
WNBA Tip-Off 2024: With All Eyes on The W, ESPN Ups Its Game To Spotlight Class of New Stars, League's Increased Popularity Disney+ will simulcast coverage of tonight's season opener By Kristian Hern ndez, Senior Editor
Tuesday, May 14, 2024 - 12:02 pm
Print This Story | Subscribe
Story Highlights
Nearly three decades of the WNBA have been broadcast by ESPN, and no other season in those 30 years has felt as energized as the one tipping off tonight. From the introduction of legit star power and chartered flights for all 12 clubs to the integration of more tech workflows and personnel on the production side, the broadcaster is taking yet another step forward to showcase the best professional women's basketball players.
We're coming out strong with enhanced coverage of our games from a technical standpoint, says Sara Gaiero, VP, production, ESPN. We will continue with REMI productions for a majority of the season, but we're looking for ways to supplement some of our top-level broadcasts to document the terrific athletes that we have.
Basketball Fever: Preparations for Caitlin Clark Debut, Las Vegas Aces Ring Ceremony The league is holding nothing back for its opening-night doubleheader on ESPN2, ESPN Deportes, ESPN+, and, for the first time, Disney+.
ESPN begins the 2024 WNBA season with Fever-Sun at 7:30 p.m. ET and Mercury-Aces at 10 p.m.
In Game 1 at 7:30 p.m. ET, the Connecticut Sun will face No. 1 overall pick Caitlin Clark and the Indiana Fever in her WNBA debut. It's one of the most highly anticipated games in recent memory, and rightfully so: Clark is the all-time leading scorer in NCAA history and has brought the league a ton of media and fan attention. With more eyeballs on this game at Mohegan Sun Arena in Uncasville, CT, ESPN is increasing its camera complement to a WNBA Finals-level of production.
We're going to roll out our basic complement, which is normally a seven-camera show, but will also add above-the-rim and below-the-rim robos and a shallow-depth-of-field RF handheld [from Faction Media], says Gaiero. [We'll] focus on Caitlin when she comes onto the court as well as on what she's doing during pregame. We've had conversations with the venue, and we understand that they're at capacity, so we feel that it's important to document everything we can.
In addition, the crew is enhancing the coverage with super-slo-mo cameras for cinematic replays, more player and coach mics, live player interviews during quarter breaks, and an uptick of 75 onsite staffers from the typical 30 for the onsite game production and an onsite edition of the broadcaster's premiere pregame show, WNBA Countdown, in its second full season. From an operations perspective, the high-end production will be easier to do because ESPN's facility in Bristol, CT, is only 65 miles from the Suns' home arena.
Having opening night in Connecticut has helped us throughout the planning process, notes Catherine Chalfant, remote production operations supervisor, ESPN. It's easy for us to get to the venue for planning visits. On Tuesday, with both venues having AT&T as their primary form of transmission and our enhanced coverage in Connecticut, we have had to get creative with how and when we are sending paths back to Bristol to accommodate both shows.
In Game 2 at 10 p.m., the back-to-back WNBA Champion Las Vegas Aces will host the Phoenix Mercury at Michelob ULTRA Arena. It'll be a special night in Sin City, with the players receiving their championship rings and raising their second banner to the rafters. For ESPN, Tuesday night's doubleheader will be the first of two in a five-day span. The second, on Saturday, May 18, will feature the Fever vs. the New York Liberty at Barclays Center in Brooklyn, NY, at 1 p.m. and the Los Angeles Sparks vs. the Aces at 3 p.m., both on ABC. There are challenges in producing multiple primetime games in Week 1, but there are positives in working from the same production facility.
With two games during opening week in Las Vegas, Chalfant explains, we're able to efficiently secure and keep resources in place for both games. Our teams are ready, and we've been working since March to put resources in place to bring us the best coverage.
When the Fever and Aces meet in their second matchup of the 2024 campaign, the game will take place at T-Mobile Arena on Tuesday, July 2, airing at 9:30 p.m. on ESPN. The change in venue represents a 50% increase in seats to match the ticket demands from fans.
The Ops Piece of the Puzzle: REMI Workflows, Bolstered Technology Throughout the season, ESPN is opting for a hybrid production approach. The crew responsible for WNBA broadcasts will mostly deploy REMI to maximize time and resources, but, for a handful of games, upgrading production quality requires an onsite operation. That will be the case for Fever-Liberty this Saturday.
To be able to do these productions in somewhat of an old-school way, says Gaiero, it speaks to the level of enhancements we made and the internal support we've had behind the scenes. We'll be thinking about other opportunities for broadcasts as the season progresses.
WNBA Countdown has become a staple in ESPN's programming, including an onsite edition during the 2024 WNBA Draft.
As part of the broadcaster's commitment to tech innovation, with Chalfant and her team leading the way, selected games will bump up some mid-court handheld cameras to 4X super-slo-mo via the AWS Cloud system that has been built in Bristol. Viz Libero integration is used on the graphics side, and, to efficiently work with the broadcaster's WNBA partners, Brand Brigade will be deployed for on court virtual signage and Hawkeye for official replay.
To mix more real-time data into live broadcasts, the WNBA inked a deal with
More from Sports Video Group
06/08/2026
The broadcaster's 14-race schedule begins in Iowa and ends in November with ...
06/08/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/08/2026
As media organizations consolidate teams, technology platforms, and content libr...
06/08/2026
Firmware updates introduce Dolby's next-generation picture engine, content-aware optimization, and new motion and ambient-light tools...
