
SVG Sit-Down: Telescope CEO Jason George on the Future of Live Social Video He sees nirvana' in rich video content as part of a two-way conversation with the audience By Karen Hogan Ketchum, Senior Editor
Monday, September 25, 2017 - 11:33 am
Print This Story
Story Highlights
Since debuting a little over a year ago, Facebook Live has captured the imagination of sports fans and content creators alike, becoming an integral and essential part of the sports ecosystem. Telescope's award-winning Live Studio platform provides an interactive experience for Facebook Live, enabling content creators to build and customize their live video, engage with their audience, and realize monetization opportunities through integrated branded-content and sponsorship tools. SVG sat down with Telescope CEO Jason George to discuss the company's growing role in the dynamic live-social-video world and its continued support of SVG's Facebook Video Boot Camp.
What do you see as Telescope's niche in the live social video?
We've been around for 15 years, and we've always lived at the intersection of television and audience participation. I think our traditional business helped people transition from a traditional TV experience into second-screen participation: interacting with the on-air experience, soliciting and curating user comments, and then bringing that content back into the on-air experience.
We've watched these mediums evolve, and we've adapted by migrating our products and services to OTT platforms as consumption has migrated to those platforms. We've developed a great relationship with key social platforms as they've reached mass-scale, and have become a particularly close partner of the Facebook Media Solutions team. With Facebook Live, we were launch partners when they announced their API allowing premium-content producers to publish quality professional content into their Facebook pages.
Gamification is one example of the way live social video is changing the way sports are consumed.
What's fascinating to me about Facebook Live - as well as Twitter/Periscope - is that this nirvana we've been reaching for over the last 15 years finally feels within touching distance: for rich video content to be part of a two-way conversation with the audience, rather than a one-way broadcast. That participation on these platforms feels organic to the whole experience, not something that's bolted on. It's not expensive, it's not clunky, and it feels totally natural. Pretty soon, that will become the baseline for what viewers expect from their content experience wherever they're watching. It will be the de facto standard, and whole new forms of content will evolve from it. That to me is what's really exciting.
Telescope, through the Live Studio Platform, has been a big supporter of SVG's Facebook Video Boot Camp. Why is it important for you to support this endeavor, and what do you see as the importance of Facebook Video in the sports industry?
Social video in general, is growing exponentially, and Facebook has taken a dominant position in the live-social-streaming space. Reach plays a major part in that: they simply have more eyeballs than all their competitors with the exception of YouTube (if you view them as a social platform). The second major benefit we see from Facebook's platform is its ability to drive content discovery and awareness: as an example, roughly half of live-content viewing is discovered through somebody seeing it in their news feed. They didn't make an appointment to view; they saw it in their feed and reacted to it. In other words, driving fans to share, comment, and like in itself helps prioritize that content within the algorithm and surface it to other potential viewers. That combination of rich content with promotion to viewers that might not otherwise have found that video via the algorithm is a powerful formula and pretty unique to Facebook at the moment, certainly at that sort of scale.
The World Surf League, which presented at SVG's Facebook Video Boot Camp in L.A. in July, is a great example of a sport using Facebook Video. Specifically because surfing is weather-dependent, they have a challenge for conventional broadcasting: when they wake up in the morning, they don't know for sure if they're going to be on that day. The waves rule them! They also have a passionate global audience, which, with Facebook, they can reach and activate. They can notify their fans when things are happening and drive people to that broadcast, and they can set up and tear down their production hub from anywhere. They've become really adept at getting FB Live produced remotely at a high quality, driving viewership and integrating their audience into the experience.
A lot of the focus at the moment is shoulder content - non-game content, especially reactive up close and personal stuff like live player interviews from the locker room or Q&As with players. Enabling fans all over the world to get closer to their idols deepens affinity with the sport, and that drives people to watch more games and, in turn, ultimately raises the value of those sports rights. The OTT players have been dipping their toe in the bigger pond around major sports rights, but that's going to pick up over the next 18-24 months. Amazon already secured the rights to stream Thursday Night Football games, and the other platforms have been in the bidding process for the first time. To me, this is a natural fit for the likes of Facebook and Twitter especially, given their ability to create fan engagement, drive viral marketing and discovery through their networks.
In terms of why we're behind the Boot Camps [SVG has] been putting on with Facebook, the learning curve since we launched in April 2016 has been incredible. But i
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
14/10/2026
Staines-upon-Thames, UK, 13, October, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), has been selected by Court TV to monetize its ad-suppor...
14/10/2026
The Silicon Valley Video Summit (SVVS), the premier gathering for the region'...
14/10/2026
Hosted at Warner Bros. Discovery's Techwood Studios, the event explored the ...
14/10/2026
Tape simulator plug-in gains native version
Universal Audio's recreation of the Empirical Labs FATSO has just become the latest of the company's plu...
