
University of Maryland Debuts Giant Football Videoboard, Christens Three Control Rooms in Program-Wide Video Upgrade Daktronics, RCI Systems, multiple vendors are critical to the major facility upgrade By Brandon Costa, Director of Digital
Wednesday, October 20, 2021 - 3:05 pm
Print This Story | Subscribe
Story Highlights
Surreal. It's the only way to describe when, on that clear Oct. 1 night, TerpVision, the University of Maryland athletic department's broadcast and production unit, first fired up its brand-new videoboards and sound system at a packed Capital One Field.
The University of Maryland football team was hosting Iowa in a nationally televised game on a Friday night, and fans were getting their first look at the largest videoboard in the Big Ten Conference.
Introduced this month, the University of Maryland's HDR videoboard at Capital One Field is 6,532 sq. ft., the ninth-largest videoboard in college football and the largest in the Big Ten Conference. (All photos: University of Maryland Athletics)
It was surreal, says Josh Clayton, Assistant AD, TerpVision and Video Operations for the University of Maryland. We started this project more than four years ago and [Athletic Director] Damon [Evans] made it clear that he wanted us to be the best.
A significant upgrade over its predecessor in both size and image quality, the 120- x 54-ft. (3,600 1,620 pixels) display towers over the west end zone by a whopping 6,532 sq. ft. and projects images in 1080p and high dynamic range (HDR).
In terms of being the best, the Terps are certainly putting their money where their mouth is. The two new videoboards at Capital One Field are just the latest stroke in a multi-year effort to elevate the Maryland Athletics brand.
Over a seven-year stretch, the Terps have redone the centerhung videoboard at XFINITY Center (the school's basketball arena, which is also used for gymnastics and other major university events), put in connectivity infrastructure at their Field Hockey/Lacrosse Complex and Ludwig Field (men's and women's soccer), and are putting the finishing touches on a broadcast-operations center featuring three new control rooms to support in-venue videoboard and live-broadcast operations.
It is here Enjoy #TerpFam pic.twitter.com/luWtV0KC0e
Damon Evans (@Evans_TerpsAD) October 1, 2021
Although that big, bright behemoth behind the end zone might be the current conversation-starter, the Terps have set themselves up technologically for the future.
We took this as, How big can we be? How bright can we get? says Clayton. What can we do to instill Maryland Pride in what we're doing?
Videoboard Joins a Short List of College Screens With HDR The big videoboard at Capital One Field takes its place as one of only a handful of college football stadiums to feature videoboards with high dynamic range (HDR). Autzen Stadium at University of Oregon, Ross-Ade Stadium at Purdue, and Bryant-Denny Stadium at the University of Alabama come to mind. Maryland's also is the ninth-largest in all of college football.
A second new videoboard at Capital One Field is 34 x 18 ft. and replaces a 20-year-old screen.
And it's also not the only new big screen in the building. At the east end of the stadium, TerpVision made a like-for-like swap in size of the videoboard, while upgrading to 1080p HDR. The screen is 34- x 18-ft. and replaces a screen that was nearly 20 years old. Both boards were designed and built by Daktronics and feature a 10-mm pitch and 8,000-nits brightness.
The decision to go HDR wasn't one that the TerpVision team originally expected to pursue. In fact, four or five years ago, the initial plans considered going 4K. However, with no 4K endpoint deliveries anywhere on the horizon and the steep cost of building a facility of that nature, the group determined that HDR offered a substantial upgrade over current in-venue screens and contributed the flexibility to boost live-broadcast production as well.
It wasn't without its challenges, however. Not many schools have gone through the process of integrating HDR screens, and there's a lot of figure it out as you go to adopting the format. Clayton notes that locking in the ideal settings was a lengthy process, adding that it took more than 30 hours to perfect the colors on the videoboards prior to their public debut.
As my dad would say I'm his deep New York accent It's YUUUUUUUGE! #GoTerps pic.twitter.com/lLnmGxWtDU
Jason Yellin (@JasonYellin) October 1, 2021
In addition to the visuals, the school also gave a much-needed upgrade to its audio system, which Clayton acknowledged had drawn the ire of many fans. Crews installed 107 additional speakers in the stadium, including 42 in an array above the big new videoboard. That array includes 16 Fulcrum Acoustic Sub218L direct-radiating subwoofers, 22 JBL VLA301Hi-WRX loudspeakers, three Fulcrum AH463 coaxial horn loudspeakers, and a Fulcrum AH96 coaxial horn loudspeaker.
According to Clayton, the boards and the sound system received rave reviews following that first game on Oct. 1.
To hear back all of the positive news from the fans was great, he said following the game. It really hits you what you just built. It works, and it looks amazing.
The Mothership: Three Control Rooms Anchor Campus-Wide Effort The new videoboards may be the eye candy, but they're only a small piece of the TerpVision program-wide upgrade, which includes the opening of a broadcast-operations center featuring three control rooms within the XFINITY Center.
