
FAST Channels Part Two: Why They Matter for Sports Entities Samsung, ATP Media, and Telstra Broadcast Services On Why FAST Should Be Part of Your Content Strategy By SVG Staff
Tuesday, December 5, 2023 - 11:50 am
Print This Story | Subscribe
Story Highlights
Below is part two of our report on the rise of FAST (free ad-supported streaming). It has been undeniable in the past two years, and the transcript below dives into everything from how to launch a FAST channel, what makes for a successful one, and how it can help sports entities, both big and small, expand their reach and business. It is based on a panel discussion at Sportel Monaco that was moderated by SVG Co-Executive Director Ken Kerschbaumer, featured three key entities either involved in or seriously investigating a FAST sports service: Samsung (represented by Chris Gregory, strategic content partner, lead, Samsung TV Plus); Telstra Broadcast Services (Anna Lockwood, head of EMEA/Americas, Telstra Broadcast Services); and ATP Media (Alan Bruno, head of broadcast development, ATP Media). Click here to read Part 1.
FAST panel at Sportel: (from left) ATP Media's Alan Bruno, Samsung's Chris Gregory, Telstra Broadcast Services' Anna Lockwood, and moderator SVG's Ken Kerschbaumer
Launching a FAST service with live sports can require some controls around where it is seen, and also which sponsors are seen. Chris, can you discuss how Samsung TV handles those situations?
Gregory: FIFA Plus is a great example where we launched it in 20 countries out of our 24. If any rights holder comes to us, we do put blocks in and we appreciate that sponsors have multimillion billion dollar deals, so we'll block out any competitors. My Samsung ads team aren't always happy with that, but they understand that potentially the deals that are done at this kind of level are at this point much higher than FAST. So, we would block any competitor ads and we'd actually get introductions to the major sponsors for them so they can get their campaigns to viewers at the most relevant time and tournaments.
What do we see as the opportunity for smaller organizations and how do they get involved?
Gregory: For the smaller federations it's a great opportunity for distribution because they might not have a broadcast relationship in all of the countries, we have our service in. What we are looking for are FAST channels that resonate with a local viewer. For example, field hockey would probably work a lot better in the Netherlands as opposed to Germany. So, we review the channel, and we have managers in each country who will say, This will work, this won't work. So, for smaller federations we do more local-level deals.
Bruno: The in-between is a larger federation with perhaps smaller level tournaments that maybe don't have a TV or broadcast home. FAST could be an interesting solution for that as well.
Lockwood: And everyone has dark markets. There are a lot of conversations around where there is a rights gap, where there is a market that's dark, and where there are fans that are underserved. I think there's a big play in FAST for everyone from tier one down to niche sports or emerging sports.
Let's dive into what makes for a good FAST channel. How much content should they look to have on a weekly basis for example? How much do you have to refresh? What's that challenge?
Gregory: When I started at Samsung TV Plus four years ago, we were asking for 50 hours and 10% refresh a month. Now we're looking at 150 to 200 hours from launch plus a 25% refresh because the viewers get more sophisticated. Once they haven't got the number of hours their channel starts underperforming and that's when they start losing viewership and they start losing monetization as well. The ones with the higher hours and the higher refresh are the partners we really want on the platform.
Can you also do day parts? This feels very much like the cable landscape where at 3:00 AM the quality drops down a little bit. But if a channel's distributed globally, how do you lean into that so that dayparts line up with time zone?
Gregory: We have a compliance team that looks into all of that. Luckily that's not my job, but we try and get all partners to schedule their channels accordingly with day parts. With movie channels, for example, in the UK all 15-and-up rated films are scheduled after 9 pm. We know from the data that we see that the people who are watching are normally kids early in the morning, late at night just before they go to bed, and then the parents after that as well. We try and create a very family friendly environment because we know that it's a family environment that TV Plus is being watched by.
Lockwood: And that's also something that for us is interesting because we get asked a lot more about normalization, localization, compliance, regulations. When we first started this, those conversations were not that common but now, with the changing regulatory landscape, that's become much more critical.
Chris, what about exclusivity, having a channel that is only on Samsung TV?
Gregory: Exclusivity is something we're really pushing. DAZN FAST Plus is exclusive to Samsung TV Plus and I think it's a way of selling the service and potentially selling TVs and devices in retail. You can form stronger partnerships because it's like you are trusted with someone's brand, their rights. And you get more granular into the schedule, and you can tweak it a bit more. Exclusivity differentiates us between a very competitive marketplace as well, whether that's FAST platforms or other OEMs.
Bruno: Chris and the Samsung TV Plus team are in a position to offer a compelling exclusivity option just because of their market share. So it may be that we [at ATP Media] look at it as if we were to do
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Avid will unveil how it is transforming production to help media organizations unite content, agentic workflows, and business insights at IBC2026 (RAI Amsterda...
