
A three-step guide to delivering a best-in-class multiscreen experience
Author:
ContributorPublish date:
Oct 26, 2017Social count:
1
A three-step guide to delivering a best-in-class multiscreen experience
1
SHARES
It is no secret that pay-TV operators in the western world are on the lookout for new ways to remain attractive and retain subscribers in an increasingly competitive and fragmented multiscreen landscape. With more pressure from OTT pure players on the one hand, and creative operators in emerging markets, the competition is becoming fiercer by the day, which means that it is time for a deep rethink of the way TV experiences are designed, delivered and secured.
We recently published a white paper with our partner Verimatrix on the topic, which provides a simple three-step guide to attract and retain subscribers without compromising on content control. To summarise it, let me go back to the three steps of multiscreen service design and delivery.
Step One: Serving a plethora of devices
The traditional approach to multiscreen consisted in designing one service for each device, which is why separate services for set-top boxes (STB), mobile devices, game consoles and so on still exist. However, according to Boston-based media and technology consulting group Altman Vilandrie & Company, 9 out of 10 US-based pay-TV subscribers have signalled clearly that they do not want a further increase in the number of video apps. What they really want is one app that aggregates all content sources and provides a great user experience on multiple screens.
Yet, the modern video consumption habits are multi-device, multi-platform and across many networks, and consumers will not wait until a service is made available across all their platforms of choice. In addition to today's home entertainment screens, operators will soon have to condone with integration of their services with the connected car or IoT-enabled devices, resulting in even more pressure to deliver high quality services accessible both in and out of the home. By combining services centrally managed through the STB with cloud infrastructure to ensure they provide the same quality of service to every screen a consumer may want to use and avoid risking losing eyeballs.
Step Two: Syndicating content sources efficiently
Exclusive rights enable content owners to make the most of their assets. To do that it's critical that they know to best deliver these assets to each consumer. Exclusive rights are also of course incredibly useful in enabling operators to promote their offering and entice existing and new subscribers. However, for the end user, this creates a puzzle when wanting to access their favorite content: remembering which device-service combination gives access to a specific piece of content is virtually impossible in such a fragmented market.
To further complicate matters, there are examples when multiple series of a TV program or seasons of series can be available from different providers depending on the content deals that have been secured, making it even harder for consumers to use a single service for all their content needs. This leads to increased complexity for the end user, who cannot use a single service collating all content sources and providing access to all these at once.
More collaboration between rights holders, platform and service providers, network operators, and broadcasters would kill two birds with one stone. In addition to delivering significant costs savings on technologies and service development, it would also enable each player to retain its own branding and content catalogue.
Step Three: Securing the delivery of all assets
Seamless, end-to-end security across devices and networks, regardless of the content source or type, is the sticking point for the industry today. To support the studios' requirements for premium content and to provide a truly integrated service as the one-stop content consumption solution for public, private and premium content, operators need to implement a combination of solutions. Conditional access (CA) and digital rights management (DRM) solutions are the most common content protection solutions. Integrated within the STB, large screen displays or mobile devices, they limit access to each piece of content to authorised users. This approach has been widely used and has proved effective at deterring piracy and blocking access for unauthorized viewers.
Consumers now have more services available to them than ever before, and for pay-TV operators to remain competitive it is crucial that they deploy the right technology in order to fulfill all of the end-user's content demands. By building a secure one-stop content consumption solution for all types of content, pay-TV operators will be able to increase customer loyalty and offer a more personalised service that adjusts to the viewer's consumption behaviour. In an era of content on any device, anytime, anywhere and many players vying for each consumer's attention, operators that implement these three golden rules are the most likely to succeed.
By Dr Fleming Lampi, global director at Access Europe
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
72.4% of overall TV viewing in Q1 2025 is of content that includes advertising
...
01/05/2025
NEW YORK LiveNow From Fox, Fox Television Stations' national news streaming service, has released viewing data showing the first quarter was the best quarte...
01/05/2025
The global installed base of Smart TVs and Connected TV (CTV) devices will reach 4.2 billion units by 2030, growing at a CAGR of 9.6% from 2.65 billion in 2025,...
01/05/2025
Samsung TV Plus has announced that it is expanding its existing lineup of more than 50 sports channels with five new free, ad-supported streaming television (FA...
01/05/2025
MELBOURNE, Fla. Carlo DiMarco has joined USSI Global as vice president of strategic marketing and growth, with responsibility for strategic business development...
01/05/2025
WASHINGTON The NAB has filed a wide-ranging rebuttal to proposals by the pay TV industry that the FCC delete and/or significantly change rules governing retrans...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
Voice actor and producer Mark Yoshimoto Nemcoff shares his first impressions of the DPA 2017 Shotgun Microphone, from real-world auditions to side-by-side compa...
01/05/2025
With my previous console, Freeman recalls, I always had to run a Waves server for EQ and compression, but when I switched to DiGiCo, I found it was such an op...
01/05/2025
Stream all episodes ofLook Who's Hangry from April 29
An RT Player Original in partnership with Heinz...
01/05/2025
Here is your host, Patrick Kielty!
T naiste, Minister for Foreign Affairs and T...
01/05/2025
Exclusive interviews and un-seen footage feature in new two-part series...
01/05/2025
May brings more than just rainbows and sunshine - it's also time for fresh adventures and epic battles. This GFN Thursday spotlights 20 can't-miss games...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...