One of two mirrored primary control rooms, which are mostly tasked with supporting in-venue videoboard shows. The control rooms are fibered to five venues on campus, including Capital One Field and the XFINITY Center. Note: At the time of this photo, the room was not yet complet
More from Sports Video Group
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...
24/06/2025
Cloud Broadcast Tech Update: Google Cloud's Jane Day on the Impact of AI on ...
24/06/2025
Cloud Broadcast Tech Update: AWS's Dana LaGattuta on Data-Driven Innovation ...
24/06/2025
Lions live: Dublin opener sees Sky Sports take remote route By Fergal Ringrose ...
24/06/2025
Pumas maul Lions as S4C and TG4 deliver first-ever joint host in Dublin By Ferg...
24/06/2025
ABC/ESPN Prepares for 2025 NBA Draft, the First at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By Mark ...
23/06/2025
Adventures in Live Cloud Production: Stories From the Trenches with MLB, NHL, NB...
23/06/2025
Finding the edge: How Badger & Combes produces live-streamed coverage of county ...
23/06/2025
Masters of Madness: New football format shakes up the rules of sportainment By Adrian Pennington
Monday, June 16, 2025 - 11:38
Print This Story
The ball i...
23/06/2025
New State-of-the-Art Mountain Media Center Launches in Former Starz Encore Build...
23/06/2025
ESPN Says Goodbye to Seaport Studios, Hello to New State-of-the-Art Production F...
20/06/2025
Feeling Unlimited, Part 1: Athletes Unlimited Softball League Deploys Remote Pro...
20/06/2025
A True Test? Cricket's Growth on the Global Stage and the Role Broadcast Can...
20/06/2025
Sky Sports goes large for the British & Irish Lions Tour with AR graphics, UHD a...
20/06/2025
ESPN's Men's College World Series Finals Coverage Combines Innovation, L...
19/06/2025
SVG Rewind: PGA Tour Introduces Drone AR Smart Tracing, Reflects on Winning Geor...
18/06/2025
Technology focus: Fan expectations drive advances in the in-stadium experience By Jo Ruddock
Tuesday, June 3, 2025 - 08:36
Print This Story
For years, att...
18/06/2025
Making connections: How stadiums are meeting the ever-growing demand for data an...
18/06/2025
SVG Venues & Teams Summit Keynote: RWS Global Powers the Stadium Environment at ...
18/06/2025
SVG Rewind: Behind the Scenes of Producing Tottenham Hotspur's Europa League...
17/06/2025
SVG New Sponsor Spotlight: Mercury Intermedia's Tom Richardson, Mike Ligon o...
17/06/2025
Total Sports Performance from Relo Metrics, VideoAmp, Offers Next-Level Media, B...
17/06/2025
From Stage to Stream: Producing Live Esports Events in 2025 Leaders from ESL FACEIT Group, Riot Games, and more break down the latest trends By Jason Dachman, ...
17/06/2025
Inside FIFA 2025 Club World Cup Operations With FIFA's Oscar Sanchez, HBS...
17/06/2025
Production ambitions: Over Exposed on making the National League Promotion Final...
17/06/2025
DAZN Brings Global Ambition to U.S. Soil With Production of 2025 FIFA Club World...
17/06/2025
Diversified's Christine Williamson on How UT's New State-of-the-Art Prod...
16/06/2025
Grass Valley 4K Cameras Head to Greece for View Master Events' New Productio...
16/06/2025
Behind The Broadcast Booth, Ep. 3: Golf. My Future. My Game. Founder and CEO Cra...
16/06/2025
The REMI Revolution Is Here: How Remote Production Technology in Esports Pioneer...
16/06/2025
From Super Bowl to Indy 500, New Orleans Artist Frenchy' Captures Energy of...
16/06/2025
NFL Films Enhances Post Studio With Dolby Atmos Audio Forty-three channels of audio enable the facility to migrate to immersive By Dan Daley, Audio Editor
Mo...
16/06/2025
SVG New Sponsor Spotlight: Storj's David Colantuoni on Expanding Cloud-Based...
16/06/2025
Grass Valley 4K Cameras Head to Greece for View Master Events' New OB Truck By Ken Kerschbaumer, Editorial Director
Monday, June 16, 2025 - 2:33 pm
Pri...
13/06/2025
SVG Sit-Down: Backblaze's Gleb Budman Talks Products, Partnerships, and the ...
13/06/2025
SVG Sit-Down: DAZN's Walker Jacobs Calls Streaming the FIFA Club World Cup ...
13/06/2025
New Sponsor Spotlight: Vecima Networks' Paul Strickland on How Improving QoE...
13/06/2025
Pitch Perspective: Where's Next for Specialty Cameras in Soccer? Leaders from Sky Austria and ACS discuss the possibilities of camera placement pitchside B...