
WNBA Tip-Off 2024: With All Eyes on The W, ESPN Ups Its Game To Spotlight Class of New Stars, League's Increased Popularity Disney+ will simulcast coverage of tonight's season opener By Kristian Hern ndez, Senior Editor
Tuesday, May 14, 2024 - 12:02 pm
Print This Story | Subscribe
Story Highlights
Nearly three decades of the WNBA have been broadcast by ESPN, and no other season in those 30 years has felt as energized as the one tipping off tonight. From the introduction of legit star power and chartered flights for all 12 clubs to the integration of more tech workflows and personnel on the production side, the broadcaster is taking yet another step forward to showcase the best professional women's basketball players.
We're coming out strong with enhanced coverage of our games from a technical standpoint, says Sara Gaiero, VP, production, ESPN. We will continue with REMI productions for a majority of the season, but we're looking for ways to supplement some of our top-level broadcasts to document the terrific athletes that we have.
Basketball Fever: Preparations for Caitlin Clark Debut, Las Vegas Aces Ring Ceremony The league is holding nothing back for its opening-night doubleheader on ESPN2, ESPN Deportes, ESPN+, and, for the first time, Disney+.
ESPN begins the 2024 WNBA season with Fever-Sun at 7:30 p.m. ET and Mercury-Aces at 10 p.m.
In Game 1 at 7:30 p.m. ET, the Connecticut Sun will face No. 1 overall pick Caitlin Clark and the Indiana Fever in her WNBA debut. It's one of the most highly anticipated games in recent memory, and rightfully so: Clark is the all-time leading scorer in NCAA history and has brought the league a ton of media and fan attention. With more eyeballs on this game at Mohegan Sun Arena in Uncasville, CT, ESPN is increasing its camera complement to a WNBA Finals-level of production.
We're going to roll out our basic complement, which is normally a seven-camera show, but will also add above-the-rim and below-the-rim robos and a shallow-depth-of-field RF handheld [from Faction Media], says Gaiero. [We'll] focus on Caitlin when she comes onto the court as well as on what she's doing during pregame. We've had conversations with the venue, and we understand that they're at capacity, so we feel that it's important to document everything we can.
In addition, the crew is enhancing the coverage with super-slo-mo cameras for cinematic replays, more player and coach mics, live player interviews during quarter breaks, and an uptick of 75 onsite staffers from the typical 30 for the onsite game production and an onsite edition of the broadcaster's premiere pregame show, WNBA Countdown, in its second full season. From an operations perspective, the high-end production will be easier to do because ESPN's facility in Bristol, CT, is only 65 miles from the Suns' home arena.
Having opening night in Connecticut has helped us throughout the planning process, notes Catherine Chalfant, remote production operations supervisor, ESPN. It's easy for us to get to the venue for planning visits. On Tuesday, with both venues having AT&T as their primary form of transmission and our enhanced coverage in Connecticut, we have had to get creative with how and when we are sending paths back to Bristol to accommodate both shows.
In Game 2 at 10 p.m., the back-to-back WNBA Champion Las Vegas Aces will host the Phoenix Mercury at Michelob ULTRA Arena. It'll be a special night in Sin City, with the players receiving their championship rings and raising their second banner to the rafters. For ESPN, Tuesday night's doubleheader will be the first of two in a five-day span. The second, on Saturday, May 18, will feature the Fever vs. the New York Liberty at Barclays Center in Brooklyn, NY, at 1 p.m. and the Los Angeles Sparks vs. the Aces at 3 p.m., both on ABC. There are challenges in producing multiple primetime games in Week 1, but there are positives in working from the same production facility.
With two games during opening week in Las Vegas, Chalfant explains, we're able to efficiently secure and keep resources in place for both games. Our teams are ready, and we've been working since March to put resources in place to bring us the best coverage.
When the Fever and Aces meet in their second matchup of the 2024 campaign, the game will take place at T-Mobile Arena on Tuesday, July 2, airing at 9:30 p.m. on ESPN. The change in venue represents a 50% increase in seats to match the ticket demands from fans.
