MoVI and Steadywings: the Emergence of One Shot Filmmaking

Long gone are the days of the hard-to-execute steadicam shots, made famous in films like Goodfellas and Magnolia. MVI and Steadywings are two pieces of filmmaking gear that are on the forefront of this technology.

Last Friday, the Internet was abuzz with news of the MVI, a new piece of filmmaking technology created by Freefly, a company that is making strides in the development of camera stabilization to further innovate the art of cinematography. Vincent LaForet (yes, the same man who won a Pulitzer Prize for photography) has put his name behind the product and is currently testing the abilities of the MVI.

Vincent LaForet made a short film (and jaw-dropping BTS video), using a series of long takes to show what the light-weight and easy to maneuver MVI is truly capable of showing on the streets of NYC. Cinematographers no longer have to worry about wobbly footage, a hazard of using a steadicam that is dependent on various weights and clunky outerwear. With the employment of a low-friction gimbal, the MVI loses the counterweight, allowing the camera operator an almost entirely free range of motion. Plus, MVI also gives users the option of controlling the cameras movements remotely by joystick.

So is the MVI the be-all and-end all in new camera technology? Not exactly. The Single Shot Cinema method, developed by Leonard Retel Helmrich, opens the possibility of shooting every scene in only one shot, using different camera angles to express the cinematographer's observation of the scene.

The SteadyWing, created by Helmrich andWillem Doevendans, gives users extreme flexibility without sacrificing the stability of the device. The innovative mount places the weight of camera directly in the middle of device between the photographer's hands, allowing free motion. One can even fold the SteadyWing while filming, which allows the camera to be maneuvered through very tight spaces such as cars. Dual-purpose handles allow users to pass the camera from person to person without ever breaking the flow of the shot during complicated camera movements.

It was only a matter of time before the traditional steadicam methods became obsolete with maneuverable and flexible devices like MVI and SteadyWing on the horizon.While both pieces of equipment will cost a pretty penny, they provide budding (and established) cinematographers interesting options when choosing their new camera rigs.

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