
ESPN, DMED Break New AR Ground With Real-Time Data Visualization on Monday Night Football New real-time AR telestrator tool takes data-driven storytelling to a new level By Jason Dachman, Chief Editor
Monday, October 3, 2022 - 3:10 pm
Print This Story | Subscribe
Story Highlights
From the Emmy Award-winning K-Zone 3D to the 3D spray charts that revolutionized how fans watch the Home Run Derby, ESPN and Disney Media & Entertainment Distribution (DMED) have stretched the barriers of what's possible in terms of visualizing data in a live baseball broadcast. Last week, for the first time, ESPN and DMED brought this data-fueled augmented-reality technology to the gridiron on Monday Night Football.
After roughly two years of development, last Monday's Cowboys-Giants MNF game featured the launch of what could be described as a real-time, data-driven AR telestrator. It appeared for the first time on-air to showcase the precise speed of Giants running back Saquon Barkley on a breakaway 36-yard touchdown run. Just after Barkley scored, viewers saw a replay of the run with an AR pointer graphic showing his running path and his exact speed at any given second as he scampered away from Cowboys defenders toward the end zone.
DMED's real-time AR data-visualization tool debuted during the Monday Night Football broadcast Sept. 26.
We view this as a really important milestone from a technical standpoint because it is live data-driven spatial AR, says Kaki Navarre, VP, software engineering, DMED. That's a much bigger deal than any one graphic. It's technologically meaningful, and we are just scratching the surface of how this could be used to enrich the viewing experience for fans. From a technology standpoint, we have the capability to do things that have never been done before, and we couldn't be more excited.
How It Works: A Symphony of Next-Gen Tech in Action The system uses proprietary DMED software and tools to sync live player and game data from the NFL's Next Gen Stats (NGS) platform with SMT camera telemetry and live video to provide a real-time, player-specific statistical visualization. As of now, these AR replays are available on both the Skycam and All-22 angle, but other cameras could be added in the future.
Deploying Epic Games' Unreal Engine and Pixotope's AR-creation technology, the DMED team can create real-time graphics that visually showcase live data. Most notably, these segments are available to the MNF production team in two seconds or less, enabling them to be used in the broadcast as first replays.
Early in development, the technology functioned as a CG application before DMED transitioned it to a full AR ecosystem. At the end of the 2021-22 NFL season, the DMED team completed onsite tests of the technology for director Jimmy Platt and producer Phil Dean, who were instantly enthusiastic about what it could mean for this season's MNF broadcasts.
They took a look at it and got very excited, says Principal Real-Time Artist Brian Rooney, who helped to lead the project. This year, we have been invited to be on the truck full-time to roll this out and scale it up as the season goes on. This Saquon play was our first execution, and we plan to see a lot more moving forward.
Rooney and Principal Software Engineer Jeffrey Bradshaw will be the operators in the truck tonight, using a touchscreen interface on the MNF production. Prior to each play, the operators click on the players of interest - quarterback, running back, receiver - and the system creates automated AR highlights based on the player's position and Next Gen Stats data. Stats cover anything from the speed of a player on a TD run to the separation between a receiver and defensive back on a key catch to how quickly defenders rush the passer on a sack.
For every single highlight that we create, says Rooney, the goal is to have the viewer understand something that they couldn't see otherwise in 3-5 seconds. No lower-third graphic or explanation necessary; they understand what's happening right away.
Storytelling: Changing Data Visualization for Both Live and On-Demand Experience ESPN and DMED believe this technology unlocks previously impossible storytelling opportunities through real-time statistical graphics visually showcasing live data on the field.
DMED is able to track all the players and balls during a game using this interface.
There are two main ways this helps enhance storytelling, says Navarre. One is that it allows folks who may not as easily grasp advanced statistics to understand the details [because they] can see [the data] in real spatial dimensions. The other is obviously advanced stats for hardcore fans, who already understand those concepts; we can now take them a level deeper.
ESPN sees this as not only a new opportunity to enhance how fans see statistical data in the live linear game broadcast but also on its sprawling portfolio of studio shows and digital platforms.
Everything is being architected for both live and on-demand from the ground up, says Christiaan Cokas, director, software engineering, DMED. The team has done a great job getting the data embedded into the video so it can be easily scrubbed back and forth. Our team is working on a platform to let you go into that game, mark up a video, and output that for highlights.
In addition to being part of a live game [broadcast], he continues, our system can let editors and producers of other shows go into the Monday Night Football game and grab a play, mark that up, and use that as well in their packages.
Cokas adds that this technology also opens up a whole new universe of possibilities for more personalized and interactive experiences for fans.
When you have an [operator] with a touchscreen in their hands and they can just click on a player and get a uniq
More from Sports Video Group
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...
18/02/2026
DNA Inc. specializes in crafting next level digital experiences in the Media, St...
18/02/2026
Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music
The only persons on the Figure Skating ice at the 2026...
18/02/2026
Canadian rightsholder deploys its most complex setup at an Olympics ever with ...
18/02/2026
A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...
17/02/2026
Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...
17/02/2026
At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...
17/02/2026
CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...
17/02/2026
Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look
With NBC Sports just months into its return to NBA coverage a...
16/02/2026
The production infrastructure scaled seamlessly from regular-season games to the...
16/02/2026
The operations team reimagined traditional workflows were reimagined and built a...
16/02/2026
Once again an in-house operation, the league's network is producing shows fr...
16/02/2026
The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...
16/02/2026
When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...
16/02/2026
Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...
16/02/2026
Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...
16/02/2026
Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
12/02/2026
Chyron unveils PRIME 5.3, the latest software release of the company's powerful engine for live production graphics. PRIME 5.3 delivers the first official i...
12/02/2026
The vendor's VP of Product Management explains how quality assurance, monito...