Cinematographer Declan Quinn Brings Decades of Cooke Lens Experience to A Suitable Boy with S4/i Primes
data-src=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c562aaf4-bpthumb.jpg data-srcset=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c561c0e7-bpfull.jpg 2x class=lazyload avatar avatar-80 photo height=80 width=80 />
Brie Clayton January 15, 2021
0 Comments
When it came time to select lenses for the Lookout Point's six-episode series of Vikram Seth's bestselling novel A Suitable Boy, DP Declan Quinn knew exactly what he wanted: Cooke Optics' flagship spherical S4/i primes.
Produced to extremely high production standards and directed by Indian-American filmmaker Mira Nair, A Suitable Boy tells the story of spirited university student Lata (Tanya Maniktala) as she comes of age in North India in 1951, at the same time as the country is carving out its own identity as an independent nation and is about to go to the polls for its first democratic general election. The series involves more than a hundred characters, many belonging to one of four extended families.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/01/15223657/DeclanQuinn2_1200-1024x681.jpg alt= class=lazyload wp-image-2350256/>Mira Nair has been trying to make a live-action adaptation of A Suitable Boy ever since its publication in 1993, but the BBC Studios-owned UK production company Lookout Point only recently secured the rights. I've worked with Mira for a long time, with a history that goes back to 1996 with Kama Sutra: A Tale of Love and Monsoon Wedding in 2001, which was a homage to the book of A Suitable Boy, said Quinn. Aesthetically we're on the same page. Mira starts with a look book'; paintings, fashion and location pictures from her first scouting trip to India, then I add images from other movies or photographers and we narrow everything down to create a cinematic grammar for the story.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/01/15223710/DeclanQuinn3_1200-1024x683.jpg alt= class=lazyload wp-image-2350257/>The series was shot in 4K with four Sony Venice cameras - two each for the primary and second unit - and both units started out with full sets of Cooke S4/i primes (16/18/25/32/40/50/75/100/135mm) and a set of re-housed vintage Cooke Speed Panchros, all from One Stop Films of London.
Quinn first used Cooke lenses in film school in the 1970s. I knew they were something special, he said. I love the Cooke vintage lenses, the 25-250mm big Varotol zoom lens and then the 20-60mm zoom, it is just a beautiful lens that covers the focal lengths I like for hand held work. The sharpness and ability to keep close focus is unparalleled for a zoom lens of that time.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/01/15223818/DeclanQuinn4_1200-1024x683.jpg alt= class=lazyload wp-image-2350259/>Quinn's only problem with using his vintage 20-60mm zoom today is that it doesn't cover large format sensors. I just can't go all the way wide - 25mm is about the widest in 4K, he noted. But in 1998, Quinn found another set of Cooke lenses to love. When the original S4/i primes came out, I tested them. That's all it took for me to use them on every film for years, and I also started experimenting with vintage glass, like the Cooke Speed Panchros.
Quinn was so comfortable with his choice of the Cooke S4/i primes that he didn't even do any lens tests. I've got a long history with this lens and the Cooke Look . I knew what Mira was after and the S4/i delivered what she needed, while giving me what I needed: true colour, flesh tones - where the warmness of the Cookes worked wonderfully with the warm Indian flesh tones, sharpness across the entire field, a coating that's great for flare and exterior work, and reliability in a hot and dusty environment. The S4/i's were a solid choice for this project.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/01/15223830/DeclanQuinn5_1200-1024x683.jpg alt= class=lazyload wp-image-2350260/>One major change made after the first week of filming was to discontinue using the vintage Speed Panchros. They flare differently than the S4/i does, explained Quinn. With the S4s, I have more control with the flare and colours, so I decided to stick with the S4/i's because it is easier to grade when intercutting footage shot by two different units.
