Sony Pixel Power calrec Sony

SVG Sit-Down: Bleacher Report's Tyler Price Says Strength of B/R Gridiron Is In Meeting the Conversation Where Its Already Happening'

16/09/2022

SVG Sit-Down: Bleacher Report's Tyler Price Says Strength of B/R Gridiron Is In Meeting the Conversation Where It s Already Happening' B/R VP of Content Development and Production discusses a new season of NFL By Brandon Costa, Director of Digital

Friday, September 16, 2022 - 1:17 pm

Print This Story | Subscribe

Story Highlights

With a new NFL season under way, the content machine that is Bleacher Report has entered another peak season of engagement. To meet the moment, the Turner Sports (Warner Bros. Discovery Sports) digital-media giant - and its verticals B/R Gridiron (NFL) and B/R Betting (gambling) - have rolled out a growing portfolio of content series, including live shows streaming directly to the B/R App.

The live-programming week kicks off on Thursdays at 5 p.m. ET with B/R Gridiron's weekly live fantasy-football stream and ends on Monday mornings (11 a.m.) with the Monday Reaction Stream, where talent discusses the 10 best things that happened during the weekend slate of games.

Other notable VOD series like Underrated and Gridiron Heights are back by popular demand as well, and SVG recently sat down to chat live content with Tyler Price, VP, content development and production, B/R. In his opinion, what makes it worth putting in the effort to go live and how has work done during the COVID shutdown impacted the flavors of content he and his team attempt to create?

For a brand and an app so built on social, VOD, notifications, etc., how do you decide that something is worth going live for?

It's about meeting the conversation where it's already happening in a lot of ways for us. We love live as a conversation vehicle. B/R Gridiron continues to be the most engaged football brand out there, and, candidly, that's without NFL rights. I think we're doing a really good job identifying and understanding the NFL audience.

There's [three] hours of the game, and then you get [21] hours that surround it where the conversation is still continuing. We're just trying to make an effort in the live space to meet that audience where they already are: postgame, pregame, in that fantasy window.

We'll launch some previews around specific teams leading into games in a live stream. We offer a little bit of a therapy session with our postgame streams reacting to what you saw.

Then there's the fantasy stuff. We're going to experiment with timing on that. There are so many fantasy touch points now, and we feel like Thursdays are becoming that final frontier to prepare for the week.

We'll start there, but we have an incredible amount of insight and information based on all the work we've done with VOD and social to help us say, This is when our audience is the most active. This is when they are having the conversations already. Then we'll keep experimenting with live formats in those windows.

In addition to not having live NFL-game rights, Bleacher Report also doesn't have its own fantasy platform, the way ESPN or Yahoo! does. Those brands are highly invested into driving signups and engagement in their games. In what ways does that differentiate you?

By the nature of the app and the audience that B/R Gridiron - and Bleacher Report overall - have cultivated: we don't have the product, but we have community. We're going to lean into that conversational connection with the community.

If you think about your text threads or your conversations around fantasy with your friends, you don't need to be looking at your lineup to have that dialogue. We're not effort-ing real-time changes. We want to effort a conversation amongst like-minded fans, around topics that are relevant to the fantasy audience. We're going to lean into that conversational community element as a way to differentiate from what you would get on one of those sites that are pushing you towards product usage.

How are these live programs being produced? You have your offices in New York; there's Turner's facility in Atlanta; you have the ability to bring talent in from essentially anywhere. What's the workflow?

Yes, our technical support lives in New York, but we are in a place now where a lot of talent is remote. We're comfortable with bringing them in remotely. There's connectivity between New York and Atlanta that [Bleacher Report Senior Director, Video Technical Operations,] Steve [Pellegrino] and [Turner Sports Director, Technical Operations,] Chris Brown have worked together to help us build out, [allowing] us to have, say, producers in Atlanta, our director in New York, a talent in Miami, all doing a show leading into a Dolphins game. We are perfectly comfortable and confident in that stream.

