US Open 2023: Gravity Media Back in NYC to Drive Host, Domestic, and International Production Facilities By SVG Staff
Friday, September 8, 2023 - 10:14 am
Print This Story | Subscribe
Story Highlights
Gravity Media is back in New York to facilitate the broadcast of the 14nd consecutive edition of the prestigious US Open tennis tournament for another successful year. Across the tournament, Gravity Media is responsible for providing extensive coverage of the entire US Open Tennis Championship, ensuring fans won't miss a moment of the action, from the exciting early-round matches to the thrilling finals. Gravity Media has successfully facilitated the Host, Domestic and International production facilities as well as the unilateral facilities.
Getting everything rigged and ready for the first day's play required a full Gravity Media crew of over 150 skillful individuals arriving on site in early August, installing and testing the core Host Broadcast Facilities, whilst working closely with an abundance of vendors to ensure successful delivery of the tournament. On site at peak periods, Gravity Media deployed over 70 technical crew members plus an additional 81 production and technical crew to facilitate coverage.
The technical set up on site involved the Gravity Media team setting up five Production Control rooms for the host linear courts production with four associated Audio Control rooms, one PCR & ACR for Domestic Production, one multi-transmission control room for international, 14 ViBox Production Desks for outer court production and two associated Audio Control Rooms. In addition to this, the team deployed a full EVS VIA server and infrastructure, with over 30 Servers, 15+ XTAs and 20+ IP Directors as well as three online Avid Symphony Edits, seven Lite Media Composers Edits and 2 After Effects stations plus three voice-over booths and three announce booths. All in all over 170 cameras across Gravity clients.
This year's broadcast of the US Open Tennis Championship featured state-of-the-art technical innovations that elevated the viewer experience to new heights including Ashe produced in UHD with Dolby Atmos, as well as a full EVS Via Server rollout and associated upgrade to XHub Via and Xsquare VIA Suite of tools.
Gravity Media's Specialty Cameras were also in use, including a range of cutting-edge technological innovations that promise an even more immersive and engaging experience for viewers. The team deployed NetCams across three courts, three Towel Cams - mini PTZ cameras on Ashe, 11 MRMC AFC 100's, 32 Special Cams around the grounds and on the courts, RF Gimbal Cameras, and 10 RF Cameras capturing site wide coverage.
Gravity Media is proud to be a part of this iconic sporting event for yet another year, showcasing the world's best tennis players as they compete for glory on the grand stage, says John Williams, Gravity Media's Director - Media Services & Facilities. We are truly dedicated to capturing the essence of this tournament and bringing it to the homes of millions of fans, making it an unforgettable experience for all. This year's US Open offers a platform to showcase the versatility and depth of our services, demonstrating the remarkable synergy that unfolds when we unite as a team.
Ed Tischler, Gravity Media's Managing Director adds: The US Open provides an excellent opportunity to highlight the flexibility and depth of our services, and how we can really make the magic happen when we all join forces and come together. As a premier global provider of sophisticated live broadcast facilities, the annual US Open presents an exceptional occasion for us to harness our collective expertise and resources to capture, shape, and produce compelling content that ignites passion and exhilaration. The outstanding coverage thus far reflects the dedication and teamwork of every crew member who has collaborated seamlessly to bolster the unilateral facilities. We extend our heartfelt gratitude to everyone who has played a vital role in this endeavor.
More from Sports Video Group
08/05/2025
SVG Sit-Down: Vizrt's Nicholas Jameson on AI in Workflows, Pushing Boundarie...
08/05/2025
Creating Alternative Brand Experiences: Live Sports in the Age of Fortnite, Meta...
08/05/2025
PGA TOUR's David Piccolo: Advanced Graphics and Virtual Production Tools are...
08/05/2025
Tech Focus: Advancing Immersion in Sports Broadcasting with AR and Virtual Produ...
07/05/2025
Tech Focus: Venue Sound, Part 1 - Chasing the Fan Experience Balancing audio quality and noise is a constant struggle By Dan Daley, Audio Editor
Wednesday, M...
07/05/2025
Tech Focus: Venue Sound, Part 2 - For Multi-Use Spaces, the Gear Makes the Diffe...
07/05/2025
Snow Sports Offer Opportunity for Edgy and Aggressive' Audio Natural Selection Tour, Shawn White's The Snow Leagues emphasize athlete sound By Dan Da...
06/05/2025
SVG India Summit Draws 140 for a Day of Learning, Networking Global perspectives coupled with India perspectives made for informative discussions By SVG Staff ...
06/05/2025
The CW Benefits From NASCAR's New XR and Volumetric Studio at North Carolina...
06/05/2025
SVG Sit-Down: Blackmagic Design's Dan May on the Company's Wide Range of...
06/05/2025
The FAST Factor: What's Happening in Sports' Latest Streaming Party Leaders from the NBA, NBC Sports, and Amagi discuss the latest trends in free ad-sup...
