
Spotify Wrapped: You eagerly anticipate its arrival. You swoon over the in-app experience. You share your results on your socials. You snicker when you see the ads during your commute. But do you know what goes into Wrapped's unique visual identity each year?
Many months ahead of Wrapped's December launch, Spotify's Brand & Creative team comes together to refresh Wrapped as a true campaign and experience that reflects on the year with its own unique look and feel. To get the scoop, For the Record spoke with Spotify's Global Head of Brand Design Rasmus Wangelin. He shared the considerations he and his team put into Wrapped year after year-and what's special about the creative for 2021.
What is your role within the Spotify Brand & Creative team? How does your work throughout the year transition into Wrapped? In collaboration with my team, I oversee Spotify's design work for brand and marketing globally. I run a team of between 15 and 20 designers, art directors, and design directors working alongside me across different initiatives. They can range from brand marketing, music and podcast marketing, art direction and branding, design thought leadership, and problem solving any design-related issues for the company as a whole. We really work and collaborate with almost all parts of Spotify. We're also always proactively working in the background on the brand itself-the rules around it, guidelines, how it comes to life.
Wrapped is probably the biggest project we do every year. And it's not like other projects end-but because we know Wrapped is coming, we have to orchestrate and organize our team to be able to support it properly, alongside everything else that we still have going on.
And funny enough, design explorations for Wrapped actually start in June every year. We have to start that early in order to land the design direction so that we can then build an extensive tool kit that will be used by all of our partners and agencies globally.
What are some of the considerations that go into the Wrapped visual identity each year? I think there are a few different answers here. I think the most important one is that the way we tell the story of music and audio culture every year shifts, right? So we actually want to look at the year that has been and align our way of talking and our ideas with the year. As you can see, every year has a slightly different theme. And it's important for us on the design front to make sure that whatever design we create matches the sentiment of the way we're talking about the year conceptually.
And then outside of that, we actually aspire to create a completely new and fresh articulation of our brand every year. That is Spotify. We're always inventing, trying things, and exploring how we can push the brand. So when you go through the years and you start backtracking on Twitter and Instagram and all these different places that you can post, you can almost visually see what year you're talking about based on the art direction.
Of course we're always thinking about all the obvious things like accessibility and creating a design that feels inclusive enough for everyone to understand it. We work closely with a lot of different teams at Spotify, and we bring them in as stakeholders to make sure that we get feedback from different places with different expertise really early in the process. We're a digital-first company, so we are always thinking about how we can create impactful work across all of our digital touchpoints. So, for example, motion is always a key part of our design.
What are some of the specific elements within the identity for 2021 Wrapped? What should fans look forward to? The graphic element this year for Wrapped is a dynamic thread that ties together all the work. When we started looking at this as a design element, we were super excited because it gives us an additional layer of storytelling in every piece of creative. You can, let's say, have an artist image with copy, but you can also have things inside of this ribbon to enhance the story and go deeper with an insight.
Sometimes we will put words like 2021 or Wrapped, but it also gives us an opportunity to actually lean in even further and have a bit of a dialog with our audience. We've created a set of standard symbols, like a heart or a fire, but we're also giving local markets an opportunity to create their own custom symbols. We had so much fun with this piece when creating the work and we love the idea that some symbols might only be fully understood by a true fan. We're massive music fans ourselves. Everyone who works at Spotify is very in tune with music and music culture, and we want that passion to shine through.
How does the 2021 Wrapped visual identity reflect 2021 as a whole? This year, people around the world started to embrace the unknown in many ways, so we wanted every piece of creative to feel unique. At the same time, consistency is always important for a large campaign like Wrapped, and the playful ribbon does a good job at creating unique articulations while tying together the work as a whole.
This year, as you enjoy the new and familiar elements of the Wrapped in-app experience or explore what the world streamed most this year, make sure to take a look as well as a listen.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
20/05/2026
True to the Music City theme, the Tennessee Titans plan to make live music a prominent fixture on game days at the new venue
Reflecting the continuing converge...
20/05/2026
The long-term goal is innovation for the next generation of hockey rinks at both the professional and the community level
The National Hockey League (NHL) toda...
20/05/2026
End-users and vendors alike work toward cost-effective yet high-quality solution...
20/05/2026
The National Football League has announced that Nashville will host Super Bowl LXIV in 2030 at the new Nissan Stadium. The announcement was made at the NFL Spri...
20/05/2026
The NFL has announced that the 2028 NFL Draft presented by Bud Light will take place in Minnesota, uniting fans from around the world to celebrate one of the mo...
20/05/2026
As professional AV workflows continue to evolve, expectations around audio, video, networking, and control are rising rapidly. At InfoComm 2026 in Las Vegas, La...
20/05/2026
Haivision will showcase its latest innovations at InfoComm 2026, taking place fr...
20/05/2026
For the seventh year, Spotify is returning to CMA Fest with Spotify House, the festival's premiere destination for fans. We're taking over downtown Nash...
