
WNBA Tip-Off 2024: With All Eyes on The W, ESPN Ups Its Game To Spotlight Class of New Stars, League's Increased Popularity Disney+ will simulcast coverage of tonight's season opener By Kristian Hern ndez, Senior Editor
Tuesday, May 14, 2024 - 12:02 pm
Print This Story | Subscribe
Story Highlights
Nearly three decades of the WNBA have been broadcast by ESPN, and no other season in those 30 years has felt as energized as the one tipping off tonight. From the introduction of legit star power and chartered flights for all 12 clubs to the integration of more tech workflows and personnel on the production side, the broadcaster is taking yet another step forward to showcase the best professional women's basketball players.
We're coming out strong with enhanced coverage of our games from a technical standpoint, says Sara Gaiero, VP, production, ESPN. We will continue with REMI productions for a majority of the season, but we're looking for ways to supplement some of our top-level broadcasts to document the terrific athletes that we have.
Basketball Fever: Preparations for Caitlin Clark Debut, Las Vegas Aces Ring Ceremony The league is holding nothing back for its opening-night doubleheader on ESPN2, ESPN Deportes, ESPN+, and, for the first time, Disney+.
ESPN begins the 2024 WNBA season with Fever-Sun at 7:30 p.m. ET and Mercury-Aces at 10 p.m.
In Game 1 at 7:30 p.m. ET, the Connecticut Sun will face No. 1 overall pick Caitlin Clark and the Indiana Fever in her WNBA debut. It's one of the most highly anticipated games in recent memory, and rightfully so: Clark is the all-time leading scorer in NCAA history and has brought the league a ton of media and fan attention. With more eyeballs on this game at Mohegan Sun Arena in Uncasville, CT, ESPN is increasing its camera complement to a WNBA Finals-level of production.
We're going to roll out our basic complement, which is normally a seven-camera show, but will also add above-the-rim and below-the-rim robos and a shallow-depth-of-field RF handheld [from Faction Media], says Gaiero. [We'll] focus on Caitlin when she comes onto the court as well as on what she's doing during pregame. We've had conversations with the venue, and we understand that they're at capacity, so we feel that it's important to document everything we can.
In addition, the crew is enhancing the coverage with super-slo-mo cameras for cinematic replays, more player and coach mics, live player interviews during quarter breaks, and an uptick of 75 onsite staffers from the typical 30 for the onsite game production and an onsite edition of the broadcaster's premiere pregame show, WNBA Countdown, in its second full season. From an operations perspective, the high-end production will be easier to do because ESPN's facility in Bristol, CT, is only 65 miles from the Suns' home arena.
Having opening night in Connecticut has helped us throughout the planning process, notes Catherine Chalfant, remote production operations supervisor, ESPN. It's easy for us to get to the venue for planning visits. On Tuesday, with both venues having AT&T as their primary form of transmission and our enhanced coverage in Connecticut, we have had to get creative with how and when we are sending paths back to Bristol to accommodate both shows.
In Game 2 at 10 p.m., the back-to-back WNBA Champion Las Vegas Aces will host the Phoenix Mercury at Michelob ULTRA Arena. It'll be a special night in Sin City, with the players receiving their championship rings and raising their second banner to the rafters. For ESPN, Tuesday night's doubleheader will be the first of two in a five-day span. The second, on Saturday, May 18, will feature the Fever vs. the New York Liberty at Barclays Center in Brooklyn, NY, at 1 p.m. and the Los Angeles Sparks vs. the Aces at 3 p.m., both on ABC. There are challenges in producing multiple primetime games in Week 1, but there are positives in working from the same production facility.
With two games during opening week in Las Vegas, Chalfant explains, we're able to efficiently secure and keep resources in place for both games. Our teams are ready, and we've been working since March to put resources in place to bring us the best coverage.
When the Fever and Aces meet in their second matchup of the 2024 campaign, the game will take place at T-Mobile Arena on Tuesday, July 2, airing at 9:30 p.m. on ESPN. The change in venue represents a 50% increase in seats to match the ticket demands from fans.
The Ops Piece of the Puzzle: REMI Workflows, Bolstered Technology Throughout the season, ESPN is opting for a hybrid production approach. The crew responsible for WNBA broadcasts will mostly deploy REMI to maximize time and resources, but, for a handful of games, upgrading production quality requires an onsite operation. That will be the case for Fever-Liberty this Saturday.
To be able to do these productions in somewhat of an old-school way, says Gaiero, it speaks to the level of enhancements we made and the internal support we've had behind the scenes. We'll be thinking about other opportunities for broadcasts as the season progresses.
WNBA Countdown has become a staple in ESPN's programming, including an onsite edition during the 2024 WNBA Draft.
As part of the broadcaster's commitment to tech innovation, with Chalfant and her team leading the way, selected games will bump up some mid-court handheld cameras to 4X super-slo-mo via the AWS Cloud system that has been built in Bristol. Viz Libero integration is used on the graphics side, and, to efficiently work with the broadcaster's WNBA partners, Brand Brigade will be deployed for on court virtual signage and Hawkeye for official replay.
