
Home at Intuit Dome, Part 3: Behind the Scenes With Los Angeles Clippers Director of Broadcasting Jason Lemiere Lemiere examines the 3-in-1 facility, his favorite part of the building, the venue's potential impact By Kristian Hern ndez, Senior Editor
Tuesday, October 29, 2024 - 1:55 pm
Print This Story | Subscribe
Story Highlights
To complete the Intuit Dome, the Los Angeles Clippers were in need of a versatile individual: someone who could integrate the right technologies, understand how to support in-venue production and game presentation, serve as liaison with national and regional broadcasters producing games at the venue and answer any of their questions, and more. Following a 10-month stint as director, broadcast and production services, at Apple, Clippers Director, Broadcasting, Jason Lemiere is familiar with innovation.
Prior to last week's Opening Night vs. the Phoenix Suns on Oct. 23, SVG sat down with Lemiere to explore the state of the project when he joined the organization, underscore the uniqueness and importance of his position, outline the building's room for growth, and predict its lasting impact on the industry.
Los Angeles Clippers' Jason Lemiere: We've come out of the gate wanting to sprint, but we have to remember to crawl, walk, jog, and then run. We'll want to execute these ambitious ideas, but we need to be ready to go first.
Where was Intuit Dome in the construction process when you joined the team?
I specifically joined the Clippers for this project. Prior to coming on, I was running some of the broadcast locations and rebuilds being done at Apple. My sports background comes from working with the San Jose Sharks for a number of seasons and helping them oversee SAP Center from an operational standpoint. I've been in Los Angeles for almost two years, but, when I first arrived [at the venue], there was still dirt on the ground. The superstructure had been built, but no court or walls had been put in yet. I was not here from the very beginning [of construction], but from pulling everything into this building until now, I've seen the whole thing come to life.
How does the venue setup affect your job responsibilities?
We're in a unique spot where we're three buildings in one: we have the arena, the team's practice facility, and the team's headquarters with office buildings. They are technically three separate pieces, but they're all connected via hallways. Our IPTV system services all locations, but each portion has their own specific needs, including a theatrical lighting system for inside and outside of the building.
Click HERE for Part 1 and HERE for Part 2 of our three-part breakdown of Intuit Dome
From a production perspective, how are you and your team elevating the game-day experience?
Our home opener is going to be amazing. We're going to throw the full might of our technology, and I think the fans will be genuinely surprised by what they're going to see. We've given some hints about what we're going to do [at home games], but we're just scratching the surface. Our videoboard will be used in a way where fans can enjoy [the Halo Board] but can also watch the game. The game-presentation and live-entertainment aspect is also going to lean into our PixMob lighting and audio system.
[Clippers Owner/CEO] Steve [Ballmer]'s vision is to always have fans be in their seats. He is the biggest fan in the building, and he wants everybody else to enjoy the game with him, which is why there aren't any sports bars to congregate in and are so many grab-and-go locations. In a perfect world, no one would ever get up during gameplay. We can't control the game, but we've come up with some ideas for our game presentation and tech elements to [encourage] fans to be inside the lower bowl and not walking around outside of it.
The SMPTE 2110-compatible control room at Intuit Dome typifies the Clippers' decision to, as Director, Broadcasting, Jason Lemiere says, set ourselves up to be in a good spot by making the best technological choices.
From a technology perspective, how does the venue's flexibility allow control-room workflows to be as futureproof as possible?
A lot of [our future growth] comes with the decision to go with SMPTE 2110. We'll be able to upgrade things, as opposed to if we went with a traditional solution. Nobody knows what's going to happen, but we've set ourselves up to be in a good spot by making the best technological choices at the time. That goes toward having the mindset and goal to always be on the cutting edge of tech. Having that mentality is more important than any piece of gear.
We've come out of the gate wanting to sprint, but we have to remember to crawl, walk, jog, and then run. Fans will see the capability of our technology, and we'll want to execute these ambitious ideas, but we need to be ready to go first.
All things considered, what is your favorite part about working in the building?
