
Remi Beaudouin, chief strategy officer at ATEME looks at the new services that could disrupt the OTT market
Contributor 2 hours ago
Remi Beaudouin, chief strategy officer at ATEME looks at the new services that could disrupt the OTT market
target=_blank title=Share on LinkedIn class=share-linkedin> Remi Beaudouin, chief strategy officer at ATEME looks at the new services that could disrupt the OTT market
https://www.tvbeurope.com/features/will-increased-competition-drive-technological-innovation-in-the-ott-market title=Share via Email class=share-email>
The OTT market is continuing to effectively disrupt the traditional TV space and is now the preferred medium for a very large audience. In the UK, 2018 saw the number of subscriptions to television streaming services like Netflix overtake those to traditional pay television for the first time. While in the US, new research has found that by the end of the year, 34 per cent of households won't have a traditional TV subscription as cord cutting continues at pace. Additionally, with new OTT services set to be released this year, viewers are being spoilt for choice. So, what will this increase in competition mean for the OTT players and could it help drive technological innovation?
A more saturated market
For several years, the main players in the OTT market have been Netflix and Amazon Prime, however, competition in this area is increasingly getting more crowded as new OTT platforms from Disney and Apple are slated for release this year. Already, this development is causing the industry and consumers alike to question whether they will subscribe to more than one service. With Netflix currently home to a number of Disney films, the emergence of Disney+ is likely to result in these films being removed from the service which could have a knock-on effect on its subscriber numbers. In fact, research has found that 24 per cent of Netflix subscribers are considering ending their Netflix subscription in favour of Disney+ a number equal to 8.7 million people. This would be a significant hit for Netflix totalling about $117 million in lost revenue a month.
Technical innovation
With increased competition, existing and new OTT services will look to set themselves apart with a focus on driving technical innovation. As content costs increase and profitability remains a challenge, the barrier for entry into the OTT market is not as small as one might think. Providers will need to integrate more efficient and scalable video compression solutions to benefit from reduced operational costs, while also maximising quality of experience for the viewer, particularly as there is a higher requirement for low-latency in OTT services as they become more mainstream.
By 2022, it is estimated that 82 per cent of internet traffic will be video, as such broadcasters are being forced to innovate to cope with this substantial increase in streaming. This innovation is coming in a variety of ways including the development of new codecs which are better able to deal with growing bandwidths than the current standard code H.264. Video delivery requires a new standard that can drastically reduce the bit rate while maintaining the same video quality. These factors are leading broadcasters to look for the next codec, with strong contenders looking likely to be AV1 and HEVC, and have resulted in a number of consortiums being formed in recent months. For broadcasters, adopting AV1 could enable the absorption of video traffic while also supporting the growing number of 4K videos. Similarly, as 5G and ATSC 3.0 are introduced, broadcasters who adopt these developments could change the way we consumer video and enable viewers to stream larger video files at higher speeds.
Improved content
As well as technical innovations, increased competition is forcing SVoD services to look at the content they are creating and how they can better appeal to customers. This has seen Netflix, for example, looking at the older 44-64 age group after having exhausted growth in younger audiences. Additionally, the quality of and talent in shows on streaming services are increasing. For instance, Oscar winning actress Olivia Colman will be appearing in Netflix's The Crown later this year, while Apple TV+, which is yet to launch, already has big names such as Reese Witherspoon, Jennifer Aniston and Steve Carell attached to projects that will sit on the platform.
What will be the outcome?
The emergence of new OTT subscription services is certainly leading to increased competition within the market and with consumers spoilt for choice, broadcasters are desperately trying to set their platform apart. This choice has led to a rise in stacking' - the act of having more than one video subscription with research from Ampere Analysis in the US and Europe finding that people on average pay for three OTT subscription services and around 7 per cent of households have more than five. However, it also suggests that stacking has reached saturation point in the US and households may have already curated their suite of SVoD services and might not be willing to add a new subscription, and associated cost, to the mix. This is something that could also happen in Europe as audiences refuse to cover the costs of multiple services and are instead faced with deciding which one or two services they should stick with.
Consequently, this competition and desire to retain their existing audience base and attract new customers will inspire innovation at all levels. Not only will we begin to see more technological innovation as OTT services make use of and harness the technologies available to them, but we will also see this spill over into the quality of service and content on offer. Those broadcasters that manage to innovate in each of these areas will be the ones to have the greatest success i
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
72.4% of overall TV viewing in Q1 2025 is of content that includes advertising
...
01/05/2025
NEW YORK LiveNow From Fox, Fox Television Stations' national news streaming service, has released viewing data showing the first quarter was the best quarte...
01/05/2025
The global installed base of Smart TVs and Connected TV (CTV) devices will reach 4.2 billion units by 2030, growing at a CAGR of 9.6% from 2.65 billion in 2025,...
01/05/2025
Samsung TV Plus has announced that it is expanding its existing lineup of more than 50 sports channels with five new free, ad-supported streaming television (FA...
01/05/2025
MELBOURNE, Fla. Carlo DiMarco has joined USSI Global as vice president of strategic marketing and growth, with responsibility for strategic business development...
01/05/2025
WASHINGTON The NAB has filed a wide-ranging rebuttal to proposals by the pay TV industry that the FCC delete and/or significantly change rules governing retrans...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
Voice actor and producer Mark Yoshimoto Nemcoff shares his first impressions of the DPA 2017 Shotgun Microphone, from real-world auditions to side-by-side compa...
01/05/2025
With my previous console, Freeman recalls, I always had to run a Waves server for EQ and compression, but when I switched to DiGiCo, I found it was such an op...
01/05/2025
Stream all episodes ofLook Who's Hangry from April 29
An RT Player Original in partnership with Heinz...
01/05/2025
Here is your host, Patrick Kielty!
T naiste, Minister for Foreign Affairs and T...
01/05/2025
Exclusive interviews and un-seen footage feature in new two-part series...
01/05/2025
May brings more than just rainbows and sunshine - it's also time for fresh adventures and epic battles. This GFN Thursday spotlights 20 can't-miss games...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...