
WNBA Tip-Off 2024: With All Eyes on The W, ESPN Ups Its Game To Spotlight Class of New Stars, League's Increased Popularity Disney+ will simulcast coverage of tonight's season opener By Kristian Hern ndez, Senior Editor
Tuesday, May 14, 2024 - 12:02 pm
Print This Story | Subscribe
Story Highlights
Nearly three decades of the WNBA have been broadcast by ESPN, and no other season in those 30 years has felt as energized as the one tipping off tonight. From the introduction of legit star power and chartered flights for all 12 clubs to the integration of more tech workflows and personnel on the production side, the broadcaster is taking yet another step forward to showcase the best professional women's basketball players.
We're coming out strong with enhanced coverage of our games from a technical standpoint, says Sara Gaiero, VP, production, ESPN. We will continue with REMI productions for a majority of the season, but we're looking for ways to supplement some of our top-level broadcasts to document the terrific athletes that we have.
Basketball Fever: Preparations for Caitlin Clark Debut, Las Vegas Aces Ring Ceremony The league is holding nothing back for its opening-night doubleheader on ESPN2, ESPN Deportes, ESPN+, and, for the first time, Disney+.
ESPN begins the 2024 WNBA season with Fever-Sun at 7:30 p.m. ET and Mercury-Aces at 10 p.m.
In Game 1 at 7:30 p.m. ET, the Connecticut Sun will face No. 1 overall pick Caitlin Clark and the Indiana Fever in her WNBA debut. It's one of the most highly anticipated games in recent memory, and rightfully so: Clark is the all-time leading scorer in NCAA history and has brought the league a ton of media and fan attention. With more eyeballs on this game at Mohegan Sun Arena in Uncasville, CT, ESPN is increasing its camera complement to a WNBA Finals-level of production.
We're going to roll out our basic complement, which is normally a seven-camera show, but will also add above-the-rim and below-the-rim robos and a shallow-depth-of-field RF handheld [from Faction Media], says Gaiero. [We'll] focus on Caitlin when she comes onto the court as well as on what she's doing during pregame. We've had conversations with the venue, and we understand that they're at capacity, so we feel that it's important to document everything we can.
In addition, the crew is enhancing the coverage with super-slo-mo cameras for cinematic replays, more player and coach mics, live player interviews during quarter breaks, and an uptick of 75 onsite staffers from the typical 30 for the onsite game production and an onsite edition of the broadcaster's premiere pregame show, WNBA Countdown, in its second full season. From an operations perspective, the high-end production will be easier to do because ESPN's facility in Bristol, CT, is only 65 miles from the Suns' home arena.
Having opening night in Connecticut has helped us throughout the planning process, notes Catherine Chalfant, remote production operations supervisor, ESPN. It's easy for us to get to the venue for planning visits. On Tuesday, with both venues having AT&T as their primary form of transmission and our enhanced coverage in Connecticut, we have had to get creative with how and when we are sending paths back to Bristol to accommodate both shows.
In Game 2 at 10 p.m., the back-to-back WNBA Champion Las Vegas Aces will host the Phoenix Mercury at Michelob ULTRA Arena. It'll be a special night in Sin City, with the players receiving their championship rings and raising their second banner to the rafters. For ESPN, Tuesday night's doubleheader will be the first of two in a five-day span. The second, on Saturday, May 18, will feature the Fever vs. the New York Liberty at Barclays Center in Brooklyn, NY, at 1 p.m. and the Los Angeles Sparks vs. the Aces at 3 p.m., both on ABC. There are challenges in producing multiple primetime games in Week 1, but there are positives in working from the same production facility.
With two games during opening week in Las Vegas, Chalfant explains, we're able to efficiently secure and keep resources in place for both games. Our teams are ready, and we've been working since March to put resources in place to bring us the best coverage.
When the Fever and Aces meet in their second matchup of the 2024 campaign, the game will take place at T-Mobile Arena on Tuesday, July 2, airing at 9:30 p.m. on ESPN. The change in venue represents a 50% increase in seats to match the ticket demands from fans.
