Sony Pixel Power calrec Sony

Home at Intuit Dome, Part 3: Behind the Scenes With Los Angeles Clippers Director of Broadcasting Jason Lemiere

29/10/2024

Home at Intuit Dome, Part 3: Behind the Scenes With Los Angeles Clippers Director of Broadcasting Jason Lemiere Lemiere examines the 3-in-1 facility, his favorite part of the building, the venue's potential impact By Kristian Hern ndez, Senior Editor

Tuesday, October 29, 2024 - 1:55 pm

Print This Story | Subscribe

Story Highlights

To complete the Intuit Dome, the Los Angeles Clippers were in need of a versatile individual: someone who could integrate the right technologies, understand how to support in-venue production and game presentation, serve as liaison with national and regional broadcasters producing games at the venue and answer any of their questions, and more. Following a 10-month stint as director, broadcast and production services, at Apple, Clippers Director, Broadcasting, Jason Lemiere is familiar with innovation.

Prior to last week's Opening Night vs. the Phoenix Suns on Oct. 23, SVG sat down with Lemiere to explore the state of the project when he joined the organization, underscore the uniqueness and importance of his position, outline the building's room for growth, and predict its lasting impact on the industry.

Los Angeles Clippers' Jason Lemiere: We've come out of the gate wanting to sprint, but we have to remember to crawl, walk, jog, and then run. We'll want to execute these ambitious ideas, but we need to be ready to go first.

Where was Intuit Dome in the construction process when you joined the team?

I specifically joined the Clippers for this project. Prior to coming on, I was running some of the broadcast locations and rebuilds being done at Apple. My sports background comes from working with the San Jose Sharks for a number of seasons and helping them oversee SAP Center from an operational standpoint. I've been in Los Angeles for almost two years, but, when I first arrived [at the venue], there was still dirt on the ground. The superstructure had been built, but no court or walls had been put in yet. I was not here from the very beginning [of construction], but from pulling everything into this building until now, I've seen the whole thing come to life.

How does the venue setup affect your job responsibilities?

We're in a unique spot where we're three buildings in one: we have the arena, the team's practice facility, and the team's headquarters with office buildings. They are technically three separate pieces, but they're all connected via hallways. Our IPTV system services all locations, but each portion has their own specific needs, including a theatrical lighting system for inside and outside of the building.

Click HERE for Part 1 and HERE for Part 2 of our three-part breakdown of Intuit Dome

From a production perspective, how are you and your team elevating the game-day experience?

Our home opener is going to be amazing. We're going to throw the full might of our technology, and I think the fans will be genuinely surprised by what they're going to see. We've given some hints about what we're going to do [at home games], but we're just scratching the surface. Our videoboard will be used in a way where fans can enjoy [the Halo Board] but can also watch the game. The game-presentation and live-entertainment aspect is also going to lean into our PixMob lighting and audio system.

[Clippers Owner/CEO] Steve [Ballmer]'s vision is to always have fans be in their seats. He is the biggest fan in the building, and he wants everybody else to enjoy the game with him, which is why there aren't any sports bars to congregate in and are so many grab-and-go locations. In a perfect world, no one would ever get up during gameplay. We can't control the game, but we've come up with some ideas for our game presentation and tech elements to [encourage] fans to be inside the lower bowl and not walking around outside of it.

The SMPTE 2110-compatible control room at Intuit Dome typifies the Clippers' decision to, as Director, Broadcasting, Jason Lemiere says, set ourselves up to be in a good spot by making the best technological choices.

From a technology perspective, how does the venue's flexibility allow control-room workflows to be as futureproof as possible?

A lot of [our future growth] comes with the decision to go with SMPTE 2110. We'll be able to upgrade things, as opposed to if we went with a traditional solution. Nobody knows what's going to happen, but we've set ourselves up to be in a good spot by making the best technological choices at the time. That goes toward having the mindset and goal to always be on the cutting edge of tech. Having that mentality is more important than any piece of gear.

We've come out of the gate wanting to sprint, but we have to remember to crawl, walk, jog, and then run. Fans will see the capability of our technology, and we'll want to execute these ambitious ideas, but we need to be ready to go first.

All things considered, what is your favorite part about working in the building?