14/10/2026
Bitwig Studio now integrates with Rekordbox
Bitwig have joined forces with AlphaTheta to bring together two different areas of modern music creation: DJing ...
14/10/2026
New granular synthesis plug-in revealed
Delta Sound Labs have just launched a new granular synthesis plug-in that allows composers, producers and sound desi...
14/10/2026
Double the Eurovision!
14 October, 2026
Media releases
SBS turns up the volume as the official Australian broadcaster for Eurovision Asia
Also, the searc...
14/10/2026
Mastering complex signal environments: Rohde & Schwarz launches new R&S ADD607 c...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
SMPTE, the home for media professionals, technologists and engineers, is expanding its presence in Africa through a series of industry events in South Africa th...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
HuskerVision, the video production and multimedia operation for University of Nebraska Athletics, has deployed Grass Valley K-Frame production switchers and LDX...
14/10/2026
Eden Project, the UK-based visitor attraction, social enterprise and educational charity, is using the LiveU EcoSystem to produce and deliver its new Eden Proje...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/10/2026
IPC Announces Plans to Showcase its One Connect Intercom Platform at
NAB New York 2026
Visit IPC as a Featured Vendor in the Dale Pro Audio Booth
IPC, a le...
14/10/2026
Dr Trauma selected for Dynamic Television Scripted Initiative 14 October 2026
L-R: Sarah Bailey, Troy Lum.
Screen Australia and Dynamic Television today annou...
14/10/2026
3D Artists Design Cars for GTA VI in a No-AI Rendering Challenge
Brie Clayton October 13, 2026
0 Comments
3DModels.org has opened its annual Car Rende...
14/10/2026
RE:Vision Effects Announces ARRI Film Lab 1.5 Release
Brie Clayton October 13, 2026
0 Comments
ARRI Film Lab 1.5 adds many user requested features inc...
14/10/2026
MTI FILM DRS Nova V7.0 Major Release Now Available
Brie Clayton October 13, 2026
0 Comments
A step forward in digital film restoration
DRS Nova V7.0 ...
14/10/2026
As our world becomes increasingly digital, demand for electricity is surging while the transition to cleaner energy systems is creating new challenges. Yet desp...
13/10/2026
#GALSNGEAR has released Season 3 of its Tequity Talk podcast, with new episodes dropping every Tuesday through December 15. Hosted and executive produced by #GA...
13/10/2026
Most Valuable Promotions (MVP) has appointed Joe Setley as Senior Vice President...
13/10/2026
Zixi and TAG Video Systems have announced an extended integration enabling the Z...
13/10/2026
LTN has announced an integration between LTN Schedule Playout and Sony's Ci Media Cloud platform, connecting cloud-based media management with linear playou...
13/10/2026
Infront has established a new management structure for Infront Productions. Amikam Kranz, Senior Vice President Media, Betting, Technology and Production, assum...
13/10/2026
Just Women's Sports (JWS) has announced three developments: the acquisition ...
13/10/2026
Cinematographer Philip Lozano AFC used the Sony Rialto Mini (VENICE Extension Sy...
13/10/2026
In a fundamental change, one expensive act of content creation could become many...
13/10/2026
The annual event will explore streaming, personalization, partnering with indepe...
13/10/2026
Freestyle Chess has announced a partnership with Game+, bringing coverage to 3.5 million households across Canada and the United States. The partnership launche...
13/10/2026
The St. Louis Blues and Gray Media have announced a multi-year partnership to si...
13/10/2026
Spalk has announced expanded multilingual commentary partnerships with the NBA and NFL. For the NBA, Spalk will provide remote broadcasts in Greek, Portuguese, ...
13/10/2026
Every NHL team. Five hours of nonstop hockey. ESPN's Frozen Frenzy is back
The busiest night of the NHL season returns tonight with ESPN's NHL Frozen F...
13/10/2026
The longtime production-facilities provider also continues to roll out new mobil...
13/10/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
13/10/2026
StreamU, the college athletics livestreaming network from TheLinkU and Twitch, has opened its first on-campus content studio at UC Berkeley. Cal student-athlete...
13/10/2026
By Ramona Flume
One of the most exciting things about the Sundance Film Festiva...
13/10/2026
Two new MPE-capable libraries announced
Sonora Cinematic's The Founders Locker line-up has just gained two new additions: Penombra Celli and Penombra Vi...
13/10/2026
Debut offering in new oneTHNG plug-in series
Modular synth experts Modbap have just announced the launch of Fidelity Theory, a new creative effect that mark...
13/10/2026
Last week, SGL Carbon celebrated the expansion of its production capacity at its St. Marys site (USA). SGL Carbon has invested around USD 100 million in the exp...
13/10/2026
Rohde & Schwarz presents unique R&S NTS transfer standards for RF power traceabi...
13/10/2026
The Minister of Sport, Arts and Culture, Mr Gayton McKenzie, invites suitably qu...