It gives us incredible flexibility, and, back to the community sense of it, it's so much more authentic to bring in that Dolphins POV from a Miami resident, in Miami, than it is for us to spin up the B/R studios and convince Dolphin fans that this individual in the New York studio is legit.

The work that Steve's team has done to build that kind of platform for us where we can bring in a lot of voices from all over lends itself to that community-building that we're after.

Highlight clipping and notifications are something that B/R has always done extremely well, especially on nights when you're doing live shows. How much are you balancing human editors with automation in those processes?

We have tools, like WSC Sports, that take our original feed, and producers basically can go in in real time and notate the moments of the live stream that they thought were most effective.

For example, when [talent broke] down the throwing motion of [Miami Dolphins quarterback] Tua [Tagovailoa], it was a really good moment from our host, it was 15 seconds, and Dolphins fans will be interested in that. Let's notate that i
LINK: https://www.sportsvideo.org/2022/09/16/svg-sit-down-bleacher-reports-t...
See more stories from svg

More from Sports Video Group

21/04/2026

Live From NAB 2026: BitFires Colin Bonzey on Growing Spark Platform for Live Cloud-Based Productions

Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...

21/04/2026

Live From NAB 2026: AWSs Jason Dvorkin, Regina Rossi on Driving Innovation With Al-Based Workflows

The topic of artificial intelligence has a stranglehold on the sports-video-prod...

21/04/2026

Live From NAB 2026: T-Mobile for Business' Jason Schnellbacher on Enhancing 5G for Sports Fans, Broadcasters

5G is still a hot topic in live event production, and this workflow continues to...

21/04/2026

Live From NAB 2026: Appears Ed McGivern on Fox Sports Deal, New XM Platform, and VX Software Debut

At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...

21/04/2026

NAB 2026: Studio Network Solutions launches on-premise AI suite for media production workflows

Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...

21/04/2026

NAB 2026: Suite Studios integrates file-streaming technology into Frame.io Drive

Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...

21/04/2026

NAB 2026: Net Insight integrates InSync FrameFormer into Nimbra Edge for media processing

Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...

21/04/2026

NAB 2026: Fox Sports selects Appear X Platform for live production infrastructure

Fox Sports has selected Appear as a technology partner to support the next phase...

21/04/2026

NAB 2026: Diversified appoints Tyler Affolter as Chief Revenue Officer

Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...

21/04/2026

NAB 2026: Layercake integrates Bitmovin into Streamcake platform for end-to-end media orchestration

Layercake has formalised the integration of Bitmovin's video streaming infra...

21/04/2026

NAB 2026: International Judo Federation extends global content distribution partnership with SES

The International Judo Federation (IJF) has extended its distribution partnershi...

21/04/2026

NAB 2026: Glookast integrates Cinnafilm Tachyon plugin to enable GPU-accelerated video processing

Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...

21/04/2026

NAB 2026: Cadena Tres selects Eutelsat for television signal distribution in Mexico

Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...

21/04/2026

NAB 2026: Dolby and TV Azteca deploy Dolby Atmos for free-to-air broadcast

Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...

21/04/2026

Verizon and FOX Entertainment leverage 5G and AI for remote production of Extracted

FOX Entertainment partnered with Verizon to overcome significant production hurd...

21/04/2026

NAB 2026: Osprey Video to showcase expanded IP infrastructure and orchestration at NAB Show 2026

Osprey Video has announced its technology showcase for the NAB Show 2026, highli...

21/04/2026

NAB 2026: Riedel introduces IP-based production updates including multiviewer, commentary control and audio connectivity solutions

Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...

21/04/2026

SportsTechBuzz at NAB 2026, Day 3: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

21/04/2026

NAB 2026: Blackmagic Design Announces URSA Cine Immersive 100G and URSA Cine Live Encoder

Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...

21/04/2026

Live From NAB 2026: Clark Wire & Cables David McCarthy Showcases New Connectivity, Enclosure Solutions for Modern Broadcast Workflows at NAB Show 2026

Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...