
Spotify Wrapped: You eagerly anticipate its arrival. You swoon over the in-app experience. You share your results on your socials. You snicker when you see the ads during your commute. But do you know what goes into Wrapped's unique visual identity each year?
Many months ahead of Wrapped's December launch, Spotify's Brand & Creative team comes together to refresh Wrapped as a true campaign and experience that reflects on the year with its own unique look and feel. To get the scoop, For the Record spoke with Spotify's Global Head of Brand Design Rasmus Wangelin. He shared the considerations he and his team put into Wrapped year after year-and what's special about the creative for 2021.
What is your role within the Spotify Brand & Creative team? How does your work throughout the year transition into Wrapped? In collaboration with my team, I oversee Spotify's design work for brand and marketing globally. I run a team of between 15 and 20 designers, art directors, and design directors working alongside me across different initiatives. They can range from brand marketing, music and podcast marketing, art direction and branding, design thought leadership, and problem solving any design-related issues for the company as a whole. We really work and collaborate with almost all parts of Spotify. We're also always proactively working in the background on the brand itself-the rules around it, guidelines, how it comes to life.
Wrapped is probably the biggest project we do every year. And it's not like other projects end-but because we know Wrapped is coming, we have to orchestrate and organize our team to be able to support it properly, alongside everything else that we still have going on.
And funny enough, design explorations for Wrapped actually start in June every year. We have to start that early in order to land the design direction so that we can then build an extensive tool kit that will be used by all of our partners and agencies globally.
What are some of the considerations that go into the Wrapped visual identity each year? I think there are a few different answers here. I think the most important one is that the way we tell the story of music and audio culture every year shifts, right? So we actually want to look at the year that has been and align our way of talking and our ideas with the year. As you can see, every year has a slightly different theme. And it's important for us on the design front to make sure that whatever design we create matches the sentiment of the way we're talking about the year conceptually.
And then outside of that, we actually aspire to create a completely new and fresh articulation of our brand every year. That is Spotify. We're always inventing, trying things, and exploring how we can push the brand. So when you go through the years and you start backtracking on Twitter and Instagram and all these different places that you can post, you can almost visually see what year you're talking about based on the art direction.
Of course we're always thinking about all the obvious things like accessibility and creating a design that feels inclusive enough for everyone to understand it. We work closely with a lot of different teams at Spotify, and we bring them in as stakeholders to make sure that we get feedback from different places with different expertise really early in the process. We're a digital-first company, so we are always thinking about how we can create impactful work across all of our digital touchpoints. So, for example, motion is always a key part of our design.
What are some of the specific elements within the identity for 2021 Wrapped? What should fans look forward to? The graphic element this year for Wrapped is a dynamic thread that ties together all the work. When we started looking at this as a design element, we were super excited because it gives us an additional layer of storytelling in every piece of creative. You can, let's say, have an artist image with copy, but you can also have things inside of this ribbon to enhance the story and go deeper with an insight.
Sometimes we will put words like 2021 or Wrapped, but it also gives us an opportunity to actually lean in even further and have a bit of a dialog with our audience. We've created a set of standard symbols, like a heart or a fire, but we're also giving local markets an opportunity to create their own custom symbols. We had so much fun with this piece when creating the work and we love the idea that some symbols might only be fully understood by a true fan. We're massive music fans ourselves. Everyone who works at Spotify is very in tune with music and music culture, and we want that passion to shine through.
How does the 2021 Wrapped visual identity reflect 2021 as a whole? This year, people around the world started to embrace the unknown in many ways, so we wanted every piece of creative to feel unique. At the same time, consistency is always important for a large campaign like Wrapped, and the playful ribbon does a good job at creating unique articulations while tying together the work as a whole.
This year, as you enjoy the new and familiar elements of the Wrapped in-app experience or explore what the world streamed most this year, make sure to take a look as well as a listen.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
21/05/2026
Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite produ...
21/05/2026
Freshly graduated, this upstart producer, director, and camera operator is already working as an AP on videoboard shows for the Philadelphia Phillies
In the li...
21/05/2026
Media Links has announced a channel partnership with Clearcast Asia, a broadcast...
21/05/2026
SiriusXM and NASCAR have announced a multi-year renewal of their broadcasting agreement. SiriusXM will continue to carry live broadcasts of every NASCAR Cup Ser...
21/05/2026
Audio-Technica held a demonstration event at its Technica House location in New ...
21/05/2026
Ateme has announced that RTL Deutschland has selected Ateme's software-based...
21/05/2026
LiveU has announced that BCC Live deployed the LU900Q intelligent production unit for the first time during the 2026 Memorial Hermann IRONMAN Texas North Americ...