As clich as it sounds, my favorite part is the people that I get to work with. We've put together a team of individuals from different walks of life that are experts in their respective fields. I would've never thought that, working for a sports team, I'd be as amazed by the people as I am with Steve, [Halo Sports and Entertainment CEO] Gillian [Zucker], [Chief Marketing Officer] Claudia [Calderon], [Chief Technology and Digital Officer] George [Hanna], [Executive Producer/Showrunner] Payden [Adams], and my staff that I helped find. There are so many people with out-of-the-box thinking and knowing how to implement those ideas. Steve and Gillian did a great job of building a team that, at some point, people thought was unconventional. We believe that it's going to work and we're going to blow some people&#
LINK: https://www.sportsvideo.org/2024/10/29/home-at-intuit-dome-part-3-behi...
See more stories from svg

More from Sports Video Group

19/02/2026

CBC Navigates Multi-Zone Winter Olympics With Bilingual Production, Remote Studios, Custom Content Hubs

The Canadian rightsholder deploys its most complex' Olympics setup an ever,...

19/02/2026

Suite Studios Announces S3 Native File Streaming for Real-Time Media Workflows at Petabyte Scale

Suite Studios, a cloud-native platform that connects creative teams to their med...

19/02/2026

Guitar Center Named Official Music Gear Retailer and AV Integrator for Tennessee Titans' New Nissan Stadium

Guitar Center and the Tennessee Titans announce a first-of-its-kind partnership ...

19/02/2026

DAZN, Matchroom Boxing Sign Five-Year Deal to Extend Long-Standing Partnership

DAZN is reinforcing its leadership in global boxing through a new five-year deal with Matchroom Boxing in the United States and the United Kingdom. The deal ext...

19/02/2026

PTZOptics Launches Visual Reasoning Initiative, Partners with Moondream to Automate Video Decision-Making

PTZOptics announces the launch of its visual reasoning initiative that makes vid...

19/02/2026

The Influencer Games? OBS Bakes Digital-Native Content Creators - and Athletes - Into Milano Cortina

Influencer Positions, AI-driven vertical video, and platform-native creators res...

19/02/2026

Scaling the Infinite Feed: OBS Redefines the Multi-Platform Olympic Experience

Host broadcaster evolves from world-feed producer to global content orchestrator, unlocking hidden moments for every platform...

19/02/2026

Got Drones? How OBS's FPV Strategy Changes the Game for Everyone

Custom drones raise expectations for bringing viewers closer to the action in new ways 2026 is not the first time OBS has used drones or event First Person Vie...

19/02/2026

Xfinity Delivered Super Bowl LX Faster Than Any Other Provider

Comcast's Xfinity announces record-setting performance from its new RealTime4K technology during Super Bowl LX, delivering the game to customers' homes ...

19/02/2026

Cortina Sliding Center Photo Gallery: Women's Monobob

The Women's Monobob turned out to be a historic event: Team USA's Elana Meyers Taylor captured the gold at age 41, making her the oldest Bobsleigh gold ...

19/02/2026

SVG Students To Watch: Philip Doherty, Elon University

The senior from Georgia has found his calling as a technical director and video engineer In the live-sports-video industry, the future is bright. Our series SV...

19/02/2026

Cosm Expands its Leadership Team to Scale Its Sports and Entertainment Division

Cosm announces the appointment of two new leaders - Jeff Hughes (President, Sports and Entertainment) and Rob Laycock (Vice President, Head of Venues Marketing)...

19/02/2026

NBC Olympics Brings Its Signature Studio Look Home' to the IBC in Milan

Two main sets feature Unreal Engine environment, LED architecture, camera-tracked virtual windows; a third, in the TV Tower,' overlooks the Duomo...

18/02/2026

Milano Cortina 2026: How OBS is Utilizing Audio QC at the First Winter Games to Use Immersive Sound

Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...

18/02/2026

Milano Cortina 2026: OBS Demonstrates its Commitment to an Inclusive Sports Media Landscape

The Olympic Games are not only a showcase of athletic excellence, they are also ...

18/02/2026

Ronda Rousey vs. Gina Carano Headlines Netflix's First Live MMA Event

Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side. Most Valuable Promotions and Netflix ...

18/02/2026

Network18 Media & Investments Selects Grass Valley's Playout X to Power Unified News Operations

Grass Valley announces that Network18 Media & Investments Ltd., one of India'...

18/02/2026

Cobalt Digital Products Receive IPMX Product Certification Following Inaugural Testing Event

Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...

18/02/2026

Channel Nine's Wide World of Sports Hits Livigno; XR From North Sydney Drives Coverage

Production is divided between a studio in the mountains and a brand-new studio i...

