
Nashville Predators' Bridgestone Arena Has a New Broadcast Infrastructure The downtown Nashville mainstay is finally fully recovered from a devastating flood in 2022 By Dan Daley, Audio Editor
Wednesday, November 6, 2024 - 7:00 am
Print This Story | Subscribe
Story Highlights
Black Friday 2022 was indeed a dark day. When a water-main break flooded downtown Nashville, millions of gallons of water poured through Bridgestone Arena, home to the NHL Predators, at around 6 a.m. on the day after Thanksgiving. The venue suffered millions of dollars in damage and had to postpone games for three days because of water 3 ft. deep in some areas, including the broadcast-control rooms.
The hockey resumed quickly, thanks to a herculean effort by the arena's staff and more than a dozen agencies and service providers, but full recovery took more than a year. A month into the new NHL season, the Bridgestone and the Preds have a reconstructed media infrastructure.
Bridgestone Arena's Jacob Lutz: We launched our new control room in the middle of a season. Over the summer, we dialed everything in closely, to make the facility what it can be.
The control room went down Black Friday of 2022, recalls Jacob Lutz, director, tech operations, Bridgestone Arena. We [produced] hockey three days later out of the small TNDV Red truck. Then we brought in Lyon-17 video truck on the first of December and used that until the 2023 CMA Awards in November 2023. It would've been almost a whole year under those circumstances. Right after the CMA Awards, we had a two-week period to finish the final commissioning and get online. We played hockey and used our new control room that first game the Saturday after CMA Awards. We pretty much worked through the night, got the room up, got it going, and haven't looked back since.
Said Predators CEO Sean Henry at the time, It would have been easy to shut the building down for 20, 30, 40, 50 days. Relocate the games. Work a deal with another city. Temporarily cancel or postpone concerts.
Instead, the production team decided to press on through the disaster. This season marks the first time the team is using the new broadcast infrastructure after it has been fully tweaked and fine-tuned.
We launched our new control room in the middle of a season, which is unheard of. Over the summer, we dialed everything in closely, to make the room all it can be, make the facility what it can be, Lutz says, noting that this was done even as some key staff positions changed, including the addition of VP of Game Presentation and Video Production, Dan Clark, Lutz's counterpart on the creative side. It was the first time an NHL team and venue had ever been taken out suddenly since it happened in Calgary some years ago. Even though we did get back up and running quickly, the full recovery has taken until now.
(A flood in June 2013 that ravaged parts of Southern Alberta inundated the Calgary Flames' Scotiabank Saddledome. The venue's event level was completely flooded, as was the control room for the video-replay screen, but the broadcast infrastructure was left largely intact. The timing gave the venue and team several months to recover before the start of the 2013 NHL season.)
Updates, Technology and Otherwise Restoring the infrastructure included adding a DiGiCo Quantum338 front-of-house audio console, which also feeds the game broadcasts, as well as new video displays around the arena concourse. Among other new gear are a Ross FR12 Ultrix Acuity switcher and a Riedel Artist 1024-frame comms system with MADI- and AES67-conversion capability.
Also new is a strengthened disaster-response plan for the venue, which sits five blocks from the Cumberland River, whose devastating 2011 flood cost an estimated $2 billion in reconstruction.
A water-main break in 2022 flooded parts of Bridgestone Arena, causing millions of dollars' worth of damages.
We did a number of key improvements and modifications to the space, Lutz explains. We raised the flooring system in a way that, if we have another a hundred-year flood, there's now a drainage pathway. Our control room is still on ground level; in most arenas, it's on the top floor. In 2010, the water came up from below, being so close to a river. You can't prepare for everything, obviously, but there's a lot that you can prepare for. Especially with everything that's going on in the Carolinas right now, it's timely having disaster-recovery plans and having everything ready for when you do have that dark midnight hour.
We're right at the corner of one of the busiest streets in the U.S., he continues. We're not moving, so it's all about how we make the best of the space that we have and improve it. That's the name of the game that we're in right now.
More from Sports Video Group
16/01/2026
From Berlin to London: Amazon delivers NBA Europe games for an international aud...
16/01/2026
How Vizrt, TriCaster Helped Harvard Athletics Embrace Vertical Video and More to...
16/01/2026
SVG GameDay, Ep. 1: PMY Group's Mike BonnerThe longtime industry veteran provides insight into his approach to producing live eventsBy Kristian Hern ndez, S...
16/01/2026
Attacking the Pin: Inside the PGA TOUR's Replay Remodel With Hawk-Eye Innova...
16/01/2026
Back to Unrivaled: TNT Sports Reconnects With Mediapro for the League's Soph...
16/01/2026
FloSports Orchestrates Mega Weekend Spotlighted by Chili Bowl Nationals, UCA & U...
15/01/2026
Milano Cortina 2026: OBS CEO Yiannis Exarchos Previews Production InnovationsFirst Person View drones, AI-based tech target greater fan engagement, efficiencyBy...
15/01/2026
Clever with cameras: Bringing the drama of the 2026 ISU European Figure Skating ...
15/01/2026
No stranger to ice: Host broadcaster Sunset Vine on pressure and planning for th...
15/01/2026
SVG Campus Shot Callers: Leah Gill, Associate Athletic Director, Digital Media, ...
