
WASHINGTON The Federal Communications Commission is shooting to open the TV spectrum incentive auction with bids for just the top station in each market totaling more than $39 billion. The figure is derived a report by New York-based Greenhill & Co., released by the FCC on Friday and designed to motivate broadcaster participation. It came a day after executives from Fox, Tribune and ION met with FCC Chairman Tom Wheeler to talk about participating in the auction, according to a scoop by John Eggerton at B&C.
The report is the second from Greenhill. The first, released last October, provided estimated high-end compensation per broadcaster, from gross auction receipts totaling $45 billion the amount raised in the recently closed auction of 65 MHz of Advanced Wireless Spectrum. (See FCC Interference Pricing Projects $45 Billion in Proceeds )
Both Greenhill figures reflect the high-end estimates. The report released on Friday starts with a figure of $900 million to calculate opening bid prices in the reverse auction, where broadcasters agree to a sale price for their 6 MHz license. This number is then used in a calculation that considers population and interference.
In New York, for example, the maximum opening bid in the reverse auction was placed at $870 million. That figure represents the most valuable station in the No. 1 market according to the FCC's formula, and also happens to be the most valuable station in all 210 designated market areas. The October Greenhill report set high-end compensation per broadcaster in New York at $490 million.
The relationship between the maximum opening bid and high-end compensation differs in each market. While the New York station may be looking at taking 56 percent of auction proceeds, the top-valued station in Atlanta, DMA No. 9, may be looking at 19 percent, while the top station in No. 4 Philadelphia could get 59 percent, and the top station in No. 67 Wichita-Hutchison, Kan., may get 7 percent.
TV Technology asked a commission official how the agency came up with its figures.
TV Technology: Opening bid prices are based on a figure derived from $900 million for what was considered the highest-valued station. Where did this figure come from, and why then, isn't the maximum open bid price for the top station in New York $900 million?
FCC: We set an opening price of $900 million to get appropriate opening bid prices for participation. The station with the highest volume is a VHF station, so that's why it's $870 million. [VHF stations are discounted because that spectrum is worth less.]
TV Technology: New Greenhill numbers are calculated on a completely different formula than the original ones. The original one used $1.50 MHz/Pop while this one uses the $900 figure. Please clarify.
FCC: The $1.50 was set to model auction on revenues of $45 billion gross receipts, or $38 billion minus funding the public safety network, etc. We took $38 billion and sliced that up per the interference formula, [the number of people covered by signal, and the number of signals it overlaps with.] The major differences is the first Greenhill figures were estimated high-end payouts. It was a top-down approach. This is maximum opening bids designed to reflect robust auction participation.
TV Technology: TVStudy, or the updated software version of OET-69, is being used to determine pairwise interference, is that correct? What population data does it use?
FCC: We're using the Longley-Rice methodology described in OET-69, and using it in TVStudy for the inputs. We're using population data from the 2010 Census. Population input was previously 2000 Census data. Our baseline is always the methodology of OET-69. We developed the TVStudy software because we will have to continually update interference calculations during the auction.
TV Technology: The reverse auction bid pricing formula says, The base clock price is a constant amount per unit of volume. I see that volume equals interference times population, but what comprises a unit of volume?
FCC: We say, this station has the highest volume, at $900 million.' We had to come up with a scale for stations to price with lower volumes. We applied a metric of 1 million and calculated volume on scale of 1 million. We're translating the $900 million figure to apply to every other station. It's a two-step process.
We calculate the volume for every station. (Interference x population)
We rescale it so the maximum volume is 1 million. It's base clock price is then $900 per unit of volume.
TV Technology: The maximum opening bid prices reflect full relinquishment including stations that will relinquish spectrum to share a channel correct?
FCC: Yes. It's the opening bid for every station with full relinquishment.
TV Technology: Opening bids for stations moving from UHF to low VHF would be calculated at 67 to 80 percent of this relinquishment figure, correct?
FCC: Correct. We've asked for comment on where within that range to put [the discount]. Comments due Feb. 20.
TV Technology: Opening bids for stations moving to a high VHF would be calculated at 33 to 50 percent of this figure, also correct?
FCC: Yes, and we've also asked for comment on this.
TV Technology: How were these discounts derived?
FCC: We picked a range because we wanted some input. They reflect the usability of VHF versus UHF for digital TV. We recognize that for digital TV, VHF is less valuable. We'd still pay them they're getting a less effective channel but they're still giving up spectrum.
TV Technology: Please tell me again about the hierarchy of options. If I go into the auction intending to:
1. Relinquish, I can, during the reverse auction, opt instead to move to a VHF.
2. Move to a VHF, then I cannot relinquish.
3. Share a channel then what?
FCC: Correct on t
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Home to leading manufacturers, robotics pioneers and infrastructure builders, Japan is one of the world's centers of AI - building across the full stack wit...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
14/07/2026
Victory+ telecasts to be simulcast on TEGNA-owned station, expanding free local distribution...
14/07/2026
Plug-ins for heavy music
Avalanche Tones is the brainchild of Ava Toton, a 17-year-old musician and developer who says her goal is to make the lives of gui...
14/07/2026
Launched alongside new Singer Showcase purchase model
IK Multimedia's innovative vocal-synthesis software has just gained its latest voice add-on, the R...
14/07/2026
Registration open until 1 September 2026
The MIDI Association have revealed that the registration deadline for this year's MIDI Innovation Awards has no...
14/07/2026
88-note model completes MK4 range
Novation have just introduced the final model in their flagship MIDI controller keyboard range, the Launchkey MK4 88. Roun...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
IBC2026 has unveiled a powerful Conference programme bringing together global media leaders, technology innovators, creators, sports organisations, broadcasters...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Broadcast Solutions, a leading systems integrator and provider of innovative solutions for the broadcast media industry, has delivered two highly capable outsid...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Editor's note: This post is part of the Nemotron Labs blog series, which exp...
14/07/2026
Techtel Successfully Relocates AICD Broadcast Studio to New Sydney Headquarters
BroadcastBroadcast EquipmentLive StreamingBroadcast Studio2026
14 July Writ...
14/07/2026
Tuesday 14 July 2026
First look revealed for Friday the 13th prequel, Crystal ...
14/07/2026
When immersive audio dominates industry headlines, it's easy to assume that every broadcaster is preparing for an Atmos future. The reality is quite differ...
14/07/2026
Emma and Sophie from ICG's marketing team joined thousands of fellow marketers, brands and agencies at MAD//Fest London 2026, one of the UK's biggest ma...
14/07/2026
Why Trusted and Secure Media Operations Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operati...
14/07/2026
Pilot Project Shows How Retailers Are Prepared for the Next Step in the Evolution of Digital Commerce
Arvato Systems Drives Agentic Commerce Forward
G terslo...
14/07/2026
As part of this commitment, weve joined the SME Climate Hub, publicly pledging to:
measure our greenhouse gas emissions
reduce them in line with a net zero p...
14/07/2026
Power is AI infrastructure's inescapable constraint. How many tokens an AI factory can generate within a fixed power budget determines its revenue and profi...
13/07/2026
The Braves opted to keep production in-house rather than hand it off to MLB...
13/07/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
13/07/2026
Eurovision Sport is making live athletics more accessible to fans than ever befo...
13/07/2026
The Milwaukee Bucks will return to full-season over-the-air television for the 2...
13/07/2026
SMPTE has announced an expanded education pathway for media technology professio...