To mix more real-time data into live broadcasts, the WNBA inked a deal with
More from Sports Video Group
12/11/2026
Industry leaders examine how Dynamic Media Facility, Media eXchange Layer, and c...
12/11/2026
The junior Tar Heel is embracing the technical and creative challenges of live production while emerging as a leader and mentor in the control room...
12/11/2026
Gracenote, Nielsen's content intelligence business, has released its fifth a...
12/11/2026
RTL Deutschland will bring the NHL to free-to-air TV in Germany starting Nov. 30...
12/11/2026
Clear-Com supported On Air 2026, a 24-hour student-led broadcast connecting 45 u...
12/11/2026
uniqFEED has opened a Remote Operations Center (ROC) in Madrid, Spain. It is already operational, delivering virtual advertising for LaLiga matches. The ROC is ...
12/11/2026
Disney, ESPN and the NBA will present Dunk the Halls, the third real-time animated NBA game using Sony's Beyond Sports data visualization technology, on Chr...
12/11/2026
Van Wagner has launched Van Wagner RELAY, a digital platform for official athlet...
12/11/2026
Deal brings together two of the industry's most established graphics brands and significantly expands Vizrt's footprint in U.S. sports and regional broa...
12/11/2026
Euro TV Production GmbH of Austria has upgraded its outside broadcast vehicle with Lawo technology. The mc 36 Classic console in service since 2019 was replaced...
12/11/2026
Tagboard has launched Spark Resize, an AI-assisted tool now in beta that takes an existing graphic and produces a new version for a different aspect ratio or sc...
12/11/2026
Ben Winston, Glenn Weiss, and FIFA's Jenni-Lee Van Gelder headlined a day fo...
12/11/2026
Free interactive platform visualizes team tendencies, formations, and schemes, updated weekly...
12/11/2026
Sports Broadcasting Hall of Famer Charlie Jablonski's broadcasting career is...
11/11/2026
Hornets Sports & Entertainment (HSE) and Spectrum have installed WiFi 7 as part of Spectrum's Managed WiFi solution within Charlotte's recently renovate...
11/11/2026
As 4K displays normalize in living rooms and economy flights, aging minor league...
11/11/2026
Northwestern University has deployed Grass Valley production switching and camera technology at its new Ryan Field stadium in Evanston, Illinois. The installati...
11/11/2026
Central Christian Church has transformed communication across its live productio...
11/11/2026
Monumental Sports & Entertainment developed the new Cisco Command Center for all of the building's technology
Prior to the start of the busy October schedu...
11/11/2026
The new Manhattan set is the latest addition to a network of studios, home setup...
11/11/2026
With a remodeled set, an expanded camera package, and a Steve Aoki performance, MLB Network's production team raises the bar again at The Chelsea...
10/11/2026
ENCO provided live stage captioning, multilingual translation and new audio pass-through services at NAB Show New York, held Oct. 21-22 at the Javits Center, an...
10/11/2026
Vizrt has built a proof-of-concept integration with the Story Object Model (SOM), shown at IBC 2026 in Amsterdam as part of the Smart Stories Accelerator projec...
10/11/2026
Gravity Media's Creative and Managed Services team produced a dedicated live 9:16 vertical broadcast workflow for Meta Connect 2026. Meta asked for more tha...
10/11/2026
Blue Stream Fiber has standardized its OTT streaming services on Ateme's end-to-end video platform for its high value linear channels, providing more effici...
10/11/2026
Haivision has opened the survey for its 2027 Broadcast Transformation Report, inviting broadcast, media, and production professionals worldwide to share their p...
10/11/2026
The League of Live Stream Theater (LOLST), the nonprofit organization partnering...
10/11/2026
USA Sports and The Horse Racing League (HRL) has announced a partnership to air ...
10/11/2026
Matrox Video has launched The Sync, a new video podcast series bringing together Matrox Video experts, customers, and partners to explore the technical and busi...
10/11/2026
The CW Network and Professional Bull Riders (PBR) have announced a new multi-yea...
10/11/2026
There is a certain irony that Chip Adams was turned down when he first looked in...
10/11/2026
Pliant Technologies' CrewCom Flex product line is now shipping in the United States. As a frameless matrix intercom system and complete matrix IP-based inte...
09/11/2026
In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis
The Audio Engineering Society (AES) c...
09/11/2026
Content creation and rights, YouTube archive, production workflows, investment, ...
09/11/2026
Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...
09/11/2026
SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...
09/11/2026
BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...
09/11/2026
SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule:
Media Tech Business Forum (Monday, Nov. 1...
09/11/2026
The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...
09/11/2026
Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif.
Devo...
09/11/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
09/11/2026
Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...
09/11/2026
The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...
09/11/2026
SMT provided production technology and graphics support for all three NASCAR nat...
06/11/2026
It's been a big week in Australia horse racing as the Victoria Racing Club (...
06/11/2026
Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...
06/11/2026
The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...
06/11/2026
NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...
06/11/2026
Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...
06/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...