
Super Bowl LVII: Phoenix, State Farm Stadium Raise RF Coordination to New Level Sieve-like venue in RF-dense town makes for challenging RF environment By Dan Daley, Audio Editor
Wednesday, January 18, 2023 - 11:36 am
Print This Story
As NFL teams vie to go to Super Bowl LVII on Feb. 12, a different kind of battle is taking place behind the scenes and could determine the quality of the event's overall broadcast production.
Every year, sports production depends more heavily on wireless systems for audio and video. In terms of RF operations, however, State Farm Stadium in the Phoenix suburb of Glendale is described by experts in the field as perhaps the most challenging of all NFL stadiums. That's due to a combination of the venue's construction materials and design and the density of its immediate RF neighborhood.
[Super Bowl at this venue] is a parking lot that has fewer spaces than the number of cars that want to park there, says Cameron Stuckey, RF engineer, Professional Wireless Systems. The city has no vacant TV channels for wireless-microphone operations, and the stadium has minimal RF shielding. That's what our scans showed in October, and that's what everyone else has been experiencing [during] the rest of the regular NFL season. PWS is contracted by ATK Clair Global to manage the wireless systems for Super Bowl LVII's entertainment elements: the iconic halftime show, headlined this year by Rihanna, and the opening and closing performances.
PWS's Cameron Stuckey: [Super Bowl at this venue] is a parking lot that has fewer spaces than the number of cars that want to park there.
Stuckey attributes the stadium's recent increase in RF challenges to an influx of broadcast operations in the wake of the FCC frequency repack, which was completed in 2020 and incentivized RF users to move to 600 MHz spectrum, the portion recently vacated by a spectrum auction by the agency to free up RF space for consumer mobile devices. The spectrum repack moved nearly 1,200 U.S. TV stations to new UHF and VHF frequencies.
They rolled the dice, says Stuckey, and a lot of Phoenix-area broadcasters took that opportunity to continue broadcasting [in those bands]. He adds that the Super Bowl increases the amount of RF needed beyond what is usually required for a typical regular-season game: Super Bowl is a high-stress, high-focus environment. There's zero margin of error.
Tools and Techniques For Minimizing Interference Frequency managers have many tools and techniques to use, including multiplexing microphones, carefully positioning highly directional antennas, and coordinating the opening and closing of adjacent frequencies at certain points in the event. None of them, though, may be more useful than the Special Temporary Authority (STA), through which the FCC grants provisional access to additional radio frequencies in a specific time and place.
It should be called the standard temporary authority, because it has to be used so often now, says Joe Ciaudelli, director, spectrum and innovation, Sennheiser, noting that he has seen PWS's RF scans of the stadium. There are virtually no major professional or collegiate sports events that do not require one or more STAs, depending on location. But Phoenix is the most challenging of all of them.
It's the one market that does not have a single vacant UHF channel available, he continues. It does have some low-power channels that can be used, and the STAs can be used to scope those out. There's also some VHF available, but there's very little in the way of VHF-compatible equipment left that can use it, and [it's] best-suited for less critical, off-air/off-stage communication channels, such as intercom systems. It's going to be the diligent planning and resourcefulness of the RF engineers that will make this fly.
(However, Ciaudelli adds, success can bring its own challenge: No one should conclude, looking in from the outside on this Super Bowl, that there is no spectrum crunch, even though this may make it look like that. )
Inside the Venue State Farm Stadium presents its own problems. PWS GM Jim Van Winkle cites the stadium's high degree of RF reflectivity and lack of shielding, which makes isolating indoor and outdoor RF signals from each other more difficult. That, he says, is a function of construction materials and architectural design.
PWS's Jim Van Winkle: You can [use] all the tricks that professional coordinators and RF engineers have, but, at some point, you're going to run up against FCC regulations that say you can't operate on these frequencies in this city.
No one expects a Faraday cage, he explains, but some buildings have solid walls with big steel beams; sometimes, a lot of flat sheet metal; sometimes, even wire mesh - all of which can shield RF. We won't have any of that in Phoenix. The design of the building is not to our benefit.
Furthermore, adds Stuckey, wireless microphones are subordinate to DTV stations in the DTV UHF spectrum, per the FCC. And rightsholders for any event's broadcast are generally given deferential treatment by its RF coordinators.
Entertainment frequencies at a sporting event are second among equals, he explains. Sporting and entertainment, as secondary users, have to fit into the spectrum unused by [FCC] Part 73 broadcast DTV stations.
If a DTV channel is occupied above -84 dBm, Stuckey continues, we are not authorized to use that channel. In places like Phoenix and Orlando, another city that has a pretty high post-repack density, there's not a lot of spectrum between 470 and 608 [MHz] that's legal for Part 74 secondary users. You can try to avoid the interference by using all the tricks that professional coordinators and RF engineers have, but, at some point, you're going to run up
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
09/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
NBC's 9:16 live-production workflows power Courtside Live, Rinkside Live, Vi...
08/05/2026
Native 1080p HDR productions will rely on a mix of remote workflows from Bristol and Los Angeles
Despite another prosperous WNBA season in 2025, there was no g...
