Seabrook Recreates Underwater Rescues with ZEISS Supreme & Radiance Primes for The Rescue
Brie Clayton August 5, 2022
0 Comments
Jimmy Chin and Elizabeth Chai Vasarhelyi's film, The Rescue tells the story of the 2018 Tham Luang cave rescue in which twelve boys' from the Wild Boars Football club and their coach were trapped in a flooded cave complex in Thailand. Documenting the huge risks taken by a team of specialist divers during the rescue, the production combines documentary footage with painstaking dramatic reconstructions shot by top underwater cinematographer Ian Seabrook.
Seabrook's earliest dives were on Australia's Great Barrier Reef, a visual spectacle which prompted him to combine the twin passions of diving and photography and to focus on one job - as underwater cinematographer. Initially starting out on documentary and commercial productions, by the late '90s Seabrook was working in narrative as well, and today has an extensive list of underwater credits including Batman v Superman, Pirates of the Caribbean: Dead Men Tell no Tales, Deadpool 2, and Jungle Cruise.
The Rescue began preproduction in 2019, with Seabrook's experience in both narrative and documentary production immediately crucial. The filmmakers came to me to recreate the rescue operation, and I was given autonomy with regards to camera, lens, and format selection. Seabrook chose the ARRI Alexa MINI LF, recording its sensor in open-gate, with ZEISS Supreme Prime and Supreme Prime Radiance lenses.
One reason behind the decision was, Seabrook says, we thought the film might get an IMAX release due to the subject matter and fact that the directors' prior film, Free Solo, benefitted from an IMAX release. The Rescue is an amalgamation of news footage, interview footage that was photographed in a few countries, and aerial photography from Thailand. I felt that with the underwater portion of it being photographed in open gate, the images would have their own unique look and allow the audience to become immersed in the environment.
Creating images worthy of the biggest of big screens meant finding the right methodology to illuminate an environment that is oppressively dark. It was a confined cave environment, Seabrook says, and the only illumination were the divers' headlights. I had several meetings beforehand with the actual cave divers who performed the rescue operation, who told me how things were handled, and what they used for illumination during the dives.
With the Supreme Prime Radiance, each light source brought a unique quality of light and subsequent life to the frame. One of the reasons I settled on the Radiance was due to the unique blue flare patterns that the lenses were designed to create, Seabrook confirms. I shot tests underwater with the lenses wide open at T1.5 and also at a more desirable T4-5.6. With some of the divers' lights, we found that when we shot it wide open, the lights basically bloomed and there was little to no detail prevalent. I then selected an aperture I wanted to shoot at and tested that with a few different ISO combinations until I arrived at what I found to be the sweet spot for this project. That's one of the main reasons why that lens and sensor combo was spectacular.
Leveraging the depth-of-field control offered by large format camerawork was just as crucial. The reason I shot at a certain aperture was to hide the fact that there was less cave structure set than we had access to, Seabrook says. We were able to camouflage the fact that we did not have miles of cave to shoot in. At the same time, the Supreme Primes' close-focus capability was crucial for a shoot where the camera and subject distance would be in loose proximity to one another.
The close focus distance on the Supremes was an amazing asset, Seabrook enthuses. I didn't have to use auxiliary diopters because the close focus of those lenses was at most fourteen inches. Normally what anyone will require with a dome port is between sixteen and eighteen inches, so the fact that the lens focuses even closer was an enormous benefit. When we were doing re-creation work for the surface portion of the shoot with the vials of sedatives that were injected into the children, I could get close enough to read the names, ketamine and atropine, on the labels.
To the delight of everyone involved, The Rescue was to get its hoped-for huge-screen finish, and Seabrook saw his images projected at vast scale. I saw it on an IMAX screen TIFF, Seabrook recalls, and the underwater imagery had great detail and, at that size, was immersive. The real-world story behind those images, meanwhile, created lasting memories. Working with the actual divers who did the rescue was an honor such amazing individuals who were selfless and brave. They were able to go into an environment that very few people would even be able to survive in, let alone succeed in doing the impossible. I felt that needed to be represented in the best way possible. And for me the best way was to shoot it with that sensor and those lenses.
###
Enjoying the news? Sign up for the Creative COW Newsletter! Sign up for the Creative COW newsletter and get weekly updates on industry news, forum highlights, jobs, inspirational tutorials, tips, burning questions, and more! Receive bulletins from the largest, longest-running community dedicated to supporting professionals working in film, video, and audio.
Enter your email address, a first and last name, and let us know what you'd like to see more of in the message!
.grecaptcha-badge{visibility:hidden}.meow-contact-form .meow-contact-form__header{display:flex;margin-bottom:10px}.meow-contact-form .meow-contact-form__header .meow-contact-form__header__content{flex:1;display:flex;flex-direction:column;justify-content:center}.meow-contact-for
North America Stories
26/03/2026
Extron and Audio-Technica have announced that their Design Solutions devices, Ce...
26/03/2026
SPORTEL Asia took place March 24-25 at the Orchard Hotel Singapore, drawing 370 participants representing more than 220 companies from 35 countries. Approximate...
26/03/2026
LTN will demonstrate satellite-to-IP migration solutions for broadcasters, cable networks, MVPDs, and station groups at NAB Show 2026 (Booth W2100).
The C-Ban...
26/03/2026
The Seattle Mariners have partnered with Daktronics to install an upgraded outfi...