With a very dialogue-driven script with many characters, Quinn's tendency was to approach A Suitable Boy with natural light and to see faces most of the time, as opposed to silhouette. We would have the camera move through a scene from a certain character's perspective - usually Lata's [the story's heroine]. Tom Walden, our A Cam/Steadicam operator would keep a moving master shot where most of the scene played out. This wasn't a wide shot, but a very useable shot where the camera would flow through the space to follow the gist of the conversation. It was all choreographed, and we would use cuts to cover the other characters as they needed to be covered.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/01/15223854/DeclanQuinn6_1200-1024x683.jpg alt= class=lazyload wp-image-2350261/>Quinn's hero lenses for A Suitable Boy were the 32 and 40mm. Those have been my favourites for most of my career, said Quinn. They represent the human visual perspective the best and are great at separating the actors from the background. And with a 2:1 [18:9] aspect ratio, the 32/40 combo works very nicely.
With large format sensors becoming more commonplace, Quinn does have some experimenting to do. The S4/i are great lenses, but I'm looking forward to testing the S7/i for larger format projects.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/0
Most recent headlines
06/10/2025
France T l visions, France's leading broadcaster, has received the 2025 EBU ...
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
07/08/2025
July 8 2025, 22:30 (PDT) Tata Motors & Dolby Bring Dolby Atmos to Harrier.ev, R...
11/07/2025
PARK CITY, UTAH, July 11, 2025 - The nonprofit Sundance Institute announced today the 11 producers chosen for its annual Producers Labs, returning to Ucross Fou...
11/07/2025
If you've ever wondered what might be playing in Clark Kent's headphones...
11/07/2025
L3Harris Technologies President of Intelligence, Surveillance and Reconnaissance Jason Lambert and General Manager of L3Harris Waco facility Sean Ling held a ce...
11/07/2025
ARLINGTON, Va. WETA, the flagship public media station in the national capital area, has launched WETA+, a new streaming service tailored for the local Washingt...
11/07/2025
The Federal Communications Commission has emerged as one of the central players in the broadcast TV landscape in 2025, with its deregulatory policies sparking h...
11/07/2025
Calrec will introduce usability, customization and system enhancements across its entire range of Argo consoles during IBC2025, Sept. 12-15, at the RAI Amsterda...
11/07/2025
LONDON Encompass Digital Media said it will support live and on-demand viewing of the 2025 FIFA Club World Cup across multiple global regions for sports enterta...
11/07/2025
Two-thirds of broadcast engineers reaped the benefits of a pay raise within the last year....
11/07/2025
CARY, N.C. SmallHD has launched the Quantum 27, a new 26.5-inch Quantum-Dot OLED monitor designed to deliver postproduction image quality in a compact, set-frie...
11/07/2025
The Federal Communications Commission's Enforcement Bureau and Tegna have entered into a consent decree that will settle an investigation into the accidenta...
11/07/2025
WASHINGTON Following news in early July that Paramount had settled President Donald Trump's lawsuit, Sens. Edward J. Markey (D-Mass.) and Ben Ray Luj n (D-N...
11/07/2025
Model/Actriz Performs Lead Single Cinderella on The Late Show with Stephen Colbe...
11/07/2025
Behind the Mic: Amazon Prime Preps for First Season of NBA Action; MSG Networks ...
11/07/2025
SVG New Sponsor Spotlight: Suite Studios' Craig Hering on Adapting to Client...
11/07/2025
2025 SVG Content Management Forum Breaks Down AI's Impact, Continued Transit...
11/07/2025
A Journey HOME: University of Nebraska's HuskerVision Goes IP Leaders from the HuskerVision and Lawo share their IP learnings By SVG Staff
Friday, July 1...
11/07/2025
CMSI, Remote Picture Labs, Ace ESPN's Cloud-Based Editing Efforts for Wimble...
11/07/2025
Netflix Enters the Live-Boxing-Production Ring for Round 2 With Historic Taylor-...
11/07/2025
Back to All News
Too Hot to Handle: Italy Is Coming on July 18 Only on Netflix
Entertainment
11 July 2025
GlobalItaly
Link copied to clipboard
July 11, 20...
11/07/2025
Back to All News
Netflix Will Release Death Inc. Seasons 1, 2 and 3
Entertainment
11 July 2025
GlobalSpain
Link copied to clipboard
Season 1
Season 2
Se...
