Vincent London transports the 2D cartoon into a futuristic 3D world
Ben Tennyson is a ten-year-old boy whose wrist-worn Ominitrix device enables him to change into alien creatures and fend off attack from extra-terrestrial forces.
The Ben 10 animated series first aired in late 2006, and ran for four seasons until 2008. This was followed by three seasons of Ben 10 Alien Force, and two seasons of Ben 10 Ultimate Alien. The fourth instalment, Ben 10 Omniverse, has been running since 2012 and is now entering its fifth season, in which Ben comes face to face with Albedo, an evil clone created by the alien Galvan race.
To promote the new episodes, Turner Broadcast and The Cartoon Network turned to Soho-based studio Vincent London, which produced three spectacular slots for the campaign. "The project was intended to showcase Ben and his alter-ego within a dual cityscape environment," explains Creative Director, John Hill. "We wanted to create a flexible futuristic world to host the epic fight scenes between Ben 10 and his new nemesis."
The work is a slick combination of 3D environments, created with CINEMA 4D, and 2D characters, which were drawn and animated in-house using Adobe Flash. The design was one of the key challenges, states Hill. "The 3D world needed to compliment the iconic Ben 10 artwork and style and allow us to flexibly composite 2D character animation. The buildings and cityscapes had to reflect the good and the bad renditions of Ben 10 and also create awesome spaces for the fight scenes." Accordingly, the green and red outfits of Ben and his clone were used to colour-code the environment.
With all the dynamic camera moves and shifts in perspective, the melding of 2D and 3D required thorough planning to ensure all the elements matched up. "We worked up fairly detailed hand drawn animatics," says Hill, "followed by more considered pre-vis animatics for each shot. This enabled us to sync up the interactions between Ben and the 3D scenes as well as plan overall shot composition and timings."
"CINEMA 4D was easy and quick to use when realising our hand-drawn cityscape designs," he continues. "It brought us time when wanting to experiment with various sets and environments for the action."
A few of the 2D character shots were combined with the backdrops in post-production, but Hill suggests that for the most part it was all done in the 3D realm. "Although some shots were composited in Adobe After Effects, we also rendered them out with the 3D scenes to get additional GI and shadow passes. The more you can do in 3D, the better the composite and final result, we find."
This workflow makes sense when you realise that the characters are often required to produce subtle reflections on the floor and cast shadows (like when Ben is running through the explosions). To achieve this, the team applied alpha-mapped animation onto a flat plane positioned within the scene, and animated accordingly. They then used the Reflection, Global Illumination, Material, Diffuse and Shadow passes for use in the final composite.
Stylised explosions were handled similarly: "After animating them in Flash, we added them to the 3D scenes to help add GI lighting and shadows," says Hill. "We mixed 3D explosions with the hand-drawn 2D explosions to merge the styles."
An abstract cityscape of monolithic buildings makes an ominous backdrop to the action. "We sketched out quite a few cityscapes and building designs before settling on the self-illuminating futuristic style," Hill says, "as this worked best for atmosphere and premise. We used mainly geometry for the neon-style wireframes as the render is always cleaner than using textures."
He adds, "The simple cityscape complimented Ben 10s graphic style well; we had to be careful not to add too much detail as this moved the design too far away from Bens 2D artwork."
The angular buildings are lit by area lights to add subtle glows, with occasional flashes to make the city feel alive. However, the main light sources come from a network of flying cubes, which also give the city a sense of scale. These were simple boxes containing lights in conjunction with self-illuminating textures to add detail.
Lighting proved the hardest part of the project, admits Hill. "Atmospheric lighting with flicker-free GI is always time consuming," he says, adding that the challenge was to "create subtle mid-tone detail in a night-time dystopian environment so as to not end up with a flat graphic look."
Naturally, CINEMA 4Ds MoGraph tools were used for the floating cubes, with a little hand animation and keyframing to get the right results. "MoGraph is probably my favourite tool," declares Hill. "Its so flexible, and so much complex animation can be achieved with very simple scenes."
In one sequence, evil Bens influence spreads through the city, creating giant cracks in the buildings and causing explosions. The team employed CINEMA 4Ds in-built Dynamics to create the tumbling debris, then hand-animated ripples and deformations in the floors and walls for extra detail around the impact areas.
The Tron-style environment is full of bright objects and details that were required to glow, and its usually best to add these in post-production for more control. "We used the material illumination pass as an EXR file sequence, and 32-bit linear compositing," explains Hill. "The After Effects glow effect does a pretty good job with high colour depth. Blurred overlays in After Effects can also prove helpful for glows when treated well."
To sweeten the shots, lens flare effects were added to bright sources and explosions. Again, these were added in post, using After Effects plug-ins, although some were actual lens flares, photographed by Vincents team, or hand-made textures.
Depth of field is used to great effect, too, adding drama and helping to tie the 3D and 2D elements together. "Most dept
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
02/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/07/2026
Following the successful launch of its inaugural APAC Mentoring Programme last month, the Rise AV APAC Regional Council will bring the conversation around mento...
