
Home at Intuit Dome, Part 3: Behind the Scenes With Los Angeles Clippers Director of Broadcasting Jason Lemiere Lemiere examines the 3-in-1 facility, his favorite part of the building, the venue's potential impact By Kristian Hern ndez, Senior Editor
Tuesday, October 29, 2024 - 1:55 pm
Print This Story | Subscribe
Story Highlights
To complete the Intuit Dome, the Los Angeles Clippers were in need of a versatile individual: someone who could integrate the right technologies, understand how to support in-venue production and game presentation, serve as liaison with national and regional broadcasters producing games at the venue and answer any of their questions, and more. Following a 10-month stint as director, broadcast and production services, at Apple, Clippers Director, Broadcasting, Jason Lemiere is familiar with innovation.
Prior to last week's Opening Night vs. the Phoenix Suns on Oct. 23, SVG sat down with Lemiere to explore the state of the project when he joined the organization, underscore the uniqueness and importance of his position, outline the building's room for growth, and predict its lasting impact on the industry.
Los Angeles Clippers' Jason Lemiere: We've come out of the gate wanting to sprint, but we have to remember to crawl, walk, jog, and then run. We'll want to execute these ambitious ideas, but we need to be ready to go first.
Where was Intuit Dome in the construction process when you joined the team?
I specifically joined the Clippers for this project. Prior to coming on, I was running some of the broadcast locations and rebuilds being done at Apple. My sports background comes from working with the San Jose Sharks for a number of seasons and helping them oversee SAP Center from an operational standpoint. I've been in Los Angeles for almost two years, but, when I first arrived [at the venue], there was still dirt on the ground. The superstructure had been built, but no court or walls had been put in yet. I was not here from the very beginning [of construction], but from pulling everything into this building until now, I've seen the whole thing come to life.
How does the venue setup affect your job responsibilities?
We're in a unique spot where we're three buildings in one: we have the arena, the team's practice facility, and the team's headquarters with office buildings. They are technically three separate pieces, but they're all connected via hallways. Our IPTV system services all locations, but each portion has their own specific needs, including a theatrical lighting system for inside and outside of the building.
Click HERE for Part 1 and HERE for Part 2 of our three-part breakdown of Intuit Dome
From a production perspective, how are you and your team elevating the game-day experience?
Our home opener is going to be amazing. We're going to throw the full might of our technology, and I think the fans will be genuinely surprised by what they're going to see. We've given some hints about what we're going to do [at home games], but we're just scratching the surface. Our videoboard will be used in a way where fans can enjoy [the Halo Board] but can also watch the game. The game-presentation and live-entertainment aspect is also going to lean into our PixMob lighting and audio system.
[Clippers Owner/CEO] Steve [Ballmer]'s vision is to always have fans be in their seats. He is the biggest fan in the building, and he wants everybody else to enjoy the game with him, which is why there aren't any sports bars to congregate in and are so many grab-and-go locations. In a perfect world, no one would ever get up during gameplay. We can't control the game, but we've come up with some ideas for our game presentation and tech elements to [encourage] fans to be inside the lower bowl and not walking around outside of it.
The SMPTE 2110-compatible control room at Intuit Dome typifies the Clippers' decision to, as Director, Broadcasting, Jason Lemiere says, set ourselves up to be in a good spot by making the best technological choices.
From a technology perspective, how does the venue's flexibility allow control-room workflows to be as futureproof as possible?
A lot of [our future growth] comes with the decision to go with SMPTE 2110. We'll be able to upgrade things, as opposed to if we went with a traditional solution. Nobody knows what's going to happen, but we've set ourselves up to be in a good spot by making the best technological choices at the time. That goes toward having the mindset and goal to always be on the cutting edge of tech. Having that mentality is more important than any piece of gear.
We've come out of the gate wanting to sprint, but we have to remember to crawl, walk, jog, and then run. Fans will see the capability of our technology, and we'll want to execute these ambitious ideas, but we need to be ready to go first.
All things considered, what is your favorite part about working in the building?
As clich as it sounds, my favorite part is the people that I get to work with. We've put together a team of individuals from different walks of life that are experts in their respective fields. I would've never thought that, working for a sports team, I'd be as amazed by the people as I am with Steve, [Halo Sports and Entertainment CEO] Gillian [Zucker], [Chief Marketing Officer] Claudia [Calderon], [Chief Technology and Digital Officer] George [Hanna], [Executive Producer/Showrunner] Payden [Adams], and my staff that I helped find. There are so many people with out-of-the-box thinking and knowing how to implement those ideas. Steve and Gillian did a great job of building a team that, at some point, people thought was unconventional. We believe that it's going to work and we're going to blow some people
More from Sports Video Group
05/02/2026
Three examples of how wireless microphones are deployed to bring fans in deep an...
05/02/2026
Broadcast coverage will include 25 cameras distributed around the venues, including to some athletes; Galaxy AI Interpreter will also be deployed
The Opening C...
05/02/2026
Kiswe has partnered with the Mountain West Conference to power the next iteratio...
05/02/2026
NBCUniversal and Roku announce the launch of the 2026 NBC Winter Olympics Experience, a destination delivering NBCUniversal's comprehensive CTV coverage of ...
05/02/2026
Vizrt, which specializes in live production technology as well as transforming v...
05/02/2026
Canon USA has launched the RF7-14mm F2.8-3.5 L fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon's legacy of innovative optics, ...