15/01/2026
National Sports Broadcaster Perspectives: What to Expect in Production in 2026Leaders from ESPN, FOX Sports, Netflix, and Warner Bros. Discovery share their pro...
15/01/2026
From Berlin to London: Amazon delivers NBA Europe games for an international aud...
14/01/2026
Tech Focus: Audio Consoles, Part 2 - New Options for Virtual MixingA variety of solutions offer both technical and economic benefitsBy Dan Daley, Audio Editor
...
14/01/2026
Tech Focus: Audio Consoles, Part 1 - Key Component Evolves Toward the Totally Vi...
14/01/2026
SVG Summit 2025: Audio from Monday Workshops Now AvailableListen to sessions from Live Production Innovation, AI Production Tools, Cloud Production, Content Wor...
13/01/2026
NHL Situation Room 2.0: How Sony Hawk-Eye Powers Centralized Officiating, Player...
13/01/2026
NBC Sports Ices the Audio for the 2026 Prevagen U.S. Figure Skating Championship...
13/01/2026
DMF and MXL in practice: Which vendors are adopting it, and how fast is the ecos...
13/01/2026
CES 2026: Five Important Sports-Tech BuzzwordsThe terms highlight innovations for sports production at the showBy Daniel Frankel, SVG Contributor
Tuesday, Jan...
13/01/2026
For TGL Season 2, Unity 6 Boosts Virtual-Graphic Quality; COSM 360 Cameras Impro...
13/01/2026
Resetting Expectations? The State of the Sports Industry with Devoncroft's J...
12/01/2026
Sports and Music Unite: A Look Back at the Operationally Ambitious FIFA Club Wor...
12/01/2026
Nielsen Panel Discussion Highlights World Cup Impact for FOX, Telemundo, MetLife...
12/01/2026
FIFA President Infantino Highlights How AI Will Impact 2026 FIFA World Cup and B...
12/01/2026
Baltimore Ravens' Jack Dana on Telling a Better Story With Media Management ...
12/01/2026
FOX Sports' Brad Cheney on Spectrum Debate's Impact on the Sports-Produc...
09/01/2026
Rock-It Sports' Deron Brown & Laura Rowlands on Launching a New Brand, Suppl...
09/01/2026
Warner Bros. Discovery's Chris Brown on the Broadcaster's First French O...
09/01/2026
NFL Playoffs 2026: CBS Sports Travels to Jacksonville With Packed Arsenal of Pro...
09/01/2026
NFL Playoffs 2026: NBC Sports Is Set To Roll Out New Scorebar, Insert Graphics T...
09/01/2026
NFL Playoffs 2026: Prime Video Production Team Caps Historic Season With Iconic ...
09/01/2026
NFL Playoffs 2026: FOX Sports Kicks Off Postseason Slate With Two-Game Wild Card...
09/01/2026
NFL Playoffs 2026: ESPN's Run Brings Monday Night Football' Flagship Op...
08/01/2026
At CFP Semifinals, ESPN Again Flexes Its Operational Muscle With 20+ MegaCast Vi...
08/01/2026
SVG Students To Watch: Sophie Fowler, University of OregonThe Portland product has honed her skills as a producer, director, and TD at Quack VideoBy Brandon Cos...
08/01/2026
Follow the Money, Episode 3: Inside the Sports-Media Biz With Sam McCleery and K...
08/01/2026
SVG New Sponsor Spotlight: Qualstar's Jeff Sengpiehl on the Enduring Power a...
08/01/2026
Legendary February: Production Leaders at NBC Sports Pull Back the Curtain on Ol...
07/01/2026
SVG Summit 2025: All General Sessions Now Available To Watch on SVG PLAYThe SVG Summit celebrated its 20th edition with a loaded agendaBy Brandon Costa, Directo...
07/01/2026
NBCU's Brings Rinkside Live' and Courtside Live' Features to Peaco...
06/01/2026
Peacock Bringing Dolby Vision and Dolby Atmos to Live Sports ContentPeacock is the first streamer to embrace Dolbys full suite of advanced picture/sound innovat...
06/01/2026
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
06/01/2026
Quintar Meta Spatial SDK Integration Promises Next-Level XR ExperiencesBy Ken Kerschbaumer, Editorial Director
Tuesday, January 6, 2026 - 9:41 am
Print This...
06/01/2026
Milano Cortina 2026: BBC Sport Previews Broadcast Ops, Studio Setup, Social Medi...
06/01/2026
Dolby's Jason Power on Elevating Live Sports Through Immersive Audio and HDR...
06/01/2026
DAZN's Global CRO Walker Jacobs on the Streamer's Breakout Year in the U...
06/01/2026
California Dreamin': LA28's SVP of Media Jim Bell Previews the Olympic a...
06/01/2026
One Month Out From Winter Olympics Opening Ceremony, NBC Sports in Final Prep fo...
06/01/2026
Advanced HDR by Technicolor and Zinwell Integrated onto ATSC 3.0 Conversion Boxe...
06/01/2026
FOX Sports President and COO Mark Silverman Shifts to Consulting RoleHis successor will be announced soonBy Ken Kerschbaumer, Editorial Director
Tuesday, Janu...