
Daytona 500: Fox Sports Extends Use of Megalodon,' Improves Drones for NASCAR Season A Sony HDC-P50 with Canon's 20X5 lens will be attached to a heavy-lift drone By Kristian Hernandez, Associate Editor
Friday, February 12, 2021 - 11:15 am
Print This Story | Subscribe
Story Highlights
Fox Sports' live mirrorless camera, dubbed the Megalodon,' first captured the eyes of television viewers during Week 15 of the NFL regular season and returned for the NFL postseason. Now, for the first race of the new NASCAR season, the broadcaster is deploying different variations of it for shots in close-up and far-to-reach areas.
We're expanding upon the Megalodon that we used for NFL games, says Kevin Callahan, VP, field operations and engineering, Fox Sports. In addition to having it on a Ronin-S handheld, we're also experimenting with it on a DigiBoom [gimbal-stabilized rig] to give us different angles.
On the Track: Megalodon, High-Speed Devices Highlight 74-Camera Complement The Megalodon has become a tech craze over the past two months, but it has been experimented with only on a football field with people. In Daytona, both man and machine will be in front of the lens. The relatively simple setup, consisting of a Sony a7R IV mirrorless DSLR camera and Sony FE 24-70mm f/2.8 GM lens, is intended to provide a cinematic vibe new to a NASCAR telecast. Since cars will be blazing down the track at more than 150 mph, capturing the desired shot will be extremely difficult, if not impossible. In an effort to use these stellar live shots, the broadcaster is placing the operator in an area with still subject matter.
We're looking to get different crew chiefs and teams in the pits, Callahan explains. We'll try to get those shots that we haven't really been able to get with a shallow depth of field.
Beverly Hills Aerials Drone Pilot Michael Izquierdo (left) and Fox Sports Fiber Technician Brian Obert prepare the FPV racing drone and the heavy-lift drone to cover the Daytona 500.
The camera will be swapped with the Ronin-S handheld, which viewers are normally used to seeing in the end zone of NFL telecasts, to grab tight shots of individuals when applicable and with the DigiBoom, which can be used to hang over the barrier wall for shots of the pit crew during tire changes and other activity. Prior to green flag, the Megalodon will be located in the garages as drivers prep for the race.
The camera complement for this event will hit a grand total of 74. Every nook and cranny of the 2.5-mile track will be covered by 16 Sony HDC-4300's (with more than one at 6X speed), 16 Sony HDC-P50's, two Sony HDC-4800's at 16X, and a Fletcher high-speed robo at the finish line. The Sony HDC-4800's will be outfitted with two Fujinon 8K lens to capture crystal-clear shots after the sun sets in Daytona.
Prior to Sunday's race, Fox Sports covered the action-packed NASCAR Speedweeks leading up to the main event. Among the events was the first-ever Busch Clash, which ran on Daytona's 63-year-old road course, permitting Callahan and the operations team to deploy a handful of cameras that haven't been used in quite some time.
The road course gives you many opportunities for different camera placement, so we're able to return to a position that we haven't been able to use for a bunch of years, he adds. Due to safety concerns, we're putting a robotic camera in there that is going to be remotely operated by someone on the other side of the turn. The operator will still be outside of the [main] track in a safe area behind the barrier, so we should be getting some spectacular shots.
Reach for the Sky: Heavy-Lift, FPV Racing Drones Provide Shots From the Air Having made its NASCAR debut at last year's race, aerial drone coverage is being improved dramatically. Capable of 85 mph, the FPV racing drone, operated by Los Angeles-based production company Beverly Hills Aerials, is covering the straightaway near the starting line and other areas around the track. Having experience at this specific location, the operator will hover the drone over the cluster of cars and detail the progress of the race from above. To display synchronization with all broadcast cameras (excluding the Megalodon), Fox Sports is installing a CyanView Cy-CI0 to this drone for appropriate camera shading.
https://www.sportsvideo.org/new/wp-content/uploads/2021/02/Drone-Sizzle.mp4
We're putting a Dream Chip camera on [the racing drone] to get the best possible image that we can, says Callahan. This will allow our video operators to be able to paint it and make sure that it matches the rest of our cameras. Other times when we've put out these types of specialty cameras, we've lacked that control to get them to match; they've always looked a little bit different. Now we've been able to make this a reality.