05/02/2026
The Paul E. Tsongas Center at UMass Lowell in Massachusetts has chosen Ikegami cameras for incorporation into its broadcast-quality television production facili...
05/02/2026
Once again, service members and Veterans worldwide will enjoy free access to NBC...
05/02/2026
Advanced Systems Group, LLC (ASG), a technology and services provider for media ...
05/02/2026
Broadcast Management Group (BMG) is strengthening its leadership team to support...
05/02/2026
NBC Sports selects Comcast Technology Solutions (CTS) to provide multiscreen vid...
05/02/2026
AIM Sports Group, a sports enterprise dedicated to elevating youth athletics thr...
05/02/2026
Designed for efficient use of shared services and resources, the home of OBS pro...
05/02/2026
The Yankees fan from Connecticut is executive producer of BTN StudentU for the Wolverines
In the live-sports-video industry, the future is bright. Our series S...
05/02/2026
In an Olympic first, the ceremony will be held in four locations simultaneously...
05/02/2026
Members of the broadcast and tech communities share four decades of memories of the technology leader
The 2026 Milano Cortina Olympics are upon us, and every O...
05/02/2026
Key vendors include Appear, Audio-Technica, Canon, Chyron, Cisco, Comcast Techno...
04/02/2026
The 11th-annual Summit will not only the unprecedented headwinds facing the business, but also the groundbreaking opportunities for the future....
04/02/2026
Just moments before the 2026 Grammy Awards kicked off, members of the event's audio team assembled for a group photo at the base of the stage inside Los Ang...
04/02/2026
At the Vienna Interdisciplinary Symposium on Aortic Repair (VISAR), Riedel Communications' Managed Technology Division delivered a turnkey technical infrast...
04/02/2026
The Mountain West Conference announces a new media rights package featuring CBS ...
04/02/2026
Earlier this week, the NFL announced it would play regular season games in Madrid, Paris, and Mexico City in 2026 as part of a nine-game international schedule,...
04/02/2026
Custom-built carts carry music speakers for Apple Music Super Bowl LX Halftime S...
04/02/2026
In an era of constrained spectrum, two tactics have emerged: work closely with regulatory bodies and utilize engineering chops
The Federal Communications Commi...
04/02/2026
Three examples of how wireless microphones are deployed to bring fans in deep and up close
Microphone manufacturers have myriad ways to put wireless to work fo...
04/02/2026
The mic manufacturer will join other suppliers in the new Rock Nashville production campus
Sennheiser is relocating its U.S. headquarters from its long-time lo...
03/02/2026
Tagboard, a modern, interactive graphics system for news, sports, and entertainm...
03/02/2026
Studio Network Solutions (SNS) announces the launch of Trio, a new S3-compatible cloud storage service fully integrated with EVO for media backup, archival, and...
03/02/2026
50 Production Trucks at center of 160 U.S.-based productions...
03/02/2026
Nielsen, which specializes in audience measurement, data, and media intelligence, announces that it is piloting a new methodology enhancement to more accurately...
03/02/2026
Appear's X Platform will be used by NBC Sports to deliver video compression, satellite modulation and transport stream aggregation for its production of the...
03/02/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
03/02/2026
NHL Network announces its comprehensive programming schedule for the upcoming Winter Olympic Games, underscoring the highly anticipated return of NHL players to...
03/02/2026
NBC Sports has chosen Canon to deliver 115 Canon UHD broadcast lenses for its production of the 2026 Winter Olympics and Paralympics. Canon will also send suppo...
03/02/2026
Audio-Technica equipment will be used by NBC Sports to deliver much of its audio capture requirements across all sporting venues for its production of the 2026 ...
03/02/2026
NBC Sports will use Cisco to deliver AI networking technology for its all-IP production of the 2026 Winter Olympics and Paralympics, including the deployment of...
03/02/2026
NBC Sports will utilize Chyron PRIME CG to produce live broadcast graphics to display names, athlete information, scores, statistics, leaderboards, headshots an...
03/02/2026
NBC Sports will utilize Grass Valley to deliver advanced signal conversion, rout...
03/02/2026
NBC Sports will utilize Planar to deliver leading-edge fine pixel pitch LED video wall technology for its production of the 2026 Winter Olympics and Paralympics...
03/02/2026
Taking place in two venues, the 2026 production celebrates the 150th Anniversary of the Super Bowl of Dogs'
When the Westminster Kennel Club Dog Show conc...
03/02/2026
For the indoor production, NEP Specialty Capture has mounted a 100-ft. overhead ...
03/02/2026
MTVG Edge, the production-services supplier's software-based production solu...
03/02/2026
In the league's second year, new partnerships enhance broadcast quality for ...
03/02/2026
Rocket Surgery will showcase the combined creative strength of Ross Video, with ...
03/02/2026
NBC Sports will utilize Sony Electronics to deliver imaging, monitoring, and tec...
03/02/2026
SMT will provide TVI (broadcast television interface) support services for figur...
23/01/2026
WWE's Virtual Production Playbook: How the Professional Wrestling Super Powe...
23/01/2026
Tight set up: Squeezing the PSA's Tournament of Champions into Grand Central...
23/01/2026
Evolving production: The PSA on bringing squash to more viewers at the Tournamen...
23/01/2026
AFC Championship Preview: Behind the Scenes With NFL on CBS' Producer Jim R...