
SVG Campus Shot Callers: Andy Liebsch, Senior Director, Video Services, Kansas State UniversityThe Wildcat alum has expanded production facilities and won Emmys at his alma materBy Brandon Costa, Director of Digital
Thursday, October 30, 2025 - 7:00 am
Print This Story | Subscribe
Story Highlights
The pool of production and operations talent in sports media runs much deeper than the national networks. SVG Campus Shot Callers spotlights the behind-the-scenes leaders powering the massive wave of college sports productions available to fans today. Across athletic departments nationwide, these administrators manage teams, oversee technology investment, mentor students, and ensure that hundreds of live broadcasts make it to air each year. This series highlights their journeys, philosophies, and the vital role they play in shaping live sports production.
Kansas State University has long been recognized as a standard-bearer in collegiate live production, and few have been more instrumental in that rise than Andy Liebsch, senior director, video services, K-State Athletics. A 13-year full-time veteran who has been tied to the program since his student days in the early 2000s, Liebsch oversees all live and creative video operations of Emmy and Silver Telly Award-winning K-StateHD.TV.
Each year, his department produces roughly 90 live game broadcasts - primarily for ESPN - as well as marquee linear events on ESPN, ESPN2, ESPNU, and, most recently, CBS Sports Network, where K-State became the first school to host an on-campus linear production in January 2025. His team also manages videoboard shows across five campus venues and delivers a steady stream of creative content for marketing, recruiting, and social media.
Backed by a team of five full-time staff members and more than 80 freelancers and students, Liebsch has helped turn K-StateHD.TV into one of the nation's premier collegiate production operations. Recent investments - such as the multimillion-dollar renovation of an outside television/streaming production-control room and enhanced student training center in the West Stadium Center at Bill Snyder Family Stadium and a videoboard-production-control room in Morgan Family Arena (volleyball venue) in 2023 - have expanded both capacity and training capabilities, connecting control rooms and streamlining workflows across the department.
In this edition of SVG Campus Shot Callers, Liebsch shares how K-State continues to push the boundaries of in-house live production, the philosophy that drives his student-led crews, and the lessons he has learned from two decades behind the Wildcats' broadcasts.
What are the key responsibilities of your current role?
My primary responsibility is making sure our day-to-day operations run smoothly both technically and creatively. A lot of days, there is a lot of engineering work that goes into that and just making sure things work as expected. Other times, it is a lot of working with all our talented students and staff and finding ways to put them in positions where they can help us be successful.
In a career highlight, Liebsch directed a live production of this year's Aer Lingus College Football Classic in Dublin, where Kansas State faced Iowa State. (Photos: K-State Athletics)
What is one core philosophy you try to live by when managing your team/operation?
Trying your best and making mistakes and learning from them is better than doing the bare minimum and never getting any better. Like a lot of schools, we have a lot of student workers, and, for most of them, it's their first time walking into a control room. I want to inspire them to learn to improve their craft and take ownership over whatever they are doing that day. Mistakes will happen; that is part of the learning process. As long as they are putting forth their best effort, I know they will get better. We certainly try to make sure the viewer doesn't see the chaos behind the scenes, but we must give students the opportunity to grow and prove what they are capable of.
What is one key technology investment that your department has made that you feel has greatly improved your productions, workflows, or how your team operates?
Investing in connected control and rack rooms has increased our efficiency and has had a dramatic effect on our capabilities. Being able to have everything connected helps us quickly change from one sport to another. It also increased the technical capabilities of all our shows and allows us to scale them up and down in complexity as needed.
Liebsch (center, pointing) inside K-State's on-campus production-control room during a Jan. 29 CBS Sports Network broadcast of a Kansas State Men's Basketball game against Oklahoma State
How did you get started in sports production? What made you want to pursue this career?
I got started as a student at K-State creating graphics for our videoboard productions, which was all we had at that point. I loved the combination of technical ability and creative mindset that live sports blend together. The live component and fast-paced action of sports make you stay on your toes. It certainly can be stressful at times, but that is part of what makes it such a fun industry to work in.
What is your favorite event(s) you've ever worked?
Winning the Big 12 football championship at home in 2012 was an awesome experience and being able to play a part in making that atmosphere such a memorable one was really special. Hosting NCAA Volleyball and Basketball multiple times has also been a lot of fun. The added pressure and intensity of everything that goes along with postseason play is something I have enjoyed.
What's one piece of advice that you regularly give your student workers?
Own your own education. We try to provide lots of resources and opportunities for training, but we can only lead someone to the
More from Sports Video Group
02/03/2026
NBC Sports selected Imaginary Forces to create the main title sequence for the M...
02/03/2026
The NFL announces the launch of the NFL Draft Innovation Challenge, a new crowds...
02/03/2026
The World Teleport Association (WTA) has named Skyline Communications' DataMiner SatOps solution as a finalist for the 2026 Teleport Technology of the Year ...
02/03/2026
Ventum Tech announces a strategic partnership with Pixotope, a real-time graphic...
02/03/2026
Victory , a free, ad-supported sports streaming service, announces the launch of...
28/02/2026
With two features seen in Formula 1 coverage, the broadcaster aims to bring view...