The heavy-lift drone will be carrying extra cargo: a Sony HDC-P50 equipped with Canon's new 20X5 lens. More traditionally, the Goodyear Blimp will also be on hand for shots near the clouds.
In the Cockpit: BSI To Handle 32 In-Car Cameras, Other RF Needs BSI will handle 32 in-car cameras, including this one on the helmet of Bubba Wallace.
A staple at the Daytona 500, subsequent races in NASCAR, and even other high-profile auto-racing events like the Indy 500, BSI will once again deploy 32 robotic cameras (four cameras with each of eight drivers) to put the fan in the cockpit of the stock car. The most recognizable of these devices, Visor Cam, will be placed on the outside of a driver's helmet, including that of No. 23 Bubba Wallace. Along with the device, the customary dashboard camera and a pair of other cameras with pan-and-tilt capabilities on the vehicle's interior will map the driver's position in the field.
Besides in-car
More from Sports Video Group
17/09/2025
Tech Focus: Audio Training, Part 2 - Manufacturers Offer Extensive Online Learni...
17/09/2025
Tech Focus: Audio Training, Part 1 - A1 Shortage Remains a Major-League Challeng...
16/09/2025
SVG All-Stars: Leigh Michaud, Manager, Remote Operations, ESPNThe UConn grad rose from ESPN's mailroom to become one of its most valuable ops leadersBy Bran...
16/09/2025
Live From IBC 2025: Friday's Latest From Halls 1-4, Outdoor Exhibits in Amst...
16/09/2025
Live From IBC 2025: Saturday's Latest From Halls 5-7 in Amsterdam By SVG Staff
Friday, September 12, 2025 - 17:00
Print This Story
The SVG Europe and ...
16/09/2025
Live From IBC 2025: Sunday's Latest From Halls 8-10 in Amsterdam By SVG Staff
Saturday, September 13, 2025 - 17:00
Print This Story
The SVG Europe and...
16/09/2025
Live From IBC 2025: Monday's Latest From Halls 11-14 in Amsterdam By SVG Staff
Sunday, September 14, 2025 - 17:00
Print This Story
The SVG Europe and ...
16/09/2025
Amazon Prime Video Picks Up Four Hours of Early-Round Masters Coverage in 2026 By Jason Dachman, Editorial Director, U.S.
Tuesday, September 16, 2025 - 10:15...
16/09/2025
VERSANT Inks Deal for League One Volleyball as Women's Sports Rights Slate G...
16/09/2025
ESPN VP, Corporate Communications, Katina Arnold Named SVP, Disney Advertising C...
16/09/2025
IBC 2025 in Review: SVG Europe's Full Collection of Video Interviews From th...
12/09/2025
College Football Kickoff 2025: Fox Sports Ups Look as Canon, Sony Power Shallow ...
12/09/2025
ABC/ESPN Excited For WNBA Postseason Coverage In Revamped FormatThe Finals moves to a best-of-seven series in 2025By Mark J Burns, SVG Contributor
Friday, Sep...
11/09/2025
Report: Busy Live Sports Streaming Execs Have Low-hanging Fruit' in Front o...
11/09/2025
Inside Game Creek Video's Big Week as Ovation, Flagship Make NFL DebutsBy Ken Kerschbaumer, Editorial Director
Thursday, September 11, 2025 - 7:00 am
Pr...
11/09/2025
NFL Kickoff 2025: Prime Sports Starts New Season at Lambeau Field; Sets Sights o...
11/09/2025
College Football Kickoff 2025: NBC Sports Pushes HDR Image Quality, Aerial Drone...
10/09/2025
Fox Sports Ups College Football Look as Canon, Sony Power Shallow Focus CoverageBy Ken Kerschbaumer, Editorial Director
Wednesday, September 10, 2025 - 8:00 a...
10/09/2025
SAVE THE DATE: SVG College Summit Returns to Atlanta, May 27-28, 2026By SVG Staff
Wednesday, September 10, 2025 - 10:00 am
Print This Story | Subscribe
St...
10/09/2025
SVG Students to Watch: Chloe Gosk, Monmouth UniversityThe New Jersey native is honing her skills as a replay operatorBy Brandon Costa, Director of Digital
Wed...
