Quantel launches LiveTouch, much more an a control panel for the production of outstanding

Quantel launches LiveTouch, much more than a control panel for the production of outstanding This solution consists of three components: a dedicated control panel, a monitoring application and the new server LiveTouch SQ.

For news, sports and other live applications, both Quantel It has just presented at IBC 2014 the new LiveTouch. This new control panel, has integrated Edition and is also typical controls Joghuttle/Slow, clips can be immediately edited in sQ, and remain available for immediate issuance. And all this under the same storage and without duplicating the material.

LiveTouch is a scalable system capable of supporting productions in several studies to maximize ROI. The difference is that LiveTouch offers bidirectional integration of editing making work easy and simple editing and inclusion of outstanding.

The product consists of three components: a dedicated control panel, a monitoring application and the new server LiveTouch SQ. Scalability and adaptability are attempts to level layer, separating surface of server controls. LiveTouch can grow to meet the needs of any size event, from a single server with six entries to a multiserver with more than 40 ports. The architecture of the product allows you to access any control panel or any clip in any server and play the prominent instantly using the new interservidor mechanism in streaming.

Panel was designed on purpose to make the selection of outstanding safe, simple, and robust. It incorporates a mixture of soft and dedicated buttons with a wheel for fast and effective clip navigation and speed slow playback precision motion control. In the development phase of the panel, mark has consulted extensively to various means of sports and its operators of direct emissions to ensure that your product carefully covers all the needs of live production.

On the other hand, LiveTouch offers an optional integrated Edition Quantel and can work with other workstations with the same storage. Flow is bi-directional - publishers can access highlights, without interfering with media and panels can be repeated any complete sequence.

For example, while the operator LiveTouch is capturing outstanding flight and providing playback and slow motion instant an editor can simultaneously edit media server LiveTouch engraving, assembling the individual interest in packets that are ready to repeat from the panel at the time as the live action is finished. You dont have to separate the Middle block first to transfer it to a second editor with the cost and the complexity required.

FileFlow

Quantel has launched sQ Fileflow at IBC, adding a number of new and powerful capabilities for the enterprise with sQ news and system production of sports for the users. SQ Fileflow 2 delivers more flexibility, simple integration IT fast flow and increases productivity.

As for Fileflow sQ, includes multiple independent motors: users can simply add more engines to increase the bandwidth, speed and resilience. Users can start working with media as soon as arrival files and export new files faster than realtime.

Kahunna family grows

Quantel announced today the introduction of the full range of new mixers Snell Kahunna, models 4800, 6400, and 9600 that offer more power and flexibility, and 4K capabilities throughout its range.

The new Maverick, perfect model for any Studio or ob production, complements models 6400/4800/9600 contributing a huge set of features reinforced, including more power for the effects of mixing (m/e), functionality and improvements in resizing DVE engines, allowing capacity chroma on all existing and 2.5-d DVE in all models of their range. Range models are the following: Kahunna 4800 (up to 4 M/s, 16 keyers) Kahunna 6400 (up to 12 M/s, 24 keyers) and Kahunna 9600 (up to 24 M/s, 48 keyers).

France Presse, adopts the Quantel technology Quantel has made known that since last year, France Presse has taken its technology by testing the solution QTube. The implemented workflow allows to work very quickly with both local and remote content. Thus it is possible to finish the parts in central Paris as well as in any other delegation.

The workflow supports 25 and 30 fps (30 p material is immediately converted once arrived in Paris)

LINK:	http://www.panoramaaudiovisual.com/en/2014/09/12...
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