
NASCAR President Steve Phelps Sounds Off on Navigating the Pandemic, Rising Ratings, Tech Innovation New venues, new markets, more diverse audience are part of the organization's transformation By Jason Dachman, Chief Editor
Thursday, October 21, 2021 - 1:34 pm
Print This Story | Subscribe
Story Highlights
Since being named president of NASCAR in September 2018, Steve Phelps has overseen the organization's dramatic commercial, cultural, and technological transformation. Most notably, in 2020, he guided NASCAR through a pandemic-afflicted season, during which it became the first sport to return to competition and bring back fans to the venue.
At SportsBusiness Journal's World Congress of Sports last week, Phelps discussed how NASCAR has navigated the pandemic, its improving TV ratings and efforts to expand its audience, its commitment to racial equality and social justice, this year's dynamic new race schedule (featuring new venues, markets, and track layouts), the highly anticipated launch of the Next-Gen car next year, and more.
On NASCAR's being the first major league to come back during the pandemic:
We were dark for 71 days while we devised a plan that worked to get back to racing. On May 17, 2020, we went back to racing in Darlington with no fans. And then, in mid June, we started slowly bringing back fans, and that felt good. It was a lot of work. All the sports should be congratulated for the work that they did to get back to competing. It was hard.
We have some advantages in NASCAR with our crews wearing built-in PPE and our drivers in their cars with their uniforms, head socks, helmets, and head-to-toe [protection]. We took advantage of that. Now we are growing as a sport, and we're stealing share which was intentional and was a stated goal.
On growing the fanbase and how partnerships can drive interest:
We understand that not everyone's going to be a fan of NASCAR. But exposing it through different partnerships is really important for us. We've been very deliberate about making sure that we are finding the right partnerships because we want to serve that potential fan wherever they are. If we [participate in] programs that are reaching different audiences then we're not going to grow. I think we have a foundation to grow the sport, but the partnerships are critical for us. We can't be all things to all people, but we can certainly be smart about how we're going to market or target specific segments of the population.
On NASCAR's upward trajectory since Phelps took over as president:
It's a different NASCAR than it was [when I became president]. We're at a period now where our share this year vs. 2019 [is] plus 20%. Our engagement numbers on digital and social are the highest that they've ever been. Sponsorship is coming back.
We had a tough go for a decade. If you'd said to me in 2018 that NASCAR was going to win League of the Year [at the 2021 Sports Business Awards], I wouldn't have taken that bet. We clawed back, and the sports community said we did it better and deserve to win. That felt fantastic for every person that works at NASCAR. And I'm not just talking about the sanctioning body where I work but [about] teams, drivers, auto manufacturers, our broadcast partners. They were all part of the growth to bring NASCAR back. It's an exciting time.
On the upcoming debut of NASCAR's Next-Gen car in 2022:
It has been a long time coming. This car is a panacea for everything that is still ailing NASCAR. It's going to be great for the teams, great for our OEM partners, and, most important, it's going to be great for the fans. It will have all kinds of really cool innovation pieces and cameras in every car, which will be phenomenal. Innovation for us is important.
It debuts at the L.A. Coliseum, which is where we will have an exhibition event called the Busch Clash. We are not going to race around the Coliseum; we actually are going to pave a track inside, which is going to be really cool. It will be a week before the Super Bowl, which is also in L.A.
On innovative scheduling for the 2021 and 2022 seasons:
This year, we had the boldest schedule that we've had in 50 years, so we're going to build on that. All the venues that we went to for the first time this year, we will go back to next year. We added the Coliseum in L.A. and Worldwide Technology Raceway in St. Louis. In 2023, I don't know what the schedule is going to look like, but it won't look like 2022. We'll continue to innovate and we have to go to new markets.
In 2022, our Xfinity series is going to go to Portland, OR. We are underserved in the Pacific Northwest, so we are going to continue to showcase [NASCAR]. We have to go to different places. That's what we need to do to grow this sport. We need to make sure that fan experience is like none other. [We] need to have schedule variation and go to different parts of the country - or, frankly, internationally - to expose us to a new audience.
On NASCAR's esports efforts and the future of iRacing:
After we shut down, we partnered with iRacing and Fox [Sports], and iRacing created something called the NASCAR Pro Invitational. The five highest-rated esports [events] on television of all time are all NASCAR races. The country wanted to watch something that was not a rerun, and it was fun.
We have a young African-American kid named Roger Carruth, who is going to be a star at NASCAR, and he was the only one in his Drive for Diversity program that got his start in iRacing. Or you look at a guy like William Byron, who was in our playoffs; he started his career in iRacing. It's true sim racing. It's very cool, and it's very lifelike - so lifelike that you actually can go race and get into a car and be competitive. Ther
More from Sports Video Group
12/12/2025
SVG Summit 2025 Preview: Everything You Need to Know for Next Week's Big Sho...
11/12/2025
ESPN's Aims for Spectacular With Heisman Trophy ShowEvent firsts include 1080p HDR production airing on both national broadcast and cableBy Dan Daley, Audio...
11/12/2025
SVG Students To Watch: Frankie Patton, University of ColoradoThe 2025 grad is hitting the ground running as a PA on national broadcastsBy Brandon Costa, Directo...
11/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 3By SVG Staff
Thursday, December 11, 2025 - 7:24 am
Print This Story | Subscribe
Story Highlights
The 2...
11/12/2025
SVG Sit-Down: What Makes Gen Z, X, and Y Fans Tick? Dave Gavant of WSC Sports Go...
11/12/2025
SVG Summit 2025 Preview: 5G, MXL, Spectrum Loss, and Outerspace on Tap for Tues...