11/07/2025
AI and Multimedia Authenticity Standards Collaboration launches two papers to guide the future of AI integration, today at the AI for Good Global Summit
The...
11/07/2025
Ceramics - the humble mix of earth, fire and artistry - have been part of a global conversation for millennia.
From Tang Dynasty trade routes to Renaissance pa...
10/07/2025
The current holder of the prestigious Thomson Foundation Young Journalist of the Year Award has been forced to stop reporting over fears for her safety in Afgha...
10/07/2025
Spotify is turning up the volume on Australian music with a multipronged initiative designed to highlight the dominance of Australian artists on the global stag...
10/07/2025
This is not a drill: Oasis is back on the road-marking its first live performanc...
10/07/2025
The music industry depends on fresh ideas, bold voices, and emerging talent. Yet across the U.K., too many young musicians lack the space to develop their craft...
10/07/2025
NEW YORK - July 10, 2025 - Nielsen, the global leader in audience measurement, data and analytics, today announced that it appointed Richard Pacheco as head of ...
10/07/2025
Local newscasts don't exist in a vacuum. News directors and station management constantly evaluate what's working, what isn't and perhaps most impor...
10/07/2025
Lawo has announced that Stuttgart Media University (Hochschule der Medien, HdM) has comprehensively modernized its central recording studio after selecting an I...
10/07/2025
The Society of Motion Picture and Television Engineers (SMPTE) has opened early-bird registration for the Media Technology Summit, which will take place in a ne...
10/07/2025
NASHVILLE, Tenn. TNDV Television has launched Aspiration 35, a new version of its 40-foot Aspiration truck reimagined for cinematic multicamera productions....
10/07/2025
BURBANK, Calif. Key Code Education, a provider of instructor-led postproduction training, is growing its curriculum with new programs for beginner and intermedi...
10/07/2025
HACKENSACK, N.J. Actus Digital will demonstrate how broadcasters can transform compliance monitoring from a necessary expense into a strategic revenue driver at...
10/07/2025
The Federal Register has published a summary of the Federal Communications Commission's Public Notice seeking comments on its ownership rules that lists a d...
10/07/2025
Back to All News
Netflix Presents the Official Trailer for SuperestarPlay Video
Play Video
Entertainment
10 July 2025
GlobalSpain
Link copied to clipboard...
10/07/2025
In the race to understand our planet's changing climate, speed and accuracy are everything. But today's most widely used climate simulators often strugg...
10/07/2025
As one of the world's largest emerging markets, Indonesia is making strides toward its Golden 2045 Vision - an initiative tapping digital technologies and...
10/07/2025
10 Jul 2025
VEON and Cohen Circle Secure Investor Commitments for Kyivstar Listing Kyiv, New York, Dubai, and Philadelphia - July 10, 2025 - VEON Ltd. (Nasdaq:...
10/07/2025
5G for all? What the DFL's use of Easy5G and RefCam could mean for events in...
10/07/2025
Save the Date: PGA TOUR Studios Welcomes SVG Remote Production Summit on Oct 14-...
10/07/2025
Cloud on the Road: How Remote-Production-Service Providers Are Adapting to a New...
10/07/2025
Seattle Kraken's Ryan Schaber on the NHL Team Taking Live Game Productions I...
10/07/2025
FOX Sports Reboots Small Control Room in Los Angeles as Hub for Vertical-First P...
10/07/2025
SVG Sit-Down: MSE's Zach Leonsis, ViewLift's Rick Allen Go Deep on Joint...
10/07/2025
Thursday 10 July 2025
The Very Small Creatures
Jaime's Treetop Tales
Emerald
BooSnoo! Christmas Mashup
Pip & Posy's Spooktacular Party
The Very Sm...
10/07/2025
Thursday 10 July 2025
Brand new rewards are coming to Sky customers, with free ...
Cinematographer Declan Quinn Brings Decades of Cooke Lens Experience to A Suitable Boy with S4/i Primes 