26/03/2026
The Esports Foundation (EF) has awarded National Team Partner status to organizations and individuals across more than 100 countries and territories for the Esp...
26/03/2026
Telestream has announced expanded integration between its Vantage workflow platf...
26/03/2026
FOR-A Corporation has announced a partnership with Nippon TV and NVIDIA to distr...
26/03/2026
CBS Sports and the WNBA have expanded their partnership through a new long-term, multiplatform rights agreement. CBS Sports will feature up to 20 regular-season...
26/03/2026
Zac Brown Band will star in the Sunday Night Baseball show open on NBC and Peacock, NBC Sports announced. The open was filmed at American Family Field, home of ...
26/03/2026
Major League Baseball opens the 2026 season with nationally televised games across multiple media partners. Fans can visit MLB.com/Watch for a complete schedule...
26/03/2026
DIRECTV has announced an agreement to carry nine new MLB-operated team channels, covering the Cincinnati Reds, Detroit Tigers (Detroit SportsNet), Kansas City R...
26/03/2026
Nationals.TV, the Washington Nationals' local broadcast channel, is now avai...
26/03/2026
Starting Thursday, March 26, MLB.TV will be available on the ESPN App, giving fans access to more than 2,000 out-of-market regular season games. Fans can also r...
26/03/2026
By Matt Klein
Hello to everyone reading this - whether you're a current YEP, HPA member, or just YEP-curious. I'm Matt Klein, one of the co-chairs of t...
26/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/03/2026
28 participating companies, from start-ups to blue-chips, lead the UK Group as part of the GREAT Britain and Northern Ireland presence across all the Halls at N...
26/03/2026
Arkona Unveils BLADE//planner and Major Usability Enhancements at NAB 2026
Brie Clayton March 26, 2026
0 Comments
New graphical configuration tool and...
26/03/2026
Bitfocus showcases complete control at NAB Show 2026
Brie Clayton March 26, 2026
0 Comments
Continuing development drives advances in security, availa...
26/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/03/2026
Nevion introduces powerful new Panel Builder to enhance VideoIPath broadcast con...
26/03/2026
2026 Oscar Nominated Films Powered by Blackmagic Design
Brie Clayton March 25, 2026
0 Comments
DaVinci Resolve Studio used on 27 of this year's no...
26/03/2026
Leader to present full suite of advanced Test & Measurement solutions at NAB Sho...
26/03/2026
Boston Conservatory to Present New England and Collegiate Premiere of Groundbrea...
26/03/2026
Back to All News
Have a Wish Worth Dying For? Netflix's First Korean YA Hor...
26/03/2026
Back to All News
The Truthers, Starring Jose Coronado and St phanie Magnin, Pre...
26/03/2026
Editor's note: This post is part of Into the Omniverse, a series focused on ...
26/03/2026
That gaming backlog won't clear itself - GeForce NOW is here to help. Stream the latest titles straight from the cloud across a variety of devices.
This we...
25/03/2026
Live match directors Sarah Cheadle (Sky Sports), Rob Levi (TNT Sports), and Andrew Swift (BBC Sport) sit down with the Premier League's Rachel Nightingale t...
25/03/2026
The senior from Upstate New York is manning the mic while also interning for the athletic department's sports-information team
In the live-sports-video ind...
25/03/2026
Synamedia has announced ContentArmor Edge Watermarking, a server-side solution t...
25/03/2026
SES has announced meoSphere, a medium Earth orbit (MEO) satellite network targeted for operation by 2030. The first phase will pair SES-developed software-defin...
25/03/2026
TVU Networks is working with Reuters on a phased migration from satellite to a c...
25/03/2026
Nielsen has announced three senior appointments. Seth Ladetsky has been named Head of Global Sports. Trevor Fellows will lead Nielsen's advertiser and agenc...
25/03/2026
Anoki and Amagi have launched In-Scene Ads powered by Anoki ContextIQ across Amagi's portfolio of in-content ad formats for Free Ad-supported Streaming TV (...
25/03/2026
Arkona Technologies will announce a series of enhancements to its BLADE//runner platform at NAB 2026 (Booth C.1808). The updates focus on usability and workflow...
25/03/2026
Daktronics has installed two tower displays and a video wall in the Lexus Club at Petco Park in San Diego ahead of the 2026 season.
Continuing to improve the ...
25/03/2026
MultiDyne Video & Fiber Optic Systems is celebrating its 50th anniversary as NAB Show 2026 approaches. The company was founded in 1976 by Vincent Jachetta, an N...
25/03/2026
IPC, a provider of integrated communication solutions, will make its NAB 2026 de...
25/03/2026
Live production categories were led by NBC, FOX, and ESPN's NFL coverage...
25/03/2026
The Atlanta Braves and Spectrum have announced a multiyear distribution agreemen...
25/03/2026
(L-R) Charlie Tyrell and Daniel Roher attend The AI Doc: Or How I Became An Apocaloptimist Premiere during the 2026 Sundance Film Festival at The Ray Theatre ...
25/03/2026
L3Harris Technologies and RFTEQ Pty Ltd signed a memorandum of understanding to ...
25/03/2026
L3Harris delivers combat-ready Torpedo Tube Launch and Recovery system, which deploys and retrieves Iver4 900 autonomous underwater vehicles through submarine t...
25/03/2026
The company expands leadership team under Chief Revenue Officer Amilcar Perez
S...
Seabrook Recreates Underwater Rescues with ZEISS Supreme & Radiance Primes for The Rescue 
