Sony Pixel Power calrec Sony

LA Based Singer-Songwriter Talks Studio One: Luke Sital-Singh

11/03/2020

Luke Sital-Singh is a British singer-songwriter based in Los Angeles. He sings and writes songs of love, loss, longing, grieving, hope, and basically the whole gamut of the human experience. His voice is haunting and personal and his lyrics? Profound. With three studio albums, one live album, seven EPs, a ton of singles and a TED Talk in 2018, Luke's gift is exceptional and rare, and we're glad he's sharing it with us.

We connected with Luke on Instagram and immediately became huge fans. What's made this friendship better is that he's new to the Studio One family. We took some time to get to know him better and hear how his experience with Studio One has been so far.

Give us some background on yourself. How long have you been making music?

I'm an artist and songwriter from the UK currently based in LA. I released my first EP in 2012 and have been making and releasing music ever since. My latest album came out in 2019, and right now I'm currently working on writing my fourth album whilst trying my hand as a songwriter working with other artists and writers on their projects.

How has the music industry changed since your early days?

In so many ways but I think the most obvious to me day-to-day at the moment is the impact of social media and keeping your online persona updated every second of the day. It's a horror show and if I were starting out again today it would be enough to send me running for the hills.

Watch Luke's TED Talk

Describe the first time you wrote a song? Produced it?

Hmm, I don't remember details but I can imagine it was an easy, pure, uncomplicated. I most probably thought nothing of it. It was almost definitely a rip off of the Goo Goo Dolls (who were my favs at the time). I never had a lightbulb moment in where I knew I was gonna write songs. It was such a gradual process. I just wanted to give it a try, and I kept trying and trying and I'm still trying today.

Who has been a musical influence in your life?

I would say my eldest brother Matt was the first major musical influence in my life. He introduced me to some cool music when he was a teenager and it was his guitar I stole when I started learning. He was also a bit of a computer geek so he helped me record some early demos and covers in his bedroom. I still have some of those recordings. Truly awful songs! But it got the ball rolling.

Have you ever wanted to give up on music? What keeps you going?

Yes, many times. It's often overwhelming and ever-changing. So you once you feel like you get a handle on a way forward, the industry changes and you're left scrambling around again. Also the pressures of always being on. I always feel guilty when I'm not writing or gigging or posting on social media. It's hard to find downtime without feeling like you're losing time and opportunities. Unfortunately and fortunately it still pays all my bills and I've got no other life skills to fall back on. Also when it's good. It's really good.

So you're new to Studio One. When did you first hear about Studio One?

I was looking for a change from the DAW I was using. And I started to see a lot more people talking about Studio One online. I found myself watching loads of YouTube videos about the features and reasons why it's better than the other DAWs. It piqued my interest enough to try a demo and see what I thought of it myself.

What features are you most impressed with?

As a jobbing artist, the price was pretty compelling, for one thing. Perhaps that sounds a little unexciting, but it matters for people like me. I don't have tons of cash to drop on all this software whenever I want.

I'm still learning Studio One, but I'm finding it a lot faster than what I've used before. The drag and drop functionality is so great. In general, and incoming from another DAW, I'm just finding it more intuitive. Studio One is faster and compliments the workflow habits I've developed using other software. As I use it more I'm excited to see how my workflow develops around Studio One's unique functionally. As of now, I've only produced a handful of tracks using it and I'm loving it and I'm excited to keep learning.

I also find the chord track functionality brilliant for songwriting and trying out ideas I would never think of on the guitar.

How easy/difficult was Studio One to learn?

Very easy. I especially found that the ability to map the keyboard shortcuts to match other DAWs made it so much faster to get up and running. Now I'm slowly transitioning to the Studio One keyboard shortcuts.

Where do you go for support?

I haven't had to yet! Knocks on wood

Any other thoughts on Studio One or PreSonus gear?

I just think PreSonus is great! For whatever reason, it's not the sexiest name in music gear but it should be. I feel like I wish I'd tried Studio One years ago. I find I go into sessions with other people these days and tell them I use Studio One and they turn their nose up. When I tell them the kind of functionality it offers, everyone is impressed and surprised. It's one of those unfortunate things about the music recording culture and I suppose just general culture when it comes to brands etc. People like the cool stuff even if it's actually no better or perhaps it's worse than lesser-known brands. I hope more people start to see how great Studio One is and PreSonus in general!

Recent projects? What's next for you?

I've got a new EP dropping in April, a few tracks are available online. Also, I'm going on tour in Europe and the UK in April/May and I'm hoping to play some more shows around the US later this year. Other than that I'm busy writing my next record and working with other artists as a songwriting collaborator.

Check out Luke's Tour
LINK: https://blog.presonus.com/index.php/2020/03/10/la-based-singer-songwri...
See more stories from presonus

More from PreSonus

19/04/2024

Impact XT's Secret Clip-Launching Talents

By Craig Anderton Impact XT can launch clips, which is great for songwriting (see the blog post Songwriting with Impact XT). But few people realize that Impact...