21/08/2026
New routing, modular processing, orchestration and monitoring capabilities bridge dedicated hardware and software-based processing as part of the Dynamic Media ...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
When hundreds of thousands of people gather to hear a single voice, there is no room for compromise. Every word must be delivered clearly, every wireless transm...
21/08/2026
Telestream, a global leader in media workflow technologies, today announced a strategic partnership with ScorePlay, the AI-powered media infrastructure that spo...
21/08/2026
NUGEN Audio announces the launch of its new Post Plan and Producer Plan, two flexible subscription offerings designed to give audio professionals short term acc...
21/08/2026
Join the Screen Currency 2026 Ask Me Anything (AMA) Online 20 August 2026
(L-R): Adrian Coates, Grainne Brunsdon, Deirdre Brennan, Rachael Perkins
Got questio...
21/08/2026
The countdown to the most wonderful night of the year has officially begun!
Host Patrick Kielty is gearing up for another unforgettable Late Late Toy Show nig...
21/08/2026
Meet puppet duo Bellie and Whizz, who are about to explore all the big feelings ...
20/08/2026
From host-broadcaster and rightsholder support in June and July to MLS, NWSL, US...
20/08/2026
In-venue and creative video staffers at the professional and collegiate level ha...
20/08/2026
At IBC this year, Veritone (14.A56) is bringing two connected themes to the booth: architectural independence in enterprise AI, and the automation of the media ...
20/08/2026
Telestream and ScorePlay have announced a partnership combining Telestream's...
20/08/2026
The Grand Slam of Curling and Rock League have announced a three-year agreement with ESPN, bringing more than 300 hours of live curling coverage to U.S. audienc...
20/08/2026
Nielsen has announced a series of enhancements to its Big Data + Panel currency measurement methodology, taking effect August 31. The updates were developed in ...
20/08/2026
Net Insight has been selected by service provider Big Blue Marble (formerly ORS Group) to provide its Nimbra platform as the core media transport solution for a...
20/08/2026
The 2026 US Open will bring a series of free fan activations across New York City ahead of and during the tournament, which runs August 23-September 13.
We...
20/08/2026
Bridge Technologies will announce a transport stream (TS) playout feature for its VB330 and VB220 compressed monitoring probes at IBC2026 (Booth 1.A71).
The fe...
20/08/2026
ENCO will demonstrate solutions across captioning, translation, AI production tools, automation, and virtual production at IBC2026 (Stand 7.A34, Amsterdam RAI, ...
20/08/2026
MultiDyne Video and Fiber Optic Systems will demonstrate camera robotics and mot...
20/08/2026
Chyron will demonstrate news workflow solutions at IBC2026 (Stand 7.A23), marking the company's 60th anniversary. Highlights include updates to PRIME HTML, ...
20/08/2026
Spectrum SportsNet LA, the exclusive television home of the Los Angeles Dodgers, is now available to Spectrum customers in former Cox markets following the clos...
20/08/2026
swXtch.io will unveil expanded Global SRT Distribution and native multicast tran...
20/08/2026
Riedel Communications has announced that Transformation Church in the United States has deployed a communications system built around the Artist intercom ecosys...
20/08/2026
The bestselling author and longtime Apple observer explores how product launches...
20/08/2026
The Orlando Magic entered last season with a dramatically upgraded in-venue prod...
20/08/2026
Pacers Sports and Entertainment has announced a partnership with DAZN, making it the exclusive streaming home of Indiana Pacers basketball. A team-branded strea...
20/08/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
20/08/2026
The NHL has announced two major developments tied to its Germany growth strategy...
20/08/2026
Set up your own private remote collaboration infrastructure
SoundBridge have recently put together a tutorial video that provides users with a step-by-step ...
20/08/2026
New V-Control Pro features restore basic functionality
Neyrinck's V-Control software has long been keeping older Avid control surfaces compatible with n...
20/08/2026
TV, BritBox and Mammoth Screen have announced that filming is now underway on th...
20/08/2026
New York August 19, 2026 Nielsen today shared a number of key enhancements t...
20/08/2026
New Gracenote Data Hub analysis finds sports program titles up 31.2% and individ...
20/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/08/2026
At IBC, Profuz Digital will showcase at stand 8.A88 the SubtitleNEXT platform delivering innovative AI transcription integrations and stunning new features boos...
20/08/2026
Riedel Communications today announced that Transformation Church, one of the fastest-growing and most influential digital ministries in the United States, has d...
20/08/2026
QuickLink Showcases New 4K Capabilities Across StudioEdge and StudioCall at IBC ...
20/08/2026
The Boys Season Five Graded with DaVinci Resolve Studio
Brie Clayton August 20, 2026
0 Comments
Colorist Siggy Ferstl uses Depth Map to bring a three ...
20/08/2026
Adobe Firefly expands its creative AI studio: generate music, speech, and sound ...