
Spotify Wrapped: You eagerly anticipate its arrival. You swoon over the in-app experience. You share your results on your socials. You snicker when you see the ads during your commute. But do you know what goes into Wrapped's unique visual identity each year?
Many months ahead of Wrapped's December launch, Spotify's Brand & Creative team comes together to refresh Wrapped as a true campaign and experience that reflects on the year with its own unique look and feel. To get the scoop, For the Record spoke with Spotify's Global Head of Brand Design Rasmus Wangelin. He shared the considerations he and his team put into Wrapped year after year-and what's special about the creative for 2021.
What is your role within the Spotify Brand & Creative team? How does your work throughout the year transition into Wrapped? In collaboration with my team, I oversee Spotify's design work for brand and marketing globally. I run a team of between 15 and 20 designers, art directors, and design directors working alongside me across different initiatives. They can range from brand marketing, music and podcast marketing, art direction and branding, design thought leadership, and problem solving any design-related issues for the company as a whole. We really work and collaborate with almost all parts of Spotify. We're also always proactively working in the background on the brand itself-the rules around it, guidelines, how it comes to life.
Wrapped is probably the biggest project we do every year. And it's not like other projects end-but because we know Wrapped is coming, we have to orchestrate and organize our team to be able to support it properly, alongside everything else that we still have going on.
And funny enough, design explorations for Wrapped actually start in June every year. We have to start that early in order to land the design direction so that we can then build an extensive tool kit that will be used by all of our partners and agencies globally.
What are some of the considerations that go into the Wrapped visual identity each year? I think there are a few different answers here. I think the most important one is that the way we tell the story of music and audio culture every year shifts, right? So we actually want to look at the year that has been and align our way of talking and our ideas with the year. As you can see, every year has a slightly different theme. And it's important for us on the design front to make sure that whatever design we create matches the sentiment of the way we're talking about the year conceptually.
And then outside of that, we actually aspire to create a completely new and fresh articulation of our brand every year. That is Spotify. We're always inventing, trying things, and exploring how we can push the brand. So when you go through the years and you start backtracking on Twitter and Instagram and all these different places that you can post, you can almost visually see what year you're talking about based on the art direction.
Of course we're always thinking about all the obvious things like accessibility and creating a design that feels inclusive enough for everyone to understand it. We work closely with a lot of different teams at Spotify, and we bring them in as stakeholders to make sure that we get feedback from different places with different expertise really early in the process. We're a digital-first company, so we are always thinking about how we can create impactful work across all of our digital touchpoints. So, for example, motion is always a key part of our design.
What are some of the specific elements within the identity for 2021 Wrapped? What should fans look forward to? The graphic element this year for Wrapped is a dynamic thread that ties together all the work. When we started looking at this as a design element, we were super excited because it gives us an additional layer of storytelling in every piece of creative. You can, let's say, have an artist image with copy, but you can also have things inside of this ribbon to enhance the story and go deeper with an insight.
Sometimes we will put words like 2021 or Wrapped, but it also gives us an opportunity to actually lean in even further and have a bit of a dialog with our audience. We've created a set of standard symbols, like a heart or a fire, but we're also giving local markets an opportunity to create their own custom symbols. We had so much fun with this piece when creating the work and we love the idea that some symbols might only be fully understood by a true fan. We're massive music fans ourselves. Everyone who works at Spotify is very in tune with music and music culture, and we want that passion to shine through.
How does the 2021 Wrapped visual identity reflect 2021 as a whole? This year, people around the world started to embrace the unknown in many ways, so we wanted every piece of creative to feel unique. At the same time, consistency is always important for a large campaign like Wrapped, and the playful ribbon does a good job at creating unique articulations while tying together the work as a whole.
This year, as you enjoy the new and familiar elements of the Wrapped in-app experience or explore what the world streamed most this year, make sure to take a look as well as a listen.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
03/07/2026
New bundle & three Single Packs
Continuing to expand their already sizeable orchestral collection, VSL's latest release introduces three new Single Pack...
03/07/2026
Venue installs new ATC-equipped control room
LSO St Luke's, a unique music venue that also serves as the home of the London Symphony Orchestra, have rec...
03/07/2026
Caden Pearson appointed new Commissioning Editor for NITV
3 July, 2026
Media releases
National Indigenous Television (NITV) has strengthened its commitment...
03/07/2026
1 February 2023
SHARE Facebook Twitter Linkedin Email
Munich, Germany, 1st February 2023: Cinegy GmbH, the premier provider of software technology for digit...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/07/2026
Death Star
Andy Marken July 2, 2026
0 Comments
Look, I can't get involved. I've got work to do. It's not that I like the Empire; I hate i...
03/07/2026
Berklee's New Visual Identity: Honoring Our History, Building for What's...
