para ense ar a los futuros creadores de contenidos audiovisuales, c mo gestionar la atenci n de sus espectadores .
For its part, Agn s Gruart and Jos Mar a Delgado-Garc a, catedr ticos e investigadores de la Divisi n de Neurociencias de la Universidad Pablo de Olavide de Sevilla, coinciden en que este trabajo es un paso hacia delante en la dif cil tarea de acceder al inconsciente del cerebro humano, ya que los espectadores est n realizando esa gesti n de su propia frecuencia de parpadeo para adaptarla a la predicci n de contenidos narrativos audiovisuales, de un modo totalmente inconsciente .
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