As clich as it sounds, my favorite part is the people that I get to work with. We've put together a team of individuals from different walks of life that are experts in their respective fields. I would've never thought that, working for a sports team, I'd be as amazed by the people as I am with Steve, [Halo Sports and Entertainment CEO] Gillian [Zucker], [Chief Marketing Officer] Claudia [Calderon], [Chief Technology and Digital Officer] George [Hanna], [Executive Producer/Showrunner] Payden [Adams], and my staff that I helped find. There are so many people with out-of-the-box thinking and knowing how to implement those ideas. Steve and Gillian did a great job of building a team that, at some point, people thought was unconventional. We believe that it's going to work and we're going to blow some people
More from Sports Video Group
24/04/2026
Churchill Downs Inc. (CDI) has announced a definitive agreement to acquire the intellectual property of the Preakness Stakes and Black-Eyed Susan Stakes from 1/...
24/04/2026
Daktronics has partnered with DCL (Design Communications, Ltd.) to design, manuf...
24/04/2026
Chyron has announced PRIME Translate, a workflow solution that produces live content simultaneously in multiple languages within the PRIME platform. The system ...
24/04/2026
Eutelsat has announced a new partnership with Co-op Cable, introducing an expand...
24/04/2026
Pitch Dublin, an indoor golf simulation and hospitality venue on Dawson Street i...
24/04/2026
G&D and VuWall have announced two senior leadership appointments, effective Apri...
24/04/2026
Victory , the free sports streaming service from A Parent Media Co. Inc. (APMC), has announced a multi-year agreement to become the exclusive local streaming ho...
24/04/2026
The former business major from Massachusetts has found his home in graphics and bug operation while contributing to live ESPN productions
In the live-sports-vi...
24/04/2026
The Mid-Atlantic Sports Network (MASN) and Spectrum have announced a multiyear carriage agreement making MASN available to Spectrum customers in areas of southe...
24/04/2026
The NFL Draft is rebuilt from the ground up in a new city every year. The three-day fan festival is expected to draw 500,000 or more attendees, with millions fo...
24/04/2026
Diversified has continued expansion of its sports and media capabilities to supp...
24/04/2026
NAB reports that the 2026 NAB Show wrapped with more than 58,000 registered atte...
24/04/2026
Clear-Com has announced significant updates to its Arcadia Central Station and E...
24/04/2026
NAB reports that the 2026 NAB Show wrapped with more than 58,000 registered atte...
24/04/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/04/2026
B/R NFL Draft Live' refines the digital giant's productions around footb...
24/04/2026
Study highlights five pillars shaping modern fan engagement as broadcasters reth...
24/04/2026
The 2026 event, the first Draft with NFL Network under the ESPN umbrella, will b...
24/04/2026
In-venue and creative video staffers at the professional and collegiate level ha...
24/04/2026
Integral to the Draft production for three almost decades, the company tells the...
22/04/2026
Solid State Logic is advancing its System T platform with a stronger focus on IP...
22/04/2026
From immersive audio to live streaming, Dolby Laboratories is focused on the fut...
22/04/2026
Shallow depth-of-field cameras have taken the industry by storm. Its debut a han...
22/04/2026
Riedel Communications (Booth C4908) announced that Eastern Kentucky University (...
22/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
22/04/2026
Blackmagic Design has announced the URSA Cine 12K LF 100G, a new model in the URSA Cine family adding 100G Ethernet for SMPTE 2110 live production output up to ...
22/04/2026
Celebrating its 40th anniversary, NEP is leaning into hybrid production with the...
22/04/2026
NEP VP, Platform Dan Murphy sits down at the 2026 NAB Show to unpack what NEP P...
21/04/2026
Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...
21/04/2026
The topic of artificial intelligence has a stranglehold on the sports-video-prod...
21/04/2026
5G is still a hot topic in live event production, and this workflow continues to...
21/04/2026
At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...
21/04/2026
Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...
21/04/2026
Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...
21/04/2026
Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...
21/04/2026
Fox Sports has selected Appear as a technology partner to support the next phase...
21/04/2026
Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...
21/04/2026
Layercake has formalised the integration of Bitmovin's video streaming infra...
21/04/2026
The International Judo Federation (IJF) has extended its distribution partnershi...
21/04/2026
Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...
21/04/2026
Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...
21/04/2026
Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...
21/04/2026
FOX Entertainment partnered with Verizon to overcome significant production hurd...
21/04/2026
Osprey Video has announced its technology showcase for the NAB Show 2026, highli...
21/04/2026
Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...
21/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
21/04/2026
Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...
21/04/2026
Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...
20/04/2026
At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...
20/04/2026
At the 2026 NAB Show, Canon is doubling down on its commitment to live sports pr...