02/07/2026
Blackmagic PYXIS 6K Used to Shoot Director Takahisa Zeze's Cry Out
Brie Clayton July 2, 2026
0 Comments
Highly mobile camera supports tense and de...
02/07/2026
Broadcast Solutions acquires BFE, expanding its lead in European broadcast, medi...
02/07/2026
Berklee Alum and Faculty Perform at Boston Public Library's 250th Anniversar...
02/07/2026
Broadcast Solutions GmbH, a leading systems integrator and provider of innovative solutions for the broadcast media industry, is acquiring BFE Studio und Medien...
02/07/2026
Cinegy GmbH, the premier provider of software-defined television technology, has extended the ingest facility at leading Brazilian sports company LiveMode, work...
02/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/07/2026
Standalone processors acknowledged for the innovation and value they bring to Pro AV
Cobalt Digital, a leading designer and manufacturer of signal processing ...
02/07/2026
Synamedia announced today the appointment of Dr Tzvi Gerstl as Chief Executive Officer. Paul Segre, who has served as CEO for the past six years, will transitio...
02/07/2026
Screen Australia backs audience-led filmmaking with new insight-driven initiativ...
02/07/2026
Screen Australia refines guidelines for Narrative Content Development and Docume...
02/07/2026
Maxon Autograph: Introduction to working with Tables
Simon Ubsdell July 1, 2026
0 Comments
An overview of Autograph's ridiculously powerful tables...
02/07/2026
Boston Conservatory's Soir e Breaks Records to Fund Student Scholarships The event achieved 127 percent of its fundraising goal in an evening celebrating ...
02/07/2026
How Adam Rosenwach Pivoted from Music to Med Tech Without Missing a Beat What do the rehearsal room and the boardroom have in common? More than you might thin...
02/07/2026
Summer is heating up - and GeForce NOW is taking players along for the ride.
Start the month with Monopoly: Star Wars Heroes vs. Villains, bringing a galaxy fa...
01/07/2026
Broadcast Management Group (BMG) has announced the appointment of Kathy Samuels ...
01/07/2026
Shade has announced Custom Objects and Automations, a platform expansion releasing June 29, 2026, that adds database and workflow automation capabilities direct...
01/07/2026
FOR-A America has announced the addition of Jaz Wray and Fernando Cruz to its U.S. sales team. Both report to Ernie Leon, Senior VP and Head of Sales and Strate...
01/07/2026
NBC Sports will air all 15 MLB games nationally on Sunday, July 5, across NBC, P...
01/07/2026
Clear-Com has announced a wireless communications upgrade for Jeopardy! and Wheel of Fortune, deploying FreeSpeak II and FreeSpeak Icon systems across both prod...
01/07/2026
England's performance team will use Sony's STATSports APEX GPS tracking system to monitor player physical data in real time during FIFA World Cup 2026 m...
01/07/2026
Adder Technology has announced the appointment of Neil Hillier as Chief Executive Officer, effective July 1, 2026. Hillier succeeds Adrian Dickens, who transiti...
01/07/2026
Bitcentral, Inc. has announced a strategic transaction creating two separate companies. The Production and Playout business will continue as Bitcentral, now own...
01/07/2026
DAZN has announced results from DAZN48, its creator initiative for the FIFA World Cup 2026. Launched in April 2026, the program received thousands of applicatio...
01/07/2026
Sarah Rose, VP, global services, Daktronics (NASDAQ: DAKT), will be inducted into the Information Display and Entertainment Association (IDEA) Hall of Fame at t...
01/07/2026
Gravity Media and the World Economic Forum's production team provided broadc...
01/07/2026
Insight Productions has announced the launch of Insight Storm, a 53-foot mobile broadcast unit built for esports production. The truck is built around a Ross Vi...
01/07/2026
ESPN has announced several content initiatives marking America's 250th anniversary, as part of The Walt Disney Company's Disney Celebrates America pro...
01/07/2026
Eleven production kits, REMI workflows, and cloud distribution bring 40 World Cu...
01/07/2026
The conference also discussed the opportunities offered an industry that is endu...
01/07/2026
The Mountain West Conference has announced the launch of MW , a direct-to-consumer streaming platform powered by Kiswe. The platform will carry live Mountain We...
01/07/2026
New AI Assistant, Multi-channel Audio, ARA2 improvements & more
Tracktion's DAW software has just received its latest major update, gaining a selection ...
01/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
01/07/2026
Exclusive run of limited-edition modelling pedals
Sweetwater and Andertons M...
01/07/2026
The National Film and Video Foundation (NFVF) is pleased to announce that the ca...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Manfrotto Introduces UNCOVER, the new premium camera bag collection for modern h...
01/07/2026
Blackmagic Design Powers Houston Tamil Sangam Literacy Competition
Brie Clayton July 1, 2026
0 Comments
Volunteers use ATEM Mini Pro, Blackmagic Desig...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
PlayBox Technology has published State of Broadcast Infrastructure 2026, an in-depth industry research report examining the technologies, operational challenges...
Vincent London transports the 2D cartoon into a futuristic 3D world