The Ops Piece of the Puzzle: REMI Workflows, Bolstered Technology Throughout the season, ESPN is opting for a hybrid production approach. The crew responsible for WNBA broadcasts will mostly deploy REMI to maximize time and resources, but, for a handful of games, upgrading production quality requires an onsite operation. That will be the case for Fever-Liberty this Saturday.
To be able to do these productions in somewhat of an old-school way, says Gaiero, it speaks to the level of enhancements we made and the internal support we've had behind the scenes. We'll be thinking about other opportunities for broadcasts as the season progresses.
WNBA Countdown has become a staple in ESPN's programming, including an onsite edition during the 2024 WNBA Draft.
As part of the broadcaster's commitment to tech innovation, with Chalfant and her team leading the way, selected games will bump up some mid-court handheld cameras to 4X super-slo-mo via the AWS Cloud system that has been built in Bristol. Viz Libero integration is used on the graphics side, and, to efficiently work with the broadcaster's WNBA partners, Brand Brigade will be deployed for on court virtual signage and Hawkeye for official replay.
To mix more real-time data into live broadcasts, the WNBA inked a deal with
More from Sports Video Group
02/12/2025
Case Study: How Mid-Atlantic Sports Network Moved to All-IP Distribution in 60 D...
02/12/2025
2025 Sports Broadcasting Hall of Fame: Lee Corso, Coach, Commentator, FirebrandBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 7:00 am
Print This Story | S...
02/12/2025
SVG All-Stars: Dan Nabors, Senior Director, Remote Engineering, TNT SportsThe veteran tech leader is helping guide Warner Bros. Discovery's at-home' re...
02/12/2025
National Lacrosse League Opens Season With New Cloud-Based Official Replay-Revie...
02/12/2025
Platinum White Paper: The Cinematic Look in Live Production - Bridging Aesthetic...
02/12/2025
SVG India Announces Advisory Board; JioStar's Prashant Khanna Named ChairmanBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 11:15 am
Print This Story |...
02/12/2025
SVG Summit 2025 Preview: New AI Production Tools Workshop' Features ESPN, F...
26/11/2025
SVG Sit-Down: Prime Video EP Mike Muriano Previews Massive Black Friday Slate Fe...
25/11/2025
SVG All-Stars: Blayke Scheer, Senior Director, Creative Content, YES NetworkThe Indiana alum has turned storytelling into an artform for more than two decadesBy...
25/11/2025
Op-Ed: With FCC's C-Band Auction on the Horizon, Broadcasters Need Proven, C...
25/11/2025
Analysis: Is Baller League really the future of sport? By Callum McCarthy, Editor-at-Large
Tuesday, November 25, 2025 - 10:10
Print This Story
With KSI on...
25/11/2025
Platinum Whitepaper: The Growth of Broadcast in the World of Major Large Scale E...
25/11/2025
SVG Summit 2025 Preview: SVG Women's Sports WorkshopBy Samantha Gabay
Tuesday, November 25, 2025 - 10:27 am
Print This Story | Subscribe
Story Highlig...
25/11/2025
SVG New Sponsor Spotlight: CacheFly's Matt Levine on the Evolving Role of th...
25/11/2025
Peacock's EA SPORTS Madden NFL Cast Levels Up on Thanksgiving With SkyCam as...
24/11/2025
HBO's The Shuffle' Reveals Longtime Connection of Sports and Entertainm...
24/11/2025
2025 Sports Broadcasting Hall of Fame: Hiroshi Kiriyama, Sony Broadcast (and Ind...
24/11/2025
SVG Summit 2025 Preview: FIFA, NBC Olympics, Fox Sports, CBS Sports, Netflix, NF...
24/11/2025
Case Study: YES Network Streamlines Broadcast Operations with Beam DynamicsBy SVG Staff
Monday, November 24, 2025 - 11:18 am
Print This Story | Subscribe
...
24/11/2025
Platinum White Paper: More of Everything: How Broadcasters are Changing Their Ap...
