
Advance step: Gen AI, data and cloud on the radar for British Basketball League as production transformation continues By Jo Ruddock
Friday, May 24, 2024 - 08:30
Print This Story
Credit: British Basketball League
Twelve months ago, Jose Garnes, chief content office at the British Basketball League, shared his grand plans for transforming media operations at the league with SVG Europe. With plans to bring production in house, building a whole new team in the process, as well as moving to a remote production model and focusing on social media to build awareness of the league, ambitions were clearly high.
So, one year on, as the league celebrates another successful season, how have the plans progressed?
Speaking ahead of the Playoff Finals, held at the O2 in London on 19 May, Garnes says: When you fast forward a year, we have hit the biggest event of the season with a fully in-house production. When we last spoke a lot of the stuff that we mentioned was theories of what we wanted to do and how we wanted to accomplish it. 225 games later we are, one, pretty happy that we survived, but two, excited about what we have achieved in the last 10 months in terms of getting a production off the ground at the scale that we wanted to do.
The in-house team of 16 now produces all games of the Men's league, which means anywhere between six and eight games per week, one of which is broadcast on Sky linear channels. Distribution has also extended to the US, where NBC, Yes Network, Bally, NSN and Fubo have all picked it up. The remaining games are broadcast on the League's YouTube channel, but this strategy has also evolved as BBL looks to attract a wider, and younger, audience.
We started broadcasting on TikTok and Twitch to expand our reach to a younger audience, and also an audience that probably was not aware of the British Basketball League, he explains. On YouTube, we already had a good audience that were part of the heritage of the league, but we wanted to expand to those that were not aware that we have a professional basketball league in the UK.
TikTok has a stronger algorithm in short-form content and they value a lot of live content. So by going live our reach gets exposed exponentially higher, with very low cost to us. If people engage with the content and watch the live stream for more than a few seconds, then they're going to start getting served our VOD content later on when they log into the platform, so we have seen our audience growing organically.
I think in sport, when we talk about generative AI there is always almost that fear of how is it going to replace creatives, but for us it's actually giving us a tool to create something more bespoke that we were able to turn around very quickly. I think the future is about finding those tools and using them to create volume
Indeed BBL content is already registering impressive viewing and engagement figures. On TikTok, we are now at the same level of viewership as YouTube. Now, TikTok has less watch time because traditionally people are scrolling and the attention span is shorter, but we're getting the reach without having to go into a paid media strategy, Garnes reveals.
We are also exploring a partnership with Twitch where we can offer high-quality content and safe' content, so we know that our streams won't be saying something that can be damaging for the platform or for our brand. We have featured on their homepage and we are getting a high volume of views, around 120,000 per stream, and around 6 million minutes watch. Again, it's an awareness tool. As a new entity in this country, you need any partner that can help you, or any tools or strategy that can help you, with that awareness. And Twitch and Tik Tok are helping us with that.
Read more: All change: British Basketball League Playoff Finals go remote with in-house production team
TikTok and Twitch content is also clipped for Instagram where it is garnering between 10,000 and 50,000 views.
The heavy lifting of putting something out live or recording it is almost the same, but we're getting two hits live and VOD, says Garnes. And that's where we've seen our biggest engagement - fans are enjoying seeing content that is outside of your traditional sport coverage of great highlights, great commentary. Now what they want is analysis by a person that is closer to them that feels like a fan instead of a commentator or an official voice from the league.
Generative AI
Given the changes that have happened at BBL this season, it's no surprise that Garnes is already thinking about the future, and equally unsurprising is the fact that he believes generative AI has a role to play in telling the story of the league.
We have trialled generative AI, he reveals. Eight teams qualified for the Playoffs and we wanted to create a bespoke sizzle to say London made it to the playoffs' and so on. We created a bespoke song for each team using generative AI. So we went okay, London Lions, what describes them as a team', and we fed that prompt into the software and then we created a track. We did that for all eight teams. For me, that's exciting because you're not using AI to replace the craftsmanship of an editor, instead you're using generative AI to create something that feels more specific to a team, and you're allowing them to shine and to make them feel special and unique.
I think in sport, when we talk about generative AI there is always almost that fear of how is it going to replace creatives, but for us it's actually giving us a tool to create something more bespoke that we were able to turn around very quickly. I think the future is about finding those tools and using them to create volume.
Cloud and data are also on the agenda. We definitely want to explore how we can create our ga
North America Stories
06/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/08/2026
At this year's SET EXPO, PlayBox Neo will present recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solutions. By show...
06/08/2026
Live demo at IBC2026 VisualOn Booth, Hall 5, Stand A55
Amsterdam, Netherlands Modern Streaming Solutions Private Limited, a rising force in India's dig...
