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FilmLight launches Daylight at IBC --
Tue, 16 Sep 2014 12:16
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FilmLight, developers of colour grading systems, image processing applications and workflow tools, will present their new near-set colour grading tool Daylight, at the company s stand (7.F31) at IBC, which concludes on 16 September in Amsterdam.
Daylight is designed as a compact yet powerful grading decision tool to help DOP s and directors establish looks and visualise what they have shot, on set or on location. FilmLight has shown early development versions before a Baselight variant for dailies and Daylight pushes the possibilities even further.
Martin Tlaskal, lead developer at FilmLight says, We ve gathered some great feedback from our existing customers during the Daylight beta programme. The version we re showing at IBC has more sophisticated functionality to help our customers handle their end-to-end dailies workflow quickly and effectively.
Daylight encompasses a number of new features, including: AJA SDI output; shot filtering and sorting; HTML report generation; RED GPU decoding; media consolidation tools; multi-format deliverables; and support for the latest camera codecs.
In addition FilmLight will showcase the latest product in the Baselight Editions range, Baselight for NUKE, and the latest release of Baselight 4.4m1.
Product specialists from FilmLight and The Foundry are present on the stand to demonstrate how the visual effects software can be even more productive when it incorporates the ability to interpret and modify fully-featured Baselight grades.
Baselight now includes Apple-certified ProRes, including support for the new ProRes 4444 XQ codec. And the project consolidation feature allows users to consolidate all the material used in a list of scenes to one location with optional handles. New systems are ready to take on UltraHD monitoring too and existing Generation IV and V systems can be easily upgraded.
Baselight 4.4 also provides faster GPU decoding of RED camera files as part of the implementation of the RED SDK, as well as providing full support to work in high dynamic range colour space using Dolby Vision.
Baselight 4.4m1 includes: rationalised format handling to support today s ever- increasing range of digital camera resolutions and frame rates; fully keyframeable variable speed handling (including optical flow retime and round tripping with FCP XML and AAF projects); a group of tools to help users manage projects better; and a new CDL grade that, when combined with Baselight s powerful generalised colour spaces, brings accurate interpretation of CDL values.
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