24/11/2025
Versant Media USA Sports President Matt Hong on How Versant Has Best of Both Wor...
24/11/2025
SVG Sit-Down: NABA Director-General Rebecca Hanson on How FCC's C-Band Aucti...
24/11/2025
SVG New Sponsor Spotlight: Bolin Technology's Sapan Doshi on the Proliferati...
21/11/2025
Platinum White Paper: Appear Shares Why Media Exchange Is the Missing Link in So...
21/11/2025
NWSL Championship 2025: CBS Sports To Deploy Two-Point FlyCam for Match Coverage...
21/11/2025
NWSL Caps 2025 Season With Awards Show, Skills Challenge ProductionsA team of 70 is on the ground in California to produce both eventsBy Mark J Burns, SVG Contr...
21/11/2025
USL and NEP Ready for Largest USL Championship Final Production EverThe broadcast from Tulsa, OK, will air CBS and TUDN on Saturday at 12 p.m. ETBy Jason Dachma...
21/11/2025
With Two New Teams, PWHL Boosts Production Workforce and Central Review for Seas...
20/11/2025
MLB Media-Rights Shakeup: NBC's New Three-Year Deal Covers Sunday Night Bas...
20/11/2025
MLB Media-Rights Shakeup: New Deal Will Bring 30 National Games to ESPN's Li...
20/11/2025
MLB Media-Rights Shakeup: Netflix Lands Opening Night, Home Run Derby, Field of ...
20/11/2025
MLB Media-Rights Shakeup Overview: ESPN, NBCU, Netflix Ink Three-Year DealsESPN gets new 30-game package, MLB.TV; NBC extends Sunday nights; Netflix adds tentpo...
20/11/2025
SVG Students To Watch: Henry Thuss, Indiana UniversityThe Southern California product has his goals set on the front benchBy Brandon Costa, Director of Digital ...
20/11/2025
Done+Dusted's Guy Carrington on Creating the Spectacular League of Legends W...
20/11/2025
FIA Extreme H World Cup Host Broadcaster Aurora Goes Inside the Production of th...
20/11/2025
Platinum White Paper: Amagi Utilizes Cloud Production for Sports Events - Multi-...
20/11/2025
2025 Sports Broadcasting Hall of Fame: Marc Herklotz, Steady Hand Behind the Sce...
20/11/2025
NFL Deep Dive: How 32 Cameras at Each Stadium Drive Virtual Measurement, Boundar...
19/11/2025
Sphere Sound Kicks Up Its Heels at Radio City Music HallUltra-immersive system from the singular Las Vegas venue is also ready for sportsBy Dan Daley, Audio Edi...
19/11/2025
The Future of Stadium and Arena Video Control Rooms: Tech Leaders Talk 4K, IP, a...
19/11/2025
One Year at Intuit Dome: Walking Through the Stunning Arena's Advanced Video...
19/11/2025
SVG Sit-Down: IMG's Francois Westcombe Goes Inside IMG's Annual Digital ...
19/11/2025
Inside Brighton & Hove Albion's fan-first media machine By George Bevir
Tuesday, November 18, 2025 - 10:10
Print This Story
Brighton & Hove Albion'...
19/11/2025
Rock Chalk Rebuild, Part 1: Kansas Athletics Brings New Production Power to Rebu...
19/11/2025
Rock Chalk Rebuild, Part 2: A Pro's Guide to Kansas Athletics' New Video...
19/11/2025
MLB Media Rights Shakeup: NBC Inks Three-Year Deal for Sunday Night Baseball, Pe...
18/11/2025
NBA Debuts New Comms Infrastructure and Systems for RefereesTwo-phase rollout is intended to improve game flow, enhance officiating accuracyBy Dan Daley, Audio ...
18/11/2025
Platinum White Paper: How Aggreko Delivers Certainty For Broadcasters On The Wor...
18/11/2025
Kiswe Extends DTC Products With Kiswe Core Cloud-Based Tool for Distributing Con...
18/11/2025
Spanish Basketball Federation partners with ScorePlay to power digital transform...