08/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
08/05/2026
Players Era, an EverWonder Studio company, and ESPN have announced a multi-year ...
08/05/2026
BFBS (British Forces Broadcasting Service) has announced the selection of Syname...
08/05/2026
UFC and Joe Hand Promotions, UFC's exclusive commercial distributor in the U...
08/05/2026
Ease Live, an Evertz company, has announced it has been granted US Patent No. 12,556,777 for its graphical overlay technology for interactive live streaming. Th...
08/05/2026
Ateme has announced that VTVcab has deployed Ateme's OTT platform to power its VTVprime streaming service in Vietnam. The deployment covers live and on-dema...
08/05/2026
Amagi has announced the availability of its In-Content Ads offering via the Amagi ADS PLUS marketplace, providing programmatic access to ad formats inserted dir...
08/05/2026
Young broadcaster will deploy 11-camera complement, At the Line' scorebug f...
08/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
08/05/2026
FOX Sports, America's English-language home for the FIFA World Cup 2026, and...
08/05/2026
Molly Gordon and Ben Platt appear in Theater Camp. (Courtesy of Searchlight Pictures)
By Lucy Spicer
Her character is the beloved founder of the AdirondACTS...
08/05/2026
One-button synth generates random four-track ideas
Cyma Forma and French artist Bambounou have announced RND synth, a compact hardware synthesizer built aro...
08/05/2026
Portable four-layer granular and sampling instrument
Tasty Chips have announced the GR-2, a new granular synthesizer and sampling instrument that combines e...
08/05/2026
Video Show Report
Video of SUPERBOOTH 26: Polyend Drums
Polyends big announcement for Superbooth 2026 is the Drums, a new drum machine that features both ...
08/05/2026
Deal agreed as NI enters new chapter
Native Instruments CEO Nick Williams has announced that a definitive agreement has been signed for the company to be ac...
08/05/2026
Video Show Report
Video of SUPERBOOTH 26: Erica Bullfrog Drums
The Bullfrog Drums is the latest collaboration between Erica Synths and Richie Hawtin, and ...
08/05/2026
In our latest blog, Tim Pearson reflects on the recent launch of Play Snooker, the new digital home of snooker by the World Professional Billiards and Snooker A...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Riedel Communications today announced its return as a sponsor of the Glasgow 2026 Commonwealth Games, where the company will serve as the Official Connectivity ...
08/05/2026
For the second straight year, Miri Technologies Inc. has been honored with a pair of coveted awards at the broadcast, media and entertainment industry's pre...
08/05/2026
Nine Alumni Nominated for Tony Awards More than 20 alumni contributed to this year's Tony-nominated productions.
May 7, 2026
By
Tori Donahue
Boston Co...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Liberty University on why broadcast technology isn't just a technical invest...
08/05/2026
COW Jobs: UGC, On-Camera Video Content
Brie Clayton May 7, 2026
0 Comments
UGC, On-Camera Video Content
April 17, 2026Documentary Editor - US,......
08/05/2026
Pete reunites with Dogs Trust for a fourth series and a two-part overseas special
London, Friday 8th May 2026: The award winning factual entertainment series P...
08/05/2026
Wuppertal May 8, 2026
Riedel to Support Glasgow 2026 as Official Connectivity Integration Provider Riedel Communications today announced its return as a spons...
08/05/2026
Back to All News
Netflix Announces Standalone Sequel to Global Hit La Palma
Entertainment
08 May 2026
GlobalDenmarkFinlandNorwaySweden
Link copied to clipb...
08/05/2026
ICG is excited to share news of our official launch in Northern Ireland, marking a significant milestone in the agency's growth.
Led by Digital Marketing M...
08/05/2026
Over the past ten years, Thames Water, in partnership with Arqiva, has installed more than 1.2 million smart meters, creating one of the most extensive advanced...
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Multi-year partnership positions Victory+ as a free home for Dallas Cowboys orig...
07/05/2026
From sideline reporting to directing and producing, the talented sophomore is building a well-rounded foundation for a career in live sports production
In the ...
07/05/2026
Cobalt Digital has received two Future Best of Show awards at NAB Show 2026. The COBALT blueCORE platform was recognized by TV Tech, and the COBALT PACIFIC ULL-...
07/05/2026
ESPN analyst Mina Kimes will host the televised semifinals and finals of the 202...
07/05/2026
Bitmovin has announced that MUBI, the global film streaming platform, has selected Bitmovin as its cloud VOD encoding partner. Bitmovin's encoding infrastru...
07/05/2026
NBCUniversal Telemundo Enterprises and the U.S. Soccer Federation have announced...
07/05/2026
Angel City Football Club (ACFC) and Victory have announced a regional broadcast partnership bringing live match coverage to fans across the greater Los Angeles...
07/05/2026
Spiideo has announced the launch of AI Highlights inside Spiideo Play, its automated sports production platform. AI Highlights combines video, event data, audio...
07/05/2026
Leostream Corporation has announced a unified remote access ecosystem for high-p...