Game, set and match: Eurosport's Aurelia Mounier on the fascination and drama of producing live tennis International Womens Day 2021 focus By Heather McLean, Editor
Thursday, March 4, 2021 - 16:52
Print This Story
Live tennis is fascinating as there are always new stories to tell. The unpredictability, the upsets, the newcomers, says Aurelia Mounier, editor-in-chief at Eurosport.
Mounier's career has been built around the tensions of the tennis court, which she thrives on. Storytelling from courtside involves a passion for the game, an understanding of the personalities involved, and an ability to move quickly to keep up with the twists and turns of the dramas playing out in front of the cameras.
Find out more about the enhanced Eurosport Cube with head of graphics and innovation, Alex Dinnin, at SVG Europe's Sports Graphics Spotlight on 5 March register here
Mounier goes on: The biggest drama we saw recently was Novak Djokovic at the US Open. He was sure to win and from absolutely nowhere, he got upset and lashed out. And no one could've predicted what happened then with him being disqualified.
During a Slam, we are dealing with the event itself and after months of preparation it's exciting to actually be there doing it altogether. At events, people are usually exhausted after ten days but it's also so much fun
Multitasking, spotting stories as they appear and managing her team is second nature to Mounier. She points to the Championships at Wimbledon as an example of how she has been able to not only make a great production work, but to be innovative and work on-the-fly.
For Wimbledon, we have the rights in fewer markets compared to the Australian Open but in the past we have had a bit more freedom in [terms of] what we could do. When Coco Gauff beat Venus Williams in 2019, it was so cool as we were able to grab her and have her live on a mini show at the end of the day. For the final, we had Simona Halep and Djokovic.
As we were the host broadcaster for Romania and Serbia it was so cool, she goes on. We were doing the interviews in English, Romanian and Serbian. We were able to grab a lot of people and have a lot of different guests. I was talking, directing, producing, speaking to teams in Paris I knew what to do and how to do it but also had to tell everyone to shut up at one point! They were watching a cricket match so I had to ask everyone to quiet down so we could get everything done.
It was really fun as we didn't have a lot of [resources] just one camera guy but we made a great show. On the same day in Romania, we had the Tour de France and we had some completely unbelievable numbers. We had some Pimm's after as a reward following a long but extraordinary day, and it was amazing.
Aurelia Mounier, editor-in-chief at Eurosport, says of the Cube: We'd love to be on site during Grand Slams but instead we've been working in London at the Eurosport Cube studio. This has been instrumental in helping us secure interviews with players that would otherwise not have been possible.
The big chair
Mounier has been in her current role of editor-in-chief for three years. I co-ordinate everyone, working with Arnold Montgault on content, and push things like My Playlist [where tennis players choose their favourite music for Eurosport].
She tends to have several irons in the fire. I like to be involved in everything and that makes it very interesting; what's happening in Paris, on site, with editors, with content, she says. I also love to work with our markets as there are so many different points of view. For France and Germany, for example, we have the same border but the difference in points of view and interests are huge.
But the most difficult thing is to co-ordinate so many people, who often have different views. During a Slam, we are dealing with the event itself and after months of preparation it's exciting to actually be there doing it altogether. At events, people are usually exhausted after ten days but it's also so much fun.
The biggest challenge of recent times has got to have been the coronavirus. The pandemic now makes it very different, she admits. We'd love to be on site during Grand Slams but instead we've been working in London at the Eurosport Cube studio. This has been instrumental in helping us secure interviews with players that would otherwise not have been possible.
It's definitely best having a player in front of you to interview but the green screen technology we use is really cool and helps us by teleporting players directly into the studio alongside our presenters, she continues. It's something new for the players too. At the Australian Open we had Djokovic straight after the final in the Cube and he gave us some great answers that no-one else was able to get. We will definitely be using the Cube as a central part of our coverage in future, and there's much more to come from it too.
Another challenge in this digital age is the fight for eyeballs. We have always championed world-class athletes and provided platforms for their voices to be heard. It's great that sportspeople continue to reach their fans through Eurosport, but there is also increased competition for the attention of fan with many athletes using their own platforms, such as YouTube, Instagram and TikTok to get their messages across.
This can occasionally make it a little more challenging to secure as many interviews with players, because they can also tell their stories through their own channels, she adds. For example, Stefanos Tsitsipas creates a lot of stories himself, as he can edit and produce. Gael Monfils also has his Twitch channel showing what's going on throughout the ATP Tour.
Competition has also increased from a more traditional direction, with many newc
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Modern venues have come a long way since the tinny, echoing audio of the mid 20t...
