
Live From Super Bowl LIX: ESPN Studio Ops Spreads Across Big Easy From Fulton Street Square to Radio Row Multiple sets utilize REMI workflows tying shows back the networks headquarters in Bristol, CT By Brandon Costa, Director of Digital
Saturday, February 8, 2025 - 10:28 am
Print This Story | Subscribe
Story Highlights
You can sense the anticipation from the team at ESPN here in New Orleans. The network's first-ever Super Bowl Super Bowl LXI in Los Angeles on Valentine's Day 2027 is now just two years away.
While so much of what ESPN is doing this week five studio sets in various spots around the city seems like the status quo for covering an event as big as the Super Bowl, there's no denying that the various technologies and workflows are being deployed not just to build engaging programming this week but also with an eye to that Big Game in two years.
NFL Live broadcasts from ESPN's main set in New Orleans at Fulton Street Square on Friday afternoon.
This week in New Orleans, ESPN is here in force with the network's main set positioned through Friday evening at Fulton Street Square as the home to weekday studio programming like Get Up, First Take, NFL Live, occasional hits for SportsCenter, and even some ESPN International programming. All of that stretches the space's broadcast day over approximately 13 hours.
Having had the privilege of being involved with our Super Bowl coverage in some form, shape, or fashion since 2009, that has allowed me to see the plethora of iterations and evolution over the years, says Carlton Young, Director, Remote Operations for ESPN. What stands out the most is the scale of our operations. Not only from a technical aspect, but also logistics and personnel resources. In all areas we've become more lean and agile, which obviously benefits our bottom line, when all is said and done.
ESPN's Carlton Young (left) and Mark Mignini at the network's primary studio set at Fulton Street Square.
According to Mark Mignini, Senior Manager, Remote Operations (Studio) at ESPN, set up at the main stage began Monday morning. Live Media Group's MU-21 mobile production facility parked a block over from the set position on St. Peter's Street. A mobile stage from MB Pro Sound and lighting from Illumination Dynamics and HVAC was up and running by the end of the day. Tech was up on Tuesday and the stage was off and running with live programming.
Meanwhile, ESPN also had two sets at Media Row over at the New Orleans Ernest N. Morial Convention Center: one for The Pat McAfee Show, the other for ESPN Radio and its day's worth of national programming like Unsportsmanlike and others; as well as some podcast recordings. ESPN Bet also has a set positioned on Loyola Ave. as part of a music and fan activation.
The Pat McAfee Show broadcast this week from Media Row at the New Orleans Convention Center.
Four of those sets were broken down following Friday's broadcast day - the only exception is ESPN Bet on Loyola Ave, which will continue through Sunday - and the scene will shift over to the stadium where shows like SportsCenter and Postseason NFL Countdown will carry the weekend and get Super Bowl Sunday started for fans at home. Shows from the stadium are supported by Game Creek Video's Columbia mobile production facility.
Most all of the network's production models include some form of remote integration, where they are transmitting signals back to the network's headquarters in Bristol, CT to be fully produced in control rooms there.
We've been able to take advantage of reducing our overall footprints in many cases by eliminating the amount of mobile units, satellite uplinks and associated ancillary equipment, says Young. The use of fiber installations on location, in addition to more IP based solutions, has driven these initiatives. It allows us to cover just as much, if not more content as we did in the previous years, with less infrastructure and expense.
More from Sports Video Group
05/12/2025
2025 Sports Broadcasting Hall of Fame: Curt Gowdy Jr. - Master Storyteller, Nati...
05/12/2025
SVG Sit-Down: Veritone's Sean King on the Power of Mining Video, Audio DataThe company's Data Refinery offers users total control and governance over da...
05/12/2025
Platinum White Paper: Inside the Nashville Predators' Unified, Flexible, Sca...
05/12/2025
Netflix Reaches Agreement To Acquire Warner Bros. Following Planned WBD SplitThe deal does not include WBDs sports assets like TNT Sports (US, UK, LatAm), Euros...
05/12/2025
FOX Sports Returns to Indianapolis for Primetime Broadcast of Big Ten Championsh...
05/12/2025
SVG Summit 2025 Preview: Digital Engagement & Monetization Workshop Tackles the ...
05/12/2025
Atlanta United Lights Up New Emory Healthcare Studio With First Live Broadcast f...
05/12/2025
As Messi Takes the Pitch, MLS, Apple, NEP Roll Out Largest MLS Cup Production Ev...
05/12/2025
ESPN Enters College Football's Most Intense Month With Elevated Workflows fo...
04/12/2025
SVG Sit-Down: ProximaVision's Claudio Lisman on Why Tethered Drones Could Be...
04/12/2025
SVG Campus Shot Callers: Imry Halevi, Senior Associate Director of Athletics, Co...
04/12/2025
Platinum White Paper: LiveU Lightweight Sports Production: A Step Change in Spor...
04/12/2025
London to Riyadh: DAZN brings the boxing glamour to new production levels for Be...
04/12/2025
Analysis: Paramount bets on the battering ram' with Champions League play By Callum McCarthy, Editor-at-Large
Tuesday, December 2, 2025 - 10:12
Print ...
