26/12/2019
We're honored to close out the decade with a win from KVR Audio for Favorite Notation Software voted on by their readers! Thanks to everyone who voted. Cheers to 2020!| LINK: | https://blog.presonus.com/index.php/2019/12/26/notions-wins-kvr-reader... |
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By Craig Anderton Keyswitch keys enhance expressiveness by letting you trigger various real-time articulations for instruments like strings, brass, guitars, an...
By Craig Anderton The Channel Editor places all of a mixer Channel's elements-level fader, inserts, sends, individual effects, input controls, routing, mac...
By Craig Anderton Yes, just click here to download 25 Analog Cab IRs.zip. The IRs are 1024 samples long, 48 kHz, 24-bit, and mono, so they work with pretty muc...
By Craig Anderton It's been a while since we've had a post for sound design fans. So, let's create some crazy FX for sci-fi/suspense/horror movies,...
The Black Dahlia Murder guitarist and New Jersey native talks about taking his leap. A life in music requires passion, creativity, dedication - and for many cr...
By Craig Anderton There's no right or wrong way to mix. For example, many successful engineers adjust individual tracks, and then mix groups of tracks....
By Craig Anderton I admit it: the following tips are based on personally embarrassing experiences. I like to work fast to keep the creative juices flowing, but...
By Craig Anderton You've probably seen ads for packs of MIDI chords that claim to help you write hits that will make your listeners' jaws drop in amaze...
By Craig Anderton Some of my favorite guitar sounds involve using Ampire's amp, bypassing its cab, and adding a cab from the Helix Native plugin. Others in...
The self-taught multi-instrumentalist and St. Louis native talks about taking his leap. A life in music requires passion, creativity, and dedication - and for ...
By Craig Anderton Sure, you can follow your virtual instrument with an audio compressor. But there's a problem: an instrument's dynamics and expressive...
Watch the independent artist and Wiz Khalifa producer cook up a song in a single day Imagine meeting someone for the first time and making a song together. Tha...
By Craig Anderton Announcement: The 2nd Edition of The Huge Book of Studio One Tips and Tricks is now available as a free download for owners of previous versi...
By Craig Anderton Usually, the Vocoder inserts into a track that provides the modulation, and the Vocoder's sidechain receives the carrier. But why be norm...
The GRAMMY-winning fiddler, songwriter, and New Orleans native talks about taking his leap. A life in music requires passion, creativity, dedication - and for ...
By Craig Anderton Let's get right to what this sounds like. It's not quite feedback or tape reverse, it's well, listen to what it does in this blue...
By Craig Anderton A Pro EQ3 stage's gain can respond dynamically to incoming signal level, so that louder inputs kick the gain higher (or lower). But Studi...
If you're a PreSonus user, you're probably pretty hands-on in producing ...
By Craig Anderton When I heard about binaural beats, I was interested-I like beats, and I'm into binaural audio. But this has nothing to do with either o...
Professional drummer, producer, and New Orleans native talks about taking the leap. A life in music requires passion, creativity, and dedication - and for many...
Take the Leap with the Next Generation of PreSonus Audio Interfaces MEET THE ALL-NEW FAMILY OF QUANTUM AUDIO INTERFACES The culmination of nearly 30 years of ...
Take the Leap with the Next Generation of PreSonus Audio Interfaces MEET THE ALL-NEW FAMILY OF QUANTUM AUDIO INTERFACES The culmination of nearly 30 years of ...
by Craig Anderton About four years ago, I did a tip on multiband gating. Although it was a cool effect, it was guitar-centric, cumbersome to edit, and time-con...
By Craig Anderton With this technique, when you play a standard 6-string electric guitar, you'll hear the rich, vibrant sound of a 12-string guitar. The pr...
By Craig Anderton Impact XT can launch clips, which is great for songwriting (see the blog post Songwriting with Impact XT). But few people realize that Impact...
By Craig Anderton Good mixes often depend on carving out a unique sonic space for each instrument, so you can hear them clearly. Sometimes carving out that spa...
By Craig Anderton MIDI guitars are a niche product, because the learning curve can be daunting for some guitar players. However, I'm surprised how many pro...
By Craig Anderton As the universe of Studio One users grows, so do opportunities for collaboration. But your collaborator may not be using the same version of ...
By Craig Anderton Over three years ago, I wrote a blog post on how to make a drumcoder. Its design was somewhat like a vocoder-drum audio served as a modulat...
By Craig Anderton One of Atmos's coolest features is scalability. No matter how complex your Atmos project may be, you can render it as Binaural, 5.1, 5.1....
Watch the Brooklyn Synthpop duo remix their song Blame in Studio One Less than 24 hours after meeting each other, producer Luke Moellman and vocalist Jon San...
By Craig Anderton The impetus behind this design was wanting to add envelope flanging to amp sims like Ampire. But there's a problem: most amp sim outputs ...
By Craig Anderton Supplementing close-miking techniques with room mics gives acoustic sounds a life-like sense of space. Typically, this technique involves pla...
Notion Mobile v3 took mobile music creation to the next level with support for iOS, Android, Windows, Fire OS and macOS. Now v3.3 adds many enhancements and fix...
Logic's Grammy-nominated producer breaks down his Sweet Spot. Before he found success as an avant-garde hip hop producer, 6ix was just 30 units shy of a de...
The Grammy-nominated multi-Platinum producer breaks down his Sweet Spot. From the studio with chart-topping artists like Aerosmith and The Fray, to empowering ...
By Craig Anderton Do you think of mixes in absolute terms, or relative terms? Knowing the difference, and when to apply which approach, can make a huge differe...
By Craig Anderton Calling all beats/hip-hop/EDM/hard rock fans: This novel effects starts with drums modulating the Vocoder's white noise carrier, and take...
This tip is about working with stereo, NOT about Dolby Atmos or surround-but we're going to steal some of what Atmos does to reinvent stereo panning. Stud...
The GRAMMY-winning recording and mix engineer shows us how he uses Studio One to create an artful immersive mix. Jeff Ellis is a force to be reckoned with. The...
Presence's sound library includes a fine acoustic 12-string guitar, but not an electric one. So, perhaps it's not surprising that one of the more popula...
At first, this might not seem too exciting. But follow the directions below, and try comping using this method-I don't think you'll be disappointed. Thi...
You know the feeling: You're tracking or doing an overdub with a virtual instrument or amp sim, but you're frustrated by the excessive latency inherent ...
Recording audio using more than one feed from the same source may create phase issues. For example, when miking a bass amp and taking a DI (dry) input, the DI&#...
If you haven't experimented yet with mid-side stereo miking, you'll be in for a treat when you do. Here's why: Record background singers with gorge...
This complements the tip Better Ducking for Voiceovers and Podcasts and the tip Why I Don't Use Compression Anymore. It applies the concept of voiceover duc...
Engineers sometimes advocate using high-pass filters to clean up the low end and tighten the sound. Others believe that because of issues inherent in highpass...
The GRAMMY-nominated artist, producer, and songwriter shows us how he uses Studio One to cook a musical idea from scratch. Josh Cumbee is a triple threat: The ...
This wasn't a conscious decision, or something I planned. But when I looked through my last few songs while seeking candidates for a book's screenshots,...
First, a follow-up: In the October 13 tip about creating Track Presets for parallel processing, I mentioned that Track Presets can't include buses, which is...
