
The '80s. A teenage crush. High school drama. And, of course, a corpse. Maybe not what you'd expect for a traditional coming-of-age tale, but all elements that make the new movie Lisa Frankenstein come alive in a fun, twisted way. The film, written by Diablo Cody and directed by Zelda Williams, follows the story of Lisa (Kathryn Newton) as she falls in love with The Creature (Cole Sprouse), a dead body brought back to life in a freak accident.
Much went into the movie's development and creation, and music was a big source of inspiration. It enhanced Diablo's creative writing process, and Zelda said that listening to her '80s favorites put her in the right mindset. To help listeners cultivate the perfect mood, the two created a Spotify playlist that highlights some of their favorite tracks during this period.
For the Record sat down with Diablo and Zelda to dig deeper into their vision and how music created the perfect vibe for bringing the characters to life, or, back from the dead.
Diablo, what made you interested in reimagining Frankenstein? There's just something about that Frankenstein mythos that is so irresistible-and it's not just me. So many filmmakers have gone back to that well, and I think just the idea of doing a Frankenstein story from a female perspective and as this madcap rom-com, it was just something that I hadn't really seen before, so I thought, Why not?
Zelda, what attracted you to the script? Even as an actor, I very rarely was given comedy scripts, let alone things for young women, that reminded me of the movies that I grew up loving. And so getting to read something that reminded me of a female version of Weird Science or Encino Man or Beetlejuice was just genuinely a joyful thing.
What three words would you use to describe the vibe of Lisa Frankenstein? Zelda Williams and Diablo Cody on the set of Lisa Frankenstein. Photo Credit: Mason Novick
Diablo: Nostalgic, romantic, and goth.
Zelda: A little violent, wacky, and very fun.
How did you approach picking music for the soundtrack? Diablo: Well, the movie takes place in 1989, so a lot of it was directly pulled from that late-'80s pop goth vibe of the era. And there were certain songs that I think are just so perfect, like the Pixies' Wave Of Mutilation and Galaxie 500's Strange, which appears in the movie a couple of times. They both have a mystique to them that really suits the narrative. Music and filmmaking are both so emotional, so you just try to kind of capture a vibe [with the two].
Zelda: I was lucky because in the script, there were already songs in there. So even when there were songs we couldn't end up using, it became its own playlist that was a great jumping-off point for me to deep dive into various artists and find like-minded songs that we did use. Up the Down Escalator by The Chameleons was a song I'd always really liked, but to have been able to place it in the movie was really fun. And I didn't originally intend to use REO Speedwagon in the soundtrack either. That ended up being a place that we found our way to. So it was really great. That exploration was an adventure in and of itself after we finished filming.
If you could pick anthems for the main characters, Lisa and The Creature, what would they be? Photo Credit: Michele K. Short / 2024 FOCUS FEATURES LLC
Diablo: I think The Creature is a romantic, so I'm going to give him REO Speedwagon's Can't Fight This Feeling, which memorably plays in the movie in a scene beautifully directed by Zelda. And Lisa is a person who is very quiet but has the stirrings of rage inside of her. So I'm going to give her Bela Lugosi's Dead by Bauhaus. Just that ominous rumble.
Zelda: I'm torn between two songs that are more representative of them as a couple. I'm one of the biggest Prince fans ever, so I Would Die 4 U feels like a very fitting song for the two of them. I put it on my playlist. And then I really love the Fine Young Cannibals and I think She Drives Me Crazy is a really funny one for the two of them too.
You both selected songs for a new Spotify playlist. What was your approach? Diablo: Well, for me, the songs that I chose were music that I listened to while I was writing. So I got really specific with it in terms of it being a direct reflection of my creative process. There's industrial stuff on there, there's Ministry, there's B.F.G., there's The Stone Roses' I Wanna Be Adored. I love that song. And to me, that really captures the feeling of the time. So yeah, it was that kind of stuff that put me in the mood to write this movie.
Zelda: I wanted to stay pretty era-specific at the same time. And for me, the biggest test of any playlist is if I could play it without skips while cooking a long meal. So I tested this one out while cooking curry the other day. And I was a ska kid, believe it or not, so I leaned more into kind of goofy, upbeat. I love a lot of wacky instrumentation, so that's why stuff like the Fun Boy Three is on mine. I added When In Rome, who we managed to get on our soundtrack, too, which I love. And then it has a little bit of my favorites from Whitney Houston and Chaka Khan because I could listen to them all day, every day. But era-specific cooking night is where I went with the vibe.
What are some of your favorite soundtracks of all time? Diablo: Sofia Coppola crushes it every time. Lost in Translation and Marie Antoinette. Those soundtracks are immaculate. And then of course I would be remiss if I didn't bring up Pulp Fiction because I know I beat that soundtrack to death in the '90s. So that one's a classic.
Zelda: Pretty in Pink is one of my favorites. And The Lost Boys album is wonderful, like so much of a mood. And then this one might come out of left field, but Curtis Mayfi
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
15/04/2026
Open Broadcast Systems has announced that BBC World Service has selected its IP ...
15/04/2026
LiveU has announced an expansion of its collaboration with Sony Corporation, add...