12/04/2024

Make Better Mixes with Selective EQ

By Craig Anderton Good mixes often depend on carving out a unique sonic space for each instrument, so you can hear them clearly. Sometimes carving out that spa...

05/04/2024

Multitimbral Magic with MIDI Guitar

By Craig Anderton MIDI guitars are a niche product, because the learning curve can be daunting for some guitar players. However, I'm surprised how many pro...

29/03/2024

Avoid Collaboration Concerns

By Craig Anderton As the universe of Studio One users grows, so do opportunities for collaboration. But your collaborator may not be using the same version of ...

22/03/2024

Create Rhythmic Alchemy with the BeatCoder

By Craig Anderton Over three years ago, I wrote a blog post on how to make a drumcoder. Its design was somewhat like a vocoder-drum audio served as a modulat...

15/03/2024

Make Stereo Downmixes More Immersive

By Craig Anderton One of Atmos's coolest features is scalability. No matter how complex your Atmos project may be, you can render it as Binaural, 5.1, 5.1....

13/03/2024

Studio One: A Brief Exploration with Great Good Fine Okay

Watch the Brooklyn Synthpop duo remix their song Blame in Studio One Less than 24 hours after meeting each other, producer Luke Moellman and vocalist Jon San...

10/03/2024

Stamp Out Boring Flanging!

By Craig Anderton The impetus behind this design was wanting to add envelope flanging to amp sims like Ampire. But there's a problem: most amp sim outputs ...

01/03/2024

Creating Room Ambiance with Virtual Mics

By Craig Anderton Supplementing close-miking techniques with room mics gives acoustic sounds a life-like sense of space. Typically, this technique involves pla...

27/02/2024

Notion Mobile 3.3 Now Available

Notion Mobile v3 took mobile music creation to the next level with support for iOS, Android, Windows, Fire OS and macOS. Now v3.3 adds many enhancements and fix...

26/02/2024

The Sweet Spot with Grammy-Nominated Producer 6ix

Logic's Grammy-nominated producer breaks down his Sweet Spot. Before he found success as an avant-garde hip hop producer, 6ix was just 30 units shy of a de...

25/02/2024

The Sweet Spot with Multi-Platinum Producer Warren Huart

The Grammy-nominated multi-Platinum producer breaks down his Sweet Spot. From the studio with chart-topping artists like Aerosmith and The Fray, to empowering ...

23/02/2024

Don't Make This Mixing Mistake!

By Craig Anderton Do you think of mixes in absolute terms, or relative terms? Knowing the difference, and when to apply which approach, can make a huge differe...

16/02/2024

Tuff Beats

By Craig Anderton Calling all beats/hip-hop/EDM/hard rock fans: This novel effects starts with drums modulating the Vocoder's white noise carrier, and take...

09/02/2024

Reinvent Your Stereo Panning

This tip is about working with stereo, NOT about Dolby Atmos or surround-but we're going to steal some of what Atmos does to reinvent stereo panning. Stud...

07/02/2024

Studio One: Mix in a New Dimension with Jeff Ellis

The GRAMMY-winning recording and mix engineer shows us how he uses Studio One to create an artful immersive mix. Jeff Ellis is a force to be reckoned with. The...

02/02/2024

Presence Electric 12-String (the Artist Version Remix)

Presence's sound library includes a fine acoustic 12-string guitar, but not an electric one. So, perhaps it's not surprising that one of the more popula...

26/01/2024

Faster, Simpler, and Better Comping

At first, this might not seem too exciting. But follow the directions below, and try comping using this method-I don't think you'll be disappointed. Thi...

19/01/2024

How to Quickly Slash Your Latency

You know the feeling: You're tracking or doing an overdub with a virtual instrument or amp sim, but you're frustrated by the excessive latency inherent ...

12/01/2024

How to Fix Phase Issues

Recording audio using more than one feed from the same source may create phase issues. For example, when miking a bass amp and taking a DI (dry) input, the DI&#...

05/01/2024

Bigger, Wider Sounds: Try Stereo Miking

If you haven't experimented yet with mid-side stereo miking, you'll be in for a treat when you do. Here's why: Record background singers with gorge...

29/12/2023

How to Prioritize Vocals with Mix Ducking

This complements the tip Better Ducking for Voiceovers and Podcasts and the tip Why I Don't Use Compression Anymore. It applies the concept of voiceover duc...

22/12/2023

Should You Use Highpass Filters when Mixing?

Engineers sometimes advocate using high-pass filters to clean up the low end and tighten the sound. Others believe that because of issues inherent in highpass...

20/12/2023

Studio One: A Brief Exploration with Josh Cumbee

The GRAMMY-nominated artist, producer, and songwriter shows us how he uses Studio One to cook a musical idea from scratch. Josh Cumbee is a triple threat: The ...

15/12/2023

Why I Don't Use Compressors Anymore

This wasn't a conscious decision, or something I planned. But when I looked through my last few songs while seeking candidates for a book's screenshots,...

