The versatility of the new compact EVA 1 Panasonic sensor Super-35 captive to IBC

The versatility of the new compact EVA 1 Panasonic sensor Super-35 captive to IBC The multinational highlights at IBC its commitment with the audio-visual in the form of collaborations to create value-added solutions addressed to companies, live events, and production.

Panasonic It has announced at IBC arias initiatives of collaboration that will help you go beyond the hardware to develop solutions connected multi-technology. Building on the success of your remote camera and Studio camera products, Panasonic has collaborated with industry partners to create robotic systems, new protocols and monitoring systems.

These collaborations include the Vislink and Videosys initiative to develop the first compatible wireless modules aimed at their Studio camera range. These modules will allow remote control cameras and transmit video via the HF Band through the use of an external system with simple and direct anchors in the contacts of the battery of the camera.

Panasonic has also announced the HDR upgrade its range of study that includes support for both HD and 4 k HDR thus offers an experience enhanced thanks to high contrast images. From October, will update the current HDR capabilities of the Studio cameras AK-UC3000 (4 K) and AK-HC5000 (Full HD), as well as the compact camera AK-UB300 (4 K). The update will offer a white clip of 100%, an adjustment of black gamma, knee and an enhanced Viewer that provides an optimal HDR recording experience.

Movicom

For live productions, Panasonic has partnered with Movicom, with the aim of developing a head pan and tilt to measure for 4K, a partner of the Chamber compact UB300. This module integrates a pointer design of carbon-fiber, along with SDI, Ethernet connectivity and fiber, as well as a soft head pan and tilt, essential for the demanding broadcast applications.

On the other hand, Panasonic and Antelope have signed a European distribution contract for the next generation of Antelope camcorders. The Panasonic booth shows Antelope peak, a camera system of broadcasting of type 2/3 miniature that provides a live permanent signal and a sign of slow movement of up to 340 fps, along with the Antelope ULTRA, a camera 4 K supercompacta which offers up to 60 fps through a single 12 G SDI cable.

Furthermore, Panasonic has signed an exclusive distribution agreement with AR + that allows you to offer and provide assistance to robotic systems unique in all Europe. Other agreements that has closed the Japanese company has been with Tecnopoint for Chamber of rail systems, particularly suitable for remote cameras AW-HE130. When combined with the corresponding control PTZ GUI interface, offer an ideal system for reality shows and live events.

Panasonic has also strengthened its range of switches in the event of Amsterdam, with the introduction of the AV-HLC100 live production, which natively supports NDI. This system all in one software-based is capable of combining IP and SDI sources simultaneously recording, mix audio, add graphics and send streams of transmission to the Internet via RTMP and NDI.

Mixers

At the top level of its range of mixers, Panasonic has introduced new high-end models, available from the spring / summer of 2018. The AV-HS7300 is a powerful and flexible mixer designed for 4K production needs. This device was demonstrated in the Panasonic booth along with Studio 4 K, compact cameras cameras and other sources 4 K of the company.

The IBC also made its debut in Europe recently announced range of professional integrated Panasonic cameras with support for network (NDI) device interface. The AW-HN40, the AW-UN70 and AW-HN130 joining Panasonic market models leading current PTZ. Furthermore, AW-HN38 camera joins the range PTZ as a model of high-value premium quality.

This camera includes a powerful set of functions similar to the of the AW-HN/HE40, with zoom 22 increases, HDMI and native IP connectivity. With fully integrated support for NDI version 3, it allows users to connect your PTZ camera Panasonic Professional directly to a NDI network.

On IBC 2017 also announced an integration with Live u Live U only now offers compatibility with the full range of Panasonic P2 cameras, enabling direct flow streaming for social networks with a touch.

360 degree

Panasonic has also announced a new memory card. Card microP2 AJ-P2M064BG B-series, which is scheduled for this month (September 2017), is compatible with SD cards, which allows its use as SDXC memory card for Panasonic UX series, cameras AVC recorders and cameras LUMIX Digital.

Finally, the camera 360 degrees of Panasonic, whose commercialization is planned for autumn, is also present at the fair. The system consists of a camera, a unit head base and four chambers, allowing to generate videos of 360-degree resolution 4K uncompressed with a ratio of 2:1 (video equirrectangular) image format. This model is the perfect choice for applications live thanks to a very low latency, a function of active joint highly accurate real-time and automatic exposure control and white balance.

First shooting with the new compact camera AU-EVA1 Filippo Chiesa has been charged with shooting the first film with the new movie camera handheld EVA1 5.7K of Panasonic, which has been presented at IBC in Amsterdam.

Filmed and directed by the Italian director of photography in Iceland, the demonstration video presents the advantages of recording with the new sensor Super-35, with a resolution of 5, 7K, as well as the ISO 800 and 2500 dual native. All of these features allowed the director record in virtually any light environment.

Directed to indie filmmakers, the EVA1 offers 14 stops of dynamic range allowing a tight gradient of exposure from whites to blacks, as well as capture accurate colors and tones skin with great definition. The camera incorporates a native EF mount that offers filmmakers access to the wide ran

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