05/05/2025
SVG New Sponsor Spotlight: Kiloview's Judy Zuo on Ensuring Reliable AV Over ...
05/05/2025
In NAB 2025 Afterglow, Grass Valley Touts New Imagers, Production Switchers, AI ...
05/05/2025
Inside ATP Media's remote revolution in tennis broadcasting By George Bevir
Friday, May 2, 2025 - 13:50
Print This Story
From a single London hub, ATP...
02/05/2025
Ratings Roundup: 2025 NFL Draft Viewership Slots Event at Second Most-Watched Ev...
02/05/2025
Behind the Mic: MSG Networks' Joe Micheletti Set to Retire; NBA on NBC'...
02/05/2025
SVG Esports Production Summit Examines Impact of Remote, Cloud-Based Workflows o...
02/05/2025
Alternative Broadcasts With the Bucs: SportsNet Pittsburgh Provides Unobstructe...
02/05/2025
New possibilities: Creating a new production company with a difference at Moment...
02/05/2025
NBC's 25th Kentucky Derby Production Features Two Live Drones, RED Cine-Broa...
01/05/2025
Telling the story: Extensive technical set-up delivers comprehensive Special Oly...
01/05/2025
Just Around the Bend: Olympic Broadcasting Services Readies for the Milano-Corti...
01/05/2025
Wireless Microphone Spectrum Alliance Gets Going With Lobbying To Ensure RF Acce...
30/04/2025
With Back-to-Back PBR, UFC, and WWE Events in KC, TKO Takeover' Proves To B...
29/04/2025
Fascinating characters: Behind the Grand Slam Track partnership of Momentum Broa...
29/04/2025
Big package: Groundbreaking AR for live athletics comes to Grand Slam Track By ...
29/04/2025
High benchmark: Inside the inaugural Grand Slam Track production from Jamaica B...
29/04/2025
Engagement in the Live Stream: The New Age of Delivering the Game A conversation of streaming leaders dissects the feature sets that are winning in live sports ...
29/04/2025
Conveying emotion: BBC Sport on bringing the 45th London Marathon to viewers By Heather McLean
Monday, April 28, 2025 - 14:35
Print This Story
BBC Sport l...
28/04/2025
Joe Cohen Inducted into Cable Hall of Fame By Ken Kerschbaumer, Editorial Director
Monday, April 28, 2025 - 5:19 pm
Print This Story | Subscribe
Story H...
28/04/2025
LiveU Inks Deal to Acquire Actus Digital, Boost Video Monitoring and Analytics C...
28/04/2025
Small Van, Big Story: Changing the Game in Sports Broadcasting with Obvious C By SVG Staff
Monday, April 28, 2025 - 10:51 am
Print This Story | Subscribe ...
28/04/2025
SVG Sit-Down: ESPN's Chris Calcinari on New Flagship Mobile Unit, Cloud and ...
28/04/2025
A Swiss Soccer Summer: Previewing UEFA Women's Euros 2025 with BBC Sport and...
25/04/2025
Super Bowl Streaming Success: A Conversation with Tubi's Chief Product & Tec...
25/04/2025
Tariff Turmoil: Trump's Trade Policy Sparks Uncertainty at NAB and Increases...
24/04/2025
Live From NFL Draft 2025: NFL Media Splits Sprawling Production Between Green Ba...
24/04/2025
Live From NFL Draft 2025: Van Wagner Turns Titletown Into Center of Fan Entertai...
24/04/2025
Live From the NFL Draft: NFL Media Splits Massive Production Between Green Bay a...
24/04/2025
Comcast Fills SpinCo Sports Executive Ranks With Matt Hong as President, Jeff Be...
23/04/2025
Audio Helps Chess.com Checkmate Cheating Matches are produced using REMI workflows By Dan Daley, Audio Editor
Wednesday, April 23, 2025 - 7:00 am
Print Th...
23/04/2025
Tech Focus: Intercoms, Part 1 - Key to Onsite, REMI, Hybrid Operations Intercoms keep increasingly disparate production locations together By Dan Daley, Audio ...
23/04/2025
Speaking my language: Bringing AI to the fore with real time audio translation f...
22/04/2025
Pushing the game: Growing the popularity of the 2025 Women's Six Nations thr...
22/04/2025
New Sponsor Spotlight: RedFlag AI CEO Max Eisendrath on Creating a One-Stop Shop...
22/04/2025
Live from The Crucible: BBC Sport's Phil Bigwood discusses transitioning the...
22/04/2025
Live from The Crucible: Sunset Vine makes the first subtle changes of many for i...
22/04/2025
You Are There': FOX Sports, Sony, Hawk-Eye Innovations Break Down the Latest...
US Open 2023: Gravity Media Back in NYC to Drive Host, Domestic, and International Production Facilities By SVG Staff 
