
Attack Mode: Little Dot Studios on developing a successful net-zero formula for sports production By Will Strauss, Editor
Thursday, August 11, 2022 - 14:15
Print This Story
Photo: Andy Hone/LAT Images. Courtesy of Formula E
There is no industry that is taking [environmental sustainability] seriously enough. The industries that talk about it the most are the ones not doing enough. The media sector needs to be more aware of the role that it has both as a communicator but also operationally and logistically.
Strong words from Saunders Carmichael-Brown, a creative producer, digital presenter and, crucially, sustainability ambassador at All3Media-owned content agency and media network Little Dot Studios.
His job is to lead the company's drive to become a more responsible producer and distributor of sports content.
Speaking to SVG Europe earlier this month, he outlined the environmental sustainability efforts that the company has gone to so far, offered up some advice for others in similar situations, and detailed Little Dot's plans for the future.
While he acknowledges that the wider industry needs to up its game, he and Little Dot are certainly doing their bit.
Offsetting should always be the last resort. I am very aware. And I communicated it from the first meeting. Offsetting is plugging a hole. The priority is reduction.
In February, the company was verified as carbon neutral to Future Net Zero (FNZ) standard across its organisational and operational output, making it one of the first production companies to achieve that status. Not only that, it has increased its offsetting efforts to account for its historical emissions going all the way back to the company's inception in 2013.
Similarly, the company has signed onto the UN Sports For Climate Action Framework and is committed to using its voice in the sports sector to drive positive change and awareness on-screen as well as reduce emissions from its operations.
It also has strong links to sustainability-conscious sports, working with Formula E, Extreme E and most recently the eSkootr Championship. Which is no coincidence.
The company's aim, or certainly Carmichael-Brown's aim, is to become the go to' agency for electric and sustainability-conscious motorsport, and indeed other sports.
How did the company get to the position where they are recognised as a responsible agency? For Carmichael-Brown (pictured, above), it began quite small.
The sustainability angle started out as interest about four or five years ago, and then the interest became a passion and then an obsession, he says. And then I needed to study it and know the facts around it, in order to have a bit more of a comprehensive understanding of what it actually means and what progress is.
I was getting really frustrated with not being able to cut through greenwashing, for example, being manipulated and falling for the same traps.
In response, he did an 18-month global impact science course with the University of Pennsylvania. This provided him with science-based targets and the background story of what climate change really is, how the weather works and, crucially, how this is affecting economics around the world.
All I've been wanting to do since getting involved in this is find a way to make my impact greater and, if I can do that within a company [Little Dot], and one that is part of a new even bigger group [All3Media], it's a win-win.
It certainly dovetailed nicely with Little Dot CEO Dan Jones' desire to establish a sustainability vision for the agency.
Little Dot already had a really good social sustainability policy in terms of hiring and in terms of staff culture, continues Carmichael-Brown. So I was focused on sorting out the carbon impact.
I spent about six months going around every different angle of the business, talking to different teams and finding out how their operations work and then from that assessing where the emissions were
This included a wide variety of facets from office power, employee initiatives and ways of working, to how its productions are created and facilitated.
Then it was about calculating that impact, he continues. I tried to do this myself for a long time but I realised that the way that this works in terms of hitting any achievement targets, such as accreditation or evaluation, you need third parties.
They know the process, and you can save a lot of time and kind of streamline the process. So I got a third party involved [called Inteb] and they helped me get more accurate readings, and helped me to look at some things that I hadn't thought about or hadn't considered. Then we built an incredibly accurate emissions [report].
Extreme E: An AFC Energy container during the Desert X-Prix at AlUla in AlUla, Saudi Arabia
Photo by Sam Bloxham / LAT Images
And from then it was about understanding, firstly, where the key impact areas were. Travel is huge. But because Little Dot Studios work is content and channel management and digital reappropriation of existing content, as well as production, it actually means the operational missions were far greater the production emissions.
The first goal, therefore, was to achieve carbon neutrality. They scoped it out based on 2020.
Working with this third party, we were able to achieve carbon neutrality for 2020 and when we had the figures back we had an understanding of the emissions and the month-by-month breakdown, so we knew how and where to make improvements for this year and next year and the years that followed.
But, for Carmichael-Brown, that wasn't enough. Which is where the idea for going back to the launch of the company came from.
It didn't feel like a big enough learning curve. I didn't feel that we were holding ourselves accountable for the impact we had. We decided to get as much infor
More from Sports Video Group
20/10/2025
Inside TAMS: How Time-Addressable Media Stores could redefine sports workflows By Paul Markham
Friday, October 17, 2025 - 08:57
Print This Story
A penalty...
20/10/2025
Transformational production: Inside TVN's remote production push for the DFL...
20/10/2025
How NBC Sports Transitioned Stamford Facility to One Format: 1080p HDRMulti-year plan harmonizes workflows, simplifies operationsBy Ken Kerschbaumer, Editorial ...
20/10/2025
NBA on NBC' Studio Production Team Is Ready for Tip-Off With Coast-to-Coast...
20/10/2025
Under pressure: TVN CEO Markus Osthaus considers the German sports broadcasting ...
17/10/2025
NEP Group Receives New Equity Investment From 26North Partners LP, Co-InvestorsCarlyle remains the largest shareholder as the company prepares for the futureBy ...
17/10/2025
Apple Lands Five-Year Deal for F1 Distribution in the U.S.Besides airing on Apple TV, the sport will be amplified on other Apple servicesBy Ken Kerschbaumer, Ed...
17/10/2025
SVG Sit-Down: Marshall Electronics' Bernie Keach on the Future of PTZ Camera...
