
Back to All News
The True Climate Impact of Streaming
Emma Stewart, Ph.D.
Netflix Sustainability Officer
Daniel Schien, Ph.D.
Associate Professor of Computer Science at University of Bristol
Social Impact
10 June 2021
Global
What's the true impact of streaming on the climate? Some studies have tried to answer this question, but it's hard to get right. Delivering an episode of Shadow and Bone to your screen requires different technologies that are constantly evolving - from the data centers where the data is housed, to the infrastructure that brings the internet to your home, to the electricity powering how you enjoy the show. Measuring those emissions took a lot of guesswork, resulting in studies with inaccurate estimates and myths - until now.
Researchers at the University of Bristol spent a decade developing a tool to calculate the carbon footprint of streaming and other everyday internet uses, such as browsing news stories, to answer this question. The calculator uses the latest scientific protocols to measure emissions (i.e., lifecycle assessments) and data directly from the entertainment and media companies who rely on streaming delivery themselves, compared to the generic estimations of past studies.
This research is the subject of a new independent white paper, released today, by sustainability researchers at The Carbon Trust. Though there's a lot to chew on in the full paper here, there are four key findings:
The average carbon footprint of one hour of streaming in Europe is approximately 55 gCO2e (grams of carbon dioxide equivalents). That's about the same as microwaving four bags of popcorn, or three boils in an electric kettle in the UK.* Previous guesswork profiled in the media had this figure as high as 3200 gCO2e, or as much as microwaving 200 bags of popcorn. So quite a difference!
Adjusting picture resolution makes a very small difference in carbon emissions. For example, changing from standard definition to 4K resolution increases emissions from just under 1g CO2e/hour to just over 1g CO2e/hour. Why? The internet is always on, so the additional energy it takes to transmit higher resolution to your TV is marginal compared to the energy it takes to constantly operate the internet. Past studies overestimated this increase to be as high as 500g CO2e/hour.
While streaming and internet use have grown these past few years, energy consumption from those activities has actually decreased over time. This is because data center, internet, and utilities providers can take on more demand without consuming more energy. They're continually updating their equipment to be more energy efficient, as well as buying and using more renewable electricity. The white paper looks at past trends to break this down.
Consumer devices (TVs, laptops/PCs, smartphones, tablets) make up more than half of the carbon emissions from streaming (over 50%), compared to other components like data centers or internet service, so the device you choose to stream on, and using renewable electricity at home, can have a big impact on emissions and energy consumption. Devices, including TVs, are becoming more energy efficient over time.
Netflix and other companies have used this calculator tool as part of DIMPACT, a collaborative project convening entertainment and media companies with University of Bristol researchers. Netflix recently ran its own data through the tool and found that the emissions from an hour of streaming the world over is well below 100gCO2e, or less than driving a gas-powered vehicle a quarter mile or 400 metres.* This figure includes more carbon-intensive electricity grids from regions like the U.S. and Canada, Latin America and Asia-Pacific. So it's a bit higher than Carbon Trust's finding, which is specific to Europe, where the power grid is less carbon-intensive.*
The tool's validation by Carbon Trust's research brings us one step closer to accurately and consistently assessing the climate impact of streaming -- be it from data centers, internet providers, or device manufacturers, and entertainment and media companies who rely on streaming. Better understanding this footprint means we can better focus on reducing those emissions across industries, countries and the world.
*These comparisons will vary by country, with the carbon intensity of the users national grid.*These comparisons will vary by country.*This assessment only currently considers the impact from electricity consumption during use. Other phases of the lifecycle researchers want to further investigate are the manufacturing and end-of-life stages of devices.
Emma Stewart, Ph.D. (she/her/hers) serves as inaugural Netflix Sustainability Officer, a position she's held since October 2020. She holds a Ph.D. from Stanford University and a B.A. Honors from Oxford University. Prior to Netflix, she was a Director at World Resources Institute, Head of Sustainability Solutions at design software leader Autodesk where she co-authored the world's first science-based corporate climate target, and founded the R&D department at Business for Social Responsibility. She has contributed to multiple books and taught Intrapreneurship for Sustainability at UC Berkeley and Stanford University.
Daniel Schien, Ph.D. (he/him/his) is Senior Lecturer in Computer Science (Associate Professor) at University of Bristol, UK. His research aims at improving our understanding of the environmental impact from information and communication technologies (ICT) and the reduction of such impact. Daniel and his team have pioneered new methods and tools to assess the carbon footprint of digital media which have been applied by major international media companies for more than a decade.
North America Stories
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Multifaceted Growth Executive Brings 20+ Years of Experience Leading Organizations Across Tech and M&E
Imagine Communications today announced the appointment ...
23/06/2026
Visual Productions Unveils RdmRelay2 Four-channel Relay Control at InfoComm 2026
Brie Clayton June 22, 2026
0 Comments
New Relay Solution Combines DMX, ...
23/06/2026
SMPTE Makes Its Standards Freely Accessible, Opening Standards Library to the Gl...
