Latency from Microphone to Headphone in AoIP Solutions
26-05-2017
Latency has been a hot topic on and off ever since digital audio emerged a few decades ago. The phenomenon, however, is by no means new
In a digital world, the audio you listen to is delayed by a certain amount, which can be caused by a number of factors, but often the delay is so subtle that you will never notice it. In fact the term delay' is precisely what happens when we talk about latency', and audio delay has always existed. Quite simply, sound waves have to travel over distance and it takes time to get from A to B. Period.
When we talk about sounds reinforcement, for example, various speakers are often deliberately delayed by a few milliseconds (ms) to compensate with regard to the listening position, and if we take a strict analog example, latency is there, but has never been encountered as a problem.
On a live music stage, you will often see wedges - or monitors - placed on the floor. They are most likely triangular in shape, designed to play upwards and towards the musician. This is necessary because if the stage is fairly large, the main speakers would be so far away that the artists would experience a very noticeable amount of delay. With monitors nearby, on the other hand, they are perfectly fine. But considering the distance even from the floor and to the ear of the musician, if the distance is 2 meters, there is actually a latency of 6ms.
Traditional' Points of Latency
Now, the above example was strictly analog, but as mentioned, once we started working with digital audio, latency became an issue. So, even before introducing potential latency on an IP-based audio network, it is important to clarify that there are numerous points where latency occurs - in the both the analog and digital domains. Let's take a closer look in the case of a vocal recording in a typical studio environment:
Distance from the vocalists mouth to the microphone - 25cm of distance equals approximately 0.8ms of analog latency.
AD conversion - Filters typically introduce around 20 samples of digital delay, which translates into 0.4ms of latency.
ASIO / DAW - Getting in and out of your DAW also introduces digital latency. Typically 64 samples, which equals 1.3ms in either direction. 2.6ms in total.
Software Plugins - In many cases added plugins will also add to the total latency, but since these are not necessarily added during tracking (latency is less of an issue when mixing, of course), we will not add a specific amount of latency in this example.
DA conversion - Filters typically introduce between 10-40 samples of digital delay. If we use 30 samples as an example, this equals 0.6ms of digital latency.
Monitoring - In this case a vocalist would wear headphones and there would be no analog latency worth mentioning, but if for instance a guitarist or bassist would be tracking in the control room, there would most likely be at least 1-2ms of analog latency from the monitors and to his/her ears.
OK. If we add up those points of latency, you would experience a total of 4.4ms of latency. This would be at a sample rate of 48 kHz, and in case you record at 96 kHz the latency introduced digitally (AD/DA conversion and ASIO/DAW) would be halved. The distance from mount to mic would of course be the same, so in total the latency at 96 kHz would be 2.6ms.
AoIP Latency
Now, let's find out how much additional latency you could expect in case you decide to establish an IP-based audio solution such as Audinate's Dante network protocol.
There is not a fixed value of ms of latency being introduced on a Dante network. It depends on a number of things, including your computer, the amount of switches in the total network, etc. But if you have less than 4 switches in your network, you could likely go as low as 0.25 ms of latency on either side of the ASIO/DAW instance.
In that case, you should add 0.5ms of latency that is caused by the network:
Total latency @48 kHz: 4.9ms
Total latency @96 kHz: 3.1ms
The important thing to keep in mind, though, is that if we look at the percentage of latency introduced by adding IP audio, the difference is very subtle:
Percentage of latency caused by the network:
48 kHz: approx.. 10%
96 kHz: approx. 16%
Conclusion
We think that it is fair to conclude that adding AoIP is not what is going to make or break your recording in terms of latency. It is a myth that you cannot track live performances that need to be monitored in real time on an audio network. It is indeed perfectly possible, and most artists would be completely fine with a latency below 6ms. Again just consider the musician performing live on the stage, listening to monitor wedges on the floor or an amplifier several meters away.
As a closing statement, we would like to stress that the numbers we used in the above examples are not set in stone. They are examples and may therefore vary slightly depending on the manufacturer of the equipment you use, your computer's performance, etc. But we hope that you now have a better idea of how your overall latency would become affected in case you consider - or decide - to move on to the world of networked audio.
Finally, if you would like to learn more about Audinate's Dante protocol, we have compiled 10 of the most commonly asked questions in this article
Even More Details
Our Business Development Manager, Jan Lykke, gave a speech on this very topic at the AES conference and exhibition in Berlin, Germany, in May 2017. If you want even more details, please watch his presentation right here:
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
01/06/2026
Category line-up & sponsors announced
Photo: Paul Clarke
The Production Music Awards (PMA) have announced that submissions are now officially open ahead of...
01/06/2026
New hybrid sample/synthesis instrument revealed
Excite Audio have just released the latest instalment in their Evolve series, which has been developed in co...
01/06/2026
Latest TONEX expansion captures three rare vintage amps
The newest addition to IK Multimedia's ever-growing TONEX line-up introduces a set of three incr...
01/06/2026
Musically intelligent soft synth gets upgraded
Scaler Music will be probably be best known to many for their music theory tools, but their product range al...
01/06/2026
SBS confirms its broadcast sponsors for FIFA World Cup 2026
1 June, 2026
Media releases
SBS has secured Hyundai, Hisense, Macca's, Rexona, bet365, Com...
01/06/2026
Rohde & Schwarz Satellite Industry Days 2026 guided by the motto From Earth to ...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Marshall Electronics is showcasing a comprehensive lineup of next-generation POV cameras, purpose-built to power today's connected AV environments, at InfoC...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Mardi 2 juin 14h00
FilmLight (ARRI), 10 rue Ren Boulanger, 75010 Paris
Rejoignez-nous pour d couvrir comment FLAPI (l'API FilmLight) peut transformer e...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
31/05/2026
Back to All News
Netflix Wins 15 Awards at the Canadian Screen Awards - See Pho...
31/05/2026
Taiwan is home to more than 500 NVIDIA ecosystem partners. More than 1 million N...
31/05/2026
As factories move from isolated automation to plant-wide intelligence, manufacturers need AI systems that can connect live machine signals, quality systems, wor...
31/05/2026
The NVIDIA AI Cloud ecosystem is accelerating the global buildout of AI factory infrastructure. Partners are expanding capacity to meet growing demand from ente...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
Latency from Microphone to Headphone in AoIP Solutions 