15/04/2026
Ateme has announced a collaboration with NVIDIA to support live Apple Immersive ...
15/04/2026
The Professional Fighters League (PFL) has announced a multi-year partnership renewal with DAZN DACH, covering Germany, Switzerland, Austria, Liechtenstein, and...
15/04/2026
Canon U.S.A. (NAB Booth C3825) today took the lid off of the CINE-SERVO 40-1200m...
15/04/2026
Panasonic Video and Audio Systems North America and NEP Group will demonstrate a...
15/04/2026
For the fourth year running, independent analysts found businesses across all industries and verticals pay roughly the same amount in fees as they spend on stor...
15/04/2026
The Soccer Tournament (TST) has announced a media rights deal with NBC Sports to...
15/04/2026
JB&A will host the Pre-NAB 2026 Technology Event on April 17-18 at Flamingo Las Vegas, ahead of NAB Show. The event features hands-on demonstrations and technic...
15/04/2026
The Sennheiser Group will exhibit at NAB Show 2026 (Booth 4931, Central Hall), with demonstrations from Sennheiser, Neumann, and Merging across three areas: Rel...
15/04/2026
NAB Show 2026 will take place April 18-22 at the Las Vegas Convention Center, wi...
15/04/2026
AI-Media has announced the LEXI Text Encoder and LEXI Voice Encoder at NAB Show 2026, the company's first new encoder hardware release in more than a decade...
15/04/2026
Italian camera support manufacturer Cartoni will introduce several new products at NAB Show 2026 (Booth C6540, Central Hall), including the Master 30 OB fluid h...
15/04/2026
Lawo and swXtch.io have announced a memorandum of understanding at NAB Show 2026, under which Lawo will explore incorporating swXtch.io's groundSwXtch softw...
15/04/2026
CacheFly will exhibit at NAB Show 2026 (Booth W3129, April 19-22, Las Vegas Convention Center), showcasing three new additions to its content delivery platform:...
15/04/2026
Synamedia has announced GO Shorts, a new module within its Synamedia Go OTT platform that uses AI to convert an operator's existing content library into a s...
15/04/2026
The NAB Show kicks off on Saturday, and the SVG and SVG Europe editorial teams a...
15/04/2026
AJA Video Systems has announced an agreement to acquire Comprimato, a live video encoding and processing software company. The deal will unite the two companies...
15/04/2026
Prime Video Sports' NBA Playoffs coverage, which includes the entire SoFi NB...
15/04/2026
Just announced, the SDE standard provides a unified method and file format to ensure consistent and reliably comparable noise predictions
Sports and entertainm...
15/04/2026
From immersive storytelling to laugh-out-loud comedies, podcasts are booming in ...
15/04/2026
Books have always moved with us, whether tucked in our bags or humming in our he...
15/04/2026
For many artists, independent venues are where music careers begin and fan communities take shape. Independent venue operators work hard every day to keep local...
15/04/2026
From gripping thrillers to poignant memoirs, the 21st century has had no shortage of unforgettable books. To celebrate the standout storytelling of our modern e...
15/04/2026
Vintage broadcast experts release second plug-in
Telsie T is the second plug-in to be released by SonicWorld, a German audio company who specialise in servi...
15/04/2026
Includes eight free UAD plug-ins
Universal Audio's latest bundle brings together a selection of their renowned plug-ins and virtual instruments, and is ...
15/04/2026
Maximum uptime for broadcasters: Rohde & Schwarz launches R&S BroadcastShield at...
15/04/2026
Image courtesy of MD Helicopters...
15/04/2026
Virginia Gov. Abigail Spanberger, L3Harris VP Mark Farley, and state and local l...
15/04/2026
U.S. Space Forces Ground-Based Optical Sensor System upgrade at the Maui Space S...
15/04/2026
NBCU-Versant notches 13.1% of TV viewing in February, its best since August 2024...
15/04/2026
New data reveals older Kiwis are financially resilient, loyal to local products,...
15/04/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, announces the market launch of the ACCE...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Evergent introduces its Agentic Revenue Orchestration Platform, transforming how subscription businesses across direct-to-consumer streaming, pay-TV, telecommun...
15/04/2026
Harmonic's XOS Media Processor Delivers Exceptional Video Quality to More than Half of U.S. Public Media Viewership
Harmonic (NASDAQ: HLIT) today announce...
15/04/2026
LONGMONT, COLORADO, APRIL 15, 2026 DPA Microphones N Series Digital Wireless System users in North America can now take full advantage of the system's exc...
15/04/2026
Cobalt Iron, a leading provider of SaaS-based enterprise data protection, today announced the launch of Compass Tape Gateway (CTG), a transformative enhancemen...
15/04/2026
Disguise to Showcase Cutting-Edge Experience Tech for Sports, Broadcast and More...
15/04/2026
Arooj Aftab Makes the Music She Wants to Hear The singular artist explores the juxtaposition of grief and joy, dark and light, in her distinctive sound.
Apri...
15/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/04/2026
Interra Systems, a provider of end-to-end quality assurance solutions for the digital media industry, is proud to announce its central role in the digital trans...