
Do Not Peek Entertainment Creates New Esports-Production Workflow for Odyssey Invitational Live Fortnite tournament featured 100 players, 50 streamers battling for $100,000 By Jason Dachman, Chief Editor
Monday, September 19, 2022 - 7:00 am
Print This Story | Subscribe
Story Highlights
Founded in 2019 by esports-production veterans Scott Smith and Jason Baker, Do Not Peek Entertainment (DNP) operates a full studio in Phoenix, producing live broadcasts and original programming and postproducing content for esports and gaming.
Do Not Peek Entertainment's productions run out of the BitFire Studios control room in Phoenix.
Smith and Baker are legends in the esports-production space with more than 20 years of experience apiece. As co-founder of GotFragTV (which was acquired by MLG), owner/COO of team Evil Geniuses, and on-air host/broadcast analyst for more than two decades, Smith is one of the most iconic faces in esports broadcasting. Baker, also a co-founder of GotFragTV, helped launch Turner's Eleague as a producer and Blizzard's Overwatch League as a director.
After living through and pioneering the origins of esports broadcasting and watching the influx of corporate forces into the space, says Baker, we wanted to combine top-notch production with the sincere joy and excitement of gaming. We founded Do Not Peek to tell authentic stories about the most exciting entertainment on the planet and to make cool stuff with cool people.
Odyssey Invitational: Creating a Workflow for 100 Players, 50 Streamers DNP took its live-production capability to new heights this month with the $100K Odyssey Invitational, a Fortnite tournament in which a total of 100 players, including 50 celebrity streamers, battled for $100,000 in prize money.
DNP had to build a system that could capture each stream and be able to switch between them at a moment's notice. Integrating a cloud solution with its switching system, the production team was able to capture all 50 Twitch feeds, allowing observers to use Elgato Stream Decks to select which 12 would be visible on the multiview. From there, the director could see which players were in the action and switch to their POV at any time or to the free-cam observers.
The Fortnite tournament featured 100 players, including 50 celebrity streamers, battling for $100,000 in prize money.
This is the first time we've done a show like this, says Baker. It is certainly one of the most complex. We had been contemplating how to engineer something on this scale, and this show gave us the opportunity to go all-in and develop our own solution.
In addition, DNP provided its LED Stage setup for hosts and casters as well as the full control room at its Phoenix production facility.
DNP provided its LED Stage setup for hosts and casters as well as the full control room at its Phoenix production facility.
Streamer events like the Odyssey Invitational have grown rapidly in popularity in recent years, thanks in large part to Twitch Rivals events like the Streamer Bowl. However, although Twitch and other high-profile streamers boast high-end API tools to boost their productions, DNP built a new production workflow from scratch for the Sept. 8 event.
Without the API tools available to streamers like Twitch Rivals, DNP needed to figure out how to adequately browser-source-capture 50 streams at once. Baker and company came up with a solution that includes switching, automation, fonting, and multiple data flows. He says the biggest challenge was testing everything and combining them into a single workflow for the ultimate end-to-end solution.
The Odyssey Invitational took place on Sept. 8.
The biggest challenge was testing everything and combining them into a single workflow for the ultimate end-to-end solution, says Baker. This event proves that we can solve big problems from ideation to execution.
The feedback from the client, he continues, has been extremely positive so far, with all signs pointing to the broadcast being a success for them. The fans that tuned in seemed to enjoy the show as well, although, with this type of broadcast, most of the viewers stay on the streamer's stream and do not often venture to the main broadcast.
On the Horizon: With New Production Model, DNP Sees Big Things Ahead In 2021, DNP moved into BitFire Studios, a newly opened 16,000-sq.-ft. production facility in Phoenix offering a cost-effective solution to the high prices of the East/West Coast production hubs. The turnkey studio with multiple stages features a broadcast-control room with full Ross suite: Carbonite Ultra switcher with Tria+, XPression graphics, and Mira+ playback/replay system. Although the new digs have served DNP well, Baker says, the production model used for the Odyssey Invitational marks a new chapter in the company's capabilities.
Do Not Peek Entertainment believes its new production workflow will be a hit with future clients
Ever since moving into BitFire Studios, he explains, we've had access to some incredible toys and powerful technology. But this is something we designed from the ground up. There's no hard limit on scaling this solution up. We did 50 streamers this time, but, next time, a hundred? A thousand? We're eager to push the medium as far as it'll go.
Now that we've put our massive streamer array through its paces, he continues, we're eager to bring this large-scale creator collaboration model to other clients and games. We've also got some remote-production [projects] coming up for some very important causes.
More from Sports Video Group
19/11/2025
Sphere Sound Kicks Up Its Heels at Radio City Music HallUltra-immersive system from the singular Las Vegas venue is also ready for sportsBy Dan Daley, Audio Edi...
19/11/2025
The Future of Stadium and Arena Video Control Rooms: Tech Leaders Talk 4K, IP, a...
19/11/2025
One Year at Intuit Dome: Walking Through the Stunning Arena's Advanced Video...
19/11/2025
SVG Sit-Down: IMG's Francois Westcombe Goes Inside IMG's Annual Digital ...
19/11/2025
Inside Brighton & Hove Albion's fan-first media machine By George Bevir
Tuesday, November 18, 2025 - 10:10
Print This Story
Brighton & Hove Albion'...
19/11/2025
Rock Chalk Rebuild, Part 1: Kansas Athletics Brings New Production Power to Rebu...
19/11/2025
Rock Chalk Rebuild, Part 2: A Pro's Guide to Kansas Athletics' New Video...
19/11/2025
MLB Media Rights Shakeup: NBC Inks Three-Year Deal for Sunday Night Baseball, Pe...
