
Areas being investigated include CG rendering techniques, stabilised multi-camera systems, dynamic time alignment for microphones, and fire-protective stunt gels
By Jenny Priestley
Published: August 21, 2024 Updated: August 22, 2024
Areas being investigated include CG rendering techniques, stabilised multi-camera systems, dynamic time alignment for microphones, and fire-protective stunt gels
target=_blank title=Share on LinkedIn class=share-linkedin> Areas being investigated include CG rendering techniques, stabilised multi-camera systems, dynamic time alignment for microphones, and fire-protective stunt gels
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The Academy of Motion Picture Arts and Sciences has revealed 11 distinct scientific and technical investigations ahead of February's annual Sci-Tech Awards.
They are:
Character dental prosthetics
On-set tools for live compositing of virtual characters and environments
In-Camera Visual Effects rendering or playback engines
LED processors for In-Camera Visual Effects
Image-based lighting for CG rendering
Heat-protective gel for stunt performer safety
Artist-friendly tools for constructing anatomical character simulation setups
Final frame post process denoisers for CG rendering
Dynamic time alignment of multiple moving microphones
Stabilised multi-camera systems for capturing wide FOV plates
Transportable six-degrees-of-freedom motion bases capable of supporting heavy loads
The deadline to submit additional entries is Thursday, September 5, at 5pm. PT. More information on the Scientific and Technical Awards is available here.
The Awards committee is thrilled to have a wide range of applicants representing innovation across our branches, said Scientific and Technical Awards Committee co-chairs Darin Grant and Raymond Yeung.
Our diverse committee of industry experts will investigate 11 areas of advancement, including character dental prosthetics, fire-protective stunt gels, and CG rendering techniques. The continued evolution of production and post-production, along with technologies that merge them, such as components of virtual production related to in-camera visual effects, highlights the evolution of motion picture workflows based on these advancements.
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