
Cloud adoption has been in motion for some time now. The pandemic has now made remote access to content much more of a necessity. With cloudification increasing, organisations need to consider how to manage their infrastructure over the long term. In this blog, Nicholas Pearce, Co-founder and Chief Revenue Officer, Object Matrix answers a few questions about the company's reaction to the Covid-19 pandemic, the effect on the wider industry, as well as what's on the horizon.
How have you dealt with the past year? As with every other company we had to quickly adapt to remote working. With many of the team often travelling to various trade shows and customer meetings, we are used to working from anywhere much of the time so that was not too big a challenge. Also, as we already use our own browser-based collaboration tool, MatrixStore Vision, for our files, we know we can access that from anywhere.
The biggest challenge about remote working for the team was the lack of interaction and engagement with each other and customers. People buy from people so not being able to travel has made that more difficult. Thankfully it didn't affect sales, and if anything, led to a lot of new customers coming on board looking to improve their storage and ensure remote access to all their media files no matter where the team is located.
We have addressed the interaction challenges as best we could through the use of video and webinars with partners and customers. Those have mostly been well received! I have also added my own personality to a number of fun videos, including a series of Good News Friday videos to lift people's spirits amongst the doom and gloom.
How do you think the media industry responded to the pandemic? The media industry was already transitioning towards more cloud-based tools which have certainly eased the situation. Those media companies with traditional workflows and tape storage have struggled the most. COVID highlighted the need for a drastic, but very fast overhaul of entire workflows. Moving entire archives from tape storage during a pandemic is not without its challenges.
Production has also become very challenging due to stay-at-home rules, and social distancing requirements. That said, the media industry has adapted well, and fast. We have seen the rising importance of the archive, with many providers turning to archived material to keep audiences engaged while production was paused.
What do you think the next 12 months hold in terms of workflows? The pandemic has largely accelerated trends that were already happening; therefore, it is unlikely that we will return to pre-pandemic workflows entirely. I think we will see many more hybrid workflows, delivering the best of both worlds and maximising efficiencies. Consumers have been engaging really well with archived content across all genres. I believe that the archive will become a more integral part of content strategies going forward. That will only be possible if content housed within the archive is fully discoverable.
Organisations need to look at implementing hybrid or multi-cloud solutions which help create a hierarchy of content value. Some content can easily move to deep archive, whereas other assets need to be readily available. Identifying the most effective format for different types of content will help to avoid unnecessary egress fees and make storage more efficient. It's also important to ensure that the metadata associated with key footage is stored in an open format, so teams can keep control of their assets and avoid being tied into platforms or applications.
How can the industry benefit from cloud storage going forward? The ubiquitous term cloud doesn't do justice to the diverse solutions which can be combined to suit different organisation's needs. While initial low expenditure for public cloud usage is tempting, the data access and billing can quickly become unpredictable if all your eggs are in the same basket. Media organisations frequently need to access archive footage and a restrictive approach to data portability can cause real challenges for production teams. Many public cloud solutions are simply not designed for creative media workflows.
It's clear that Covid is going to have a lasting impact on the type of content that is created. The industry has seen the potential of maximising archive footage to generate new content, particularly in the sports world where the disruption has been extensive. But in order to make the most of an organisation's assets, there needs to be a balance between accessibility and cost. Covid may be driving us towards widespread cloud adoption, but media organisations need to make sure they are keeping both hands on the wheel.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
You've seen the headlines, now it's time to go Behind the Story
RT News has today (Wednesday) launched a brand-new news podcast, Behind the Story, h...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...