04/12/2025
Space City Home Network Launches SCHN DTC App for Astros and RocketsThe Rockets and Astros were previously the lone NBA and MLB teams without a DTC appBy Jason...
04/12/2025
SVG Summit 2025 Preview: Content Workflows Workshop Spotlights Evolution of Spor...
04/12/2025
New Sponsor Spotlight: Geotech's Patrick Wambold On the Unreal Engine Revolu...
04/12/2025
Curt Gowdy Jr. - Master Storyteller, Nationally and RegionallyBy Jason Dachman, Editorial Director, U.S.
Thursday, December 4, 2025 - 1:52 pm
Print This Sto...
03/12/2025
MLS Cup 2025 Production To Feature Four iPhone 17 Pros as Game-Coverage CamerasStay tuned to SVG on Friday for our in-depth story on this year's MLS Cup pro...
03/12/2025
SVG LIVE! 2025: All Sessions Now Available to Watch on SVG PLAYThe inaugural event placed a spotlight on the exciting world of live entertainmentBy SVG Staff
...
02/12/2025
Case Study: How Mid-Atlantic Sports Network Moved to All-IP Distribution in 60 D...
02/12/2025
2025 Sports Broadcasting Hall of Fame: Lee Corso, Coach, Commentator, FirebrandBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 7:00 am
Print This Story | S...
02/12/2025
SVG All-Stars: Dan Nabors, Senior Director, Remote Engineering, TNT SportsThe veteran tech leader is helping guide Warner Bros. Discovery's at-home' re...
02/12/2025
Epic rematch: DAZN on bringing Eubank Jr v Benn II to spectacular life with 1080...
02/12/2025
National Lacrosse League Opens Season With New Cloud-Based Official Replay-Revie...
02/12/2025
Platinum White Paper: The Cinematic Look in Live Production - Bridging Aesthetic...
02/12/2025
SVG India Announces Advisory Board; JioStar's Prashant Khanna Named ChairmanBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 11:15 am
Print This Story |...
02/12/2025
SVG Summit 2025 Preview: New AI Production Tools Workshop' Features ESPN, F...
26/11/2025
SVG Sit-Down: Prime Video EP Mike Muriano Previews Massive Black Friday Slate Fe...
25/11/2025
SVG All-Stars: Blayke Scheer, Senior Director, Creative Content, YES NetworkThe Indiana alum has turned storytelling into an artform for more than two decadesBy...
25/11/2025
Op-Ed: With FCC's C-Band Auction on the Horizon, Broadcasters Need Proven, C...
25/11/2025
Analysis: Is Baller League really the future of sport? By Callum McCarthy, Editor-at-Large
Tuesday, November 25, 2025 - 10:10
Print This Story
With KSI on...
25/11/2025
Platinum Whitepaper: The Growth of Broadcast in the World of Major Large Scale E...
25/11/2025
SVG Summit 2025 Preview: SVG Women's Sports WorkshopBy Samantha Gabay
Tuesday, November 25, 2025 - 10:27 am
Print This Story | Subscribe
Story Highlig...
25/11/2025
SVG New Sponsor Spotlight: CacheFly's Matt Levine on the Evolving Role of th...
25/11/2025
Peacock's EA SPORTS Madden NFL Cast Levels Up on Thanksgiving With SkyCam as...
24/11/2025
HBO's The Shuffle' Reveals Longtime Connection of Sports and Entertainm...
24/11/2025
2025 Sports Broadcasting Hall of Fame: Hiroshi Kiriyama, Sony Broadcast (and Ind...
24/11/2025
SVG Summit 2025 Preview: FIFA, NBC Olympics, Fox Sports, CBS Sports, Netflix, NF...
24/11/2025
Case Study: YES Network Streamlines Broadcast Operations with Beam DynamicsBy SVG Staff
Monday, November 24, 2025 - 11:18 am
Print This Story | Subscribe
...
24/11/2025
Platinum White Paper: More of Everything: How Broadcasters are Changing Their Ap...
24/11/2025
Versant Media USA Sports President Matt Hong on How Versant Has Best of Both Wor...
24/11/2025
SVG Sit-Down: NABA Director-General Rebecca Hanson on How FCC's C-Band Aucti...
24/11/2025
SVG New Sponsor Spotlight: Bolin Technology's Sapan Doshi on the Proliferati...
21/11/2025
Platinum White Paper: Appear Shares Why Media Exchange Is the Missing Link in So...
21/11/2025
NWSL Championship 2025: CBS Sports To Deploy Two-Point FlyCam for Match Coverage...
21/11/2025
NWSL Caps 2025 Season With Awards Show, Skills Challenge ProductionsA team of 70 is on the ground in California to produce both eventsBy Mark J Burns, SVG Contr...
21/11/2025
USL and NEP Ready for Largest USL Championship Final Production EverThe broadcast from Tulsa, OK, will air CBS and TUDN on Saturday at 12 p.m. ETBy Jason Dachma...
21/11/2025
With Two New Teams, PWHL Boosts Production Workforce and Central Review for Seas...
20/11/2025
MLB Media-Rights Shakeup: NBC's New Three-Year Deal Covers Sunday Night Bas...