18/11/2025
NBA Debuts New Comms Infrastructure and Systems for RefereesTwo-phase rollout is intended to improve game flow, enhance officiating accuracyBy Dan Daley, Audio ...
18/11/2025
Platinum White Paper: How Aggreko Delivers Certainty For Broadcasters On The Wor...
18/11/2025
Kiswe Extends DTC Products With Kiswe Core Cloud-Based Tool for Distributing Con...
18/11/2025
Spanish Basketball Federation partners with ScorePlay to power digital transform...
18/11/2025
HBS selects BBright encoders and decoders to connect ST 2110 live production wor...
18/11/2025
Ashes to Ashes: Inside TNT Sports' hybrid and maverick' production plan...
18/11/2025
SVG All-Stars: Mimi Fotopoulos, Director, Talent and Production Operations, Tenn...
18/11/2025
SVG LIVE! Conference Explores the Tech Side of Sports and Entertainment ConvergenceLive sports and music productions increasingly share gear and infrastructureB...
18/11/2025
LPGA Ups Its Production Game in 2026 With 50% More Cameras, SSMO's & Drones,...
18/11/2025
ESPN's Dunk the Halls Real-Time Animated NBA Game Set to Return for Christma...
17/11/2025
EA SPORTS Madden NFL Cast to Return Thanksgiving Night With Immersive, Data-Driv...
17/11/2025
Behind the Broadcast Booth: Impact Ventures' Greer Christian on Building Her...
17/11/2025
SVG Sit-Down: Sportradar's Brian Josephs Talks Peacock's Powerful Perfor...
17/11/2025
2025 Sports Broadcasting Hall of Fame: Greg Gumbel, Iconic Voice and Comforting ...
17/11/2025
ESPN, Pixar, the NFL, and Beyond Sports Team Up for ESPN's Dec. 8 Monsters,...
17/11/2025
SVG Sit-Down: EA SPORTS' Evan Dexter on How the EA SPORTS Madden NFL Cast...
14/11/2025
Op-Ed: The Automation Imperative - Why AI Is the Only Scalable Defense Against L...
14/11/2025
FutureSPORT 2025: Caretta Research on why streaming won't save broadcasters By Jo Ruddock
Monday, November 10, 2025 - 14:37
Print This Story
Caretta R...
14/11/2025
Daneysse Daniels, Emmy-Winning Production Manager and Beloved Teammate at TNT Sp...
14/11/2025
The NBA 2K League Returns as an Immersive Entertainment Ecosystem' With Non...
14/11/2025
Inaugural SVG LIVE! Conference Brings 250 Top Sports and Entertainment Producti...
13/11/2025
Versant Announces USA Sports as New Brand for Sports PortfolioBy SVG Staff
Thursday, November 13, 2025 - 6:15 am
Print This Story | Subscribe
Story Highli...
13/11/2025
SVG Campus Shot Callers: Mike Szlamowicz, Assistant Athletics Director, Sport an...
13/11/2025
REMI Realities: Finding Success in Switching, Replay, Graphics, Commentary, and ...
13/11/2025
SVG Sit-Down: E1's Laurence Boyd Shares the Tech Challenges of the 2025 Race...
13/11/2025
Versant's USA Sports Inks Five-Year Rights Deal With New Pac-12 ConferencePac-12 Enterprises will produce all USA Network games in partnership with USA Spor...
13/11/2025
NBCU To Launch New NBC Sports Network on Nov. 17By SVG Staff
Thursday, November 13, 2025 - 10:40 am
Print This Story | Subscribe
Story Highlights
NBCUniv...
13/11/2025
2025 Sports Broadcasting Hall of Fame: Glenn Adamo, Artist of StorytellingBy Ken Kerschbaumer, Editorial Director
Thursday, November 13, 2025 - 11:29 am
Pri...
12/11/2025
SVG TranSPORT 2025: All Sessions Now Available to Watch on SVG PLAYEvent addressed the latest in live sports video contribution and distribution technologyBy SV...
11/11/2025
SVG Sit-Down: How Pixellot's Automated-Production-Tech Stack Is Evolving in ...
11/11/2025
Introducing SVG's New Platinum White Papers' PlatformTop technology providers detail how they are innovating in sports productionBy SVG Staff
Tuesday...
11/11/2025
SVG All-Stars: Vanessa Lindsey, Senior Director, Technical and Remote Operations...
11/11/2025
Lesson Plan: How Big Ten Network's StudentU Produces Broadcast Pros - and 2,...
11/11/2025
Peacock Performance View Feature Now Available for All NBA Games on PeacockBy Jason Dachman, Editorial Director, U.S.
Tuesday, November 11, 2025 - 2:10 pm
P...
10/11/2025
New frontier: Extreme H's Ali Russell on the evolution of motorsport from el...
10/11/2025
SVG Sit-Down: How the XR Sports Alliance Makes XR Easier Than Ever for Rightshol...
10/11/2025
FutureSPORT 2025: F1's Wendy Hendrickx on putting fans at the heart of the a...
10/11/2025
Paul Tagliabue, Former NFL Commissioner, Sports Broadcasting Hall of Famer, Dies...
10/11/2025
Act Now! SVG Summit Complimentary Registration Closes on Dec. 9 Don't miss out on the biggest event of the year in sports production By SVG Staff
Monday...
10/11/2025
2025 Sports Broadcasting Hall of Fame: Jerry Jones, Visionary of ValueDave Barron, SVG Contributor
Monday, November 10, 2025 - 2:30 pm
Print This Story | S...
08/11/2025
College Hoops Preview 2025: TNT Sports Puts Multi-Feed Production Model Front an...
07/11/2025
SVG Sit-Down: Athlos NYC CMO Kayla Green on Building the Brand of the Young Trac...