
September 30 marked the National Day for Truth and Reconciliation in Canada. It's a day that recognizes the troubling legacy of Canada's residential school system-a government-sponsored attempt to destroy the culture and identity of Indigenous people-and honors all of those impacted by it: the Survivors, the families, the communities, and the children who never returned home.
The conversation about Reconciliation goes beyond just a single day of the year. That's why we're putting a focus on Indigenous artists from different communities as part of the CAN You Hear Me series, which champions the unique music and perspectives of artists in Canada. Right now we're putting the spotlight on Haisla rappers the Snotty Nose Rez Kids.
Originally from Kitamaat Village, British Columbia, Darren Young D Metz and Quinton Yung Trybez Nyce first met in high school, where they realized they had a talent for poetry and storytelling. In January 2017, the duo dropped their self-titled Snotty Nose Rez Kids debut, and right out of the gate their single Skoden (meaning Let's go then ), which features a sample from Kwakwaka'wakw artist Beau Dick, was named one of the year's 100 best songs by CBC Music. Since then, the duo has consistently released albums with high acclaim and industry nods following closely. Their subsequent albums, 2017's The Average Savage, 2019's TRAPLINE, 2021's Life After, and last year's I'M GOOD, HBU? were all shortlisted for the Polaris Music Prize.
With tracks like The Resistance and I Can't Remember My Name, to Red Sky at Night and KIDS COME UP, IT'S SUPPERTIME!, the Snotty Nose Rez Kids press hard on subjects of ignorance, stereotypes, climate change, and the ongoing reverberations of colonialism with furiously fast-paced rhymes over bars so sharp they cut.
For the Record caught up with the boldly political duo to talk about growing up, bringing their perspective into their music, and more.
What was your experience like growing up in the Haisla Nation? Despite what the media and statistics say about living on a Reservation, our experience growing up on Haisla was beautiful. We weren't just raised by our parents; we were raised by the community. We had the freedom to run around doing anything from fooling around on the playground to swimming down by the bay. We had that freedom because everyone looked out for one another. If one of our parents or grandparents was trying to get hold of us, word would travel fast and we'd eventually find out. Being rez kids may have made us a little rough and raw around the edges, but there's beauty in that. If there's one thing that we could do in this life it would be to be able to go back and be rez kids again, for sure.
How important is it to incorporate your experiences and culture as First Nations artists into your music? It's always important for us in one way or another. Many of our community tell stories through carving, painting, through education, or whatever their passion is. And for us, storytelling came in the form of hip-hop. We want our stories to be told the way they were meant to be told and we want them to be heard the way they were meant to be heard. So it's always important.
We're two Haisla men that were raised traditionally. By that we mean that we come from the land, and were taught how to respect it and live off of it without taking too much. From those teachings we became land defenders and that's what Snotty Nose Rez Kids was built off of, the idea that we need to appreciate what we have and project it.
What does Reconciliation mean to you? It means that we need to put in a lot of work, on ourselves and our communities. However, Reconciliation isn't for us, for Indigenous People. It's for settlers and allies.
For us, the National Day of Truth and Reconciliation has always been tough because we've always understood our truth and for many years we've been trying to tell that truth and be heard. The job of Truth and Reconciliation is on settlers to reconcile with their own history and acknowledge the truths of how our lands and identities were taken from us. We need that before we can ever begin to reconcile.
For us as Indigenous people, it's our job to decolonize and to understand who we are and where we come from and to resurge as we move forward.
Learn more about what drives the Snotty Nose Rez Kids and listen to all the essential tracks in one playlist
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
72.4% of overall TV viewing in Q1 2025 is of content that includes advertising
...
01/05/2025
NEW YORK LiveNow From Fox, Fox Television Stations' national news streaming service, has released viewing data showing the first quarter was the best quarte...
01/05/2025
The global installed base of Smart TVs and Connected TV (CTV) devices will reach 4.2 billion units by 2030, growing at a CAGR of 9.6% from 2.65 billion in 2025,...
01/05/2025
Samsung TV Plus has announced that it is expanding its existing lineup of more than 50 sports channels with five new free, ad-supported streaming television (FA...
01/05/2025
MELBOURNE, Fla. Carlo DiMarco has joined USSI Global as vice president of strategic marketing and growth, with responsibility for strategic business development...
01/05/2025
WASHINGTON The NAB has filed a wide-ranging rebuttal to proposals by the pay TV industry that the FCC delete and/or significantly change rules governing retrans...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
Voice actor and producer Mark Yoshimoto Nemcoff shares his first impressions of the DPA 2017 Shotgun Microphone, from real-world auditions to side-by-side compa...
01/05/2025
With my previous console, Freeman recalls, I always had to run a Waves server for EQ and compression, but when I switched to DiGiCo, I found it was such an op...
01/05/2025
Stream all episodes ofLook Who's Hangry from April 29
An RT Player Original in partnership with Heinz...
01/05/2025
Here is your host, Patrick Kielty!
T naiste, Minister for Foreign Affairs and T...
01/05/2025
Exclusive interviews and un-seen footage feature in new two-part series...
01/05/2025
May brings more than just rainbows and sunshine - it's also time for fresh adventures and epic battles. This GFN Thursday spotlights 20 can't-miss games...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...