18/02/2026

Milano Cortina 2026: Focusing in on the Parabolic' Sound of Skis on Snow at NBC Sports

At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...

18/02/2026

2026 Milano Cortina Women's Alpine Photo Gallery

The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...

18/02/2026

Generated in the Italian Alps, NBC's Olympics Audio Is Mixed in Stamford

At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen We are exactly where we want to be, Karl Malone,...

18/02/2026

Cortina Curling Olympic Stadium Photo Gallery

With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...

18/02/2026

Cortina Sliding Center Two-Man Bobsleigh Photo Gallery

Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...

18/02/2026

Milano Cortina 2026: Inside the Milan-Based Warner Bros. Discovery Casa Italia Studio with Eurosport

A typical Winter Olympics day - or should I say evening - inside the Warner Bros...

18/02/2026

Milano Cortina 2026: How NOS is Delivering a Speed Skating-First Feed for Dutch Audiences

The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...

18/02/2026

NBC Sports Sets Its Own Record With Olympics Comms

At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure Into the second week of Milan Cortina 2026, eigh...

18/02/2026

Deloitte Releases 2026 Global Sports Industry Outlook

AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...

18/02/2026

SVG New Sponsor Spotlight: DNA Inc.'s Thomas Engel on Evolving Digital Experiences and the Power of In-House Collaboration

DNA Inc. specializes in crafting next level digital experiences in the Media, St...

18/02/2026

Copyright Issues Are a Crack in the Ice for Olympic Figure Skating

Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music The only persons on the Figure Skating ice at the 2026...

18/02/2026

Canada's CBC Navigates Multi-Zone Winter Olympics With Bi-Lingual Production Model, Remote Studios, and Custom Content Hubs

Canadian rightsholder deploys its most complex setup at an Olympics ever with ...

18/02/2026

Live From Stamford: NBC Sports Broadcast Center Is Anchor Point of the Entire Olympic Broadcast'

A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...

17/02/2026

Eutelsat, Viewsat Renew Capacity Agreements to Support Development of Broadcast Market in MENA Region

Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...

17/02/2026

The Evolution of Communications in Cloud Era of Global Broadcasting

At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...

17/02/2026

CP Communications Supports the Big Game Broadcast for 27 Years

CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...

17/02/2026

NBC Sports Graphics Team Goes Onsite, Embraces L.A. Motif for NBA All-Star

Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look With NBC Sports just months into its return to NBA coverage a...

16/02/2026

Live From NBA All-Star 2026: NEP Group Powers Game Capture With TFC Infrastructure, Specialty Cameras

The production infrastructure scaled seamlessly from regular-season games to the...

16/02/2026

Live From NBA All-Star 2026: NBC Sports' Ryan Soucy and Kim Titone on Ops for a New Era of NBA on NBC'

The operations team reimagined traditional workflows were reimagined and built a...

16/02/2026

Live From NBA All-Star 2026: NBA TV's New League-Run Era Debuts With Live Studio Shows

Once again an in-house operation, the league's network is producing shows fr...

16/02/2026

Live From NBA All-Star 2026: For NBA Broadcast Operations, There's a Lot of New'

The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...

16/02/2026

Boland's Groundbreaking 12G 4K Video Wall

When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...

16/02/2026

NATO Upgrades Brussels HQ Broadcast Studio with Grass Valley Cameras

Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...

16/02/2026

Comcast Business Powers February's Biggest Sports Moments

Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...

16/02/2026

NBC Olympics on NEP's Critical Role for the 2026 Winter Olympics

Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...

15/02/2026

Live From NBA All-Star 2026: Entertainment Takes the Court in a Big Way

With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound There'll be a lot new for the 75th NBA All-Star W...

15/02/2026

Live From NBA All-Star 2026: NBC Sports Director Pierre Moossa Previews NBC's Return to the Event

After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...

15/02/2026

Live From NBA All-Star 2026: Peacock, NBC Sports Offer Viewers a Front-Row Seat With Courtside Live'

New to NBA coverage, the viewer experience offers several angles in addition to ...

15/02/2026

Live From NBA All-Star 2026: NBC Sports Returns With Plenty of Tech Toys in Tow

Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics NBC Sports is in the midst of its first NBA A...

13/02/2026

OBS Accelerates Shift to Cloud

Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...

13/02/2026

France Tlvisions Launches France 2 UHD with Dolby Vision and Dolby Atmos to Max out AC-4 Experiences for Winter Olympics Fans

France T l visions has successfully launched France 2 UHD featuring Dolby Vision...