03/07/2026
Scripps Research scientists awarded $2M to advance global disease surveillance Two Gates Foundation grants will expand wastewater surveillance and AI-driven dis...
03/07/2026
Joan Pulupa joins Scripps Research faculty to study the organization of DNA in brain cells and its links to neurodegeneration Using smell-sensing neurons and ad...
02/07/2026
Entering her senior year, this hometown girl is paving a career in live sports production gaining experience in replay and audio and as a TD
In the live-sports...
02/07/2026
In-venue and creative video staffers at the professional and collegiate level ha...
02/07/2026
BLAST, a competitive entertainment company focused on esports, has announced more than $133 million in revenue for 2025, representing more than 40% year-over-ye...
02/07/2026
Riedel Communications has announced official SKAARHOJ panel support for SimplyLive production workflows, enabled through the SimplyLive 2.1 release. The integra...
02/07/2026
The Fire Rescue Service of the Czech Republic has deployed LiveU video-over-bond...
02/07/2026
Gravity Media USA has announced the appointment of Brittney Boston as Head of Business Development, effective July 1, 2026. Based in Nashville, Tennessee, Bosto...
02/07/2026
TwelveLabs, a video intelligence company, has announced $100 million in Series B funding co-led by NEA and NAVER Ventures, with participation from Amazon, Radic...
02/07/2026
The Pro Padel League (PPL) has announced a broadcast partnership with USA Sports that will air five PPL championship matches on CNBC during the 2026 season, the...
02/07/2026
LiveLike, a digital fan engagement platform, has announced eight confirmed FIFA ...
02/07/2026
Cobalt Digital has received Future's Best of Show Award, presented by AV Technology at InfoComm 2026, for its blueCORE family of standalone signal processor...
02/07/2026
Synamedia has announced the appointment of Dr. Tzvi Gerstl as Chief Executive Officer. Paul Segre, who has served as CEO for the past six years, will transition...
02/07/2026
The Esports Foundation (EF) and Sony Group Corporation have announced an expanded collaboration for the Esports World Cup 2026 (EWC), taking place in Paris, Fra...
02/07/2026
Zee Entertainment Enterprises Ltd. ( Z') has announced exclusive broadcast and digital rights for the Bundesliga in India for five years, beginning with the...
02/07/2026
An effort uniting News, Sports, Local, and Telemundo, the 50+-camera live produc...
02/07/2026
Zoey Deutch, John Slattery, Ken Marino, Miles Gutierrez-Riley, and Ben Wang appe...
02/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
02/07/2026
A new era in unmixing and spectral editing
The latest version of Steinberg's spectral audio-editing software has just arrived, building on the strength...
02/07/2026
Aims to simplify additive synthesis
Sine Machine is the debut launch from Melatonin, a Vienna-based developer who have spent the past six years creating wha...
02/07/2026
Products to remain fully active & supported
Following the news of Native Instruments joining the inMusic brand line-up, Academy and Emmy Award-winning visua...
02/07/2026
What you missed!
Last weekend, Saturday 27 June 2026, saw the debut of Sound On Sounds new GearExpo UK event, the largest dedicated pro-audio event to take ...
02/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/07/2026
Following the successful launch of its inaugural APAC Mentoring Programme last month, the Rise AV APAC Regional Council will bring the conversation around mento...
02/07/2026
Blackmagic PYXIS 6K Used to Shoot Director Takahisa Zeze's Cry Out
Brie Clayton July 2, 2026
0 Comments
Highly mobile camera supports tense and de...
02/07/2026
Broadcast Solutions acquires BFE, expanding its lead in European broadcast, medi...
02/07/2026
Berklee Alum and Faculty Perform at Boston Public Library's 250th Anniversar...
02/07/2026
Broadcast Solutions GmbH, a leading systems integrator and provider of innovative solutions for the broadcast media industry, is acquiring BFE Studio und Medien...
02/07/2026
Cinegy GmbH, the premier provider of software-defined television technology, has extended the ingest facility at leading Brazilian sports company LiveMode, work...
02/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/07/2026
Standalone processors acknowledged for the innovation and value they bring to Pro AV
Cobalt Digital, a leading designer and manufacturer of signal processing ...
02/07/2026
Synamedia announced today the appointment of Dr Tzvi Gerstl as Chief Executive Officer. Paul Segre, who has served as CEO for the past six years, will transitio...
02/07/2026
Screen Australia backs audience-led filmmaking with new insight-driven initiativ...
02/07/2026
Screen Australia refines guidelines for Narrative Content Development and Docume...
02/07/2026
Maxon Autograph: Introduction to working with Tables
Simon Ubsdell July 1, 2026
0 Comments
An overview of Autograph's ridiculously powerful tables...
02/07/2026
Boston Conservatory's Soir e Breaks Records to Fund Student Scholarships The event achieved 127 percent of its fundraising goal in an evening celebrating ...