08/12/2023

Phrasing-The Final Correction Frontier

First, a follow-up: In the October 13 tip about creating Track Presets for parallel processing, I mentioned that Track Presets can't include buses, which is...

01/12/2023

Vocoder Tweaks and Tricks

Vocoder's aren't normal effects. For example, Arturia's Vocoder V is an effect/instrument hybrid, because it's an audio effect that includes a...

24/11/2023

Release Your Music in Stereo and Immersive

For over a decade, stereo and mono vinyl records co-existed before the transition to stereo was complete. During that time, many records were released in both m...

17/11/2023

String Arrangements Made Simple

Strings can enhance almost any genre of music-and with a little more effort, you can do string arrangements that go beyond simply adding a string pad preset. So...

10/11/2023

The Metal Amp De-Harsher

Since Dynamic EQ was introduced in version 5, I've used it to replace and improve some techniques I used to do with static EQ. For example, I'm a fan of...

03/11/2023

Capture-and Keep-Your Creative Impulses

Gregor Beyerle recently posted a video called Producer vs. Engineer-What's the Difference?, which had quite a few comments. It seems most people feel that f...

27/10/2023

Better Drum Reverb with Dynamic EQ

Sending too many low frequencies through reverb gives a bloated, muddy sound. This is one reason why you'll rarely see a send from a bass track going into r...

20/10/2023

A Happy Accident for Drum Sounds

While trying to do something else with Melodyne, I stumbled on this way to add depth or tightness to drum sounds-quickly and easily. Here's the sound of an ...

13/10/2023

Create Track Presets for Parallel Processing

Parallel processing splits a signal into two or more parallel channels. Bi-amping is a common example of parallel processing: One channel processes low frequen...

06/10/2023

Easy Atmos: Grab Headphones, Mix, Have Fun!

Everyone talks about the importance of Dolby Atmos for post-production, but the implications go further than that. Atmos really does change how you create and ...

29/09/2023

You Can Do Immersive Audio. Right Now.

You don't need a massive surround system with speakers wired all over your studio to create immersive audio. Whether you want surround or Dolby Atmos mixes...

22/09/2023

Better Ducking for Voiceovers & Podcasts

By Craig Anderton Background music or environmental sounds are usually an essential part of commercials, movies, presentations, podcasts, and more. When doing ...

15/09/2023

Steal Your Intro-with Ripple Editing

The post Mixing la Studio One had a great response, so here's another tip that relates more to making better music than making better-sounding music. We&#...

08/09/2023

Quick EQ Fixes with Dynamic Tilt EQ

This FX Chain's inspiration is the Tilt filter circuit created by Tonelux designer Paul Wolff. First used in the Tonelux MP1A mic preamp, the Tilt filter h...

01/09/2023

Create Authentic, Customizable EDM Pumping with X-Trem

But first, some breaking news: Version 1.5 of The Huge Book of Studio One Tips and Tricks is now available from the PreSonus shop. Like previous versions, it...

25/08/2023

Superspeed Comping with Studio One 6.2

Studio One 6.2 reworked Layer and Take handling, and some of the new functionality is exceptionally useful. For example, suppose you want to record comp vocals ...

18/08/2023

The PhaseTone Warper

We haven't done a boutique digital effect for Studio One Professional in a while, so let's use a plugin in a totally wrong way-yet end up with somethi...

11/08/2023

Improve MIDI Drum Loop Flow

MIDI drum loops have a bad rap, because some musicians consider them metronomic and boring. But they don't have to be. Subtly leading or lagging the beat at...

04/08/2023

Mixing la Studio One

Ask 100 recording engineers about their approach to mixing, and you'll hear 100 different answers. Here's mine, and how this approach relates to Studio ...

28/07/2023

FL Studio Meets Studio One

FL Studio is a cool program. Yet when some users see me working with Studio One's features like comping tools, harmonic editing, the lyrics track, Mix FX, M...

21/07/2023

Make Bass Pop in Your Mix

Bass has a tough gig. Speakers have a hard time reproducing such low frequencies. Also, the ear is less sensitive to low (and high) frequencies compared to midr...

18/07/2023

Notion Mobile 3.2 Now Available

Notion Mobile v3 took mobile music creation to the next level with support for iOS, Android, Windows and macOS. Now v3.2 adds many enhancements and fixes, as we...

14/07/2023

Enhance Your Reverb's Image

First, an announcement: If you own the eBook How to Record and Mix Great Vocals in Studio One, you can download the 2.1 update for free from your PreSonus acc...

07/07/2023

Free! Three Primo Piano Presets

Let's transform your acoustic piano instrument sounds-with effects that showcase the power of Multiband Dynamics. Choose from two download links at the end ...

24/06/2023

Fix Boring Acoustic Drum Loops

Acoustic drum loops freeze-dry a drummer's playing-so, what you hear is what you get. What you get. What you get. What you get. What you get. What you get. ...