10/09/2025
SVG Campus Shot Callers: Alex Souza, Assistant AD for Broadcast and Technology, ...
09/09/2025
Canon EOS C50 is Canon's Smallest, Lightest Cinema Camera EverBy Ken Kerschbaumer, Editorial Director
Tuesday, September 9, 2025 - 9:00 am
Print This St...
09/09/2025
ReachTV Elevates Its Game To Bring Live Sports to TravelersThe company is redefining sports distribution across airports, hotels, digital platformsBy Brandon Co...
09/09/2025
SVG All-Stars: Rusty West, Coordinating Producer of Live Events Technology, NBC ...
09/09/2025
AWS Elemental at 10: A Steady Stream of Cloud-based Video Processing Innovation ...
08/09/2025
Behind The Mic: John Fanta Finalizes Move to NBC; ESPN Gears Up for Fall of Foot...
08/09/2025
Powered Up: Inside the Los Angeles Chargers' New Content Studio at The Bolt Chargers SVP, Brand Creative & Content Jason Lavine offers a look at the facili...
08/09/2025
NFL Kickoff 2025: YouTube Breaks Ground With First Free Global NFL Stream, Backe...
08/09/2025
Dolby Vision 2 Promises to Make HDR Viewing Even BetterBy SVG Staff
Friday, September 5, 2025 - 10:14 am
Print This Story | Subscribe
Story Highlights
Ea...
08/09/2025
BMG, Optimist Studios Combine Forces in L.A. to Give Content Creators Maximum Fi...
08/09/2025
CSI Sports/Fight Sports Announces 2026 Tyson-Mayweather Mega-Fight; Teases Strea...
08/09/2025
NFL Kickoff 2025: Fox Sports Upgrades A' Game Production with Ovation, Game...
08/09/2025
NFL Kickoff 2025: FOX Sports Launches Groundbreaking New LED-Fueled XR/AR StageThe revamp of Stage B follows in the footsteps of FOX's Stage A, which launch...
08/09/2025
NFL Kickoff 2025: CBS Sports Has Big Production Plans for Blockbuster Matchups, ...
08/09/2025
NFL Kickoff 2025: ESPN Opens Latest Era of Monday Night Football With New Trucks...
28/08/2025
The new oil is sports': Saudis share masterplan to boost esports on global stage By Adrian Pennington
Tuesday, August 26, 2025 - 08:49
Print This Story...
28/08/2025
Esports World Cup 2025: Team Falcons Defend Title as Broadcast Production Ramps ...
28/08/2025
Report: Mobile-first content has overtaken the big screen as the way fans watch ...
28/08/2025
New Era: A Pro's Guide to ESPN's Expanded College Football Playoff Graph...
28/08/2025
College Football Kickoff 2025: The CW Heads Into ACC, Pac-12 Schedule With New P...
28/08/2025
Live From US Open 2025: Tennis Channel Returns With Onsite Studio Show New set has a prime site; production is handled remotely By Ken Kerschbaumer, Editorial ...
28/08/2025
NBC Sports Drives Its Coverage of NASCAR Cup Series Into Postseason Key technical upgrades for 2025 include modified Peacock Pit Box By Mark J Burns, SVG Contr...
28/08/2025
College Football Kickoff 2025: TNT Sports Launches First Big 12 Campaign With On...
28/08/2025
College Football Kickoff 2025: ESPN Gears Up for 1,000+ Games With Massive Opera...
28/08/2025
F&F's GTX21, the Company's Largest Production Unit, Hits the Road for CB...
27/08/2025
US Open 2025: ESPN Aims To Bring Viewers' Ears Closer to the Net The audio team is serving up more player and coach audio, reduced latency By Dan Daley, A...
27/08/2025
Riedel Brings Flex Licensing to Simply Live; Intros RiView VAR Expanded RiMotion replay, Venue Gateway contribution offerings, and Connect API also debut By Ke...
27/08/2025
UEFA Women's Euro 2025: Heather Winn on splitting the difference in sound fo...
27/08/2025
Cosm, NFL Ink New Deal for 2025 Season; Includes Post-Season, Super Bowl LX Thursday Night Football, Sunday Night Football also on tap for fans hungry to immers...
27/08/2025
Taking steps for sound: Warner Bros. Discovery Sports on how it is ramping up au...