08/10/2026
ESPN's first Super Bowl production will stream in English and Spanish on Disney+, while the ESPN App carries the full slate of game, ManningCast, studio, an...
08/10/2026
From high-school videoboards to War Eagle Productions, the Opelika native is learning how to lead shows and capture big moments
The future of live sports produ...
08/10/2026
The Television Academy and Prime Video have announced a six-year agreement making Prime Video the exclusive global home of the Emmy Awards beginning with the 20...
08/10/2026
Techex will exhibit at NAB Show New York 2026 (Booth 623, Javits Center, October...
08/10/2026
X Games has announced the appointment of Steve Rogers as Chief Operating Officer. Rogers previously served as COO of World Supercross and spent nearly a decade ...
08/10/2026
Fonn Group has appointed Trevor Spielmann as Sales Director for Germany, Austria, and Switzerland. Spielmann joins from EVS, where he held sales and business de...
08/10/2026
The flagship program will originate from major PG events with a four-camera production, live distribution across PGTV, social platforms
Perfect Game is bringin...
08/10/2026
Innovation rarely happens in a vacuum. More often, it happens at the point of collision: when worlds that have run on separate tracks begin to converge. That is...
08/10/2026
For decades, the production and broadcast services business has run on a familia...
08/10/2026
Uplynk, Zixi, BroadView Software, and Grass Valley have published The IP Converg...
08/10/2026
The NFL has announced the return of the Big Data Bowl, the league's analytics competition, now in its ninth year and again powered by AWS. Registration is o...
08/10/2026
Eutelsat has renewed its partnership with T l diffusion d'Alg rie (TDA), Algeria's national broadcasting network operator, for continued distribution of...
08/10/2026
Disney will livestream Super Bowl LXI on February 14, 2027, alongside the game's broadcast on ESPN and ABC. All Disney subscribers in the United States wi...
08/10/2026
RHStv and Red House Streaming have announced an expansion of their partnership w...
08/10/2026
Gray Media has announced a distribution agreement with TEGNA and DAZN to simulca...
08/10/2026
SVG readers can save 10% on registration and receive a complimentary Solutions H...
08/10/2026
PROTON Camera Innovations GmbH has been named a recipient of a 2026 Technology a...
08/10/2026
Industry leaders discuss real-world cloud workflows for live game production, pl...
08/10/2026
The next-gen audio technology joins Dolby Vision as part of Apple TV's immersive F1 experience...
08/10/2026
David France, Jesse Short Bull, Mato Wayuhi, N. Bird Runningwater, Jodi Archambau, Jhane Myers, Paul McGuire, Amber Morning Star Byars, Holly Macarro, Nick Tils...
08/10/2026
Dynamic panning plug-ins get an upgrade
Sound Particles have just announced major updates for two of their popular dynamic panning plug-ins. Energy Panner 2...
08/10/2026
New expandable instrument boasts full DMNO engine
UDO Audio have just announced the upcoming release of a new, expandable synth that packs the power of the ...
08/10/2026
Two new subwoofers added to monitoring line-up
ADAM Audio's monitoring range has just been expanded with two new DSP-equipped subwoofers, the Sub8 PRO a...
08/10/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
08/10/2026
Calrec gives broadcasters freedom of choice at NAB Show New York We're looking forward to meeting up with you all at NAB New York on 21st-22nd October.
Cal...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Globecast, a leading provider of broadcast, media and entertainment managed services, will showcase its next generation of media orchestration services at NAB S...
08/10/2026
Clear-Com played a critical role in the production communications infrastructure for Rock in Rio 2026, one of the world's largest and most recognized music...
08/10/2026
Sohonet Launches ClearView Rush: A Leap Forward in Studio Review, Built for Crea...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Ikegami announces a major expansion to its range of broadcast-quality live production cameras. Scheduled for introduction on Ikegami booth 708 at NAB New York, ...
08/10/2026
Calrec will be located at Booth 444.
Freedom to choose
The media landscape is evolving quickly, and the broadcasters best placed for what comes next will be...
08/10/2026
LiveU has announced that CRD Audiovisuel relied on LiveUs LU900Q intelligent production unit, with built-in native LiveU IQ (LIQ ) connectivity, to deliver live...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Marshall Electronics, a globally recognized provider of high-performance video solutions for broadcast, streaming, AV and professional production, will exhibit ...
08/10/2026
14-hour package also includes A Remarkable Place to Die season 2 as well as libr...
Game, set and match: Eurosport's Aurelia Mounier on the fascination and drama of producing live tennis International Womens Day 2021 focus By Heather McLean, Editor 
