
SVG Sit-Down: Sports-Media Stalwart Neal Pilson on the Impact of Coronavirus on Rights Deals, Ratings, the Future of the Industry By Jason Dachman, Chief Editor
Tuesday, March 24, 2020 - 3:34 pm
Print This Story | Subscribe
Story Highlights
With the COVID-19 pandemic bringing the sports world to a halt, a litany of questions about the long-term impact on the sports-media industry remain unanswered. To provide insight into what the coming months and years may hold for the business, SVG is sitting down with several top sports-media executives and veterans to share their thoughts on the current situation.
Few executives understand the inner workings of sports-rights deals as much as Neal Pilson. During 19 years at CBS, including 13 as president of CBS Sports, he helped transform the Tiffany Network into a live-sports-programming goliath and earned a reputation as a tenacious but honest negotiator and cerebral tactician. Departing CBS in 1994, he launched consulting firm Pilson Communications Inc. (PCI) and has played an integral role in the negotiations for billions of dollars in sports-rights deals over the past 25 years. CLICK HERE for Pilson's full Sports Broadcasting Hall of Fame profile.
Neal Pilson: The question will be whether [advertisers] resume spending at the levels that we were enjoying just a month ago.
SVG sat down with Pilson late last week to discuss the short- and long-term impact of coronavirus on the industry, how he sees future rights deals playing out, and what a crowded fall sports calendar could mean for viewership.
How do you see the coronavirus pandemic affecting the sports-media business in the short term and the long term?
Obviously, the critical short-term issue is when the events resume because major sports networks are all pretty much dependent on live sports and events taking place. Until that happens, everyone is in a crisis mode. The advertiser and sponsor dollars are not flowing into the networks, and, unfortunately, there are likely to be layoffs at some point, if they haven't already begun. But, at the same time, for the most part, rights fees are not flowing out of the networks. So, although you're not generating revenue, your costs are dramatically lower as well.
In the long term, I have confidence that the industry will come back and that the American public, which will not have been buying products, will have a pent-up surge in buying and increase their buying practice. You have to have optimism that the economy will come back, but, whether it will come back to the aggressive levels we enjoyed in early 2020, I'm not sure. But I think there will be a recovery and people will be happy to watch live sports again and to get out of their homes to attend sports events. It's just a matter of when, not if.
In your experience, do major rights deals typically have an out clause for rightsholders if games aren't played?
Yes, typically, they do, but every deal is different. Obviously, you can't break the contract, but the [rightsholder] could be excused from paying the rights fees or able to negotiate another arrangement.
For example, with the NCAA [Men's Basketball] Tournament, the impact of losing the rights fees on the colleges and universities is just enormous, and it's possible that the NCAA has negotiated some form of reduced payment because of the massive impact. If I were the NCAA, I would ask CBS and Turner to pay 40% or 50% if we cancel, and we'll make it up the next year. If you're not going to be out of pocket, it's just that your cash flow will change.
That sounds conceivable in amateur sports but not for professional sports. If the NBA does not play, they don't pay their players, and the TV networks don't pay the NBA. It's pretty simple.
When live sports events do resume, do you foresee fans returning and the industry being able to recover?
Once play returns, I think sports will lead the charge. I think the public will be so happy to get live sports back - whether it's a delayed NBA or NHL season or a delayed Olympics, or the NFL and college football come back as scheduled - that we're going to see a significant increase in viewership. Everyone is going to welcome the joy and the excitement of TV sports, so I think our segment of the industry will roar back.
Now the question will be the sponsor revenues and whether [advertisers] are in a recovery mode [and] ready to resume spending at the levels that we were enjoying just a month ago.
With the NFL, for example, most of the [advertising and sponsorship] is sold during the upfronts, which normally take place in May-June. And we just don't know how that's going to be handled because, putting sports aside for the moment, I'm not sure [networks] can produce any [episodic] programming whatsoever until the crisis situation has been resolved. You have to gather to shoot a pilot, movie, or series, and I would expect that production is going to be deferred as well. We're not sure how this is going to play out yet.
Do you believe the value of live-sports rights will continue to escalate, or will this situation pop the rights bubble?
I think it will be somewhere in between. There will be a hesitation because we're going to have to see if sponsor dollars, which still fund the major sports networks, come back into the marketplace at the level projected when the earlier rights deals were negotiated. The [rights] buying is done primarily by ESPN, CBS, NBC, and Turner, and, if there is clear warning that economy is shaken and projections are not good, the networks are going to be very cautious.
If the networks are seeing a [significant] reduction in sponsor support over the next year due to the uncertainties in the marketplace, I think you will see a deferral of early negotiations, which the rightsh
More from Sports Video Group
12/11/2026
Industry leaders examine how Dynamic Media Facility, Media eXchange Layer, and c...