06/08/2026
How Karukera Studio Built a Media Production Hub with SNS EVO
Melanie Ciotti August 5, 2026
0 Comments
Hero images displays Karukera Studio in Sainte-...
06/08/2026
NHK drama series Rosanjin no Kamado shot on PYXIS 6K
Brie Clayton August 5, 2026
0 Comments
Blackmagic PYXIS 6K and DaVinci Resolve Studio capture the...
06/08/2026
Camera Match: AutoSetup 3d Plugin / script for Photomontages- Cinema 4D
Jamie Cardoso August 5, 2026
0 Comments
If you do any kind of Architectural Vi...
05/08/2026
RSNs, teams, leagues, and streamers explore the present and future of local spor...
05/08/2026
As sports-production workflows generate larger volumes of unstructured data and ...
05/08/2026
Three aspiring broadcasters will contribute on-camera and inside the production ...
05/08/2026
Adam Meeks attends the premiere of his film Union County, an official selection of the 2026 Sundance Film Festival. (Photo by Jemal Countess/Sundance Institut...
05/08/2026
Advertisers invested $53.6 million in the retirement sector in the last 12 month...
05/08/2026
Nielsen CMI and Ad Intel data reveals who's visiting IKEA, where else they s...
05/08/2026
Media buyers and sellers can now compare deduplicated campaign reach across computer, mobile, connected TV and linear TV across all measurable CTV publishers in...
05/08/2026
Stranger Things' Leads All Streaming Titles with 23.3 Billion Minutes in Fir...
05/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/08/2026
QuickLink, the leading provider of award-winning video production and remote guest integration solutions, announces the appointment of Kane Peterson to its Nort...
05/08/2026
XR research reveals marketers believe they have control over production costs, yet budget overruns, campaign delays and creative cutbacks remain commonplace
Se...
05/08/2026
Game On Live Studio Uses Blackmagic Design to Stream Tropical 7s
Brie Clayton August 4, 2026
0 Comments
Every match of world's largest youth rugby...
05/08/2026
Chris Fitzgerald to Head TDC's Experiential Growth
Brie Clayton August 4, 2026
0 Comments
Technical Direction Company promotes Chris Fitzgerald to...
05/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/08/2026
Profuz Digital is set to launch a powerful upgrade to its Profuz LAPIS digital media management platform at IBC this year at Stand 8.A88. France Galop, Canal+ F...
05/08/2026
KRK, a Gibson brand and leader in professional studio monitoring for nearly four decades, launches its new V Series Five Studio Monitors, the latest evolution o...
04/08/2026
Live production in the cloud is a growing trend across the industry, and Major L...
04/08/2026
LAFC co-managing owner will succeed Don Garber on Jan. 1, 2027, as league prepar...
04/08/2026
In 2022, when the PGA TOUR was breaking ground on its new, state-of-the-art broa...
04/08/2026
Provided by POVORA, the new camera angle offers a dealer's-eye view of the c...
04/08/2026
Spiideo will provide the camera setup, with NEP handling broadcast integration and off-site video operations...
04/08/2026
Production team streamed more than 750 youth rugby matches using ATEM switchers,...
04/08/2026
Agreement gives KTC early access to NDI's Advanced SDK for integration across commercial displays, digital signage, and interactive panels...
04/08/2026
Twelve projects across four categories recognize collaborative work in productio...
04/08/2026
Multi-year agreement will introduce SkeleTRACK, semi-automated offside, automate...
04/08/2026
Three mc 56 consoles, dual A__UHD Core engines, RAVENNA networking, and HOME management supported live sound, monitoring, and international broadcast production...
04/08/2026
New contribution products support ultra-low-latency video transport across fixed, remote, and mobile production environments...
04/08/2026
Company will showcase updates across PRIME, Chyron LIVE, Paint, virtual production, newsroom workflows, and venue control...
04/08/2026
Exhibit will feature SilverBack, VersaBrix, VersaFrame, VF-9100, and FiberSaver-10G platforms...
04/08/2026
Platform updates target cloud-based production, high-density ST 2110 monitoring,...
04/08/2026
Live Media Group will take control of Gravity Media's U.S. mobile-unit fleet...
04/08/2026
Blendkit Expands Beyond Blender
Brie Clayton August 4, 2026
0 Comments
Popular 3D Asset Library Launches Alpha Plugins for Maya, Godot, and Rhino
Blend...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Ikegami has chosen the 11-14 September 2026 International Broadcasting Convention in Amsterdam as the European market launch venue for additions to its UNICAM p...
04/08/2026
Appear (IBC2026 booth 1.C61) will showcase new X & VX Platform capabilities that extend broadcast-grade performance from venue to cloud
Appear ASA (OSE: APR), ...