
By Mark Hudson, head of business intelligence, TVSquared
Contributor 3 hours ago
By Mark Hudson, head of business intelligence, TVSquared
target=_blank title=Share on LinkedIn class=share-linkedin> By Mark Hudson, head of business intelligence, TVSquared
https://www.tvbeurope.com/features/how-the-rise-of-ott-is-helping-tv-get-into-its-best-ever-shape title=Share via Email class=share-email>
Over-the-top (OTT) services have made their way into almost every living room. In fact, 79 per cent of UK adults - 40 million people - regularly use catch-up platforms to binge on several programmes in one sitting, with 35 per cent doing so weekly.
But while the rise in online streaming has raised questions about the future of linear TV, fears for its survival are unfounded. Instead of sounding the death knell for traditional TV, OTT has created multiple opportunities for broadcasters and brands - from the chance to reach larger audiences to new forms of interactive advertising.
So, let's flip the standard TV versus digital narrative on its head and take a look at how OTT is helping traditional media.
Shifted viewing, bigger impact
As a service that allows audiences to watch content whenever and virtually whenever it suits them, OTT is expanding the reach of linear TV for standard programming and live events.
Late last year, for example, Channel 4's Bake Off attracted a record-breaking 1.1 million catch-up viewers in the week after the initial broadcast, which was watched by an initial audience of 6.5 million. More recently, BBC coverage of the Winter Olympic Games smashed previous figures with content being streamed 22.2 million times. And streaming isn't just a UK trend: in Australia, 87 per cent of viewers use OTT services, while 50 per cent of households in the US watch OTT content via their connected TV. From the broadcaster perspective, OTT options are clearly reinforcing the impact of TV, not replacing it.
And there are plenty of advantages for marketers too. Aside from the chance to boost exposure by purchasing ad slots within catch-up shows, OTT platforms offer increased possibilities to collect data about the activity of logged-in viewers.
Windows of data opportunity
By collating data about individual habits - such as the type of programmes viewers access and when - broadcasters can offer advertising options that allow brands to align messages with unique interests and utilise interactive formats. Both of these elements increase the likelihood of additional brand awareness driven by engaged viewers - especially the 56 per cent who discuss programmes with co-viewers and via social media.
Plus, marketers can leverage ratings information to gauge what is really considered unmissable TV - the most viewed programmes on catch-up services - and use it as a baseline for consistent audience engagement, and smarter media buying.
Getting creative to access the power of OTT
Although many of these OTT platforms opt for a subscription on-demand (SVoD) setup, this TV opportunity provides limited inventory options for brands. That's not to say brands can't still utilise the power of these platforms by taking something from traditional TV practices: product placement.
In some ways, this placement - when properly and creatively executed - can increase the impact of the brand for the consumer. A classic example is Reese's Pieces - the brand experienced a 65 per cent increase in sales after its placement in E.T. The Extra-Terrestrial. And this option doesn't just offer a paid endorsement, but carefully considered placements will add to the reality' of the brand. When used in conjunction with ad campaigns, the power of TV's recall, recognition, and reach can be fully exploited. And the best thing? It's evergreen - a permanent ad placement in content.
The bigger picture
Greater OTT usage has inevitably meant increased competition, with broadcasters battling the likes of FANG (Facebook, Amazon, Netflix, and Google) for audience attention. As marketers and broadcasters seek to outshine competitors by raising programming and advertising standards, viewer experiences will improve - and so, in turn, will engagement.
It's also worth noting that production spend at subscription-based companies is far from sustainable. Netflix, for example, splashed out an impressive £97 million on The Crown alone, while the BBC created 18 different series for the same amount, and let's not forget the final season of Game of Thrones - the final six episodes will cost a staggering $15 million each. In the long run, winning audience favour will come down to variety - the platforms that offer the greatest range of innovative content. And with regular' TV exceeding the output of subscription giants, it's looking like linear broadcasters will be the victors.
One true pairing
Those who proclaimed TV is dead couldn't have been more wrong - between 2016 and 2017, the average linear viewing time only reduced by two minutes a day; and by 2022, the humble TV is still expected to take pride of place in 90 per cent of homes - whether this is for linear TV viewing or digital streaming via a bigger screen.
Working in partnership, OTT and linear are also driving exciting new prospects for the TV landscape - particularly when it comes to advertising. A huge £115 million worth of advertising was viewed on OTT platforms during 2017, with this figure predicted to grow to £220 million by 2020. Now is the time for broadcasters and advertisers to recognise the benefits of each platform and how they can work in harmony to maintain interest in the living room box - and make TV a more powerful medium than ever.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
You've seen the headlines, now it's time to go Behind the Story
RT News has today (Wednesday) launched a brand-new news podcast, Behind the Story, h...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...