
Live From Super Bowl LIX: Inside the Big Game (and Studio) Production with Mike Davies of Fox Sports By Ken Kerschbaumer, Editorial Director
Thursday, February 6, 2025 - 3:21 pm
Print This Story | Subscribe
Story Highlights
When it comes to producing a Super Bowl in recent years, the reality is that the efforts are increasingly not just about the game on Sunday (and the pre-game) but how the event has become a true cultural touchstone complete with dozens of hours of coverage and plenty of innovations, both technical but, more and more, creative. And this weekend's Fox Sports production of Super Bowl LIX at the Caesars Superdome in New Orleans is a perfect example.
Every year, one network is the steward of this seminal event. says Mike Davies, Fox Sports, EVP, technical and field operations. It is our mantra to elevate this game to the state of the art, making sure that every angle is covered and every moment on the field is available for replay after the fact in crisp, clean motion.
Despite the fact that each of these games has literally hundreds of cameras, our mantra is to very much keep things as similar to the regular season as possible so our lead producer Richie Zyontz, our lead director Rich Russo, as well as our full team are comfortable and in a familiar environment.
Mike Davies of Fox Sports says the production efforts have been months in the making for Super Bowl LIX.
For example, by the time Zyontz and Russo settle into their chairs on Sunday afternoon Fox Sports will have already delivered 67 hours of programming all week across Fox, FS1, and Fox Deportes as well as other initiatives planned for this weekend. And while there is always plenty of focus on the numbers like 149 cameras for the game and pre-game, 48 microphones, 53 miles of fiber and, of course, things like 2,783 Po boys set to be served up for lunch to the Fox Sports crew on Super Bowl Sunday, numbers don't tell the true story of a Super Bowl which is always a multiple month (or years) long project that involves plenty of planning designed not only to capture the game but also the story of the teams, players, and the host city from all angles.
We've been planning this daily for 14 months, says Davies. With New Orleans-hosting its first intracity' Super Bowl in years-playing a central role, our President of Production & Operations and Executive Producer, Brad Zager, challenged us to find the city's most iconic location. That had to be the French Quarter, and more specifically, Bourbon Street at St. Peter-arguably its cultural heart, surrounded by legendary spots like Maison Bourbon.
Having the French Quarter just a stone's throw from the stadium is a game-changer, shaping our entire approach to the Super Bowl beyond the Xs and Os. For example, we'll be using drone coverage to seamlessly connect the different areas of interest.
The end-product of the efforts involved not only Fox Sports but also state and local government officials, the New Orleans Police Department, and local civic leaders and business owners in the French Quarter and Bourbon Street. And that product will be on full display when the Fox Sports Super Bowl Sunday Pre-game Show takes to a parade float (a tribute to Mardi Gras) in the intersection of Bourbon and Mason Streets on Sunday morning.
When we first mentioned the idea of setting up on Bourbon Street, the reaction was, You're going to do what?' says Davies. But after some thought, they came back and said, Let's make this a reality'-after all, this city knows how to throw a party.
For this Super Bowl, Fox Sports fully embraced the local scene. The Solomon Group was instrumental in planning and production, and I can't say enough about Gary Solomon and his incredible team for making it all happen. Chris Young was a key piece of the puzzle, leveraging his relationships to help us communicate effectively with business owners.
We also owe a huge debt of gratitude to the New Orleans Host Committee, whose connections and support opened doors across the city.
That focus on Bourbon Street was of course put to the test a little more than a month ago when 14 people were killed and 57 injured when a terrorist drove down Bourbon Street on the morning of January 1.
The attack on January 1 put everything into perspective, forcing us to view it through both the lens of loss and resilience, says Davies. Operationally, this event could not have continued without the support of the Governor's office, City Officials, and the invaluable assistance of the New Orleans and State Police, along with so many others. One of the greatest privileges of this show has been working with such incredible people-people I will always consider friends.
Game Time
With respect to the game itself, Davies thinks the game is going to be defined by instant replay and how good a job Fox Sports does getting the right looks.
Our ethos is a little different than other networks in that we don't really seek technology that might get used once or twice or that the audience really isn't going to see a lot, he says. We like to get the technology in the hands of the producers and directors so they can have multiple chances to work with it and see how it can be integrated.
Example one this year? The high SkyCam which features a Sony HDC-P50A 4K HFR box camera. Davies says because the camera has a 4K sensor it can fly a lot higher than previous second SkyCam but also do a lot more than just be a SkyCam.
One of the great things about 4K replay is that it can be used for many different things, especially on a SkyCam, he says. It can be used as a high all-22 where you can get both guards in the image and it's also a really great telestration device for [analyst] Tom Brady and others to show how a play is unfolding. And it can also ope
More from Sports Video Group
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...
18/02/2026
DNA Inc. specializes in crafting next level digital experiences in the Media, St...
18/02/2026
Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music
The only persons on the Figure Skating ice at the 2026...
18/02/2026
Canadian rightsholder deploys its most complex setup at an Olympics ever with ...
18/02/2026
A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...
17/02/2026
Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...
17/02/2026
At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...
17/02/2026
CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...
17/02/2026
Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look
With NBC Sports just months into its return to NBA coverage a...
16/02/2026
The production infrastructure scaled seamlessly from regular-season games to the...
16/02/2026
The operations team reimagined traditional workflows were reimagined and built a...
16/02/2026
Once again an in-house operation, the league's network is producing shows fr...
16/02/2026
The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...
16/02/2026
When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...
16/02/2026
Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...
16/02/2026
Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...
16/02/2026
Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
12/02/2026
Chyron unveils PRIME 5.3, the latest software release of the company's powerful engine for live production graphics. PRIME 5.3 delivers the first official i...
12/02/2026
The vendor's VP of Product Management explains how quality assurance, monito...