
114 audiovisual projects benefited from the initiative in 2016 OpenECAM OpenECAM crece un 238% en el ltimo a o convirti ndose en una ayuda fundamental para los actuales y antiguos alumnos de la Escuela de Cine de la Comunidad de Madrid La iniciativa OpenECAM contin a impulsando la carrera de alumnos y antiguos alumnos de la Escuela de Cine de la Comunidad de Madrid (ECAM) ayudando a que 114 proyectos audiovisuales vean la luz durante el a o 2016.
En total, 102 alumnos y 143 Alumni han participado en estos 114 proyectos que solicitaron la ayuda de la ECAM. Estos datos representan un incremento del 238% respecto al ejercicio 2015, a o en el que 48 proyectos se beneficiaron de la iniciativa.
OpenECAM tiene como objetivo apoyar los proyectos audiovisuales en los que participen alumnos antiguos y actuales de la escuela, permitiendo que si un proyecto tiene al menos como jefe de equipo a un Alumni o alumno de la ECAM, la producci n pueda contar con la ayuda de la escuela. Plat s, salas de montaje, distribuci n, material t cnico, sala de mezclas de sonido todos los recursos de la escuela est n a disposici n de los Alumni y alumnos que participen en el proyecto.
Proyectos notables
Desde 2013 t tulos como La Herida (Fernando Franco), Stockholm (Rodrigo Sorogoyen), El Futuro (Luis L pez Carrasco), Costa da Morte (Lois Pati o), Pas Gen ve (Colectivo Lacasinegra), Crumbs (Miguel Llans ), Sue an los Androides (Ion de Sosa), Malpartida Fluxus Village (Mar a P rez) o People You May Know (JC Falc n) salieron adelante gracias a la colaboraci n de la escuela.
En 2016, 114 proyectos se han beneficiado del programa de ayuda ya sea durante su producci n, postproducci n o distribuci n en festivales internacionales. En total, 14 pel culas como No s decir adi s (Lino Escalera), The Queen of Spain (Fernando Trueba), Como la Espuma (Roberto P rez-Toledo), La Mano Invisible (David Maci n), Los objetos amorosos (Adri n Silvestre) o Morir (Fernando Franco) han sido apoyadas a trav s de OpenECAM. Adem s, 58 cortometrajes, 10 videoclips, 9 rodajes publicitarios o 2 series han podido beneficiarse de las instalaciones y tecnolog a que dispone la escuela y ponerlas al servicio de los proyectos audiovisuales de antiguos alumnos y alumnos actuales.
Gonzalo Salazar-Simpson, director de la ECAM, reconoce que es fundamental que ayudemos al alumno y antiguo alumno a llevar a cabo sus proyectos con el objetivo de favorecer la producci n audiovisual en nuestro pa s, fortalecer la industria y primar la diversidad de g neros y formatos. Por este motivo desde la escuela no hemos realizado ning n filtro selectivo sobre guion de los proyectos que han recibido la ayuda. El segundo objetivo es acortar el periodo de inserci n laboral desde que el alumno finaliza sus estudios hasta que ocupa un cargo de responsabilidad .
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