
24 March, 2017 - 08:06
Netflix doesn't want to answer questions over its unpaid licence fee in South Africa already accumulating to R1.59m since the video streaming service rolled out its service in South Africa and across Africa since January 2016. by Thinus Ferreira
Netflix owes South Africa's Film and Publication Board (FPB) hundreds of thousands of rands in outstanding and unpaid licensing fees.
In South Africa, this fee must be paid for online distribution of content and by Netflix for the right to show its collection of content within South Africa. The FPB then classifies the content according to South Africa's age restriction classification system with localised parental guidance indicators.
According to South African regulations, Netflix is supposed to pay an annual licensing fee of R795 000 per year for this online distribution right. Since Netflix launched in South Africa in January 2016, it already owes the FPB double that amount for 2016 and 2017 - R1.59m.
Netflix also ran afoul of Kenyan authorities where the global subscription video-on-demand (SVOD) streamer didn't pay the Kenya Film Classification Board (KFCB) last year and also here didn't make its content collection available so that it could be classified to the East African country's localised parental guidance standards.
Like South Africa's FPB, the KFCB has the authority to regulate broadcast and film content in Kenya, including on the internet.
It's not clear if there are other African countries with localised screening authorities, for instance Nigeria's National Broadcasting Commission (NBC), that's also having problems with Netflix not adhering to local video content regulations and applicable fees.
Netflix has so far failed to comply'
Sipho Risiba, FPB chief operating officer (COO) told Channel24 that Netflix is distributing its content in South Africa but has so far failed to comply with South Africa's Film and Publication Act for their video-on-demand service despite several attempts by the FBP to help Netflix to comply.
Netflix is currently distributing films through their VOD service in the South African market. The FPB Act reuires all distributors of films and games to register as a distributor with the board, pay the prescribed licensing fee and have content classified in terms of the Film and Publication Act and FPB classification guidelines and in this case Netflix is included, says Risiba.
The FPB has engaged with Netflix several times to try and asssit them to comply with the Film and Publication Act for their VOD service.
Unfortunately both parties could not agree to some fundamentalaspects of compliance. We have since sought legal advice on how to resolve the issue .
While other SVOD services that have sprung up the past two years in South Africa are also not paying their licensing fees, Naspers ShowMax that is Netflix' biggest rival, told Channel24 in response to a media enquiry last week that it has paid its required fee.
Risiba said that because of confidentiality clauses with distributors he can't name non-compliant distributors.
The R795 000 is an annual licensing fee. Currently the distributors have the option of submitting each title for classification prior to distribution, [but] this is not feasible for distributors with a huge catalogue and all VOD distributors that we have engaged with, have agreed to this and most opted for the annual licensing fee, says Risiba.
The agreements help us to co-regulate the content with the distributors, while they exercise control of when and what time to make content live with appropriate consumer advisories.
Netflix: We have nothing to add to the story
Sipho Risiba says the FPB is currently reviewing its tariffs that will be fair and justifiable for our economy as well as new and small entrants to the market and that the tariff review was the FPB's initiative.
The process is currently on the last phase, we already had round table discussions and interviews with online and physical distributors .
Netflix was asked last week why it has not paid the FPB licence fee required in South Africa and if it can give background on the matter from its perspective. Netflix wants South African consumers to use its service but didn't want to answer Channel24's question.
Netflix was also asked whether it is negotiating with the FPB regarding the issue of a payable, localised licence fee but Netflix declined comment, saying it has nothing to add to the story.
Netflix didnt want to respond when asked if its wants to explain its side of the issue, and if Netflix sees the R750 000 annual fee as a type of extortion.
www.channel24.co.za
Film Distribution
Africa South Africa
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
09/05/2025
LOS GATOS, Calif. Netflix has announced that starting May 19 it will begin rolling out a major upgrade to its user interface and the TV experience it offers str...
09/05/2025
In the Disney earnings call with analysts, Disney CEO Bob Iger released new details about the upcoming fall launch of the direct-to-consumer ESPN app that is of...
09/05/2025
Berklee Online Signs Transfer Articulation with Conservatorio Nacional de M sica The new agreement allows CNM students in the Dominican Republic to transfer i...
09/05/2025
Wooden Camera, a leading innovator in camera accessories, is proud to announce the launch of a new line of products for the Blackmagic URSA Cine Cameras. These ...
09/05/2025
LYNX Technik, provider of modular signal processing solutions is expanding its popular Series 5000 platform with three new 12G-SDI cards. The new cards provide ...
09/05/2025
Pebble, the leading automation, content management and integrated channel specialist, has completed a project to migrate ON TV, the major independent broadcaste...
09/05/2025
NUGEN Audio launches its new speech intelligibility plug-in, DialogCheck. A mono, stereo and multichannel dialog clarity meter, the software provides an objecti...
09/05/2025
Disguise the technology platform and solutions provider that powered MDL Beast Soundstorm 2024, Dubai Expo's Al Wasl Dome and visual displays at the Burj ...
09/05/2025
CVP has announced it will demonstrate its cutting-edge broadcast, live production and studio solutions at MPTS 2025. Taking place at Olympia London from 14th - ...
09/05/2025
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, and White Peaks Solutions, the prominent e...
09/05/2025
SportsEngine Play, the first-of-its-kind streaming service for youth sports, has agreed to a multi-year extension with AI-automated sports content leader, Pixel...
09/05/2025
Friend MTS, a leading global provider of content protection services, today announced that TOD, the premier sports and entertainment OTT subscription service fo...
