RE:Vision Effects Announces ARRI Film Lab 1.5 Release

RE:Vision Effects Announces ARRI Film Lab 1.5 Release

Brie Clayton October 13, 2026

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ARRI Film Lab 1.5 adds many user requested features including 8-16-35 and 65 mm film grain, expanded range for tuning parameters like halation, anamorphic support, ACES 2.0 ACEScct and ACEScc support and much more.

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New

ACES 2.0 support: ACEScct and ACEScc can now be selected as I/O Space, alongside LogC4, LogC3 and Linear.

Colour management: In hosts with OpenFX colour management, the plug-in now works with the host's colour pipeline. In Baselight the colour space is handled fully automatically, and the I/O Space control is locked; in other colour-managed hosts you choose the I/O Space and the host converts the clip into it as needed. A warning appears if the clip's colour space does not match.

Film Format: New control to simulate the film gauge, grain, detail and halation scale with the chosen format.

Halation Spread: New control for the size of the halation glow, in addition to its intensity.

Rendition of Detail: New control to fine-tune the film's rendition of fine detail.

Anamorphic Ratio: New control for desqueezed anamorphic footage, so grain, halation and detail keep their natural proportions.

Pomfort Livegrade Frontier Support: The Film Lab colour look can now be baked directly as Metal textures on macOS.

Native support for the latest NVIDIA GPU generations (RTX 40 and RTX 50 series).

Diagnostic logging can be switched on for ARRI support when requested.

Improved

Simpler interface: Negative Stock, Film Format, Color (Print+Process) and I/O Space are now at the top; all fine-tuning sliders are collected in a single Tune group. Print Process is now called Color (Print+Process) .

Grain Size Fine Tune is now called Grain Size , with a range of 0.75-1.5 so adjacent film formats no longer overlap.

Faster rendering of grain, halation and detail, with less GPU overhead per frame.

Closer match to the ARRI reference look for grain, halation and detail, especially for 8mm and 16mm at high resolutions. Projects created with 1.0.x may therefore render slightly differently.

Easier licensing:

The activation app (ArriActivate) no longer blocks the host and opens in front.

The license button now shows the activation status. After closing ArriActivate, press the license button once more to update the license display.

The license and the floating license server are now set up once per machine and apply to all users, without administrator rights after installation.

Note when updating you may have to activate the license or enter the floating license server once more.

Fixed

Halation of the 500T negative stock had the wrong colour spread.

Halation spread now scales correctly with the film format.

Square-looking halation halo at high spread settings.

Black or blue spots in highlights at high grain intensity.

Clipping in the blacks when Grain Intensity was set below default.

Detail below black is now preserved in the colour conversion.

ACEScc output was slightly compressed; ACES output could lift blacks and clip highlights.

Crash when changing parameters in some hosts.

Improved compatibility with Linux hosts.

ARRI Film lab is available as a permanent license, as well as via monthly and annual subscriptions. We support both internet activation and floating licenses. For volume and educational discount questions, message sales@revisionfx.com.

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