21/05/2026
ATSC has announced that Mark Aitken, President of ONE Media and Senior VP of Advanced Technology at Sinclair Broadcast Group, will receive the 2026 Mark Richer ...
21/05/2026
BBright has published a technical analysis of the Media eXchange Layer (MXL), de...
21/05/2026
The Esports Foundation has announced that the 2026 Esports World Cup (EWC) will be hosted in Paris, France, from July 6 through August 23. The event marks the f...
21/05/2026
Chyron has announced PRIME Scorebug, a scorebug solution built on the PRIME Platform for on-premises sports production, and has expanded Chyron LIVE with purpos...
21/05/2026
Media Links has announced the integration of its Xscend IP transport platform with Skyline Communications' DataMiner xOps platform. The integration will be ...
21/05/2026
As live sports productions continue to demand more flexible, scalable, and cost-...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
21/05/2026
Hey Miami & Atlanta post-production folks!
Shade is hosting a free private suite at a Braves game (6/2) and Marlins game (6/5) and have about a dozen extra tic...
21/05/2026
The Suns and Mercury become the first NBA and WNBA teams to make games available under a single broadcast partner across both over-the-air and streaming....
21/05/2026
iPhones are part of the the regular production rotation for Friday Night Baseba...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
21/05/2026
Heather Matarazzo as Dawn Wiener in Todd Solondz's Welcome to the Dollhouse...
21/05/2026
Spotify has always been about helping you find something you want to listen to. And over the years, we've learned your taste and the moments that matter to ...
21/05/2026
Getting concert tickets today can feel like a race you're set up to lose.
You show up at the right time, refresh endlessly, and still miss out. Too often, ...
21/05/2026
In 2022, Spotify entered a new chapter by introducing audiobooks to our platform. Since then, we've grown our catalog to include more than 700,000 titles, e...
21/05/2026
Opening remarks
ALEX
Good morning everyone, I'm Alex [Norstr m].
GUSTAV
And I'm Gustav [S derstr m].
ALEX
Whether you've been following our j...
21/05/2026
Today, Spotify hosted our third Investor Day in New York City, offering the fina...
21/05/2026
Spotify hat heute seinen dritten Investor Day in New York City veranstaltet und der Finanzwelt tiefere Einblicke in das Gesch ft, die Produktstrategie und die l...
21/05/2026
Aujourd'hui, Spotify a organis son troisi me Investor Day New York. En pl...
21/05/2026
Oggi, a New York City, Spotify ha presentato il suo terzo Investor Day, offrendo...
21/05/2026
Hoy Spotify celebr su tercer Investor Day en Nueva York, donde ofrecimos a la c...
21/05/2026
Hari ini, Spotify menyelenggarakan Investor Day yang ketiga di New York City, me...
21/05/2026
2026 : (Investor Day) , , . ...
21/05/2026
Hoje, o Spotify realizou seu terceiro Investor Day em Nova York, oferecendo co...
21/05/2026
Spotify Investor Day ...
21/05/2026
Spotify bug n, 20'nci y l d n m m z kutlad m z bu y lda, finans camias na, i modelimiz, r n stratejimiz ve uzun vadeli vizyonumuz hakk nda daha detayl ...
21/05/2026
Two new Story Packs join orchestral instrument line-up
Sonuscore have just introduced two new additions to The Score, marking the instrument's first maj...
21/05/2026
30,000 samples, 99 presets & 504 loops
Heavyocity are well known for their hard-hitting cinematic instruments, and their latest release is no exception to t...
21/05/2026
Rohde & Schwarz AI powered voice to data: The future of air traffic control take...
21/05/2026
SKY RAIDER II INTERNATIONAL's modular open systems architecture delivers expanded operational reach and mission flexibility....
21/05/2026
ASO-enabled WESCAM MX-10 systems conduct systematic wide-area maritime search patterns, autonomously managing sensor scan operations to expand coverage, reduce ...
21/05/2026
HBO Max, a new addition to Gracenote Data Hub, is home to the most sports programming among major streamers
NEW YORK May 21, 2026 New analysis by Gracenote...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
The UK's leading event for the creative industries united thousands of professionals for two days of networking, debate, industry insight and getting hands-...
21/05/2026
Recreating Doug Trumbull's Slitscan VFX - After Effects Mastery
Graham Quince May 21, 2026
0 Comments
In this After Effects tutorial, I'm divi...
21/05/2026
Cavalry: An Array of Fun Stuff
Simon Ubsdell May 21, 2026
0 Comments
Arrays are a really powerful feature of Cavalry and here we'll go over some o...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...