09/05/2025
ZEISS announces that it is in development on a new virtual lens technology that will allow visual effects and compositing artists to apply an authentic lens loo...
09/05/2025
At the 2025 Media Production & Technology Show (MPTS), Cerberus Tech will showcase the latest major enhancement to its Livelink IP video delivery platform the...
09/05/2025
Capitol Broadcasting Company welcomed Warren Thomas as the new Vice President an...
09/05/2025
CAMBRIDGE, Mass. Studio Technologies said the Harvard University athletics department has integrated Dante-enabled equipment from the vendor into its broadcast ...
09/05/2025
NEW YORK ITN, a provider of a local linear supply side platform, and Magnite, a independent sell-side advertising company, have announced that they working toge...
09/05/2025
LEEDS, U.K. Nugen Audio has launched a new speech intelligibility plug-in, DialogCheck and offered up quotes from technologists working at places like Netflix p...
09/05/2025
AJA I/O Gear: The Heart of Broadcast Solutions' VEGO Mobile Editing Solution
Brie Clayton May 8, 2025
0 Comments
When working remotely on broadcas...
09/05/2025
What do they teach in an Advanced Adobe After Effects Course?
Roland Kahlenberg May 8, 2025
0 Comments
There aren't many advanced After Effects co...
09/05/2025
Larry Jordan Sits with Trevor Morgan of OpenDrives at NAB 2025
Brie Clayton May 8, 2025
0 Comments
Trevor Morgan, COO of OpenDrives, shares how the co...
09/05/2025
Berklee Popular Music Institute Announces UK Festival Debut and Tour Dates For the first time, BPMI will bring Berklee-affiliated artists and students to the ...
09/05/2025
Further to the comments from RT Director-General, Kevin Bakhurst on Wednesday 7th May included below in which he asked the EBU for a discusion on Israel...
09/05/2025
Here is your host, Patrick Kielty!
In the season finale of The Late Late Show, ...
09/05/2025
My Eurovision Party 2025 - join in on the fun with RT Kids!
Eurovision launche...
08/05/2025
A sinister fairy infiltrates a desperate family in Kenneth Dagatan's In My Mother's Skin, which premiered at the 2023 Sundance Film Festival. Photo co...
08/05/2025
As expected, continued weak demand from key sales markets and declining economic...
08/05/2025
A new three-part series is coming to BBC iPlayer and BBC One
(Image: The Christie Archive Trust)
The BBC has announced Agatha Christie's Endless Night, a...
08/05/2025
For skyward-bound operators, training focuses on the unique aspects of flying ISR missions, including the management of onboard surveillance equipment and the e...
08/05/2025
The cable industry has told the Federal Communications Commission it supports the National Association of Broadcasters' proposal to allow broadcasters to us...
08/05/2025
WASHINGTON The Consumer Technology Association has continued its opposition to mandates requiring that NextGen TV/ATSC 3.0 tuners be included in new TV sets, sa...
08/05/2025
TAG Video Systems, the leader in software-based IP end-to-end workflow monitoring, deep probing, and real time visualization, has named Paul Maroni as Vice Pres...
08/05/2025
This year's UK Pavilion in hall 5, once again managed by Tradefair, will provide visitors with the unique opportunity to discuss and be involved in cutting ...
08/05/2025
Rohde & Schwarz will showcase its latest energy-efficient transmitters and 5G Broadcast technologies, designed to support network operators and content provider...
08/05/2025
IRVING, Texas Nexstar Media Group has tapped Bill Nardi as vice president of station operations, responsible for overseeing the day-to-day broadcast operations ...
08/05/2025
SEATTLE LumaTouch is partnering with CNN Academy to improve mobile storytelling techniques and support training across all of CNN Academy's training simulat...
08/05/2025
WASHINGTON The Society of Broadcast Engineers has filed comments with the Federal Communications Commission that support a proposal by the National Association ...
08/05/2025
Senior adviser to the United States Agency for Global Media Kari Lake has announced that One America News Network (OAN) will provide newsfeed services for fre...
08/05/2025
EdMon Expands as AI-Driven Post Production Workflows Gains Traction in Sweden an...
08/05/2025
Using Luma Mattes in Adobe Premiere Pro
Graham Quince May 7, 2025
0 Comments
This very quick tutorial shows you how to take an RGB clip and apply its ...
08/05/2025
OpenDrives Unveils Free Your Data' Initiative with New Astraeus Cloud-Nativ...
08/05/2025
Student Spotlight: Grigori Balasanyan The Armenian composer, who was named Boston Conservatory at Berklees 2025 student commencement speaker, talks about his ...
08/05/2025
08 May 2025
VEON Shareholders Re-elect Board at 2025 AGM, Founder Augie Fabela ...
08/05/2025
Comedy and entertainment channel U&Dave bring back their #1 ranked programme of ...
08/05/2025
May 8th, 2025 Press Materials Available Here
Tribeca Festival 2025 Unveils New Premieres Spanning Film and Music
Slick Rick's Victory with Idris Elba a...
08/05/2025
May 8th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces Lineup for Inaugural Storytelling Summit
11-Day Industry Event Launches with Tal...
08/05/2025
SVG Sit-Down: Vizrt's Nicholas Jameson on AI in Workflows, Pushing Boundarie...
08/05/2025
Creating Alternative Brand Experiences: Live Sports in the Age of Fortnite, Meta...
08/05/2025
PGA TOUR's David Piccolo: Advanced Graphics and Virtual Production Tools are...