12/11/2026
The junior Tar Heel is embracing the technical and creative challenges of live production while emerging as a leader and mentor in the control room...
12/11/2026
Gracenote, Nielsen's content intelligence business, has released its fifth a...
12/11/2026
RTL Deutschland will bring the NHL to free-to-air TV in Germany starting Nov. 30...
12/11/2026
Clear-Com supported On Air 2026, a 24-hour student-led broadcast connecting 45 u...
12/11/2026
uniqFEED has opened a Remote Operations Center (ROC) in Madrid, Spain. It is already operational, delivering virtual advertising for LaLiga matches. The ROC is ...
12/11/2026
Disney, ESPN and the NBA will present Dunk the Halls, the third real-time animated NBA game using Sony's Beyond Sports data visualization technology, on Chr...
12/11/2026
Van Wagner has launched Van Wagner RELAY, a digital platform for official athlet...
12/11/2026
Deal brings together two of the industry's most established graphics brands and significantly expands Vizrt's footprint in U.S. sports and regional broa...
12/11/2026
Euro TV Production GmbH of Austria has upgraded its outside broadcast vehicle with Lawo technology. The mc 36 Classic console in service since 2019 was replaced...
12/11/2026
Tagboard has launched Spark Resize, an AI-assisted tool now in beta that takes an existing graphic and produces a new version for a different aspect ratio or sc...
12/11/2026
Ben Winston, Glenn Weiss, and FIFA's Jenni-Lee Van Gelder headlined a day fo...
12/11/2026
Free interactive platform visualizes team tendencies, formations, and schemes, updated weekly...
12/11/2026
Sports Broadcasting Hall of Famer Charlie Jablonski's broadcasting career is...
11/11/2026
Hornets Sports & Entertainment (HSE) and Spectrum have installed WiFi 7 as part of Spectrum's Managed WiFi solution within Charlotte's recently renovate...
11/11/2026
As 4K displays normalize in living rooms and economy flights, aging minor league...
11/11/2026
Northwestern University has deployed Grass Valley production switching and camera technology at its new Ryan Field stadium in Evanston, Illinois. The installati...
11/11/2026
Central Christian Church has transformed communication across its live productio...
11/11/2026
Monumental Sports & Entertainment developed the new Cisco Command Center for all of the building's technology
Prior to the start of the busy October schedu...
11/11/2026
The new Manhattan set is the latest addition to a network of studios, home setup...
11/11/2026
With a remodeled set, an expanded camera package, and a Steve Aoki performance, MLB Network's production team raises the bar again at The Chelsea...
10/11/2026
ENCO provided live stage captioning, multilingual translation and new audio pass-through services at NAB Show New York, held Oct. 21-22 at the Javits Center, an...
10/11/2026
Vizrt has built a proof-of-concept integration with the Story Object Model (SOM), shown at IBC 2026 in Amsterdam as part of the Smart Stories Accelerator projec...
10/11/2026
Gravity Media's Creative and Managed Services team produced a dedicated live 9:16 vertical broadcast workflow for Meta Connect 2026. Meta asked for more tha...
10/11/2026
Blue Stream Fiber has standardized its OTT streaming services on Ateme's end-to-end video platform for its high value linear channels, providing more effici...
10/11/2026
Haivision has opened the survey for its 2027 Broadcast Transformation Report, inviting broadcast, media, and production professionals worldwide to share their p...
10/11/2026
The League of Live Stream Theater (LOLST), the nonprofit organization partnering...
10/11/2026
USA Sports and The Horse Racing League (HRL) has announced a partnership to air ...
10/11/2026
Matrox Video has launched The Sync, a new video podcast series bringing together Matrox Video experts, customers, and partners to explore the technical and busi...
10/11/2026
The CW Network and Professional Bull Riders (PBR) have announced a new multi-yea...
10/11/2026
There is a certain irony that Chip Adams was turned down when he first looked in...
10/11/2026
Pliant Technologies' CrewCom Flex product line is now shipping in the United States. As a frameless matrix intercom system and complete matrix IP-based inte...
09/11/2026
In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis
The Audio Engineering Society (AES) c...
09/11/2026
Content creation and rights, YouTube archive, production workflows, investment, ...
09/11/2026
Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...
09/11/2026
SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...
09/11/2026
BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...
09/11/2026
SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule:
Media Tech Business Forum (Monday, Nov. 1...
09/11/2026
The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...
09/11/2026
Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif.
Devo...
09/11/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
09/11/2026
Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...
09/11/2026
The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...
09/11/2026
SMT provided production technology and graphics support for all three NASCAR nat...
06/11/2026
It's been a big week in Australia horse racing as the Victoria Racing Club (...
06/11/2026
Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...
06/11/2026
The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...
06/11/2026
NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...
06/11/2026
Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...
06/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...