17/10/2025
L2 Productions' REMI Facility in Austin Can Produce Content From AnywhereMusic festivals, sports events are produced via flypacks and remote control roomsBy...
16/10/2025
SVG Sit-Down: FUJIFILM Execs on GFX ETERNA 55 Camera, Importance of Shallow-Dept...
16/10/2025
Squash's Most Ambitious Broadcast Production To Be Deployed at Comcast Busin...
16/10/2025
Main Street Sports Group Inks Deal With Omaha Productions, Launches Original-Con...
16/10/2025
A Historic Precursor? FIFA, HBS, DAZN Offer an Inside Look at Production of FIFA...
16/10/2025
Prime Video Offers Sneak Peak at New NBA on Prime StudioThe massive 13,000-sq-ft, two-story studio features a LED regulation half court and hoopBy Jason Dachman...
16/10/2025
SVG Remote Production Forum Draws Record Crowd for Visit to PGA TOUR Studios, De...
16/10/2025
BitFire's Ben Grafchik on How Growing Cloud Workflows Are Impacting the Live...
15/10/2025
St. Louis Blues Pay Tribute to Ozzy Osbourne in New Pregame Open VideoThe NHL franchise worked with production firms 2WEI and 4th Floor CreativeBy Mark J Burns,...
15/10/2025
Cobalt Digital, G3DVu, Proxima Vision, and Telos Alliance Renew Premier Sponsors...
14/10/2025
SVG Europe Summit 2025: All Sessions Now Available to Watch on SVG PLAYNetworking event that preceded IBC2025 shone a light on elite live sports innovation acro...
14/10/2025
SVG Sit-Down: Author Rich Podolsky on Writing Madden & Summerall: How They Revo...
14/10/2025
SVG All-Stars: Michael Reiners, Coordinating Producer, FloRacingThe Illinois State grad steers a vast schedule of motorsports events at tracks across the countr...
14/10/2025
Content protection: Getting the right management for your DRM By Neal Romanek
Friday, October 10, 2025 - 10:11
Print This Story
Eluvio power the EPCR'...
14/10/2025
As League Takes Over Ops, NBA TV and NBA App Add 60 Games, Weekday Studio Show, ...
14/10/2025
Time and effort: World's largest student-led broadcast prepares to go On Air...
13/10/2025
Spectrum Brings Selected L.A. Lakers Games to Apple Vision Pro With New Immersiv...
13/10/2025
Media Climate Accord aims to offer united approach to M&E industry sustainabilit...
13/10/2025
Riot Games streamlines production of Valorant Champions Paris with ST 2110 flypa...
13/10/2025
Feeling the NRG: Riot Games puts on a show for Valorant Champions Paris final By Jo Ruddock
Monday, October 13, 2025 - 09:17
Print This Story
After more t...
13/10/2025
FOX Sports MLB Postseason Audio Aims To Make Officials' Calls More AccurateA1 Joe Carpenter hopes to bring some baseball CSI' to the ABS ump-cam system...
11/10/2025
SVG New Sponsor Spotlight: TAB M Solutions' Joe Wire, Kevin Tucker on Guidin...
10/10/2025
SVG New Sponsor Spotlight: TAB M Solutions' Joe Wire, Jeff Tucker on Guiding...
10/10/2025
SVG Students To Watch: Vincent Macri, Monmouth University The Jersey local runs Camera 1 on Hawks games and is expanding into technical directing By Brandon Co...
10/10/2025
Flexible budgets: Inside the DFL's new customisable camera concepts for Bund...
10/10/2025
Facing the future: TVN on its technical services for the new Bundesliga season with remote production and all the bells and whistles By Heather McLean
Monday...
10/10/2025
Evolving in-house: Developing broadcast expertise and pushing the women's ga...
10/10/2025
Growing the game: The Deutscher Fu ball-Bund on pushing production innovation fo...
10/10/2025
Proximity and authenticity: DFL kicks off the new football season with more broa...
10/10/2025
Spectrum Brings Select L.A. Lakers Games to Apple Vision Pro With New Immersive ...
09/10/2025
International Island Games: Pop-up private 5G networks offer opportunity for sma...
09/10/2025
SVG Campus Shot Callers: Andrew Kurtz, Director for Broadcast Production, Monmou...
09/10/2025
SPORTEL Monaco Announces Final Conference LineupSVG, SVG Europe Lead Discussions on Fan Engagement, Generative AIBy Ken Kerschbaumer, Editorial Director
Thurs...
09/10/2025
With Soccer's Popularity on the Rise, U.S. Open Cup Rolls Out Largest Produc...
08/10/2025
NHL Faceoff 2025: Entering Its Fifth Year as League Partner, ESPN Captures the S...
08/10/2025
FOX Sports Inks Deal for 2026 World Baseball Classic RightsBy SVG Staff
Tuesday, October 7, 2025 - 4:00 pm
Print This Story | Subscribe
Story Highlights
...
08/10/2025
Tech Focus: AI & Production Music -Many Benefits for Broadcast Sports, but Uncer...
08/10/2025
WNBA Finals: ESPN Puts Stories on the Court' Front and Center, Debuts 3-Poi...
07/10/2025
SVG All-Stars: Ren e Riva, Senior Director, Game Presentation, NHLIn her role at the league, she brings together creativity, collaboration, execution to bolster...
07/10/2025
Piracy in live sports: How broadcasters, leagues, platforms and federations are ...
07/10/2025
NBC Sports Execs Lay Out Vision for October 21 Return of NBA on NBC'With broadcast and digital, today's production environment is more dynamic and comp...
07/10/2025
NHL Faceoff 2025: TNT Sports Goes Big in Vegas for Opener, Leans Into Multi-Feed...