The Ops Piece of the Puzzle: REMI Workflows, Bolstered Technology Throughout the season, ESPN is opting for a hybrid production approach. The crew responsible for WNBA broadcasts will mostly deploy REMI to maximize time and resources, but, for a handful of games, upgrading production quality requires an onsite operation. That will be the case for Fever-Liberty this Saturday.
To be able to do these productions in somewhat of an old-school way, says Gaiero, it speaks to the level of enhancements we made and the internal support we've had behind the scenes. We'll be thinking about other opportunities for broadcasts as the season progresses.
WNBA Countdown has become a staple in ESPN's programming, including an onsite edition during the 2024 WNBA Draft.
As part of the broadcaster's commitment to tech innovation, with Chalfant and her team leading the way, selected games will bump up some mid-court handheld cameras to 4X super-slo-mo via the AWS Cloud system that has been built in Bristol. Viz Libero integration is used on the graphics side, and, to efficiently work with the broadcaster's WNBA partners, Brand Brigade will be deployed for on court virtual signage and Hawkeye for official replay.
To mix more real-time data into live broadcasts, the WNBA inked a deal with
More from Sports Video Group
20/04/2026
At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...
20/04/2026
At the 2026 NAB Show, Canon is doubling down on its commitment to live sports pr...
20/04/2026
Fujifilm is sharpening its focus on core broadcast production with a new wave of...
20/04/2026
This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...
20/04/2026
Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...
20/04/2026
Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...
20/04/2026
Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...
20/04/2026
Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...
20/04/2026
International Association of MediaTech (IAMT), formerly known as IABM, announced...
20/04/2026
Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software.
The deployment is...
20/04/2026
Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...
20/04/2026
EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...
20/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
20/04/2026
Skyline Communications announced the availability of its DataMiner xOps platform...
20/04/2026
Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...
20/04/2026
Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...
20/04/2026
Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...
20/04/2026
At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...
20/04/2026
At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
19/04/2026
Grass Valley is finding the right balance between its hardware heritage with an ...
19/04/2026
Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...
19/04/2026
Program Productions, the live sports production industry's leading crewer, i...
19/04/2026
At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...
19/04/2026
At its 2026 NAB Show keynote event, Ross Video came out swinging with one of its...
19/04/2026
Evertz (Booth N817) is set to present new services within its evertz.io platform...
19/04/2026
Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...
19/04/2026
Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...
19/04/2026
Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...
19/04/2026
Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...
19/04/2026
Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...
19/04/2026
Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...
19/04/2026
MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...
19/04/2026
Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...
19/04/2026
Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...
19/04/2026
Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...
19/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
18/04/2026
MultiDyne Video & Fiber Optic Systems has begun shipping the C16-AM-12G audio mo...
18/04/2026
FOR-A America is set to detail AI functionality for its software-defined IMPULSE...
18/04/2026
Cobalt Digital and SineSix Media have announced a partnership to integrate the v...
18/04/2026
The ATSC, the broadcast standards association, is highlighting the status of the ATSC 3.0 internet protocol-based broadcast standard at the 2026 NAB Show. The e...
18/04/2026
Bolin Technology has introduced a new range of hardware for live production envi...
18/04/2026
KMH Integration is participating in the 2026 NAB Show, focusing on its AV Casti...
18/04/2026
Appear has appointed Mike Burk as vice president of business development for North America. Burk brings over two decades of experience in the broadcast and live...
18/04/2026
Skyline Communications is showcasing its DataMiner platform and the new DataMine...
18/04/2026
Telos Alliance is exhibiting its portfolio of broadcast audio products at the 20...
18/04/2026
TAG Video Systems has announced an integration with the AWS Elemental MediaConne...
18/04/2026
Blackmagic Design has announced DaVinci Resolve 21, with a public beta available now for download. The update will be demonstrated at NAB Show 2026 (Booth N2502...
18/04/2026
Calrec (Booth C6907) and Grass Valley (Booth C2408) have announced a long-term broadcast audio technology partnership at NAB Show 2026, integrating Calrec's...