06/08/2026
TNT Sports will have wall-to-wall coverage of the upcoming FIBA Women's Bask...
06/08/2026
swXtch.io (Stand 5.MR13) has unveiled groundSwXtch for Audio over IP (AoIP), a software application that lets broadcasters and media organizations move audio in...
06/08/2026
At IBC2026, Riedel Communications (Stands: 10.A24, 10.A31, 10.A38) will bring modern media production to life with the Live Production Experience - a connected ...
06/08/2026
The first live-sports director to receive the prestigious honor, eight-time Emmy...
06/08/2026
NBC Sports will continue to present the Preakness Stakes on NBC and Peacock thro...
06/08/2026
Cobalt Digital (Stand 8.F90) continues to reinforce its commitment to delivering...
06/08/2026
Wave Central has promoted promotion Jeff Daubert to Director of Sales, Americas.
In his expanded role, Daubert will lead Wave Central's sales strategy and ...
06/08/2026
KMH Integration is expanding its ability to serve media, broadcast, and IT organizations by adding Keith Hanadel, an accomplished architect with decades of indu...
06/08/2026
Advanced Systems Group (ASG) has promoted Michele Ferreira from Vice President of its Systems Integration team to the newly created position of Chief Business O...
06/08/2026
Demonstrations will include new JPEG XS, Dolby audio, cloud-gateway, stream-processing, and distribution capabilities...
06/08/2026
The deal includes three premium mobile units, engineering personnel, existing br...
06/08/2026
Broadcast Management Group produced Amazon Prime's inaugural Obsessed Fest a...
06/08/2026
Exhibit will feature new variable-ND functionality, OLED viewfinders, remote-camera tools, and UHD production monitors...
06/08/2026
Compact full-frame E-mount lens targets sports, wildlife, and other long-range shooting applications...
06/08/2026
Live broadcast will honor Roger Federer and Mary Carillo on Aug. 29, with onsite...
06/08/2026
End-zone board receives higher-resolution LED technology and an updated Show Control system ahead of the 2026 football season...
05/08/2026
RSNs, teams, leagues, and streamers explore the present and future of local spor...
05/08/2026
As sports-production workflows generate larger volumes of unstructured data and ...
05/08/2026
Three aspiring broadcasters will contribute on-camera and inside the production ...
04/08/2026
Live production in the cloud is a growing trend across the industry, and Major L...
04/08/2026
LAFC co-managing owner will succeed Don Garber on Jan. 1, 2027, as league prepar...
04/08/2026
In 2022, when the PGA TOUR was breaking ground on its new, state-of-the-art broa...
04/08/2026
Provided by POVORA, the new camera angle offers a dealer's-eye view of the c...
04/08/2026
Spiideo will provide the camera setup, with NEP handling broadcast integration and off-site video operations...
04/08/2026
Production team streamed more than 750 youth rugby matches using ATEM switchers,...
04/08/2026
Agreement gives KTC early access to NDI's Advanced SDK for integration across commercial displays, digital signage, and interactive panels...
04/08/2026
Twelve projects across four categories recognize collaborative work in productio...
04/08/2026
Multi-year agreement will introduce SkeleTRACK, semi-automated offside, automate...
04/08/2026
Three mc 56 consoles, dual A__UHD Core engines, RAVENNA networking, and HOME management supported live sound, monitoring, and international broadcast production...
04/08/2026
New contribution products support ultra-low-latency video transport across fixed, remote, and mobile production environments...
04/08/2026
Company will showcase updates across PRIME, Chyron LIVE, Paint, virtual production, newsroom workflows, and venue control...
04/08/2026
Exhibit will feature SilverBack, VersaBrix, VersaFrame, VF-9100, and FiberSaver-10G platforms...
04/08/2026
Platform updates target cloud-based production, high-density ST 2110 monitoring,...
04/08/2026
Live Media Group will take control of Gravity Media's U.S. mobile-unit fleet...
03/08/2026
SVG's annual TranSPORT conference returns to New York City for a full day of sessions focused on the current state of live-sports-transmission technology. S...
03/08/2026
A five-time Emmy winner, this esports vet has built a production career on live storytelling, audience connection, and meeting viewers wherever they are
The sp...
03/08/2026
Live production in the cloud is a growing trend across the industry and Major Le...
31/07/2026
With an emphasis on local, the league is looking beyond the initial four teams t...
30/07/2026
CP Communications provided RF audio, RF video, communications, RF coordination, ...
30/07/2026
OpenDrives has been included in CRN's 2026 Storage 100 list in the Software-Defined Storage category. The annual list, selected by the CRN editorial team, r...
30/07/2026
LATAM Airlines has selected SES to provide multi-orbit inflight connectivity to its fleet of Airbus and Embraer aircraft. More than 60 aircraft - including Airb...
30/07/2026
Tagboard has launched the Producer API, an open interface that allows key commands in Tagboard's live production environment to be triggered from external d...
30/07/2026
FOX Sports and the New York Racing Association (NYRA) have announced a multi-year agreement with Del Mar Thoroughbred Club that will make FOX Sports the exclusi...
30/07/2026
ABC Commercial has launched four free ad-supported streaming television (FAST) channels on LG Smart TVs across North America, Great Britain, and select countrie...
30/07/2026
The Six Kings Slam exhibition tennis tournament will return to Riyadh on October 21, 22, and 24, streaming live on Netflix at no additional cost to subscribers....
30/07/2026
Central Christian Church in Mt. Vernon, Illinois has deployed Clear-Com's LQ...