23/06/2026
Newly identified molecule strengthens the eye's response to damage in retinal disease Scripps Research discovery finds that restoring the naturally occurrin...
22/06/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
22/06/2026
Cosm has announced the appointment of David Ho as Chief Legal Officer, a newly created executive role reporting to President and CEO Jeb Terry. Ho will oversee ...
22/06/2026
Warner Bros. Discovery and Amazon Web Services (AWS) have announced the developm...
22/06/2026
Daktronics has completed an audio control system upgrade at Petco Park in San Di...
22/06/2026
Accelerate Media has named John Willi as President and announced the launch of the Accelerate Sports Network (ASN), a prep sports media and streaming platform c...
22/06/2026
All Women's Sports Network (AWSN) and 3XBA (3 3 Basketball Association) have announced live television coverage of the annual 3XBA tournament on Friday, Jun...
22/06/2026
OWL AI has announced the appointment of Jay Prasad as Chief Executive Officer and member of the Board of Directors. Prasad succeeds Josh Gwyther, who has served...
22/06/2026
CP Communications delivered RF video and audio support for TNT's Inside the NBA at the 2026 NBA Finals, providing main show coverage in San Antonio and ea...
22/06/2026
Polymarket has announced a partnership with GRID, an official esports data platf...
22/06/2026
As sports venues continue to evolve into more video-centric, fan-engagement-driv...
22/06/2026
As the regional sports production scene shifts toward streaming, this Texan helps lead the engineering behind Victory+'s growing live platform...
22/06/2026
By Kristin Feeley, Director, Documentary Film & Artist Programs
the memories of your elders [are] a scaffolding for you to build your identity on - and t...
22/06/2026
Expanded integrations give advertisers access to distinct contextual signals acr...
22/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/06/2026
Xilica today announced the release of Dynamic Voice Lift, a new feature in Xilica Designer v4.12 that brings adaptive speech reinforcement to large meeting spac...
22/06/2026
Telecom operators have seen remarkable returns from using generative AI to automate network management, customer care and back-office operations. Most of that i...
22/06/2026
The next era of AI will not be defined by compute alone. Its growth will be dete...
22/06/2026
Mission, Vision and Veritas - new Los Alamos National Laboratory (LANL) supercom...
22/06/2026
At the ISC conference running in Hamburg this week, NVIDIA is introducing new so...
22/06/2026
For the past two years, the U.S. National Science Foundation's National Arti...
22/06/2026
JUPITER, Europe's first exascale supercomputer at Germany's Forschungszentrum J lich, runs on NVIDIA Grace Hopper Superchips and NVIDIA Quantum-X800 Inf...
21/06/2026
To call the 2026 FIFA World Cup a big undertaking would be a big understatement....
21/06/2026
Hot tubs sit at about 38 to 40 degrees Celsius, warm enough that most people can only soak for about 15 minutes. NVIDIA's newest AI servers can run their co...
20/06/2026
What exactly is Apogee Control V3?
Control V3 is a new mixer application that controls Apogee interfaces. The new hit feature is that V3 finally allows for...
19/06/2026
Split compound eases operational challenges at Shinnecock Hills Golf Club...
19/06/2026
North Carolina, Oklahoma meet in the best-of-three Finals as ESPN leans into spe...
19/06/2026
Data from May shows seasonal outdoor trends triggers lower viewing
Warsaw, Pola...
19/06/2026
Buttons is best control system in the rAVe Best of Infocomm Awards 2026...
19/06/2026
Mavis Studio Makes iPad Production More Powerful
Brie Clayton June 19, 2026
0 Comments
InfoComm update brings new NDI Preview, PTZ control, USB audio ...
19/06/2026
Immersive Studio Metaverse Stage Tackles Post with Blackmagic Design
Brie Clayton June 19, 2026
0 Comments
New narrative projects rely on DaVinci Reso...
19/06/2026
How to Run the Original 1993 After Effects
Graham Quince June 19, 2026
0 Comments
How to the original After Effects v1 in an emulator, and you don'...
19/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/06/2026
SMPTE , the home of media professionals, technologists and engineers, has announced that its entire Standards catalog is now freely available to the global medi...
19/06/2026
nsign, the digital signage SaaS platform built around its core principle of Simplify Complexity, has announced a partnership with BrightSign , expanding the dep...
19/06/2026
Visual Productions announces the availability of its new RdmRelay2 at InfoComm 2026 (ACT Entertainment, Booth N6813). A networked, four-channel DMX relay, it is...
19/06/2026
Adobe Unveils Major Expansion of Creative Agent Across Firefly and Creative Clou...
19/06/2026
Immersive Studio Metaverse Stage Innovates Storytelling with URSA Cine Immersive
Brie Clayton June 18, 2026
0 Comments
Two new narrative short films c...
19/06/2026
Lab studies explain how new cancer drug works as it enters patient testing Immunologists at Scripps Research show how a new, experimental drug revives immune ce...
18/06/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...