20/05/2026
Amp-simulation software expanded
Acustica Audio's latest release greatly expands on their amp-simulation platform, turning it into a complete amplifica...
20/05/2026
MainStage integration, Analog Lab improvements & more
Arturia have just announced the release of an update that brings an assortment of new features to thei...
20/05/2026
At the Annual General Meeting held on May 20, 2026, the shareholders of SGL Carb...
20/05/2026
From Gulkula to the nation: Yothu Yindi Foundation and NITV deepen national acce...
20/05/2026
SBS appoints David Fernandez as National Manager, Digital & TV Sales
20 May, 2026
Media releases
SBS has appointed David Fernandez as National Manager, Dig...
20/05/2026
Rohde & Schwarz and INFOZAHYST: A strategic alliance set to redefine modern defe...
20/05/2026
A Rotating Detonation Engine being hot fire tested at Purdue University's Zu...
20/05/2026
A U.S. Army VAMPIRE system, assigned to Bravo Battery, 1st Battalion, 51st Air Defense Artillery Regiment, 7th Infantry Division/Multi-Domain Command - Pacific ...
20/05/2026
Cable Captures Only Monthly Increase Among Viewing Categories in March, Earns it...
20/05/2026
April brought a symbolic decrease in the overall time spent in front of television screens. On average, Poles watched video content for 3 hours and 51 minutes a...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
The Royal Television Society Technology Centre today announces the launch of the RTS Technology Awards 2026, celebrating excellence, innovation and achievement ...
20/05/2026
In the heart of London's financial district, the new purpose-built Troubadour Canary Wharf Theatre invites audiences to experience Suzanne Collins' inte...
20/05/2026
LiveU, the leader in live IP-video solutions, today announced that production powerhouse BCC Live successfully deployed the new LU900Q intelligent production un...
20/05/2026
Nella Mente di Narciso Docuseries Uses Blackmagic Design Workflow
Brie Clayton May 19, 2026
0 Comments
PYXIS 6K full frame camera and DaVinci Resolve ...
20/05/2026
Beeble launches Canvas, a node-based AI compositor for VFX and Virtual Productio...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
First Nations Factual Co-production Development Fund launched to elevate Indigen...
20/05/2026
TLC Announces All-Star Comedy Line-Up for Mock the Week: Summer Specials' o...
20/05/2026
Back to All News
One Hundred Years of Solitude Concludes This August, With Part...
20/05/2026
Back to All News
Beloved NHK Dramas to Stream on Netflix Worldwide Starting June 22
Entertainment
20 May 2026
GlobalJapan
Link copied to clipboard
Netflix...
20/05/2026
May 20 2026, 06:00 (PDT) Dolby Recognized as 2025 Supplier of the Year and Over...
20/05/2026
Mayo's Dee Freney and Margaret Leahy from Galway have reached the final of RT Today's TV Home Cook competition.
Both contestants will cook again live...
20/05/2026
RT IN FULL BLOOM AT BORD BIA BLOOM 2026 WITH LIVE BROADCASTS, MUSIC, CHAT AND M...
19/05/2026
The winner of Thomson Foundation's Young Journalist of the Year 2025, Tracy Bonareri Onchoke, and runner up Wangu Kanuri enjoyed a three-day trip to London ...
19/05/2026
Cisco and the USGA have announced a multiyear extension of their partnership, which began in 2018. Cisco serves as the Official Technology Partner of the USGA, ...
19/05/2026
Urban Edge Network (UEN), a streaming platform for NAIA sports, has announced a partnership with Spiideo to provide streaming and production tools to UEN's ...
19/05/2026
Warner Bros. Discovery (WBD) will provide live coverage of all 900 Roland-Garros matches across its platforms beginning with qualifiers on May 18. In Europe, 21...
19/05/2026
Tubi, Fox Corporation's free streaming service, has announced the launch of the FIFA World Cup 2026 FOX Hub, a dedicated destination for World Cup programmi...
19/05/2026
Telef nica, in collaboration with Sony, has conducted a 5G connectivity trial at the Movistar Arena in Spain using the 26 GHz millimetre wave (mmWave) band. The...
19/05/2026
Ross Production Services (RPS) has installed a Calrec Argo M console into its new Hypermax-1 remote production truck, replacing one of three Argo S consoles pre...
19/05/2026
Panasonic Projector and Display Corporation has announced the acquisition of 100% of the shares of UK-based media technology company Hive Media Control Ltd. (HI...
19/05/2026
Globecast has announced the completion of a nine-month renovation of its Singapore facility, converting it from a traditional linear broadcast operation into a ...
19/05/2026
Grass Valley has announced a three-year enterprise agreement with Phoenix Broadc...
19/05/2026
Bitmovin has announced that Watch Brasil, a streaming platform operating across Brazil and Europe since 2018, has replaced its legacy systems with Bitmovin'...
19/05/2026
Ateme has announced the migration of Dish Home Nepal's Nepal Premier League (NPL) streaming infrastructure to Ateme's TITAN Live solution deployed on Ak...