
Eurecat presents its new interactive 3D Sfear sound technology in the sonar d Investigadores del centro tecnol gico Eurecat (miembro de Tecnio) han desarrollado una tecnolog a de audio 3D inmersivo y interactivo, denominada Sf ar que hace posible que el sonido reaccione al movimiento de la cabeza.
Desde este mi rcoles y hasta el viernes 16 de junio, Eurecat (miembro de Tecnio) presenta en el S nar D su nueva tecnolog a de audio 3D inmersivo y interactivo Sf ar que hace posible que el sonido reaccione al movimiento de la cabeza. S nar D es un congreso internacional que aglutina un conjunto de actividades con un eje com n: la relaci n entre creatividad y tecnolog a y la transformaci n digital de las industrias culturales que conlleva. El evento se celebra en Barcelona en Fira Montju c, en paralelo a S nar de D a, y re ne a expertos de todo el mundo (tecn logos, emprendedores, artistas, empresas e investigadores) para presentar y proyectar las iniciativas y herramientas que dar n forma a las futuras experiencias creativas en los mbitos de la m sica, la imagen, los contenidos interactivos y las plataformas transmedia.
La tecnolog a Sf ar ha sido desarrollada durante el ltimo a o y saldr pr ximamente al mercado, con la finalidad de proporcionar a la industria de la m sica herramientas de sonido 3D inmersivo para la producci n, la postproducci n y la reproducci n de m sica con auriculares , destaca el director de Tecnolog as Audiovisuales de Eurecat, Adan Garriga.
En el S nar D presentamos las herramientas de producci n musical con sonido 3D inmersivo que hemos desarrollado en el ltimo a o, con el valor a adido que son totalmente interactivas , para que los artistas y productores puedan ver c mo funcionan , detalla Garriga.
Sf ar ofrece herramientas de producci n musical que permiten hacer la producci n con auriculares y headtracking, de modo que el sonido reacciona al movimiento de la cabeza de la persona que lo escucha , a ade el investigador, que pone de relieve el potencial de la tecnolog a para crear canciones y sesiones de m sica en tres dimensiones en directo y producir y distribuir m sica y contenidos de audio inmersivo en los dispositivos m viles mediante auriculares.
Las herramientas Sf ar, remarca, son compatibles con la mayor a de softwares que utilizan los creativos , de forma que ahora un artista puede hacer m sica 3D sin cambiar su sistema de trabajo .
De acuerdo con Garriga, el sonido 3D ser el nuevo est ndar en el campo del audio, como lo fue la irrupci n del sonido est reo en los a os cincuenta y el paso del est reo al sistema 5.1 en la d cada de los ochenta .
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