27/02/2026
The E.W. Scripps Company names Oliver Gray as Vice President, Network Sports and...
27/02/2026
The Gotham Sports App, the exclusive direct-to-consumer streaming home of MSG Networks and the YES Network, is now available for purchase through Prime Video fo...
27/02/2026
ESPN and the Horizon League announce a new multi-year, multi-platform media rights agreement, continuing a 38-year collaboration that began with the 1988 Midwes...
27/02/2026
At the 2026 NAB Show in Las Vegas, NETGEAR will highlight its new switch models and major updates to its Engage Controller software. The company's network d...
27/02/2026
Riedel Communications announces that Fondazione Teatro alla Scala has deployed a...
27/02/2026
Lyuno specializes in media localization, including translation, dubbing, subtitling, and voice-over services for a wide array of entertainment content. The comp...
27/02/2026
Chyron Weather 2.3, the latest edition of Chyron's weather visualization suite for broadcasters and meteorologists, recently launched.
The release includes...
27/02/2026
Telestream, which concentrates in media workflow technologies, announces expanded practical AI enhancements across its Vantage, Vantage Cloud, EDC, Stanza, and ...
27/02/2026
Horizon Sports & Experiences (HS&E), a global sports marketing, media, and live ...
27/02/2026
Legendary sports broadcasters Bob Costas, Doug Collins, Mike Czar of the Telest...
27/02/2026
Beginning on March 1st, IndyCar will be kicking off their 31st season on the str...
27/02/2026
In-venue and creative video staffers at the professional and collegiate level ha...
27/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
27/02/2026
Owl AI a pioneer in artificial intelligence for professional sports, announces a...
27/02/2026
With over 447 million fans in APAC, Formula 1 and beIN will continue to innovate...
27/02/2026
12-year-old Noelle Taylor will be the Kid Reporter when the Brooklyn Nets host t...
27/02/2026
Entire CapCam system - including camera unit, RF transmitter, and battery - is h...
26/02/2026
Multi-angle coverage, on-demand access to ultra-high-resolution video are provided for replays and clips across multiple distribution channels
The NHL and Cosm...
26/02/2026
Advanced Systems Group, LLC (ASG), a technology and services provider for media creatives and content owners, has appointed Jody Boatwright as Chief Strategy Of...
26/02/2026
As players report to Spring Training, TikTok and MLB announce an expanded content partnership bringing baseball fans around the world closer to the game through...
26/02/2026
Chyron announces its 2026 Designer of the Year Competition to be awarded during a live stream from the 2026 NAB Show in Las Vegas. This year's competition i...
26/02/2026
Appear, which specializes in live production technology, announces that its X Platform has been officially verified by YouTube for Secure Reliable Transport (SR...
26/02/2026
Adder Technology, a specialist in connectivity solutions and high performance IP...
26/02/2026
Harmonic announces that Alcom, a leading telco operator in Finland, is powering its next-generation white-label headend video service with Harmonic's XOS Ad...
26/02/2026
ESPN, Disney , and the Savannah Bananas announce a 25-game exclusive package in ...
26/02/2026
Brazilian broadcaster Globo has returned as the official broadcast partner of th...
26/02/2026
NDI, which concentrates in plug-and-play IP video connectivity, announces a strategic partnership with Jiaruisen (JRS), a Shenzhen-based technology distributor,...
26/02/2026
The Charleston, SC, native has excelled as a live-camera operator on Tigers broadcasts
In the live-sports-video industry, the future is bright. Our series SVG ...
26/02/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
26/02/2026
Supported by partners, the in-venue production team keeps videoboard-show qualit...
26/02/2026
CAMB.AI provides AI speech synthesis and translation with a focus on localizatio...
26/02/2026
AWS Elemental Inference could help sports broadcasters learn to love AI
This we...
25/02/2026
With the Olympic Flag officially handed over to the organisers of the next Winter Games and the baton passed from Milano Cortina 2026 to French Alps 2030, the I...
25/02/2026
From a studio overlooking the Dolomites to workflows routed through Milan and into Salford, the BBC delivered a lean and mean operation for its Winter Games c...
25/02/2026
Warner Bros. Discovery (WBD) Sports is managing a huge network of channels acros...
25/02/2026
From its base in the northern Italian town of Cortina, Warner Bros. Discovery (W...
25/02/2026
In addition to 16:9-to-9:16 intelligent cropping for live video, Inference autom...
25/02/2026
Longtime rivals Floyd Money Mayweather Jr. (50-0, 27 KOs) and Manny PacMan P...
25/02/2026
The WNBA's Portland Fire and NWSL's Portland Thorns announce a groundbre...
25/02/2026
Multi-angle coverage, on-demand access to ultra-high-resolution video are provided for replays and clips across multiple distribution channels
The NHL and Cosm...
25/02/2026
The implementation standardizes an integrated workflow connecting ultra-high-res...
25/02/2026
Targeting a younger audience, creator-led network's Access Granted series hi...
25/02/2026
Alpha, the project's systems integrator, assisted in the workflow transformation
Tipping off the second half of the 2025-26 home schedule against the Houst...
25/02/2026
OCVIBE, the 100-acre mixed-use development transforming the area surrounding Hon...