11/12/2025
2025 Sports Broadcasting Hall of Fame: David Levy, Turner Titan and Master of Al...
11/12/2025
SVG Launches Follow the Money' Podcast: Go Inside the Sports Media Biz with...
11/12/2025
A Deep Dive Inside Game Creek Video's Bird and Magic Mobile Units, Home to A...
11/12/2025
How Sound Effects for Monsters Funday Football' Emulated the Sonic Soul of ...
11/12/2025
SVG New Sponsor Spotlight: CSP Mobile Productions' Len Chase on Upgrading Tr...
10/12/2025
Sound-Alike Commercials Are Part of Sports' Soundtrack Johnny Cash for Coca-Cola is the latest in a long litany of sonic approximationsBy Dan Daley, Audio ...
10/12/2025
Immersive Sound Is Logical Next Step for Sports VenuesSound-systems suppliers are sanguine, but the market has its challengesBy Dan Daley, Audio Editor
Wednes...
10/12/2025
The Romans Built Arenas for Immersive Sound 2,000 Years AgoThe historic Arena of Nimes in France is still in use todayBy Dan Daley, Audio Editor
Wednesday, De...
10/12/2025
SVG Summit 2025 Preview: Audio Workshop Hits on Immersive, Virtualized, and Next...
10/12/2025
SVG Summit 2025 Technology Exhibits Preview: Audio SpotlightBy SVG Staff
Wednesday, December 10, 2025 - 8:21 am
Print This Story | Subscribe
Story Highlig...
10/12/2025
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
10/12/2025
Advancements in audio technology: Capturing the atmosphere of live sports By David Davies
Tuesday, November 25, 2025 - 09:27
Print This Story
Although wor...
10/12/2025
Everything smelled of popcorn: The art of bringing the complex sound of esports ...
09/12/2025
2025 Sports Broadcasting Hall of Fame: Pam Oliver, Sideline Icon Who Redefined t...
09/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 2By Jason Dachman, Editorial Director, U.S.
Tuesday, December 9, 2025 - 7:17 am
Print This Story | Subscr...
09/12/2025
SVG Summit 2025 Preview: Cloud Production Workshop Spotlights Live and Non-Live ...
09/12/2025
Next-generation content protection: Multi-technology security is integral to com...
09/12/2025
CBS Sports Provides One-of-a-Kind Production' for UEFA Champions League Cro...
09/12/2025
Spanish Professional Basketball League Relies on NETGEAR AV, MAM Tech for Seamle...
09/12/2025
SVG Sit-Down: St. Thomas's Mike Gallagher and Casey Eakins on the Tommies...
09/12/2025
Free Registration for the 2025 SVG Summit Closes Today at 5 p.m. ET!After the deadline, tickets will cost $150 to attend the eventBy SVG Staff
Tuesday, Decemb...
09/12/2025
University of St. Thomas Ushers in Division I Era With New Arena and a Broadcast...
08/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 1By SVG Staff
Monday, December 8, 2025 - 6:56 am
Print This Story | Subscribe
Story Highlights
The 2025...
08/12/2025
2025 Sports Broadcasting Hall of Fame: Bill Rasmussen, the Entrepreneur Who Drea...
08/12/2025
SVG Summit 2025 Preview: Live Production Innovation Workshop Goes Deep on ST 211...
08/12/2025
#GALSNGEAR Announces East, West Leadership Retreats for 2026By Ken Kerschbaumer
Monday, December 8, 2025 - 9:10 am
Print This Story | Subscribe
Story High...
08/12/2025
MediaKind Acquiring Harmonic's Video Business to Create New Streaming-Video ...
08/12/2025
Platinum White Paper: Sony HDR/SDR Camera Shading Techniques for Live Production...
08/12/2025
SVG Sit-Down: NESN's Kenny Elcock and Harmonic's Jean Macher Talk Next-G...
08/12/2025
Monsters Funday Football,' ESPN's Latest Live Animation Effort, Advances...
08/12/2025
SVG Sit-Down: ESPN Director Jeff Nelson on Calling the (Animated) Action on Mon...
08/12/2025
Monsters Funday Football': Louisiana Philharmonic Delivers Again With Orches...
05/12/2025
2025 Sports Broadcasting Hall of Fame: Curt Gowdy Jr. - Master Storyteller, Nati...
05/12/2025
SVG Sit-Down: Veritone's Sean King on the Power of Mining Video, Audio DataThe company's Data Refinery offers users total control and governance over da...
05/12/2025
Platinum White Paper: Inside the Nashville Predators' Unified, Flexible, Sca...
05/12/2025
Netflix Reaches Agreement To Acquire Warner Bros. Following Planned WBD SplitThe deal does not include WBDs sports assets like TNT Sports (US, UK, LatAm), Euros...
05/12/2025
FOX Sports Returns to Indianapolis for Primetime Broadcast of Big Ten Championsh...
05/12/2025
SVG Summit 2025 Preview: Digital Engagement & Monetization Workshop Tackles the ...
05/12/2025
Atlanta United Lights Up New Emory Healthcare Studio With First Live Broadcast f...
05/12/2025
As Messi Takes the Pitch, MLS, Apple, NEP Roll Out Largest MLS Cup Production Ev...
05/12/2025
ESPN Enters College Football's Most Intense Month With Elevated Workflows fo...
04/12/2025
SVG Sit-Down: ProximaVision's Claudio Lisman on Why Tethered Drones Could Be...
04/12/2025
SVG Campus Shot Callers: Imry Halevi, Senior Associate Director of Athletics, Co...
04/12/2025
Platinum White Paper: LiveU Lightweight Sports Production: A Step Change in Spor...